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Below Deck Med’s Kyle Puts ‘Straight’ Max on Blast for Using LGBTQIA+ Label on November 14, 2023 at 3:15 am Us Weekly

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Kyle Viljoen, Max Salvador Fred Jagueneau/Bravo(2)

Below Deck Mediterranean‘s Max Salvador landed himself in hot water after telling Kyle Viljoen he considers himself part of the LGBTQIA+ community despite being straight.

During the Monday, November 13, episode of the show, the crew was enjoying a rowdy night out before returning to the boat. Kyle and Max ended up discussing how Max kissed their now-former charter guest and whether there could be a future there.

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“I am putting my entire season’s tip money that you and Leni will never work out,” Kyle told Max, who took the bet by shaking the stew’s hand. “You are 23, and she is a grown businesswoman.”

Kyle, who is engaged to Dr. Zachary Riley, brought up the topic of sexuality when he added: “Don’t rub your f–king straight dick around here.” Max clarified that he is “LGBT plus S,” to which Kyle asked, “What is S?”

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Related: Celebrity Coming Out Stories

Take a look back at LGBT celebrities’ emotional, inspiring coming out stories from over the years — including Wentworth Miller, Ellen Page, Jodie Foster and more

When Max confirmed he meant he is “straight,” Kyle shut down the assumption that he’s part of the LGBTQIA+ community.

“You guys have your ‘straight.’ You cannot include yourself in LGBT, you must be crazy,” Kyle, who is gay, noted. “Support your straightness and show your allyship for us. That’s it.”

Max, meanwhile, was clearly tipsy after drinking all night and seemed confused by Kyle’s remark. “Me? Of being all together? You don’t like that?” he asked.

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Kyle stood by his initial reaction to Max’s comment, saying, “LGBTQIA+ does not include straight individuals. Not even allies are within our acronym. That’s our thing. I accept your allyship but I do not accept you saying you’re part of the LGBTQIA+ community.”

According to Max, using the LGBTQIA+ label allowed him to join a welcoming group of people. “But bro, the goal of the world is to be accepted by everyone,” he pointed out to Kyle.

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Related: Former ‘Below Deck Mediterranean’ Stars: Where Are They Now?

Over the years, Bravo viewers have seen Below Deck Mediterranean cast members come and go — but not before they brought the drama to the small screen. The spinoff series, which premiered in 2016, seemingly found a permanent crew member in chief stew Hannah Ferrier. The Australia native appeared in five seasons of the hit […]

The conversation only got more tense when Kyle maintained that Max had no place in his space, adding, “You accept me but you cannot be part of my community. You’re not gay or bi.”

Natalya Scudder stepped in to explain Max’s point of view, which only made the situation worse. She asked Max whether he was interested in a threesome with another man and a woman and took his approval as a sign that he fits under the “bi-curious” label.

“A part of a community is being accepting of every community,” she said to Kyle, who fired back, “Not you. Take a backseat. It’s got nothing to do with you, it has to do with him.”

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Earlier in the episode, Kyle started to question whether his friendship with Natalya was genuine. They were previously at odds while filming season 7 because Natalya felt she did more work than Kyle. Natalya and Kyle attempted to start fresh after joining the Mustique, but that quickly started to fall apart.

Related: Below Deck Mediterranean’s Biggest Drama Through the Years

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As soon as you step foot on a Below Deck Mediterranean charter yacht, you’re guaranteed one thing: a whole lot of drama. Throughout its five seasons, crew members like Captain Sandy Yawn, Hannah Ferrier, Malia White and more have been know to butt heads with each other — all with the purpose of delivering a […]

Kyle began to question whether Natalya was the reason the interior team wasn’t getting along. He pointed out Natalya’s feud with chief stew Tumi Mhlongo and how she seemingly made stew Jessika Asai question Kyle’s intentions.

Natalya supporting Max’s ignorant stance only caused Kyle to get more frustrated with her.

“I will talk to you the way I want. You cannot control me. You will never control me,” he told Natalya. “I don’t need you to control everybody’s opinion. [Focus on your] own f–ked-up life before you f–k up on ours. She will throw you under the f–king bus.”

The insults shocked Natalya, who said that she’s “never been spoken to like that” in her life. Kyle, meanwhile, remained unbothered by his behavior, adding, “I don’t give a f–k about our friendship. Our friendship has never been real. You have been a fake-ass bitch talking s–t since day 1. Get away from me.”

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Related: Biggest ‘Below Deck’ Feuds — and Where the Relationships Stand Today

Rough seas! Viewers have had a front row seat to some of the biggest reality TV feuds since the Below Deck franchise debuted in 2013. The show’s spinoff series Below Deck Mediterranean shocked viewers when Hannah Ferrier and Captain Sandy Yawn‘s inability to see eye to eye turned into the most memorable firing to date. […]

Before the episode aired, Natalya revealed where she stands with Kyle after the dramatic season of Below Deck Med.

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“He is the devil,” she exclusively told Us Weekly on November 3 at BravoCon in Las Vegas. “[It’s] annoying ’cause he set me and Tumi up [for] a very bad start of the season. Tumi and I are on a good page now. We do agree there was one person who definitely caused the drama, but we are good now.”

Below Deck Mediterranean airs on Bravo Mondays at 9 p.m. ET.

Below Deck Mediterranean‘s Max Salvador landed himself in hot water after telling Kyle Viljoen he considers himself part of the LGBTQIA+ community despite being straight. During the Monday, November 13, episode of the show, the crew was enjoying a rowdy night out before returning to the boat. Kyle and Max ended up discussing how Max 

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Entertainment

Matthew Gilleece: Comedy Screenwriter on the Rise

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We’re thrilled to shine the spotlight on Matthew Gilleece, a talented and innovative screenwriter who’s making waves in the comedy scene. As a finalist for the Best Comedy Short Screenplay Award at the prestigious Houston Comedy Film Festival, Matthew’s work is garnering attention and acclaim.

The Genesis of “Teddy Better Be Late”

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Matthew’s screenplay, “Teddy Better Be Late”, was born from a clever observation of his lifelong friend and son’s chronic lateness. With a stroke of creative genius, he transformed this relatable quirk into a superpower, crafting a story that’s both humorous and heartwarming.

A Seasoned Screenwriter with a Unique Voice

With 13 years of screenwriting experience under his belt, Matthew has honed his craft, developing a distinctive voice that resonates with audiences. His previous works, including the feature-length script “Everyman” and the short script “The Right Fork”, have already garnered recognition in several contests.

 

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Current Projects and Future Collaborations

Matthew is currently juggling multiple projects, including short stage plays and a new script that’s taking shape. His enthusiasm for storytelling and collaboration is contagious, and we can’t wait to see what he’ll create next. Connect with Matthew on social media: FacebookInstagram. Reach out to him directly at matthewgilleece@gmail.com to explore potential collaborations.

Visual Storytelling

To accompany this spotlight article, Matthew has provided a headshot and AI-generated concept art for “Teddy Better Be Late”, offering a glimpse into the world he’s created.

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A Bright Future Ahead

As Matthew continues to push the boundaries of comedy screenwriting, we’re excited to see where his talent takes him. With his unique perspective, dedication to his craft, and infectious enthusiasm, he’s sure to leave a lasting impact on the industry.

 

From the Film Festival Circuit Founder, Mikal Fair:

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“Explore the ‘Film Festival Submitter’s Handbook 2024,’ your ultimate guide to conquering the film festival circuit. Whether you’re a filmmaker or screenwriter, this essential resource provides practical strategies to navigate the competitive landscape of film festivals successfully. From crafting compelling titles, taglines, and synopses to creating impactful director’s and writer’s statements, this handbook equips you with the tools to shine in the festival circuit. Learn to develop effective marketing materials, including posters and trailers, and discover the importance of communication and presenting a professional package. With insights tailored to the evolving role of social media and marketing in the film industry, this handbook is your key to festival triumph. Get your copy now and embark on your journey to festival success!”

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Houston Comedy Film Festival 2024 Recap

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The Houston Comedy Film Festival Fall 2024 was a resounding success, attracting filmmakers and comedy enthusiasts worldwide for its 15th consecutive year. The event showcased an impressive array of comedic films, provided valuable networking opportunities, and celebrated excellence across various sub-genres.

Credit: D-Shot Productions | Fall 2024 Houston Comedy Film Festival

The festival kicked off with an engaging acting workshop that set the tone for the days to come. Participants were treated to a hilarious skit performed by festival winners, demonstrating the exceptional talent present. This interactive start energized attendees and created a lively atmosphere that persisted throughout the festival.

Credit: D-Shot Productions

Notable highlights included inspiring sessions, such as The Newbie Film Academy led by industry veteran Joan Montreuil. Joan captivated the audience with her inspiring journey in the film world, sharing personal anecdotes and hard-earned wisdom. Her insights into the often-complex film distribution process were particularly valuable, offering aspiring filmmakers a roadmap to navigate this crucial aspect of the industry.

DD’s Showbiz and The now offering curriculum for filmmakers with the Houston Comedy Film Festival and Bolanle Media

 

Delores from DD’s Showbiz conducted an interactive workshop that proved to be both educational and entertaining. Participants gained hands-on experience in various aspects of filmmaking, from scriptwriting to directing. This practical approach allowed attendees to learn directly from an industry professional, enhancing their skills and understanding of the craft.

Festival Winner Hannah Rose Vernot and Director Roselyn Omaka

The festival celebrated excellence across a wide range of comedy sub-genres, with notable winners including:
  • Best Animated Comedy Film: “Truth Detector” by William Reliford (Nebraska)
  • Best Comedy Film: “French Anglais: Escape Deux Sudbury” by Joel Edmiston & Conrad Osei-Bonsu (Canada)

  • Best Comedy Micro Film: “ChatGPT Boy Meets Girl” by Simeon Williams (Texas)
  • Best Comedy Series Episode: “Feet On The Street with Alyssa Poteet” by Jessie Sanchez (California)
  • Best Comedy Short Screenplay: “The Paranormal Prankster: Casefile 002 – Probing Aliens” by Sean Whitley (Texas)
  • Best Comedy Teleplay: “Summer’s Holes” by Emily Hyde (Florida)

Credit: D-Shot Productions

  • Best Dark Comedy Feature Screenplay: “The Infinity Thieves” by TK Sheffield (Wisconsin)
  • Best Dark Comedy Film: “Hitch Hiking Is Safe” by Ylia Trotter (Australia)
  • Best Dark Comedy Micro Film: “A Bit Much” by Youssef Mutawe (Canada)
  • Best Dark Comedy Screenplay: “Bloodbath And Berets (South Park Spec)” by Elizabeth Crane (Florida)
  • Best Director: “God Be With Us,” directed by JaNarie Rhambo (California)
  • Best Horror Comedy Film: “Sock It To Me,” directed by Joelle Marie Velez and Peter Anthony Castillo (Illinois)
  • Best Horror Comedy Screenplay: “Another Night at Beaver’s,” written by Jeremy Sumrall (Texas)

Joell Edminson and Ben S- Festival Winners for ‘French Anglais: Escape Deux Sudbury’

  • Best Mockumentary Film: “Profiles Of Remarkable Neophytes,” directed by Gavin Michael Booth (California)
  • Best Mockumentary Micro Film: “Cinching Saddles,” directed by Kevin Sengara and Aman Pannu (Canada)
  • Best Picture Award: “Enjoy Your Evening,” directed by Justin Norman (Iowa)
  • Best Proof of Concept Award: “Up To Par,” directed by Daryl Gil and Kentrell Newton (California)

Festival Winner Emily Hyde and Director Roselyn Omaka

  • Best Romantic Comedy Feature Screenplay: “MIC CHECK; KARAOKE LOVE,” written by Gregory Bonds (California)
  • Best Romantic Comedy Micro Film: “The Trade,” directed by Ren Olivieri and David Kalinauskas (Canada)
  • Best Sketch Comedy Film: “Joan & Samuel: A Tale of Gaslighting and Independence,” directed by Karissa McKinny (California)
  • Best Stand-Up Comedy Video: “I Love Watching Movies But Hate When The Titles Are So Misleading!” directed by Jonathan Yates (North Carolina)
  • Best Teleplay Award Winner: “Stocktonian Exchange – Kill Your Spirits,” written by Hannah Rose Vernot (California)

Filmmaker Kris Adams and DD’s Showbiz owner Deloris

Bolanle Media’s presence at the festival provided a valuable resource for attendees, offering access to industry connections and potential distribution channels. As a new media company sparking buzz within the filmmaking world, Bolanle Media focuses on generating excitement through social media and press interviews with filmmakers, directors, screenwriters and behind-the-scenes crew members. Their innovative marketing strategies help amplify voices in the industry, ensuring that emerging talents gain recognition without needing to relocate to Hollywood.

Credit: D-Shot Productions | Screenwriter Tom Renville and Director Roselyn Omaka

 

This partnership with Bolanle Media enhanced the festival experience, particularly for filmmakers looking to break into the industry. The event’s success was further evidenced by the diverse range of countries represented, including Canada, Australia, and various states across the US. This international flavor contributed to a rich exchange of ideas and cultural perspectives in comedy filmmaking.
Overall, the Houston Comedy Film Festival Fall 2024 proved to be more than just a screening event. It served as a vibrant hub for comedy in all its forms, from slapstick to dark humor, providing a platform for both emerging talents and established names in the industry. The festival’s commitment to fostering creativity, facilitating networking, and recognizing excellence has solidified its position as a key event in the comedy film calendar.

Credit: D-Shot Productions

The festival’s ability to bring together industry professionals, filmmakers, and comedy enthusiasts from around the globe has made it a standout event in the entertainment industry. As the Houston Comedy Film Festival continues to grow and evolve, it remains a premier platform for showcasing comedic talent and promoting innovative storytelling.

Credit: D-Shot Productions

With its impressive lineup of films, engaging workshops, and valuable networking opportunities, the Houston Comedy Film Festival Fall 2024 has set the bar high for future events. As the comedy film community looks forward to next year’s festival, one thing is certain – the Houston Comedy Film Festival will continue to be a driving force in promoting comedic excellence and celebrating the art of comedy filmmaking.

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Tom Renville’s Breakout Moment: ‘Ramp Rats’ Takes Flight

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Screenwriter Tom Ronville

We’re thrilled to share an update on Tom Renville, the talented screenwriter behind “Ramp Rats,” the winner for the Best Comedy Feature Screenplay Award at the Houston Comedy Film Festival. Tom’s unique voice and perspective have captured the attention of industry professionals and audiences alike.
A Nod to the Classics
Tom’s work on “Ramp Rats” has drawn comparisons to iconic 90’s films like “Dazed and Confused,” “Empire Records,” and “Clerks,” praised for its “really fun hang out” vibes. This flattering nod to the classics solidifies Tom’s position as a rising star in the screenwriting world.
A Fresh Perspective
“Ramp Rats” brings to life the untold stories of aviation’s unsung heroes – ramp workers. Tom’s personal experience in the field and passion for storytelling have created a compelling narrative that resonates with audiences.
What’s Next?
Tom is already working on the sequel, “Ramp Rats: Parts Too,” and exploring new creative avenues, including a script about the action figure industry and a potential series adaptation of “Ramp Rats.” His dedication to his craft and willingness to take on new challenges make him a standout talent.
Connect with Tom
For those interested in learning more about Tom Renville or exploring potential collaborations, he can be reached via email at Hauoliboy@hotmail.com or Tommyren73@gmail.com. You can also connect with him on Instagram @tomrenville.
A Bright Future Ahead
We congratulate Tom on his achievement and look forward to seeing where his creative journey takes him next. With his unique voice, fresh perspective, and commitment to his craft, Tom Renville is sure to make a lasting impact in the screenwriting world.

From the Film Festival Circuit Founder, Mikal Fair:

“Explore the ‘Film Festival Submitter’s Handbook 2024,’ your ultimate guide to conquering the film festival circuit. Whether you’re a filmmaker or screenwriter, this essential resource provides practical strategies to navigate the competitive landscape of film festivals successfully. From crafting compelling titles, taglines, and synopses to creating impactful director’s and writer’s statements, this handbook equips you with the tools to shine in the festival circuit. Learn to develop effective marketing materials, including posters and trailers, and discover the importance of communication and presenting a professional package. With insights tailored to the evolving role of social media and marketing in the film industry, this handbook is your key to festival triumph. Get your copy now and embark on your journey to festival success!”

For film investment opportunities, please see below:

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