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Ryan Edwards: YES, I’m Back on Drugs! But I Did NOT Pull a Knife on Mackenzie … on August 3, 2023 at 1:56 pm The Hollywood Gossip

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These days, Ryan Edwards is living in an inpatient rehab facility, having been temporarily released from jail to undergo addiction treatment.

We wish him all the best in his efforts to get clean, but the reality of the situation is that he probably has more jail time coming to him, even if he finally manages to sober up.

That’s because Ryan stalked and harassed Mackenzie Standifer and went on a drug-fueled bender prior to his latest arrest.

And because Edwards was already on probation when all of this happened, completing the program probably won’t be enough to make him a free man.

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This is another Ryan Edwards mug shot. We’ve lost track how many it’s been now for him. (Photo Credit: Hamilton County Sheriff)

But none of that had transpired when Ryan filmed a scene with Maci Bookout for this week’s episode of Teen Mom: The Next Chapter.

In fact, it looked as though Bentley’s mom and dad were on the verge of repairing their co-parenting relationship.

Of course, every other part of Ryan’s life was in shambles, a fact he admitted to during the conversation.

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Ryan Edwards is BACK on Teen Mom: The Next Chapter! But that’s not necessarily a good thing. (Photo Credit: MTV)

“Mackenzie is being an absolute pain in my ass. She don’t know why she left, it’s been everything under the sun. It’s because of my addiction, because I was outside in my garage,” he told Maci.

She responded by advising him to “keep focusing on you and all these crazy children and stay away from her.”

“It’s not shocking to me. I know when we filmed the reunion and had that conversation about starting fresh with coparenting, she’s not gonna let this happen, she’s not,” Maci later told her husband, Taylor McKinney.

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Maci Bookout offered some kind words to her ex in this scene from Teen Mom: The Next Chapter. (Photo Credit: MTV)

“And then she lost her mind anytime him and Bentley were gonna go do something because she couldn’t go, because it was supposed to be the two of them.”‘

Yes, it’s a little surprising to hear Maci take Ryan’s side against Mackenzie, but it’s important to remember that at that time, she was only hearing his side of the story.

“I do think this has everything to do with Ryan and Bentley’s relationship growing, me and Ryan trying to work together. I don’t think she can handle it,” Bookout continued.

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Maci opens up about her feelings toward Ryan Edwards. (Photo Credit: MTV)

“Bentley is the one that pays for all of this, so we have to stay on the same team. I hope this divorce doesn’t get messy.”

Maci added that Bentley was “kind of shocked” to learn about his dad’s divorce, he didn’t seem “bothered by it or upset.”

“He’s never really been a big fan of Mackenzie’s,” she explained.

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But despite Maci’s hope that the Ryan’s split wouldn’t “get messy,” it quickly did exactly that.

Ryan has publicly and repeatedly accused his wife, Mackenzie Standifer, of being unfaithful. (Photo Credit: Instagram)

Later in the episode, a Teen Mom producer named Kiki paid a visit to Ryan in order to ask about some shocking allegations made by Mackenzie.

“She said I f—ing held a knife to her back or something like that … f— no, that’s so dumb,” he said, denying that he held her at knifepoint.

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“Everyone knows when I get angry, I get f—ing angry. So she’s gonna use that against me. But I ain’t never put my hands on a woman ever before.”

Ryan Edwards and Mackenzie Standifer are headed for divorce court. (Photo Credit: Instagram)

Ryan has publicly accused Mackenzie of cheating on him on numerous occasions, and it seems he was fixating on the idea at the time of the previous night’s argument.

“I was like, she left this house last night and there was only one reason why she left this house,” he told Kiki.

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“She can’t lie very well, she’ll stumble over every word she says and I was like, ‘Where the f— did you stay last night?’ and she couldn’t come up with a good answer. So I started putting two and two together.”

He went on to suggest that Mackenzie was jealous of his friendship with Maci.

Ryan has consumed many beverages on camera during his years as an MTV star. (Photo Credit: MTV)

“I think that’s what kind of pissed Mackenzie off too, like really. I don’t think she ever wanted us to have a relationship,” he said, adding that Bentley “didn’t like [Mackenzie] anyways.”

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Kiki then asked whether he felt his wife was “threatened” by his coparenting relationship, to which he replied:

“Yeah, I think that really f—ing sent her over the edge.”

Eventually, of course, the truth of the confrontation came out:

Ryan Edwards is in trouble with the law once again. (Photo Credit: Hamilton County Sheriff)

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“You’re an addict, you are getting a divorce, can’t go back to your house, kids no longer live with you. That is a slippery slope,” Kiki said, prompting Ryan to blurt out, “I done f—ed up, I ain’t gonna lie.”

The producer then asked Ryan if he had relapsed amid all of the latest drama, to which he replied, “Yeah.”

So yeah, given that Ryan was on drugs at the time of the incident, and he later came back and trashed the house, we’re gonna go ahead and believe Mackenzie’s version of events.

Edwards is due back in court on August 12, at which time a judge will assess his progress and determine his fate.

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Ryan Edwards: YES, I’m Back on Drugs! But I Did NOT Pull a Knife on Mackenzie … was originally published on The Hollywood Gossip.

These days, Ryan Edwards is living in an inpatient rehab facility, having been temporarily released from jail to undergo addiction …
Ryan Edwards: YES, I’m Back on Drugs! But I Did NOT Pull a Knife on Mackenzie … was originally published on The Hollywood Gossip. 

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Advice

How to Find Your Voice as a Filmmaker

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Every filmmaker aspires to create projects that are not only memorable but also uniquely their own. Finding your creative voice is a journey that requires self-reflection, bold choices, and an unwavering commitment to your vision. Here’s how to uncover your style, take risks, and craft original work that stands out.

1. Discovering Your Voice: Understanding Your Influences

Your unique voice begins with recognizing what inspires you.

  • Step 1: Reflect on the themes, genres, or emotions that consistently draw your interest. Are you inspired by human resilience, surreal worlds, or untold histories?
  • Step 2: Study the work of filmmakers you admire. Analyze what resonates with you—their use of color, pacing, or narrative techniques.

Tip: Combine what you love with your personal experiences to create a lens that only you can offer.

Example: Wes Anderson’s whimsical, symmetrical worlds stem from his love of classic storytelling and his unique visual style.

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Takeaway: Start with what moves you, then add your personal touch.

2. Taking Creative Risks: Experiment and Evolve

To stand out, you must be willing to challenge conventions and explore new territory.

Example: Jordan Peele blended horror with social commentary in Get Out, creating a genre-defying film that captivated audiences.

Takeaway: Risks are an opportunity for growth, even if they don’t always succeed.

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3. Telling Original Stories: Start with Authenticity

Original projects resonate when they stem from a place of truth.

  • Draw from Experience: Incorporate elements of your own life, culture, or worldview into your stories.
  • Explore the “Why”: Ask yourself why this story matters to you and how it connects with your audience.
  • Avoid Trends: Focus on timeless narratives rather than chasing current fads.

Example: Greta Gerwig’s Lady Bird was deeply personal, based on her experiences growing up in Sacramento. The film’s authenticity made it universally relatable.

Takeaway: The more personal the story, the more it resonates.

4. Developing Your Style: Consistency Meets Creativity

Style is not just about visuals—it’s how you tell a story across all elements of filmmaking.

  • Visual Language: Experiment with colors, lighting, and framing to create a distinct aesthetic.
  • Narrative Voice: Develop consistent themes or motifs across your projects.
  • Sound Design: Use music, sound effects, and silence to evoke specific emotions.

Example: Quentin Tarantino’s use of dialogue, pop culture references, and bold music choices makes his work instantly recognizable.

Takeaway: Your style should be intentional, evolving as you grow but always recognizable as yours.

5. Staying True to Yourself: Building Confidence in Your Vision

The filmmaking process is full of challenges, but staying true to your voice is essential.

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  • Stay Authentic: Trust your instincts, even if your ideas seem unconventional.
  • Adapt Without Compromise: Be open to feedback but maintain your core vision.
  • Celebrate Your Growth: View every project, successful or not, as a stepping stone in your creative journey.

Example: Ava DuVernay shifted from public relations to filmmaking, staying true to her voice in films like Selma and 13th, which focus on social justice.

Takeaway: Your voice evolves with every project, so embrace the process.

Conclusion: From Idea to Screen, Your Voice is Your Superpower

Finding your voice as a filmmaker takes time, courage, and commitment. By exploring your influences, taking risks, and staying true to your perspective, you’ll craft stories that not only stand out but also resonate deeply with your audience.

Bolanle Media is excited to announce our partnership with The Newbie Film Academy to offer comprehensive courses designed specifically for aspiring screenwriters. Whether you’re just starting out or looking to enhance your skills, our resources will provide you with the tools and knowledge needed to succeed in the competitive world of screenwriting. Join us today to unlock your creative potential and take your first steps toward crafting compelling stories that resonate with audiences. Let’s turn your ideas into impactful scripts together!

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What the Michael Biopic Means for Every Indie Filmmaker

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The Michael Jackson biopic Michael is more than celebrity drama; it is a real-time lesson in how legal decisions can quietly rewrite a story that millions of people will see. You do not need a $200M budget for the same forces—contracts, settlements, and rights issues—to shape or even erase key parts of your own work.

“The Michael Jackson Movie Is A HUGE HIT!” by Adam Does Movies, CC BY, via YouTube.

What Happened to Michael

The film Michael originally included a third act that addressed the 1993 child sexual abuse allegations and their impact on Jackson’s life and career. Trade reports say this version showed investigators at Neverland Ranch and dramatized the scandal as a turning point in the story. After cameras rolled, lawyers for the Jackson estate realized there was a clause in the settlement with accuser Jordan Chandler that barred any depiction or mention of him in a movie.

Because of that old agreement, the filmmakers had to remove all references to Chandler and rework the ending so the story stopped years earlier, in the late 1980s at Jackson’s commercial peak.

According to reporting, this meant roughly 22 days of reshoots, costing around 10–15 million dollars and pushing the total budget over 200 million.

Meanwhile, actress Kat Graham confirmed her portrayal of Diana Ross was cut for “legal considerations,” showing how likeness and approval issues can wipe out an entire character even after filming.

For audiences, the result is a movie that intentionally avoids one of the most controversial chapters of Jackson’s life, which some critics argue makes the portrait feel incomplete or selectively curated.

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The Hidden Power of Contracts and Rights

The key detail in the Michael story is that a contract signed decades ago could dictate what present-day filmmakers are allowed to show. That settlement clause did not just affect the people who signed it; it effectively controlled the narrative of a big-budget film made years later. This is how legal documents become invisible co-authors: they quietly set boundaries around what your story can and cannot include.

Creators face similar invisible lines with:

  • Life-rights and defamation: If you dramatize real people, especially in a negative light, they can claim defamation or invasion of privacy if your portrayal is inaccurate or harmful.
  • Copyright and trademarks: Unlicensed music, clips, logos, or artwork can trigger copyright or trademark claims that block distribution or force expensive changes.
  • Distribution contracts: Some deals give distributors the right to re-edit, retitle, or repackage your work without your approval unless you negotiate otherwise.

Legal commentary warns that fictionalizing real events and people carries heightened risk because audiences tend to connect your dramatization back to actual individuals. That risk does not disappear just because you are “small” or “indie”; impact, not audience size, usually determines exposure.


Why This Matters for Indie Filmmakers and Creators

Independent filmmakers often choose the indie route precisely to maintain creative control, but they can face more risk if they skip legal planning. Common problems include unclear ownership of the script, missing music licenses, handshake agreements with collaborators, and no written permission to use locations or people’s likenesses. These are the kinds of issues that can derail distribution, block a streaming deal, or force last-minute cuts that fundamentally change your story.

Legal guides for indie filmmakers consistently emphasize a few realities:

  • You do not fully “own” your film unless you have clear contracts for writing, directing, producing, and underlying rights.
  • Unregistered or unlicensed creative elements (like music and logos) can make your project uninsurable or unattractive to distributors.
  • Fixing legal problems after the fact is almost always more expensive and limiting than planning for them at the beginning.

So when you watch Michael skip over certain events, you are seeing, in exaggerated form, the same forces that can shape an indie short, web series, documentary, or podcast episode.


You do not need a law degree, but you do need a basic legal strategy for your creative work. Here are practical steps drawn from entertainment-law and indie-film resources:

  1. Clarify who owns the story
    • Use written agreements with co-writers, directors, and producers that state who owns the script and finished film.
    • If your work is based on a real person or memoir, secure life-rights or written permission where appropriate, especially if the portrayal is sensitive.
  2. Be intentional with real people and events
    • When telling true or inspired-by-true stories, avoid making specific, negative claims about identifiable people unless they are well-documented and legally vetted.
    • Change names, details, and circumstances enough that the person is not clearly identifiable if you do not have their cooperation.
  3. Lock down music and visuals
    • Use original scores, licensed tracks, or reputable libraries; never assume you can keep a song just because it is in a rough cut.
    • Clear artwork, logos, and recognizable brands, or replace them with generic or custom-designed alternatives.
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  1. Protect yourself in contracts
    • When signing any distribution or platform deal, read the clauses about editing, retitling, and marketing carefully; ask for limits or at least consultation rights.
    • Include terms that let you reclaim rights if a partner fails to release the work, goes dark, or breaches key promises.
  2. Document everything
    • Keep organized copies of releases, licenses, and contracts; these documents are part of your project’s value and proof of your rights.
    • Register your work where applicable (for example, copyright), which strengthens your ability to enforce your rights if someone copies you.

Education-focused legal resources repeatedly stress that preventative steps—basic contracts, clear permissions, and simple registrations—are far cheaper than dealing with takedowns, lawsuits, or forced rewrites later.


The Big Takeaway: Story and Law Are Connected

The Michael biopic illustrates what happens when legal obligations and creative vision collide: whole characters disappear, endings are rewritten, and the public only sees a version of the story that fits within old contracts.

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As an indie filmmaker, writer, or content creator, you may not have millions at stake, but you do have something just as valuable—your voice and your ability to tell the story you meant to tell.

Understanding the legal dimensions of your work is not a distraction from creativity; it is a way of protecting it. When you know where the legal boundaries are, you can design stories that are bold, truthful, and still safe enough to reach the audiences they deserve.

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Entertainment

Mother’s Day AfroFun Praise Party: Gospel Dance, Fitness & Feel‑Good Stats in 60 Minutes

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This Mother’s Day in Spring, Texas, you’re invited to do more than just sit at brunch—come dance, sweat, and celebrate at the Mother’s Day AfroFun Praise Party: Gospel Dance, Fitness & Feel‑Good Stats in 60 Minutes. This one‑hour Afrobeat gospel dance class is for men and women, bringing live worship, high‑energy choreography, and real fitness benefits together in one unforgettable experience.

Shawna Pat Official Music Video

Live gospel + Afrobeat energy

On the mic is powerhouse gospel singer Shawna Pat, known for her heartfelt worship, energetic praise songs, and ministry that makes every room feel like church and concert at the same time. She’ll be leading live vocals all class long, turning each track into a moment to sing along, shout, or just soak in the presence while you move.

On the floor, Andrew from WoWo Boyz and the Kingdrewwskyy crew bring the Afrobeat power. Expect easy‑to‑follow, Afro‑inspired choreography that looks hype on video but still feels doable if you’re brand new to dance. Together, Shawna and Andrew create a “praise party meets fitness class” vibe you can’t get from a playlist or a regular gym session.

A co‑ed Mother’s Day celebration that counts

This event is built for men and women—moms, dads, sons, daughters, couples, and friends who want to honor the mothers in their lives while doing something healthy and fun. The format is simple: warm‑up, dance‑cardio, a short ministry moment focused on mothers and families, and a cool‑down to breathe and stretch it out.

All levels are welcome. If you can walk and two‑step, you can do this class. You choose your intensity: go all‑in with every jump or keep it low‑impact and still stay in the groove. The music is clean and faith‑filled, so you never have to worry about lyrics or the vibe if you’re inviting church friends or bringing teens.

The feel‑good fitness stats

Behind the fun, this one hour delivers real health wins. Health guidelines recommend at least 150 minutes of moderate‑intensity cardio per week, but less than half of adults hit that number. AfroFun helps close that gap—by making movement feel like a celebration instead of a chore.

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In just 60 minutes, many people can:

  • Hit 4,000–6,000+ steps, based on what similar dance‑fitness and Mother’s Day cardio sessions log in under an hour.
  • Spend solid time in their heart‑healthy zone, where cardio actually strengthens the heart and builds endurance.
  • Knock out a big chunk of their weekly 150‑minute cardio goal in one fun, faith‑filled session.

You walk out with more than photos and memories—you leave with better numbers for your heart, body, and mood.

Get your tickets

AfroFun Praise Party happens Sunday, May 10, 4–5 PM at 2400 FM 2920, Spring, TX 77388, with free parking and in‑person, high‑energy vibes. Tickets are limited, and early spots always move fastest once people see Shawna Pat and WoWo Boyz are in the building.

🎟️ Grab your tickets now on Eventbrite for the Mother’s Day AfroFun Praise Party and lock in your spot before it sells out.

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