Entertainment

Crystal Hefner Teases Memoir About Playboy Mansion: ‘No One Is Safe’ on August 4, 2023 at 12:00 am Us Weekly

Published

3 years ago

August 4, 2023

Crystal Hefner is on a path to healing. After 10 years living in the infamous Playboy Mansion, the former wife of Hugh Hefner — they were wed in 2012 until his death of natural causes in 2017 — is making a fresh start. She’s relocated from L.A. to Hawaii, where she’s renovated a home on the Big Island. She also has a memoir due out in 2024, Only Say Good Things: Surviving Playboy and Finding Myself, that will be sure to send shock waves through Hollywood. As Hefner tells Us exclusively, speaking via Zoom from her idyllic Hawaii house, “No one is safe.”

Hefner was just 21 when she met Hugh at a Halloween party at the mansion. Days later, he asked the Arizona native to move in with him and his other girlfriends, 18-year-old twins Karissa and Kristina Shannon. “Going in, I was a deer in the headlights. It was like I just got the golden ticket for the Willy Wonka [factory],” notes Hefner, 37. But eventually, she adds, “it all started crumbling down.”

Over the last several years, dozens of women have come forward with horror stories of their time at the Playboy Mansion. Multiple models and former girlfriends accused Hugh and his circle of friends of sexual assault, claimed the magazine mogul was a master manipulator and described life at the mansion as a prison, complete with dating rules and a strictly enforced curfew.

Hefner was still living there when Holly Madison’s scathing 2015 memoir, Down the Rabbit Hole: Curious Adventures and Cautionary Tales of a Former Playboy Bunny, was released. “I remember getting the E-book so I could type my name and just see what was said about me,” she laughs. “And [Holly] said something minor in there about how, like, I ripped some stickers off a mirror. But I remember the mansion being upset about it. It was when women had less of a voice.”

“It took years for me to understand what I went through and the bubble that I was in for so long,” Hefner says of life in the Playboy Mansion. Tracey Lyn

For Hefner, it was only after she began seeing a therapist following Hugh’s death that she could start to unravel the trauma she’d endured. “Therapy really helped,” says Hefner. “You start backtracking and [noticing] different behaviors. I’m like, ‘Oh, that’s gaslighting. That’s narcissism.’ It took years for me to understand what I went through, understand myself and also understand Hef and why he did certain things. You know, there’s a story behind everything.”

As she delved into her past, Hefner says she began the process of “deprogramming.” At the mansion, “Your value is what you look like,” she notes. “I was rewarded for being codependent and feeling like I was nothing without Hef and had no value of my own. You’re rewarded for not having a life of your own outside of the person,” she continues. “I’ve learned a lot about self-worth, self-love, advocating for yourself and healthy relationships.”

Hefner’s also relearning how to have female friendships. “The women at the mansion were very catty. You could give someone $10,000 to not be my friend anymore, and they would take the money,” she shares, noting that out of the “thousands” of girls she met there, she’s stayed in touch with “maybe five.” While several of them, including Girls Next Door stars Holly, Bridget Marquardt and Kendra Wilkinson. have openly discussed their time at the mansion, Hefner says she has a different perspective. “I wasn’t one of three girlfriends on a show. We were married; I was there with Hugh until he died.”

Crystal (with Hugh in May 2013) initially called off their engagement in 2016. They wed the following year. Kevan Brooks/Admedia/Sipa/Shutterstock

For Hefner, the writing process was cathartic. “When I read the first manuscript, I just burst out crying in the beginning paragraph because I felt like I finally have a voice, and this is it,” she shares, adding that the hardest chapters to write were those on sex and death. “Everyone assumes [I was] some dumb young girl who became part of [Hugh’s] girlfriend entourage, and, you know, ‘She’s an idiot.’ But now I have a pretty clear understanding of what I went through and what went on, and it’ll be apparent in the book.”

Although Hefner notes this isn’t a salacious tell-all, readers are in for some heavy bombshells. “There are hard stories and people that have hurt me, and they’re in there,” says Hefner, noting that although the names of numerous women and celebrities have been changed, she’s not letting anyone off the hook. “The stories are very detailed, and there are things that have never been spoken about before.”

“Building in Hawaii was a process of finding out what I want and who I am,” says Hefner. Tracey Lyn

Ultimately, she hopes her memoir will help other women. “I wish I had this book when I was 21 before going into the mansion,” Hefner says, adding that she believes her late husband would appreciate her sharing her perspective. “I hope that being such an advocate for freedom of speech, that [Hugh] would be an advocate for me telling my story. Women’s voices are getting louder, and that’s really important.”

These days, the licensed realtor is busy flipping houses in Hawaii and L.A. (where she still owns a home) and venturing into the NFT space with First Ape Wives Club, a digital membership pass to a world of travel amenities, including booking upgrades and hotel bonuses. It’s a far cry from her life just six years ago. “I needed a change. I look at photos of when I was at the mansion, and it feels like I was wearing a costume,” admits Hefner, who had her breast implants removed in 2016. She’s dipped her toe into the dating waters since Hugh’s passing and says she wants to get married — “I’m definitely a romantic” — and have kids someday. “I get to spend time here in Hawaii and travel and hang out with people who have my best interests at heart,” adds Hefner. “Life is good.”

Reporting by Andrea Simpson

Crystal Hefner is on a path to healing. After 10 years living in the infamous Playboy Mansion, the former wife of Hugh Hefner — they were wed in 2012 until his death of natural causes in 2017 — is making a fresh start. She’s relocated from L.A. to Hawaii, where she’s renovated a home on

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Entertainment

DJ Shinski Brings AfriqueFest To Life

Published

2 weeks ago

June 16, 2026

Bolanle Media Staff

AfriqueFest: Pan-African Musical Experience — World Cup Edition is set to take over Noto Houston on Sunday, June 28, bringing together East, South, and West African sounds in one immersive celebration of music, culture, and connection. Presented by Experience Noir and Bolanle Media, the event is designed as a cinematic night for the culture, blending global energy with Houston nightlife in a way that feels elevated, intentional, and deeply rooted in African creativity.

Spotlight on DJ Shinski

At the heart of this year’s experience is DJ Shinski. Born and raised in Nairobi, Kenya and now based in Houston, DJ Shinski has built an international name off high-energy sets that move effortlessly across Afrobeats, Amapiano, hip‑hop, dancehall, reggae, and electronic sounds.

He has also become Africa’s most‑subscribed DJ on YouTube, crossing the 2‑million‑subscriber mark and turning his mixes into a global destination for music lovers.

DJ Shinski’s style is precise but unpredictable: one moment it’s classic Afrobeats, the next it’s East African anthems, then a run of throwback hip‑hop or R&B that still feels fresh. That ability to read a room and connect multiple worlds in a single set is exactly why AfriqueFest is building so much of the night’s energy around him.

At AfriqueFest, DJ Shinski helps drive the Safari Grooves segment, representing East and Central Africa from 4 PM to 6 PM. Expect a journey that moves from Nairobi to Dar es Salaam, Kampala, Addis, and beyond, all filtered through his signature “vibes on vibes” approach behind the decks.

DJ Tunez and the rest of the night

Supporting that energy, DJ Tunez leads the Gold Coast Beats chapter from 8 PM to 10 PM, bringing his own Nigerian‑American Afrobeats pedigree to the stage. Together with the Diamond Rhythms segment (South) and a curated roster of DJs, the night stretches across the continent in three distinct musical chapters, all connected by a single dance floor.

Hosted by @chris_gone_crazy, @kingdrewwskyy, @roselynomaka, and @samsnewleaf, AfriqueFest is positioned as more than a party—it’s a celebration of sound, style, and Pan‑African identity in Houston, with DJ Shinski anchoring the experience from the moment doors open.

Brought to you by Bolanle Media & Experience Noir

Brought to you by Bolanle Media and Experience Noir, this World Cup edition of AfriqueFest is crafted as a night where global DJs, storytellers, and music lovers collide and create a shared cultural memory. With DJ Shinski front and center—and DJ Tunez helping close the night—guests can expect a show that reflects both the future of African nightlife and the power of the diaspora to create unforgettable live moments.

If you want to experience DJ Shinski live at AfriqueFest, now is the time to lock in your spot. Purchase your tickets now at AfriqueFest.com and get ready for a night of music, movement, and culture at Noto Houston.

Entertainment

STREAMING PREMIERE · JUNE 13, 2026

Published

2 weeks ago

June 13, 2026

Bolanle Media Staff

Laughter Meets Inspiration: Our Ladies Show Lands on The Roku Channel

A bold new sketch comedy series for women premieres June 13 across the U.S., U.K., and Canada — arriving on the back of a festival-winning run that has critics and audiences already paying attention.

It isn’t every day a brand-new comedy arrives already wearing a row of trophies. Our Ladies Show does. The seven-episode inspirational sketch comedy series — created, written by, and starring Christin Jezak — begins streaming on The Roku Channel on Friday, June 13, 2026, available free to viewers in the United States, United Kingdom, and Canada.

Produced in partnership with global media services leader Encompass Digital Media, the series sets out to do something rare in today’s streaming landscape: make women laugh out loud and leave them lifted. In a media moment crowded with noise and cynicism, Our Ladies Show is a deliberate counterweight — comedy with a conscience, built for women of every age and background.

A Show Built Around Real Life — and Real Laughs

Each of the seven episodes opens with a monologue from one of the cast members introducing the theme, then rolls into three or more sketches that hit the subject from every comedic angle. The series tackles the things women actually carry: holding grudges, comparison, beauty, patience, gift giving, the importance of community, and dealing with anxiety.

The comedy comes from a place of warmth rather than mockery — a “laugh at ourselves” spirit that runs through a gallery of unforgettable characters: a nosey neighbor, an overwhelmed mom, relentlessly optimistic flight attendants, beauty pageant winners past their prime, and a crew of unruly campers with a counselor who simply cannot hold it together.

Then the show does something most sketch series don’t. In the final segment of every episode, the cast gathers in a living-room setting and invites the audience in — sharing real inspiration drawn from the theme, the sketches, and their own personal stories. It’s the moment the laughter turns into something that stays with you.

The Women Behind the Show

Our Ladies Show brings together three performers with serious range:

Christin Jezak — creator, writer, and star (Miracle at Manchester, Raising Hope, Jimmy Kimmel Live!)
Hillary Hawkins — (Primal, Nick Jr.’s Play Along, Gullah Gullah Island)
Sarah Hernandez — (Nefarious, Unplanned, House of Payne)

“In a world with so much division and depression, I hope women of all ages and backgrounds will watch this show, laugh, be reminded of how beautiful, unique, and loved they are, and remember how much we need each other.”— Christin Jezak, Creator & Star

Already a Festival Favorite

The series’ recurring long-form sketch, Neighborhood Watch, didn’t arrive quietly. Originally released as a web series and revamped for Our Ladies Show with new footage, sound, and music, it has been sweeping the festival circuit:

🏆 Best Webseries — 2026 New Media Film Festival (Los Angeles)
🏆 Best Web/TV Series — Paris Film Awards
🏆 Best Web Series — Dallas Movie Awards
🏅 Additional wins at the London Movie Awards, Florence Film Awards, and Hollywood Gold Awards
🎬 Official Selection — 2026 Harvard Divinity School Film Fest
⭐ Finalist — Houston Comedy Film Festival
📣 Three nominations — 2025 Content Christian Media Conference, including Best Actress in a TV and Web Series nods for both Christin Jezak and Sarah Hernandez

Where and When to Watch

Our Ladies Show premieres Friday, June 13, 2026, streaming on The Roku Channel — the home of premium and free entertainment — in the U.S., U.K., and Canada. All seven episodes deliver the series’ signature blend of sharp sketch comedy and genuine encouragement.

Watch the trailer now on your platform of choice:

For more information, visit www.ourladiesshow.com and follow @ourladiesshow on Facebook, Instagram, and TikTok.

About Christin Jezak

Christin Jezak has worked for over 15 years in the entertainment industry. She created and stars in Our Ladies Show and the award-winning web series Neighborhood Watch. She produced the EWTN TV program For the Sake of the Gospel and the all-women web series Ladies Keepin’ It Real, played Dr. Sam in Miracle at Manchester (starring Dean Cain, Daniel Roebuck, and Eddie McClintock), and voices Agnes in the podcast Confessions of a Catholic Single. She held a lead role in a short film for NTT Data directed by Academy Award–winning cinematographer Janusz Kamiński, has co-starred on Raising Hope, and appeared in Jimmy Kimmel sketches and a Grubhub Super Bowl commercial.

About The Roku Channel

Roku pioneered streaming on TV and is the #1 TV streaming platform in the U.S., Canada, and Mexico by hours streamed (Hypothesis Group, Dec. 2025). The Roku Channel is the home of premium and free entertainment, alongside Roku’s Howdy and Frndly TV services. Roku is headquartered in San Jose, California.

About Encompass Digital Media

Encompass Digital Media is a global managed services company — technology-driven, software-defined, and people-powered. Trusted by world-leading broadcasters, networks, sports rights-holders, and OTT platforms, it processes over 25,000 hours of content daily, serves 850 channels to 84 countries, distributes over 243,000 live events annually, and reaches 400 million radio listeners weekly worldwide. Learn more at www.encompass.tv.

Media & Interview Requests: To interview creator Christin Jezak or the cast, contact Christin at cjezak@p2ptheatre.com.

Entertainment

What Filmmakers Should Actually Steal From Euphoria

Published

4 weeks ago

June 4, 2026

Bolanle Media Staff

Most of the talk about Euphoria asks one question: was it realistic? That’s the wrong question if you make films. The better one is simpler. How did Sam Levinson get an audience to feel addiction from the inside? And what did it cost him to end the show the way he did?

Strip away the noise and Euphoria is a clinic in three choices: point of view, style, and the ending. Here’s what’s worth taking — and what isn’t.

1. Put the Camera Inside the Character

Most shows about drugs watch from across the room. Euphoria doesn’t. When Rue is high, the camera is high too. Walls breathe. Floors tilt. Time skips. You’re not watching her — you’re stuck inside her head.

That’s the lesson: point of view is a decision you make with the camera and the cut, not a mood you add later in color. Levinson builds it into the lens, the blocking, and the edit.

So before you shoot a scene through a character’s eyes, ask one thing on set: whose eyes is this lens standing in for? Then make every cut respect that.

2. Your Style Has to Mean Something

The glitter. The slow push-ins. The impossible club lighting. Euphoria‘s look got copied everywhere. That’s the trap.

The style worked because it carried weight. The beauty wasn’t decoration — it was the lie addiction tells you, the reason the next high looks worth it. The camera made self-destruction gorgeous on purpose.

The copies missed that. A thousand music videos took the look and left the meaning behind, and you can feel how hollow they are. So here’s the test: if your signature style could be swapped onto any other project and still “work,” it’s not a style. It’s a filter. Every choice should have a reason behind it.

3. The Ending Tells the Audience What It All Meant

When Euphoria ended for good in Season 3, Levinson killed Rue — an accidental, fentanyl-laced overdose. He called it “the honest ending,” saying he wanted to tell a true story about addiction and grief in a time when one mistake can be the last one. Reportedly, that wasn’t the original plan; the death of Angus Cloud, who played Fezco, changed the script.

Forget whether you agree with the choice. Study how it works. An ending is the last instruction you give your audience about how to read everything before it.

By ending on consequence instead of recovery, Levinson reframed seven years of beautiful chaos as a story about cost — not a celebration of it.

It’s also the show’s most debatable move, and that’s worth noticing too. A show that spent years making pain look beautiful had to fight to make that pain land as loss. Did it earn the ending, or enjoy the wreckage too long to stick it? Smart filmmakers will disagree — and that argument is exactly what a good ending is supposed to start.

What Not to Take

The neon grief is the most copied part. It’s also the least useful. Take the surface — the colors, the slow-mo, the trauma-as-texture — and you get the costume without the body.

The real craft is underneath. Commit your camera to a real point of view. Make every stylistic choice earn its place. Treat your ending as the point of the whole thing. Do that, and your work won’t look like Euphoria. It’ll do what Euphoria did.

This piece touches on addiction and substance use. If you or someone you know is struggling, support is available through the SAMHSA National Helpline at 1-800-662-4357.