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RHOC’s Jennifer Says Claims BF Ryan Cheated Occupy ‘A Lot of Headspace’ on July 30, 2023 at 3:00 pm Us Weekly

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Jennifer Pedranti and boyfriend Ryan Boyajian have navigated cheating speculation throughout her debut season on The Real Housewives of Orange County.

“We have had a lot of conversations about it. You know, it’s taken up a lot of headspace for us because we don’t understand it,” Jennifer, 46, exclusively told Us Weekly on Thursday, July 27. “I’m so grateful Ryan manages it the way that he does. I can just head spin about it. Like, ‘This doesn’t make sense. I don’t know this, I don’t know.’ But he keeps me a little bit more grounded with it, and he sees it for what it is. And we, thank God, are just in a great space. Everybody says ‘the [Housewives] curse,’ you know? And we think that’s not gonna happen.”

Jennifer’s romance with Ryan, 46, raised eyebrows among her costars when she joined the cast for season 17. The RHOC stars, led by Tamra Judge, criticized the twosome for allegedly getting together prior to Jennifer’s 2021 split from ex-husband William Pedranti. Tamra, 55, even referred to Ryan as the “town whore” in the July 5 episode of the Bravo hit and accused him of infidelity.

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Tamra further claimed during the Wednesday, July 26, episode of Watch What Happens Live With Andy Cohen that the couple had used the scandal to get cast on RHOC. “Jen was going through the casting process when she actually found out that Ryan was cheating on her — and she chose to stay with him because she’s afraid she wouldn’t get cast on the show,” Tamra alleged, noting she had “a lot” of conversations with Jennifer about the dilemma.

‘RHOC’ Stars: Where Are They Now?

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Jennifer, however, denied the claims while speaking with Us.

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“What? I mean, what are you even talking about? Like, you think I’m gonna stay in a cheating relationship because I’m worried I’m not gonna get cast?” Jennifer — who shares five children with William, 51 — told Us. “That’s like the dumbest thing I’ve ever heard. I’m not trying to be rude, but, no, and you know, that whole time, sometimes I’m like, ‘Does Tamra forget? Does Tamra remember conversations she and I had when that time was actually happening?’”

Jennifer claimed that she and Tamra would frequently check in with one another while they were waiting to hear from producers about whether they’d be joining the season 17 cast. In fact, Tamra’s husband, Eddie Judge, would frequently hang out with Ryan at that time. “It was very much, like, Eddie and Ryan are buds, and it was not that tone at all,” Jennifer said. “So, I don’t even know where that comes from.”

Jennifer Pedranti and Ryan Boyajian. Lisa O’Connor/Shutterstock

When asked whether Tamra ever warned her about Ryan’s alleged infidelity pre-RHOC, Jennifer theorized that her pal had “saved it for the cameras.”

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“There was plenty of days and hours spent in the gym together. I mean, Tamra jumped in and trained with me and my trainer for a long time — and three years is not a short amount of time,” she added on Thursday. “It’s not like Tamra and I had, like, two months in the gym and then we started filming. There was years where all these conversations could have happened.”

Biggest ‘Real Housewives’ Feuds Ever — And Where the Relationships Stand Today

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Jennifer’s costar Emily Simpson, for her part, told Us earlier this week that she thought Ryan was a “walking neon [red] flag” considering all the drama.

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“It’s super unfair to Ryan,” Jennifer said, refuting Emily’s claims based on his past relationships. “I have never been more loved or prioritized in my life and he’s such a good partner. It’s so unfortunate that they just wanna listen to talk from past, and that’s who they’re gonna judge him to be.”

She continued: “Leave me alone [and] leave us alone. If something happens and it all falls apart and I eat crow or I do something to Ryan, then that’s our path. But I’m not on Emily, and I’m not on Tamra, and I’m not on Gina [Kirschenheiter]. Like, let me be. I’m so happy. Can I just be happy?”

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While Jennifer’s friendships with her fellow Housewives are on the rocks over her romance, her relationship with Ryan is faring much better.

“I don’t know if I ever said I didn’t trust Ryan. I’ve not experienced that [with] Ryan. I understand Ryan’s past 5+ years ago and the only reason I know about it is because Ryan has shared with me himself about everything,” she revealed to Us. “He’s very open with me about everything. … Do I trust Ryan? 100 percent. Do I think for a second I ever have to worry about Ryan? Never. I never think about it. I don’t have to worry about it. It’s not the relationship that I’m in with him.”

The Real Housewives of Orange County airs on Bravo Wednesdays at 8 p.m. ET.

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With reporting by Christina Garibaldi

Jennifer Pedranti and boyfriend Ryan Boyajian have navigated cheating speculation throughout her debut season on The Real Housewives of Orange County. “We have had a lot of conversations about it. You know, it’s taken up a lot of headspace for us because we don’t understand it,” Jennifer, 46, exclusively told Us Weekly on Thursday, July 27. “I’m so grateful Ryan manages 

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“She Wants My Life”: A Shannon Washington Psychological Thriller

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She Wants My Life: A Chilling Tale of Obsession and Deceit
She Wants My Life” is an upcoming psychological thriller by athlete-turned-filmmaker Shannon Washington. In this film, Niesha’s picture-perfect suburban existence is turned upside down by Veronica, a charming and enigmatic tutor with a dark obsession. As Veronica (portrayed by Krista Kalmus) infiltrates Niesha’s life, manipulating those around her and orchestrating a sinister takeover, Niesha (portrayed by Vanessa Simmons) must fight to protect her family and her very sense of self.
A Life of Perfection, A Mask of Deceit
Niesha’s life appears flawless – a successful husband, beautiful children, and a luxurious home. But beneath the surface, her marriage is strained, her children are distant, and her own dreams are on hold. Enter Veronica, a tutor who quickly gains the trust of Niesha’s children and becomes an integral part of the household. As Veronica’s influence grows, Niesha starts to feel isolated and vulnerable.
A Descent into Madness
As strange events unfold, Niesha realizes that Veronica’s intentions are far from pure. Consumed by envy, Veronica is determined to claim Niesha’s life as her own, viewing her as an obstacle to the perfect existence she believes she deserves. As Niesha delves deeper into Veronica’s past, she uncovers a disturbing truth that threatens to destroy everything she holds dear.
A Battle of Wills
In a heart-pumping, tense showdown, Niesha must confront Veronica’s dangerous obsession head-on. With her family’s safety hanging in the balance, Niesha must summon the strength to reclaim her life and her identity. Will she be able to outsmart the sinister forces closing in around her, or will Veronica succeed in her twisted quest for perfection?
“She Wants My Life”: A Thrilling Exploration of Obsession
This gripping psychological thriller explores the terrifying lengths one woman will go to in order to claim another’s life as her own. With its twists and turns, She Wants My Life will keep you on the edge of your seat, wondering what’s real, what’s manipulation, and what’s at stake. Don’t miss this chilling tale of obsession, deceit, and the fight for survival.
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If you’re a filmmaker looking to elevate your project and reach new audiences, Bolanle Media offers innovative marketing solutions and collaborative opportunities to bring your vision to life. Whether you’re seeking promotional support, distribution guidance, or strategic partnerships, the Bolanle Media team is committed to helping you succeed. Reach out to them today to explore how they can help amplify your film’s impact and reach.

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“Another Night at Beaver’s”: A Wild Fiery Story of an Apocalypse

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Jeremy Sumrall’s latest project, “Another Night at Beaver’s,” has been making waves in the film festival circuit. The screenplay was recently selected as an award finalist for the Houston Comedy Film Festival, marking another milestone in Sumrall’s career. This recognition comes on the heels of its selection by the Fall HorrorHound Film Festival, showcasing the script’s appeal across multiple genres

Inspiration and Storytelling

“Another Night at Beaver’s” is set in a strip club on the edge of hell and draws from classics like “Assault on Precinct 13” and “Tales From The Crypt’s Demon Knight.” The film, set on Christmas Eve, features a band of off-beat characters—strippers and lowlifes—who must fight off satanic snot monsters to prevent the apocalypse. The idea of setting such a wild story in a strip club, a world Sumrall knows well, adds an extra layer of authenticity and fun to the screenplay.

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Challenges in Screenwriting

Writing “Another Night at Beaver’s” came naturally to Sumrall, who had the story in his head since 2009. However, it wasn’t until the passing of Wes Craven in 2015 that he felt compelled to finally put pen to paper. Despite initial doubts about his future in filmmaking, Sumrall completed the first draft in just a month. The journey to perfecting the script was long and involved setting aside his perfectionist tendencies, allowing him to fully embrace the chaotic, balls-to-the-wall nature of the story.

Screenwriting Journey

Sumrall began screenwriting in the early 2000s, taking classes at Rice University’s Continued Studies program. His passion for storytelling, coupled with a quarter-life crisis, drove him to immerse himself in screenwriting. His involvement in all aspects of filmmaking began in 2007 when he was cast in the slasher film “SWEATSHOP.” Since then, Sumrall has written several feature-length scripts and has developed a disciplined routine, writing almost daily.

Upcoming Projects and Collaborations

As a writer and director, Sumrall has two feature films under his belt, with a third in pre-production. His completed screenplays include “Vixen With A Vendetta,” a revenge flick set in the world of opera, and “Residue,” a psychological supernatural thriller about a homicide detective with psychic abilities. He is also scripting two short films and has a plethora of ideas waiting on the backburner. Additionally, Sumrall directs music videos, with a trilogy for the darkwave band The Russian White set to coincide with their newest album release in August.

Getting in Touch

For future projects or collaborations, Jeremy Sumrall can be found on Facebook at Jeremy Sumrall – Flickmaker and on Instagram as @nothinginterestingonline. His website, www.jeremysumrallflickmaker.com, provides further insights into his work and upcoming projects.

Community and Support

Sumrall emphasizes the importance of community in the screenwriting process. Though not a member of any formal screenwriting organizations, he regularly consults with a close-knit group of writer friends for feedback and encouragement. This support system is crucial for maintaining motivation and staying grounded.

Current Status and Production Plans

Sumrall is determined to bring “Another Night at Beaver’s” to life as either his third or fourth directorial feature. While another script he optioned in 2020 is currently in development, Sumrall remains open to directing “Another Night at Beaver’s” if the opportunity arises sooner. He is actively seeking producers and investors to help bring this wild and unique story to the big screen.For a visual glimpse into Sumrall’s creative process, he has shared headshots and photos from his time on set, adding a personal touch to this exciting project.

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Mellow Metal Magic: Daniel Couts’ Debut EP Now Available

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Daniel Couts: A Brief Overview

Daniel Couts is a dynamic artist whose talents bridge the worlds of music, film, and beyond. Growing up in a musical family within London’s entertainment scene, Couts honed his skills in music, drama, and film and TV studies, quickly diving into directing, acting, and music after college. His recent work includes serving as Executive Producer on the newly released film Hounds of War, featuring Frank Grillo, Robert Patrick, and Rhona Mitra, and dropping his debut EP, Mellow Metal. With a slate of new projects on the horizon, Couts continues to push boundaries, keeping his career diverse and ever-evolving.

We had the privilege of sitting down with Daniel Couts to discuss his latest project, the debut EP ‘Mellow Metal’. In an intimate conversation, Daniel opened up about his creative process, the inspiration behind his music, and his vision for the future of film and music. With his passion and dedication shining through, Daniel shared his unique perspective on the intersection of art and innovation.

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Your transition from acclaimed filmmaker to musical artist with “Mellow Metal” is fascinating. How does this genre-defying work reflect your philosophy of breaking boundaries in art? 

Personally, I don’t think there should be any boundaries in art. Growing up in a musical family and attending a music school in Athens, Greece, music has always been the root of everything I’ve gone on to do in my life. Since 2019, I’ve been working hard and focusing on my company’s film production work that, sad to say, my music involvement become somewhat stagnant. 

So, here we are in 2024, and I’ve decided not to shy away from any ounce of talent I might have. If I enjoy it, I need to do it. Plus, I’m the kind of person who always needs to create—It’s kind of a coping mechanism.

“Mellow Metal” has been described as a “cinematic journey for the ears.” Can you walk us through how you’ve translated your visual storytelling skills into this auditory experience? 

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That’s an excellent question. I’m not so sure who’s describing the EP as a cinematic journey for the ears, but it’s incredibly creative, and I’m definitely taking it as a compliment! So, thank you. I’d say my two biggest passions in the creative sector are visual storytelling (i.e. directing) and creating music, and I think I’ve developed a similar approach to both: there’s always something deeper than initially meets the eye… or ears.

I love movies that are deep and emotionally evocative, and musically, especially with Mellow Metal, I wanted to create something that blends various styles that I love and something that helps promote positivity, peace, and love. Not just a nice beat and melody, but something emotionally deeper.

You’ve worked with some of Hollywood’s elite. How have these collaborations influenced the creation of “Mellow Metal,” and are there any surprising industry figures who’ve contributed to this project?

I’d love to be able to say that I “produced this EP with so and so,” but unfortunately that’s not the case. I’ve had the privilege of working with and meeting some amazing people in the music and film industry in Greece, the US, and the UK. Every collaboration teaches me so much—both good and bad—and it’s enough to probably write an entire book about it. But regarding the creation of Mellow Metal, there are two people who played a huge role, one of them directly, and one of them indirectly.

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The first person is my wife Nika Finch, who is a notable figure in the film and music sector.  She actually introduced me to the world of metal music, and although I never thought it would happen, I fell in love with it. She introduced me to incredible bands like Nightwish and HIM; which leads to the second person who played a huge part in the creation of Mellow Metal without knowing it; Ville Valo— former singer from HIM and currently known as VV. After watching him perform live at London’s Royal Albert Hall, I felt so full of inspiration that I went home and just started writing. As a tribute to his great music, I even included my own version of his song Neon Noir on the EP.

Your Greek heritage is a significant part of your identity. How have you woven traditional Greek musical elements into the contemporary sound of “Mellow Metal”?

The answer to this is pretty simple, and one I may be disowned for, but… I didn’t. Not really. My father is a major songwriter and music producer in Greece and I grew up listening to Greek music non-stop and meeting the biggest Greek stars. This was awesome, but my biggest inspirations for Mellow Metal came from pre-existing styles of metal, mainly HIM’s own Love Metal. But, who knows, I may one day incorporate some Greek elements into future songs. In my book, there’s no right or wrong when it comes to art, especially music.

 

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As the CEO of Opulence Pictures, you’re known for producing films that address social issues. How does “Mellow Metal” continue this mission in the realm of music?

Mellow Metal doesn’t directly touch on social issues, but I do aim to use this genre to promote peace and love, hence my MM logo on the cover that includes a dove with guitar necks for wings. That’s the symbol I use, as I think it captures the essence of my music pretty well.

 

You’ve mentioned synesthesia influencing your creative process. Can you explain how this neurological trait has shaped the soundscape of “Mellow Metal”? 

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Synesthesia is fascinating, and I actually experience it more when I produce music than I do when involved in film projects. Obviously, there are certain sounds I like when making music, but I tend to visualize the process. Especially with Mellow Metal, as it’s a genre I’ve never experimented with before, I approached each song by determining, not only what sounded right, but what felt right too, in terms of colors or textures. As crazy as it might sound, I would also describe Mellow Metal as a dark, soft velvet-like EP with subtle higher temperatures.

Growing up in a musical family in London must have been quite an experience. Can you share a cherished childhood memory that ignited your passion for both music and film? 

There are so many. Growing up, the biggest driving force with regard to music was my parents. My father had a hard time growing up to pursue music as his parents didn’t want him to do so, and so he wanted to make up for that with me. He encouraged me to learn as much as I could and allow my talents to flourish, as did my mother. One of my fondest memories is when my parents surprised me with a drum kit and I spent all my free time playing it. Spoilt, I know, but I’m privileged to have such supporting parents.

Regarding video and film production, I came across that medium on my own and I was completely captivated by it. We had an old camcorder lying around and, after my father allowed me to use it, I became obsessed with it. I was filming anything and everything, and then going to my computer, offloading the footage from the Mini-DV tape, and then editing it all. I fell in love with the art of moving image, and continue to have a deep love and passion for it.

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Your work often explores the intersection of different cultures. How has your Greek heritage influenced your artistic vision, and what personal experiences have shaped your unique perspective in the entertainment industry? 

Aside from singing the occasional Greek song, I’d say that the biggest influence my Greek heritage has on my work is probably how I approach visual storytelling. I’m currently slated to direct two movies and my directorial style can be somewhat varied. I grew up watching tons of Hollywood movies but I did have my fair share of exposure to European movies as a child too, so my directorial style is probably a mix of both. I love the snappiness that American cinema generally has, but I like the depth of stories that many European movies have to offer.

With regard to personal experiences that have shaped my perspective, I can’t really point to any specific experience that I feel has completely set my unique perspective. We’re all unique, and our lives and experiences have shaped us all, and that’s what I love about music and cinema. Whether I’m listening to an artist or watching someone’s movie, their personalities and perspectives shine through. When it comes to my content, I create what I love. Some people might like it, some might not, but that’s just part of the game.

As someone who’s achieved success in multiple fields, what advice would you give to aspiring creatives who want to diversify their artistic portfolio like you have? 

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I would say the same thing I’ve been told by those who truly care about me: if you have a passion for something, do it. It’s as simple as that. There’s no need to drop one part of yourself to pursue another. I’ve been there, done that. All it does is waste time. Striking a balance between different projects can certainly be difficult, but once you figure it out, you’ll be fine. Also, take a look at other examples of people who have succeeded in multiple fields—they just do what they love and work hard at it. Don’t give up, and most importantly, don’t let opinions stand in the way. Morgan Freeman once said: “Don’t take criticism from people you would never go to for advice.” Remember that.

“Mellow Metal” seems to be just the beginning. Can you give us a teaser of your grand vision for merging film, music, and perhaps other media in future projects? 

 

Mellow Metal is most certainly just the beginning for me. For starters, I’m already working on new music in the mellow metal genre, which I’d love to promote further. As far as movies go, I’m actively involved in several upcoming motion pictures, and as stated earlier, I’ll be directing two movies in the next couple of years. I think it’s inevitable that my journeys in music and film will overlap, and I look forward to projects that will allow me to do that. As for the immediate future, I’m focusing on live performances in addition to my film production work, and I look forward to seeing where that journey takes me.

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As Daniel Couts continues to push boundaries in the music and film industries, he and his partner Roselyn Omaka are also dedicated to empowering fellow creatives through their joint venture, Bolanle Media. If you’re a filmmaker looking to elevate your project and reach new audiences, Bolanle Media offers innovative marketing solutions and collaborative opportunities to bring your vision to life. Whether you’re seeking promotional support, distribution guidance, or strategic partnerships, the Bolanle Media team is committed to helping you succeed. Reach out to them today to explore how they can help amplify your film’s impact and reach.

 

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