Entertainment

Treat Williams’ Cause of Death Revealed, Driver Charged for Fatal Accident on August 2, 2023 at 2:36 am Us Weekly

Published

2 years ago

August 2, 2023

Treat Williams MediaPunch/Shutterstock

A driver has been charged for the tragic motorcycle accident that killed Treat Williams.

The Vermont State Police revealed on Tuesday, August 1, that Ryan Koss has been charged with grossly negligent operation with death resulting after the June 12 crash. According to the VSP, Koss was driving a Honda Element SUV that turned into the path of Williams’ motorcycle.

“Mr. Williams suffered critical injuries in the crash and subsequently was pronounced dead at Albany Medical Center in Albany, New York,” a Tuesday news release reads. “The Medical Examiner’s Office in New York determined that Mr. Williams died of severe trauma and blood loss as a result of the crash.” He was 71.

Following the conclusion of its investigation, the Bennington County State’s Attorney’s Office requested that they issue the charge to Koss.

Koss, for his part, “voluntarily met with troopers at the Shaftsbury Barracks, where he was processed on the charge and released,” per the news release. He is scheduled to appear for arraignment at 8:15 a.m. on Monday, September 25, in the Criminal Division of Vermont Superior Court in Bennington, Vermont.

Williams’ rep, Barry McPherson, confirmed the Everwood star’s death on June 12, telling Us Weekly in a statement, “He was killed this afternoon. He was making a left or a right [and] a car cut him off.”

He continued: “I’m just devastated. He was the nicest guy. He was so talented. He was an actor’s actor. Filmmakers loved him. He’s been the heart of Hollywood since the late 1970s. He was really proud of his performance this year. He’s been so happy with the work that I got him. He’s had a balanced career.

Following his passing, Williams’ family and friends honored his memory with an intimate funeral on June 19. The service was held in Vermont, which is where Williams and his wife, Pam Van Sant, resided. The couple, who were married for 35 years, shared son Gill Williams, 31, and daughter Elinor “Ellie” Williams, 25.

While Williams had an illustrious film career before his death, he was most well known for his portrayal of Dr. Andy Brown on The WB’s Everwood from 2002 to 2006, a performance that earned him a SAG Award nomination for outstanding performance by a male actor in a drama series. He later starred as Mick O’Brien on Hallmark Channel’s Chesapeake Shores, a family drama based on the novel by Sherryl Woods of the same name. He remained on the show until its sixth and final season.

“I just feel like Treat was a man who just really loved life and lived life to the fullest,” Williams’ Chesapeake Shores costar Stephen Huszar exclusively told Us last month. “And he was doing something he loved when he went out. We all just keep him very close to our hearts. It’s actually brought us back together.”

Hallmark also paid tribute to Williams, who also starred in several of the network’s projects over the years including 2020’s The Christmas House and its subsequent sequel.

We are heartbroken over the passing of beloved Treat Williams, star of Chesapeake Shores, The Christmas House and so much more,” the network wrote via Instagram at the time. “We will forever cherish him in our hearts, and extend our condolences to Treat’s family, friends, and loved ones.”

A driver has been charged for the tragic motorcycle accident that killed Treat Williams. The Vermont State Police revealed on Tuesday, August 1, that Ryan Koss has been charged with grossly negligent operation with death resulting after the June 12 crash. According to the VSP, Koss was driving a Honda Element SUV that turned into the

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Entertainment

Ye’s Super Bowl Ad Followed by Swastika T-Shirt: Controversy Escalates

Published

6 hours ago

February 11, 2025

Bolanle Media Staff

Kanye West, now legally known as Ye, has sparked widespread outrage following a Super Bowl commercial promoting his website, which is currently selling a single item: a $20 white T-shirt featuring a black swastika. This move has drawn sharp criticism from organizations like the Anti-Defamation League (ADL) and social media users, further escalating concerns over Ye’s recent behavior and statements.

Key Details of the Controversy:

Super Bowl Ad: The ad aired in select markets, including Los Angeles, and featured Ye reclining in a dentist’s chair, showing off jewel-encrusted teeth. He directed viewers to visit his website, Yeezy.com, which initially offered various items but soon displayed only the swastika T-shirt.
Antisemitic Remarks: The ad followed Ye’s recent tirade on X (formerly Twitter), where he called himself a Nazi and expressed admiration for Adolf Hitler. He deactivated his account shortly after.

Symbol Debate: While the T-shirt design features the Nazi Hakenkreuz (“hooked cross”), it has been widely misidentified as a swastika. Some social media users highlighted the distinction between the sacred Hindu swastika and the Nazi symbol.
ADL Condemnation: The ADL criticized Ye for promoting hate and using a symbol that continues to instill fear among those targeted by antisemitism and white supremacy.

Public Backlash: Many have pointed out Ye’s hypocrisy, as he previously claimed he would never sell such merchandise to avoid putting fans at risk. Critics argue this stunt reflects either desperation or deliberate provocation.

The controversy underscores Ye’s increasingly erratic behavior and his ongoing alienation from fans and collaborators.

Bolanle Media covers a wide range of topics, including film, technology, and culture. Our team creates easy-to-understand articles and news pieces that keep readers informed about the latest trends and events. If you’re looking for press coverage or want to share your story with a wider audience, we’d love to hear from you! Contact us today to discuss how we can help bring your news to life

Entertainment

Taylor Swift Booed at Super Bowl

Published

1 day ago

February 10, 2025

Bolanle Media Staff

At Super Bowl LIX in New Orleans, Taylor Swift, supporting her boyfriend Travis Kelce of the Kansas City Chiefs, was met with boos when shown on the jumbotron at the Caesars Superdome. The crowd’s reaction, largely attributed to Philadelphia Eagles fans, occurred during the game between the Chiefs and the Eagles.

Swift, accompanied by friends like Ice Spice, seemed surprised but remained unbothered by the negative reception. She gave the crowd a side-eye as she shook off the negativity. Serena Williams quickly came to Swift’s defense, posting on X, “I love you @taylorswift 13 don’t listen to those boos!!!”.

The booing has been attributed to several factors:

Eagles Fans: Many believe the boos came primarily from Eagles fans. Some suggest it was due to her support for Kelce, while others believe it was related to her past support for the Eagles.
Excessive Camera Time: Some speculate that the excessive camera time Swift receives during NFL broadcasts contributed to the negative reaction.

Chiefs Fatigue: With the Chiefs making their fifth Super Bowl appearance in six years, some speculate that the public is growing weary of the team.

Following the incident, Donald Trump also commented on the situation, sharing a post mocking Swift on Truth Social and claiming that his “Make America Great Again” (MAGA) movement was responsible for the boos. He contrasted the crowd’s reaction to Swift with the cheers he received when shown on the jumbotron.

Entertainment

Decoding Kendrick Lamar’s Super Bowl LIX Performance

Published

1 day ago

February 10, 2025

Bolanle Media Staff

Kendrick Lamar’s Super Bowl LIX halftime show was a groundbreaking performance that redefined expectations for the event. The Compton rapper delivered a complex, narrative-driven set that blended artistic expression with pointed social commentary.

Key Elements of the Performance

Samuel L. Jackson as Uncle Sam: The show opened with Jackson dressed as Uncle Sam, representing traditional American expectations for the halftime show. This character served as a foil to Lamar’s performance throughout the set.

Musical Choices: Lamar surprised audiences by heavily featuring tracks from his recent album “GNX” rather than relying solely on older hits. He also performed an unreleased track called “Bodies” at the start of his set.

Visual Storytelling: The performance incorporated intricate choreography and visual elements, including dancers in red, white, and blue forming an American flag during “HUMBLE”.

Political Commentary: Lamar’s set included subtle and overt political messages, addressing themes of race and cultural divide. He referenced Gil Scott-Heron’s “The Revolution Will Not Be Televised,” flipping it to say, “The revolution ’bout to be televised”.