Entertainment
How Paige DeSorbo Reacted to Taylor Ann Green’s Claim She Cheated on Craig on September 15, 2023 at 5:42 pm Us Weekly

Paige DeSorbo and Taylor Ann Green Getty Images; MEGA
Southern Charm’s Craig Conover brushed off Taylor Ann Green’s cheating claims on the show — but how did his girlfriend, Paige DeSorbo, react to the accusation?
“I kinda laughed because I was like, ‘Me and Paige just sit on her couch and watch TV,’” Craig, 34, told E! News on Thursday, September 14, of Taylor, 28, alleging that Paige, 30, “cheated” on him. “It would be a little hard for either of us to be out there being secretive. I don’t think that comes with this territory anymore.”
Craig explained, “Obviously, I had to tell Paige what someone was saying about her,” noting that Paige “had a similar reaction.”
Taylor raised eyebrows at the end of the season 9 premiere of Southern Charm — which aired on Thursday — after she got into a fight with Craig at pal Madison LeCroy’s post-wedding celebration. During the episode, Taylor slammed Craig for allegedly not having her back when she and Shep Rose split in 2022.
Taylor went as far as to claim that Craig “laughed about Shep trying to cheat on me,” which Craig denied, saying he actually “stopped” Shep, 43, from being unfaithful when he saw him try and kiss Southern Hospitality’s Mia Alario at Leva Bonaparte’s bar.
“You weren’t there the night he did it. I threw him through a f—king wall,” Craig screamed back at Taylor during the episode. “Screw you. … I didn’t cheat on you my f—king friend did.”
A frustrated Taylor fired back, “What about your girl cheated on you?” insinuating that Paige was stepping out on him. Craig turned around to leave the party after telling Taylor, “You’re embarrassing yourself.”
Looking back on the moment, Craig told E! News that he “walked away” because “there was nothing I could do to help [Taylor] in that moment.”
The Sewing Down South founder added: “It was just sad for me because I think I realized in that moment how lost Taylor really is. I care about her, and I was like, ‘Man, you’re really struggling.’”
Paige DeSorbo and Craig Conover Rich Polk/Getty Images
Craig noted that Taylor’s jab at him and Paige came out because of how heartbroken she was over her breakup with Shep. “She thought she was gonna get married to Shep and he had cheated on her multiple times,” Craig explained. “I’ve been cheated on before. That will really turn your world upside down and everything that you think you know about the world. So, she’s dealing with that.”
Throughout season 9, fans will see just how lost Taylor was following her split from Shep as she faces backlash over an alleged hookup with costar Austen Kroll. Taylor also sent Whitney Sudler-Smith a nude photograph as a way to strike back at Shep.
“It was a very drunken night,” Taylor confessed to Entertainment Tonight in an interview published on Thursday, confirming there was a sexy picture exchange with costar Whitney, 55. “I knew what Shep and Whitney had been up to the past few months, gallivanting around Charleston, trying to pick up girls and so, I did that to get under Shep’s skin.”
She noted it was “very childish” but she is “owning it” and trying to move forward. “I’m not proud, but it was definitely a jab,” Taylor added.
Craig, for his part, was first linked to Paige in summer 2021. The pair went public with their relationship later that year and have since become fixtures on each other’s Bravo shows. Craig has made cameos on Summer House, while Paige is appears more and more on Southern Charm.
Southern Charm airs on Bravo Thursdays at 9 p.m. ET.
Southern Charm’s Craig Conover brushed off Taylor Ann Green’s cheating claims on the show — but how did his girlfriend, Paige DeSorbo, react to the accusation? “I kinda laughed because I was like, ‘Me and Paige just sit on her couch and watch TV,’” Craig, 34, told E! News on Thursday, September 14, of Taylor,
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Entertainment
Selling Your Soul in Hollywood: The Hidden Cost of Fame

By all appearances, Hollywood is a dream factory — a place where charisma, talent, and luck collide to create stars. But behind the camera lights and red carpets lies a conversation few inside the industry speak openly about: the spiritual and moral price of ambition.

For actor Omar Gooding, the idea of “selling your soul” in Hollywood isn’t a metaphor — it’s a moral process that begins with tiny compromises. In an October 2025 interview, Gooding explained that no one in Hollywood makes a literal deal with the devil. Instead, it’s the quiet yeses, the moments when comfort overrides conviction, that mark the beginning of the trade. “They don’t say, ‘Take this or you’ll never make it,’” he said. “They just put it in front of you. You choose.”
Those choices, he argues, create a pattern. Once you show that you’ll accept something you once resisted, the industry notices. “Hollywood knows who it can get away with what,” Gooding said. “One thing always leads to another.” The phrase “selling your soul,” in this context, means losing your say — doing what you’re told rather than what you believe in.
That moral tension has long shadowed the arts. Comedians like Dave Chappelle, who famously walked away from millions to preserve his creative integrity, often serve as examples of where conviction and career collide. In resurfaced interviews, Chappelle hinted that he felt manipulated and silenced by powerful figures who sought control of his narrative, warning that “they’re trying to convince me I’m insane.”
This isn’t just about conspiracy — it’s about agency. Hollywood runs on perception. Performers are rewarded for being agreeable, moldable, entertaining. Those who question the machine or refuse the script risk exile, while those who conform are elevated — sometimes beyond what they can handle.
“We see the ‘collections’ all the time,” Gooding explained. “When the bill comes due, you can tell. They made that deal long ago.”

But the story doesn’t end in darkness. Gooding also emphasizes that in today’s entertainment landscape, artists have more control than ever. With streaming, social media, and creator‑driven platforms, performers don’t have to “play the game” to be seen. Independent creators can build their own stages, speak their own truths, and reach millions without trading authenticity for access.
Still, the temptation remains — recognition, validation, quick success. And every generation of artists must answer the same question: What are you willing to do for fame?
As Gooding put it, “You just make the best choices you can. Because once it’s gone — your name, your peace, your soul — there’s no buying it back.”
Entertainment
California Bans AI Clones from Replacing Real Talent

California just made a dramatic stand for human creativity, defeating the threat of AI actor clones with a sweeping new law that puts people—not algorithms—back in the Hollywood spotlight. With the stroke of Governor Gavin Newsom’s pen in October 2025, the state has sent a clear message to studios, tech companies, and the world: entertainment’s heart belongs to those who create and perform, not to digital facsimiles.
California Draws a Hard Line: No More AI Clones
For months, the entertainment industry has been divided over the use of artificial intelligence in filmmaking. Studios, lured by promises of cost-cutting and creative flexibility, have invested in software that can mimic an actor’s face, voice, and even emotional range. But for performers, this wave of synthetic reproduction has triggered alarm—encouraged by chilling stories of deepfakes, unauthorized digital doubles, and contracts that let studios reuse a star’s likeness indefinitely, sometimes without pay or approval.
The new California law, anchored by AB 2602 and AB 1836, changes everything:
- Every contract must explicitly detail how studios can use digital replicas or voice models, preventing once-common “blank check” agreements that overlooked this risk.
- No one—not studios nor streaming giants—can create or release AI-generated clones of an actor, living or dead, without clear, written consent from the performer or their estate.
- The law gives families new powers to defend loved ones from posthumous deepfake exploitation, closing painful loopholes that once let virtual versions of late icons appear in new ads, films, or games.
Actors Celebrate a Major Victory
The legislation rides the momentum of the recent SAG-AFTRA strike, where real-life talent demanded control over their own digital destinies. Leaders say these protections will empower artists to negotiate fair contracts and refuse participation in projects that cross ethical lines, restoring dignity and choice in an industry threatened by silent algorithms.
Stars, unions, and advocacy groups are hailing the law as the most robust defense yet against unwanted AI replications.
As one actor put it, “This isn’t just about money—it’s about identity, legacy, and respect for real artists in a synthetic age.”
A New Chapter for the Entertainment Industry
California’s move isn’t just a victory for local talent—it’s a warning shot to studios everywhere. Companies will now be forced to rethink production pipelines, consult legal counsel, and obtain proper clearance before digitally cloning anyone. Global entertainment platforms and tech developers will need to comply if they want to do business in the world’s entertainment capital.

These laws also set a template likely to ripple through other creative fields, from musicians whose voices can be synthesized to writers whose work could be mimicked by generative AI. For now, California performers finally have a powerful shield, ready to fight for the right to shape their own public image.
Conclusion: Human Talent Takes Center Stage
With its no-nonsense ban on AI actor clones, California draws a bold line, championing the work, likeness, and very humanity of its creative stars. It’s a landmark step that forces the entertainment industry to choose: respect real talent, or face real consequences. The age of the consentless digital double is over—human performers remain the true source of Hollywood magic.
Entertainment
Chaos and Comedy: Darby Kingman’s “Camp Wackapoo: Rise of Glog”

Darby Kingman’s “Camp Wackapoo: Rise of Glog” redefines summer camp comedy with a wild, energetic story about ambition, chaos, and the joy of embracing the unexpected. The film centers on a relentlessly competitive camp counselor who’s determined to finish first—only to face a motley crew of unruly campers and a summer unlike any other.
As Darby puts it, “Not everything is that deep. It really honestly was to make people laugh. She has all these kids that are not working with her and she’s just losing her mind. It’s crazy, silly, goofy, and it was a blast.”
What started as a simple scene for Darby’s acting reel evolved into a full-fledged film with encouragement from her mentor at Debbie Reynolds Acting School. Darby dove into every role—writing, directing, starring, and meticulously preparing each prop and costume. “Plan and prepare, but also be flexible and ready to be in the moment—that’s when the magic happens,” she advises.
Working with a handpicked cast of her own dance students, Darby built an atmosphere of real teamwork and camaraderie. She credits the “precious” energy of her young cast, her creative director of photography, and the overall spirit of her production team for turning the project into something bigger than herself. Her experience is an inspiring blueprint for indie filmmakers:
“Take initiative and control of your career. You can’t just sit around and wait for somebody to pick you. Figure out what you’re good at and go for it. Create something that brings joy to others.”

Her production motto? “Preparation is key, but you have to be ready to go with the flow—that’s when the magic happens.” Darby’s fearless creativity, focus on collaboration, and love for comedy shine throughout “Camp Wackapoo: Rise of Glog.” It’s more than just a camp satire—it’s a heartfelt testament to hard work, original humor, and leadership from the ground up: “People need to laugh right now. That’s a win.”
Catch “Camp Wackapoo: Rise of Glog” and experience Darby’s infectious energy and comic genius at the Deluxe Theatre on November 1, 2025. Get your tickets now at Houstoncomedyfilmfestival.com.
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