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Joy-Anna Duggar Violates Jim Bob Dress Code While Committing ‘Sinful’ Act on February 5, 2024 at 8:36 pm The Hollywood Gossip

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Joy-Anna Duggar is breaking more than just her father’s dress code.

She’s doubling down in a way that Jim Bob would describe as downright sinful.

Though she’s been teasing a Los Angeles move, Joy’s signaling that she doesn’t need to be states away to distance herself from her dad’s strict policies.

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This is about more than just a form-fitting pair of pants, though. She’s breaking a fairly famous Christian rule that goes well beyond her family’s rules.

In the car, Joy-Anna Duggar shows off her makeup free face while vlogging. (Image Credit: YouTube)

Let’s break some rules!

Over the weekend, Joy-Anna Duggar took to YouTube to continue her vlogging.

She posted a 21-minute video, which you can see below. The video covered a lot of her life and her family … but one aspect really jumped out at fans.

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Joy broke two major rules. Rules that Jim Bob enforced and promoted as part of his family’s extreme, fundamentalist lifestyle.

Vlogging in her kitchen, Joy-Anna Duggar discusses upcoming plans. (Image Credit: YouTube)

The first rule, of course, relates to the Duggar family’s infamous dress code. It’s more than just a ban on dressing like a member of society.

Joy-Anna Duggar did more than just violate the dress code by wearing pants — she wore form-fitting jeans.

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According to the beliefs that Jim Bob promotes, this makes her basically a harlot and guilty of “defrauding” anyone who finds her attractive.

Counting On star Jessa Duggar sits down with her mother, Michelle Duggar, and father, Jim Bob Duggar, to discuss how they ensure that their children remain trapped within the cult into which they were born. (Image Credit: YouTube)

What is the Duggar dress code all about?

As Michelle Duggar explained back in the day, if someone looks at a woman and desires her, that woman — or girl — cannot act upon this desire because they are not married.

The family’s sinister teachings places the blame for natural human desires and for sexual predation upon women and girls. To them, showing something that might elicit a second glance is “defrauding” the other person.

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Truth be told, much of this appears to have been a visual display of their extreme beliefs. As we’ve heard, the Duggar family rules were worse because cameras were following them.

Avid vlogger Joy-Anna Duggar showed off as she danced on camera. Note that John David and Abbie are also dancers.

Joy-Anna also did something forbidden: dancing

In the video, Joy-Anna also danced. It wasn’t anything provocative — she wasn’t twerking or doing any other “worldly” dances.

Instead, Joy was just dancing with her husband, Austin Forsyth. While we’re no dance experts, these are the kinds of dances that most people’s parents or grandparents would do without batting an eye.

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Totally appropriate for anyone to do. Unless, of course, they happen to be from an oppressive cult.

Let’s break some rules! Joy-Anna Duggar dances with husband Austin Forsyth, wearing form-fitting pants in the process. (Image Credit: YouTube)

What’s the deal with dancing? Simply put, bans on dancing were not a Footloose invention.

Michelle and Jim Bob have expressed the belief that dancing is both sensual and elicits temptations.

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Additionally, Joy’s sister, Jessa, has spoken in the past about how a lot of contemporary music is too sexual for their tastes. This is why the Duggars only listen to music like gospel music and dull melodies.

Making quite the facial expression, Joy-Anna Duggar talks into the camera. (Image Credit: YouTube)

It is possible that the ban on dancing was something that the family exaggerated for reality TV purposes. They wanted to promote their extreme lifestyle, and you can’t really do that by not having clear rules to spoonfeed to viewers.

Alternatively, it’s possible that Joy, Austin, John David, and Abbie have simply decided as adults that dancing is okay. The Duggar cult’s ideology places ownership of the wives with the husbands, and thus it would be up to John David and Austin.

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Either way, this is not the image that Jim Bob cultivated for his family. And any deviation from that has to be a good thing.

Joy-Anna Duggar Violates Jim Bob Dress Code While Committing ‘Sinful’ Act was originally published on The Hollywood Gossip.

[[{“value”:”Joy-Anna Duggar is breaking more than just her father’s dress code. She’s doubling down in a way that Jim Bob …
Joy-Anna Duggar Violates Jim Bob Dress Code While Committing ‘Sinful’ Act was originally published on The Hollywood Gossip.”}]] 

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Miachel Pruett: Online Dating and Comedy in ‘Try a Waffle Cone’

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Miachel Pruett is making a name for herself in the film industry as a finalist for Best Romantic Comedy Short Screenplay at the Houston Comedy Film Festival with her debut project, “Try a Waffle Cone.” This romantic comedy short film explores the intricacies of online dating, drawing from Miachel’s personal experiences to create relatable characters and scenarios. The screenplay captures the ups and downs of digital romance, showcasing Miachel’s unique blend of humor and heartfelt storytelling. Currently, she is in the final stages of post-production, overseeing the sound mixing process while preparing for her next project, a dramatic short film that will challenge her to step outside her comedic comfort zone.

“Try a Waffle Cone” is a romantic comedy short film that delves into the world of online dating, drawing inspiration from Miachel’s personal experiences. The screenplay cleverly captures the ups and downs of digital romance, with characters and scenarios inspired by real-life encounters. Miachel’s creative touch is evident in the protagonist’s love interests, which are loosely based on people she met, while the best friend character is a charming amalgamation of her sister and close friends.

Crafting Comedy: A Delicate Balance

One of Miachel’s primary challenges in writing “Try a Waffle Cone” was seamlessly incorporating various comedic styles into the screenplay. Her goal was to create a rich tapestry of humor, blending elements from slapstick to situational irony. This diverse approach to comedy adds depth and variety to the film, making it both engaging and entertaining.

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From Passion to Screenplay

While Miachel has long been a fan of romantic comedies, “Try a Waffle Cone” marks her debut as a screenwriter. Her enthusiasm for the genre shines through in her work, and she’s excited to continue exploring storytelling through this new medium.

Current Projects and Future Plans

Miachel is currently in the final stages of post-production for “Try a Waffle Cone,” overseeing the sound mixing process. Having directed and produced the film with a talented cast and crew last spring, she’s now setting her sights on her next project – a dramatic short film that will push her beyond her comedic comfort zone.

Connecting with Miachel

For those interested in future projects or collaborations, Miachel can be reached at hello@miachel.com. She maintains an active presence on social media and has a website to stay connected with fans and industry professionals.

To follow Miachel’s journey and stay informed about her projects, interested parties can follow her on Instagram and visit her website. Miachel’s fresh perspective and ability to blend humor with personal experiences make her a standout in the screenwriting community. As she continues to evolve as a filmmaker and festival director, the industry eagerly anticipates the impact of her upcoming projects.

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From the Film Festival Circuit Founder, Mikal Fair:

“Explore the ‘Film Festival Submitter’s Handbook 2024,’ your ultimate guide to conquering the film festival circuit. Whether you’re a filmmaker or screenwriter, this essential resource provides practical strategies to navigate the competitive landscape of film festivals successfully. From crafting compelling titles, taglines, and synopses to creating impactful director’s and writer’s statements, this handbook equips you with the tools to shine in the festival circuit. Learn to develop effective marketing materials, including posters and trailers, and discover the importance of communication and presenting a professional package. With insights tailored to the evolving role of social media and marketing in the film industry, this handbook is your key to festival triumph. Get your copy now and embark on your journey to festival success!”

For film investment opportunities, please see below:

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“Roomhates”: Laughing Through Life’s Challenges

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We’re thrilled to introduce Michael Deo and Mersiha Musovic, a seasoned filmmaking duo, in the film industry! Their latest project, “Roomhates” has earned them a spot as a finalist for the Best Comedy Series Episode Award at the Houston Comedy Film Festival. Roomhates is a half-hour, single-camera comedy that delves into the struggles of a once-in-love couple grappling with the harsh realities of modern life. The show follows Mersiha and Michael, two ex-lovers stuck living together in their low-rent apartment despite their breakup. Mersiha dreams of becoming an actor, while Michael longs for a traditional family and suburban life. Though their goals clash, they’re forced to navigate their broken relationship in a world where the cost of living makes moving out impossible.

The Inspiration Behind “Roomhates”
The idea for Roomhates was sparked by a desire to explore the comedic potential of modern relationships and the unique challenges they face today. Co-creators Mersiha and Michael, who coincidentally share the names of their characters, drew from their personal experiences and those of their peers. “Michael was going through a divorce but still living with his ex,” they shared. This reality, combined with the current housing crisis and rising costs, gave them the perfect backdrop to create a sitcom full of both humor and heart.

“We wanted to explore how relationships look now compared to previous generations, but with some levity,” they said. Roomhates touches on the struggles of millennials facing economic uncertainty, yet does so with a comedic twist that keeps audiences laughing while reflecting on real-life issues.

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Overcoming Challenges on Set
As with any independent production, Roomhates faced its share of challenges—chiefly time and money. “We did what we could with the resources available,” the team explained, but one of the biggest hurdles was filming with a crew of 15 in a small, two-bedroom apartment crammed with equipment. Despite the tight space, the team managed to capture the essence of their story, bringing the characters’ conflicts to life in a way that feels both intimate and humorous.

 

From Sketches to Sitcoms
Mersiha and Michael have been a writing and producing team since 2019, with a history of working on a variety of projects, from sketch comedy and web series to short films. Roomhates marks their first foray into sitcom territory, and the duo is eager to bring the pilot to as many eyes as possible.

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“We’ve worked on a range of projects, but this sitcom pilot is something we’re really passionate about,” they said. Their goal now is to secure a series order from a network or streaming service, turning their proof-of-concept episode into a full-blown series.

What’s Next?
Right now, the team is laser-focused on building buzz for Roomhates. They are aggressively submitting the pilot to film festivals that spotlight TV pilots and episodic content, hoping to generate enough recognition and feedback to attract potential distributors and collaborators.

Their dream is to land a series order, but they’re also excited about future projects, with more ideas in the pipeline. For those looking to collaborate or learn more about their work, they’re easy to reach via email at mersihamichaelprod@gmail.com or on Instagram at @mersihamichaelproductions, @mersiha.musovic, and @michaeldeo_.

On the Horizon
As Roomhates embarks on its festival run, Mersiha and Michael are optimistic that the series will resonate with audiences and open doors for their next big project. “We’re hoping that positive feedback from festivals will help us secure the right collaboration to bring a full season to life,” they said.

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Their journey is just beginning, and with their unique comedic take on modern relationships, it’s clear that Roomhates is a show to watch.

For behind-the-scenes content and updates, check out their Facebook page at facebook.com/mersihamichaelprod and follow their work on Instagram at @mersihamichaelproductions.

Roomhates offers a hilarious yet heartfelt look at love, life, and the struggle to survive in the modern world, one awkward roommate interaction at a time.

 

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From the Film Festival Circuit Founder, Mikal Fair:

“Explore the ‘Film Festival Submitter’s Handbook 2024,’ your ultimate guide to conquering the film festival circuit. Whether you’re a filmmaker or screenwriter, this essential resource provides practical strategies to navigate the competitive landscape of film festivals successfully. From crafting compelling titles, taglines, and synopses to creating impactful director’s and writer’s statements, this handbook equips you with the tools to shine in the festival circuit. Learn to develop effective marketing materials, including posters and trailers, and discover the importance of communication and presenting a professional package. With insights tailored to the evolving role of social media and marketing in the film industry, this handbook is your key to festival triumph. Get your copy now and embark on your journey to festival success!”

For film investment opportunities, please see below:

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“The Worst Best Man Ever”: A Story of Love & Laughter

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We’re thrilled to introduce David Weilert & Philip A Ramos, seasoned filmmakers in the film industry! Their latest project, “The Worst Best Man Ever,” has earned him a spot as a finalist for the Best Romantic Comedy Film Award at the Houston Comedy Film Festival. David and Philip have created a heartfelt and hilarious short film, The Worst Best Man Ever, blending humor with genuine emotional depth. The film, a proof of concept for their feature-length project Groomsday, tackles the complexities of relationships, choices, and love—or the lack thereof.

The Genesis of “The Worst Best Man Ever”
The inspiration for The Worst Best Man Ever comes from the filmmakers’ personal experiences navigating the tricky waters of relationships. David and Philip wanted to explore how dating can sometimes continue out of a sense of obligation rather than genuine love.

“We all have been there,” says David, “where we find ourselves at a crossroads, trying to figure out the best path forward, even when that path isn’t the easiest one.” Their love for comedies that tug at the heartstrings helped shape this film into the kind of project they are most passionate about—one that blends humor with moments of introspection.

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Overcoming the Challenges
One of the biggest challenges in bringing The Worst Best Man Ever to life was timing. The filmmakers were determined not to rush the process, focusing on assembling the perfect cast and crew to ensure the film lived up to their vision. “We wanted to make sure that we found the right time to make it,” David explains. “We didn’t want to rush the process and be left with a film that we would not be content with.”

Their careful approach paid off, as the film showcases not only their comedic chops but also the depth of emotion and thoughtfulness that went into its production.

A Duo with Decades of Experience
David and Philip have both been working in film and television for over a decade. David has been creating films since he was just 12 years old, and Philip’s award-winning short film, The Kidnapping of a Fish, further demonstrates their talent and dedication to storytelling. The two bring a wealth of professional experience to their projects, working as Production Coordinators on major New York-based productions for a variety of platforms.

Their passion for filmmaking goes beyond their day jobs, as both are committed to telling meaningful, mainstream stories with wide appeal.

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What’s Next?
The success of The Worst Best Man Ever is just the beginning. David and Philip have three strong projects in the pipeline, including two feature films that, like Groomsday, have short films as proof of concepts. In addition, they are developing a TV show. With several projects in the works, this dynamic duo is set to make a lasting impact on the world of comedy and beyond.

Get in Touch
For those looking to collaborate or support future projects, David and Philip are easily reachable through email or social media. They’re also committed to keeping their followers updated on their progress through their websites and social platforms.

You can contact them via email at davidweilert1@gmail.com or mcflyfilm@gmail.com and follow their work on Instagram at @david_weilert, @mcflyfilm, and @worstbestmanever. Their websites, davidweilert.com and thatstormfilms.com, offer more details on their projects.

On the Horizon
Currently in talks with distributors and agents, David and Philip are looking for representation and investors who share their vision for mainstream comedies. They are grateful to platforms like the Houston Comedy Film Festival for showcasing their work and hope to secure the funding needed to bring their upcoming feature films to life.

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A Union of Filmmakers
Both filmmakers are members of IATSE Local 161, the union for Production Coordinators in New York City. Philip is also a member of the Producers Guild of America, reflecting their deep integration into the film industry.

As The Worst Best Man Ever continues to make waves on the festival circuit, David and Philip are set to rise as filmmakers who know how to mix humor, heart, and a deep understanding of the human condition. Their upcoming projects promise to deliver even more laughs and meaningful moments, leaving audiences eager for what’s next.

From the Film Festival Circuit Founder, Mikal Fair:

“Explore the ‘Film Festival Submitter’s Handbook 2024,’ your ultimate guide to conquering the film festival circuit. Whether you’re a filmmaker or screenwriter, this essential resource provides practical strategies to navigate the competitive landscape of film festivals successfully. From crafting compelling titles, taglines, and synopses to creating impactful director’s and writer’s statements, this handbook equips you with the tools to shine in the festival circuit. Learn to develop effective marketing materials, including posters and trailers, and discover the importance of communication and presenting a professional package. With insights tailored to the evolving role of social media and marketing in the film industry, this handbook is your key to festival triumph. Get your copy now and embark on your journey to festival success!”

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For film investment opportunities, please see below:

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