Connect with us

Entertainment

98 Degrees on New Music, ’90s Style and Being a ‘Blue-Collar Boy Band’ on September 13, 2023 at 12:00 pm Us Weekly

Published

on

In their heyday, 98 Degrees sold nearly 15 million records, had four top 10 singles and regularly graced the covers of teen magazines alongside the likes of ’NSync and the Backstreet Boys. Despite their outsize fame, Ohio natives Drew and Nick Lachey, Jeff Timmons and Justin Jeffre say they never took success for granted — or stopped hustling. “We call ourselves the blue-collar boy band,” shares Drew. Adds Nick, “Our mindset was always, ‘You might out-dance us, you might out-sing us, but you sure as hell won’t out-work us.’ We got discovered the old-school way, singing for money and food. I’m very proud of how we came up.”

More than two decades later, Drew, 47, Nick, 49, Jeff, 50, and Justin, also 50, are still grinding. Now managed by Johnny Wright of Wright Entertainment Group, they’re working on new music, embarking on a 25th Anniversary Tour and, they tell Us exclusively, rerecording their masters. But today, they’re better able to enjoy the fruits of their labor. “We’re more relaxed,” says Jeff, the band’s founding member. “Everything is more fun.” The guys sat down with Us at the Hotel Covington in Covington, Kentucky, to talk about their early days, returning to the studio and their unbreakable bond.

It’s been 25 years since you guys broke out onto the scene. How exciting is that?
DREW It’s one of these moments where you have to look back. It’s like, “Has it really been that long?” In some ways, it seems like just yesterday that we got together.

How did you initially form the band?
JEFF We started it ourselves. You didn’t have YouTube or American Idol back then. I went to L.A. with some other guys, and they dropped out. Then I was introduced to Nick. When I heard his voice, I was like, “I’ve got to get this guy out here.” I didn’t even know what he looked like…
DREW Otherwise he never would’ve called him!
JEFF I tricked him into coming out to L.A. I lied and said I had a lot of stuff going on even though I had nothing. He brought Justin and Drew with him, and that’s how we got started.

Advertisement

“We never really thought of ourselves as a boy band,” says Nick. “We just got swept up in the current.” John Chapple/MEGA

Did you instantly know that you had something special?
DREW We had something different. We pride ourselves on our vocals, and we’d rehearse nonstop, just a capella and harmony. It didn’t come without a lot of effort and hard work.
NICK There are a lot of great singers out there, but it doesn’t automatically lend itself to harmonizing. So I think when people heard our harmonies, it was like, “Wow, OK.” It set us apart from other bands that were out trying to do the same thing.

Advertisement

Related: BTS! 1D! ‘NSync! Look Back at the 22 Biggest Boy Bands of All Time

Man power! Us looks back at music’s most successful all-male groups, from One Direction to the Backstreet Boys

How did you decide on the name 98 Degrees?
DREW We voted on it. We wanted something that represented the mood and tone.

Can you share some band names that didn’t make the cut?
JUSTIN There’s a long list. Spontaneous Combustion was a personal favorite.
NICK I still stand by Inertia. What did we start out as?
JEFF It was Just Us. First Four was another one.
DREW Which was terrible. [There was also] Next Issue.

You had your first hit with “Invisible Man” in 1997. Did it feel like success came quickly?
JEFF It felt like it took forever. We got signed in ‘95 and recorded all of ’95 and ’96. We came out in ’97, but we weren’t really marketed. We weren’t on MTV. Our label was Motown, and they didn’t want to put our pictures on anything — they wanted to keep this mystique that we were an R&B group. It took another album and TRL to come out, and then that exposure happened in ’98 and ’99.
JUSTIN Once you’re signed, you realize, “Oh, that doesn’t mean you made it.” It’s still a lot of work ahead.

Advertisement

What was the moment when you felt like you’d finally made it?
NICK We were in Asia touring, and I vividly remember I was in the hallway of our hotel, and Jeff came out and said, “‘Because of You’ just went Top 10.”
DREW Then you’re like, “Alright, are we going to be a one-hit wonder?” So you have to continue grinding and promoting.
NICK We didn’t have the easiest road. We weren’t put together by some magical guy putting pieces in.

“We felt pressure amongst each other just to make it,” says Jeff. “We were pretty hard on each other.” John Chapple/MEGA

There were a lot of boy bands vying to be No. 1. Did you feel any rivalry with them?
JEFF We thought we were more of an R&B vocal group. Not to disparage those bands — we love them, we were friends with all of them — but we thought we were different. Once the media started saying, “Well, you’re like Backstreet Boys and ’N Sync,” then we were like, “Oh, do we need to start dancing more?”
NICK It was a blessing and a curse. There was so much momentum behind the boy band craze, and it was nice to get caught up in that, but it also caused pressure.

To achieve a certain level of success?
DREW There was this completely unattainable bar that was set. People don’t come out and sell 2 million records in the first week — that’s an anomaly.
JEFF There was an article about how our next record was about to come out after Britney [Spears] and Backstreet Boys and ’N Sync consecutively broke records, and it said 98 Degrees is set to do it next. Sadly, we only sold 536,000 records in the first week, and it was a big disappointment.
DREW At this point, we have a better perspective on it all. We enjoy the moment more. We put out projects we’re happy with, and whatever happens with them, happens.

Advertisement

Which song are you most proud of?
NICK “Invisible Man” will always have a special place in my heart. It brings back memories of calling the radio station as you’re driving your motorhome down the highway, requesting your own song.
JEFF They’d call you out. “Is this 98 Degrees?” I hung up the phone immediately. “Because of You” is also a good one. Once that took off, we were everywhere.

Related: ’90s Pop Stars: Then and Now

Advertisement
From Britney Spears to ‘NSync, our favorite ’90s pop stars have changed so much over the years — click through to see how time has treated the singers

What was that like — being thrust into the spotlight?
DREW
It was awesome but also overwhelming. I kicked a hole in a wall at one venue because I was so frustrated. I had to pay for the repairs!

Did you all keep each other in check?
NICK You become a brotherhood in all the best ways — and sometimes not the best ways. You lean on each other. To have my own brother in the band was very cool for me — he might say it wasn’t for him [laughs] — but it’s fun to go through it together. Getting chased out of a mall in the Philippines — if you were by yourself, it wouldn’t be nearly as much fun.

Clockwise: Nick Lachey, Drew Lachey, Justin Jeffre, Jeff Timmons John Chapple/MEGA (4)

Any major fights through the years?
DREW [Most] of our disagreements were about which song should be a single or which deal to sign. It wasn’t like, “Oh, you stole money from me.”
NICK There was the Kinder egg incident.
JEFF We were in Germany. I was bored. At every stop, I’d get Kinder eggs — these chocolate eggs with a prize in them. I was opening them and playing with the prizes, but not eating the chocolate. It was super-annoying to the guys — chocolate and wrappers everywhere. They kept stepping on them. They wanted to kill me.
NICK If anything, we’re guilty of being too nice to each other. We probably could’ve used a few more air-the-dirty-laundry fights.

Advertisement

What led to your 2002 hiatus?
JUSTIN We’d just been on the road for so long. We were ready to have more of our own lives outside of the group.
What brought you back together?
DREW We had an opportunity to go back out on the road with New Kids on the Block and Boyz II Men. That was the nudge we needed.

Do you guys ever watch your old music videos?
DREW I went back before this new run of shows. There were moments when I was like, “Oh, my God, I forgot that happened!” We have kids who are old enough to understand it. They’re like, “What was that?” Well, kids, this is a VCR with a VHS tape. [Laughs.] It’s fun to walk down memory lane.

Any regrettable fashion moments?
NICK
So many to choose from. It was bad skin, bad outfits, a lot of bad hair. It was just a lot of bad choices.

Do your kids listen to your music?
DREW They don’t listen to it at all. For the most part, It’s other people that I work with who are of that age that look up the videos on YouTube and think it’s fun. My kids are just like, “Oh my God, how many concerts do we have to sit through?”
NICK My kids hate when I sing.
JEFF My kids like it a bit, but they’re over it — they’ve been to too many concerts. They like Little Uzi Vert or whatever.

Advertisement

“It ranks up there as one of our worst fashion moments,” Drew says about their looks at the 1998 Mulan premiere. Frank Trapper/Corbis via Getty Images

Justin, are you still living the bachelor life?
JUSTIN My girlfriend has a son, so it feels a bit like there’s a fatherly role — but fortunately, it’s more like I get to be the cool dad.

How’s it being back on the road?
DREW We have a different take on touring now. It’s about [figuring out] what amount of time we feel comfortable being away and how we can route the tour so we can bring our families.

Who forgets the lyrics most when you’re performing?
DREW Nick. In his defense, he has the most lyrics to sing!
NICK But I’ll always sing something! I’ll improvise. It may not be the actual lyric, and our fans will call me out, but it’s proof we’re singing live.

Advertisement

How do your wives feel about you being on tour?
DREW They’re like, “Go, bye!” [Laughs.] They’re supportive. There are moments our families like to be a part of, and those are the moments you really hold on to.

We’ve all grown and evolved and changed and challenged ourselves,” says Drew. “So we’re bringing new skill sets into the group now.” John Chapple/MEGA

Tell Us about your new music.
JEFF We’ve tried a few things that might not have been our lane. And you see these different things, and the evolution of music. The new music has new sounds in it, but I think the inspiration is our old stuff.
DREW Yeah, we sing love songs. Ultimately, that’s what we do. That’s what we’re most comfortable with, and that’s what we’re best doing.
JEFF My wife is a boy band fan now. Sadly she’s more of a New Kids On The Block fan, but that’s a good test market. So I will run songs by her and she’ll say yay or nay.

You’re rerecording songs as well.
JEFF Record companies traditionally do deals where they take percentages of everything. Ours, EX1, is partnering with us and allowing us to own parts of our masters, and we’re re-recording some of our old hits. It’s exciting.

Advertisement

All of you are working on solo projects as well across entertainment and business.
DREW We’re all exploring other opportunities. In the past [being in the band] was all-consuming. We learned that you have to have other things that inspire you and move you outside of just this group. So yeah, we’re all hustling on our own too.

What do you like to do when you’re not working?
DREW I have a side business with my wife. And my son and daughter are a part of that as well.
JEFF Just normal dad stuff. When you do this for so long, that’s kind of our vacation — getting to be with your family and experiencing sports and choir and cheerleading.
NICK My favorite thing to do with my kids is taking them to school. It’s just the things you talk about, the conversations that come up, the laughing, the music.

“So many parents tell us they were happy to have music that they didn’t feel awkward hearing in the car,” shares Justin. John Chapple/MEGA

There’s a rumor that the Super Bowl halftime show will feature a bunch of boy bands — 98 Degrees, Backstreet Boys, Boyz II Men. Would you be up for that?
NICK
We’d love for that to happen.

Advertisement

Boy bands are having a resurgence. Why do you think fans keep coming back for more?
DREW I think it’s just going back to a simpler time. The music was fun. The world seemed a bit safer and less divided, and the shows are upbeat and energetic and bring joy to people.

Related: 2000s Pop Stars, Then and Now: Hilary Duff and More

Advertisement
From Hilary Duff to Rihanna, our favorite 2000s pop stars have changed so much over the years — click through to see where they are now

What do you hope your legacy will be?
JEFF Our reputation and our work ethic — as well as the music — those are the key things.
DREW We’ve always tried to treat people well. We went through this industry, and we took our lumps, but we did it with dignity and respect.
JUSTIN Many parents talk about how they were just happy to have music that they didn’t feel awkward hearing in the house and in the car, so I think that we’re proud of that.

You’ve got the new tour, a new label and new music. What else do you hope to accomplish together?
DREW We want to do music and a show we’re proud of and just appreciate the ride.
NICK If we start sucking, we’ll be like, “OK, guys. it’s time to hang it up.” But as long as we still feel like we can have fun with it and be good at it, why stop?

In their heyday, 98 Degrees sold nearly 15 million records, had four top 10 singles and regularly graced the covers of teen magazines alongside the likes of ’NSync and the Backstreet Boys. Despite their outsize fame, Ohio natives Drew and Nick Lachey, Jeff Timmons and Justin Jeffre say they never took success for granted — 

​   Us Weekly Read More 

Advertisement
Continue Reading
Advertisement
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Entertainment

California Bans AI Clones from Replacing Real Talent

Published

on

California just made a dramatic stand for human creativity, defeating the threat of AI actor clones with a sweeping new law that puts people—not algorithms—back in the Hollywood spotlight. With the stroke of Governor Gavin Newsom’s pen in October 2025, the state has sent a clear message to studios, tech companies, and the world: entertainment’s heart belongs to those who create and perform, not to digital facsimiles.

California Draws a Hard Line: No More AI Clones

For months, the entertainment industry has been divided over the use of artificial intelligence in filmmaking. Studios, lured by promises of cost-cutting and creative flexibility, have invested in software that can mimic an actor’s face, voice, and even emotional range. But for performers, this wave of synthetic reproduction has triggered alarm—encouraged by chilling stories of deepfakes, unauthorized digital doubles, and contracts that let studios reuse a star’s likeness indefinitely, sometimes without pay or approval.

The new California law, anchored by AB 2602 and AB 1836, changes everything:

  • Every contract must explicitly detail how studios can use digital replicas or voice models, preventing once-common “blank check” agreements that overlooked this risk.
  • No one—not studios nor streaming giants—can create or release AI-generated clones of an actor, living or dead, without clear, written consent from the performer or their estate.
  • The law gives families new powers to defend loved ones from posthumous deepfake exploitation, closing painful loopholes that once let virtual versions of late icons appear in new ads, films, or games.

Actors Celebrate a Major Victory

The legislation rides the momentum of the recent SAG-AFTRA strike, where real-life talent demanded control over their own digital destinies. Leaders say these protections will empower artists to negotiate fair contracts and refuse participation in projects that cross ethical lines, restoring dignity and choice in an industry threatened by silent algorithms.

Stars, unions, and advocacy groups are hailing the law as the most robust defense yet against unwanted AI replications.

As one actor put it, “This isn’t just about money—it’s about identity, legacy, and respect for real artists in a synthetic age.”

A New Chapter for the Entertainment Industry

California’s move isn’t just a victory for local talent—it’s a warning shot to studios everywhere. Companies will now be forced to rethink production pipelines, consult legal counsel, and obtain proper clearance before digitally cloning anyone. Global entertainment platforms and tech developers will need to comply if they want to do business in the world’s entertainment capital.

These laws also set a template likely to ripple through other creative fields, from musicians whose voices can be synthesized to writers whose work could be mimicked by generative AI. For now, California performers finally have a powerful shield, ready to fight for the right to shape their own public image.

Conclusion: Human Talent Takes Center Stage

With its no-nonsense ban on AI actor clones, California draws a bold line, championing the work, likeness, and very humanity of its creative stars. It’s a landmark step that forces the entertainment industry to choose: respect real talent, or face real consequences. The age of the consentless digital double is over—human performers remain the true source of Hollywood magic.

Advertisement
Continue Reading

Entertainment

Chaos and Comedy: Darby Kingman’s “Camp Wackapoo: Rise of Glog”

Published

on

Darby Kingman’s “Camp Wackapoo: Rise of Glog” redefines summer camp comedy with a wild, energetic story about ambition, chaos, and the joy of embracing the unexpected. The film centers on a relentlessly competitive camp counselor who’s determined to finish first—only to face a motley crew of unruly campers and a summer unlike any other.

As Darby puts it, “Not everything is that deep. It really honestly was to make people laugh. She has all these kids that are not working with her and she’s just losing her mind. It’s crazy, silly, goofy, and it was a blast.”

What started as a simple scene for Darby’s acting reel evolved into a full-fledged film with encouragement from her mentor at Debbie Reynolds Acting School. Darby dove into every role—writing, directing, starring, and meticulously preparing each prop and costume. “Plan and prepare, but also be flexible and ready to be in the moment—that’s when the magic happens,” she advises.

Working with a handpicked cast of her own dance students, Darby built an atmosphere of real teamwork and camaraderie. She credits the “precious” energy of her young cast, her creative director of photography, and the overall spirit of her production team for turning the project into something bigger than herself. Her experience is an inspiring blueprint for indie filmmakers:

“Take initiative and control of your career. You can’t just sit around and wait for somebody to pick you. Figure out what you’re good at and go for it. Create something that brings joy to others.”

Her production motto? “Preparation is key, but you have to be ready to go with the flow—that’s when the magic happens.” Darby’s fearless creativity, focus on collaboration, and love for comedy shine throughout “Camp Wackapoo: Rise of Glog.” It’s more than just a camp satire—it’s a heartfelt testament to hard work, original humor, and leadership from the ground up: “People need to laugh right now. That’s a win.”

Catch “Camp Wackapoo: Rise of Glog” and experience Darby’s infectious energy and comic genius at the Deluxe Theatre on November 1, 2025. Get your tickets now at Houstoncomedyfilmfestival.com.

Advertisement
Continue Reading

Entertainment

Diane Keaton Dies at 79

Published

on

The world of film and entertainment is mourning the loss of Diane Keaton, an Oscar-winning actress renowned for her enduring talent, individuality, and influence on generations of performers and fans. Keaton died at the age of 79 in California on Saturday, October 11, 2025, her family confirmed. Details remain private, with her family requesting privacy as they grieve this profound loss.

A Distinctive Talent

Diane Keaton rose to fame in the 1970s through a series of memorable roles, most notably as Kay Adams in “The Godfather” trilogy and as the quirky, unforgettable lead in Woody Allen’s “Annie Hall,” for which she won the Academy Award for Best Actress. Her performances in films like “The First Wives Club,” “Something’s Gotta Give,” and the “Book Club” series solidified her reputation as an actress with unique comedic timing and dramatic depth. Keaton was celebrated not only for her artistry but also for her androgynous fashion sense, characterized by menswear-inspired looks, hats, and an easy, effortless style that influenced generations.

Legacy and Tributes

Following the news of her passing, tributes poured in from Hollywood and beyond. Bette Midler, Goldie Hawn, and Jane Fonda were among the countless stars who expressed devastation and admiration for Keaton’s incomparable legacy. Hawn recalled their friendship and collaborations, writing: “Diane, we aren’t ready to lose you…you stole the hearts of the world and shared your genius with millions”. Midler echoed the sentiment, praising Keaton as “brilliant, beautiful, extraordinary” and a truly original presence in Hollywood.

Private Struggles and Final Months

Though fiercely independent and known for her openness, Keaton kept her declining health private in her final months. Friends and neighbors noticed her retreat from public life and social media, and she was recently seen less often in her Brentwood neighborhood. In the past, Keaton candidly discussed her ongoing battles with skin cancer and bulimia, openly advocating for personal health and authenticity.

Remembering Diane Keaton

Diane Keaton leaves behind a legacy defined by her fearless performances, unique style, and enduring influence on the arts. She is survived by her two children, Dexter and Duke. As Hollywood and her global fanbase mourn, her pioneering spirit and unmistakable voice will continue to inspire generations.

Continue Reading

Trending