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98 Degrees on New Music, ’90s Style and Being a ‘Blue-Collar Boy Band’ on September 13, 2023 at 12:00 pm Us Weekly

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In their heyday, 98 Degrees sold nearly 15 million records, had four top 10 singles and regularly graced the covers of teen magazines alongside the likes of ’NSync and the Backstreet Boys. Despite their outsize fame, Ohio natives Drew and Nick Lachey, Jeff Timmons and Justin Jeffre say they never took success for granted — or stopped hustling. “We call ourselves the blue-collar boy band,” shares Drew. Adds Nick, “Our mindset was always, ‘You might out-dance us, you might out-sing us, but you sure as hell won’t out-work us.’ We got discovered the old-school way, singing for money and food. I’m very proud of how we came up.”

More than two decades later, Drew, 47, Nick, 49, Jeff, 50, and Justin, also 50, are still grinding. Now managed by Johnny Wright of Wright Entertainment Group, they’re working on new music, embarking on a 25th Anniversary Tour and, they tell Us exclusively, rerecording their masters. But today, they’re better able to enjoy the fruits of their labor. “We’re more relaxed,” says Jeff, the band’s founding member. “Everything is more fun.” The guys sat down with Us at the Hotel Covington in Covington, Kentucky, to talk about their early days, returning to the studio and their unbreakable bond.

It’s been 25 years since you guys broke out onto the scene. How exciting is that?
DREW It’s one of these moments where you have to look back. It’s like, “Has it really been that long?” In some ways, it seems like just yesterday that we got together.

How did you initially form the band?
JEFF We started it ourselves. You didn’t have YouTube or American Idol back then. I went to L.A. with some other guys, and they dropped out. Then I was introduced to Nick. When I heard his voice, I was like, “I’ve got to get this guy out here.” I didn’t even know what he looked like…
DREW Otherwise he never would’ve called him!
JEFF I tricked him into coming out to L.A. I lied and said I had a lot of stuff going on even though I had nothing. He brought Justin and Drew with him, and that’s how we got started.

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“We never really thought of ourselves as a boy band,” says Nick. “We just got swept up in the current.” John Chapple/MEGA

Did you instantly know that you had something special?
DREW We had something different. We pride ourselves on our vocals, and we’d rehearse nonstop, just a capella and harmony. It didn’t come without a lot of effort and hard work.
NICK There are a lot of great singers out there, but it doesn’t automatically lend itself to harmonizing. So I think when people heard our harmonies, it was like, “Wow, OK.” It set us apart from other bands that were out trying to do the same thing.

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Related: BTS! 1D! ‘NSync! Look Back at the 22 Biggest Boy Bands of All Time

Man power! Us looks back at music’s most successful all-male groups, from One Direction to the Backstreet Boys

How did you decide on the name 98 Degrees?
DREW We voted on it. We wanted something that represented the mood and tone.

Can you share some band names that didn’t make the cut?
JUSTIN There’s a long list. Spontaneous Combustion was a personal favorite.
NICK I still stand by Inertia. What did we start out as?
JEFF It was Just Us. First Four was another one.
DREW Which was terrible. [There was also] Next Issue.

You had your first hit with “Invisible Man” in 1997. Did it feel like success came quickly?
JEFF It felt like it took forever. We got signed in ‘95 and recorded all of ’95 and ’96. We came out in ’97, but we weren’t really marketed. We weren’t on MTV. Our label was Motown, and they didn’t want to put our pictures on anything — they wanted to keep this mystique that we were an R&B group. It took another album and TRL to come out, and then that exposure happened in ’98 and ’99.
JUSTIN Once you’re signed, you realize, “Oh, that doesn’t mean you made it.” It’s still a lot of work ahead.

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What was the moment when you felt like you’d finally made it?
NICK We were in Asia touring, and I vividly remember I was in the hallway of our hotel, and Jeff came out and said, “‘Because of You’ just went Top 10.”
DREW Then you’re like, “Alright, are we going to be a one-hit wonder?” So you have to continue grinding and promoting.
NICK We didn’t have the easiest road. We weren’t put together by some magical guy putting pieces in.

“We felt pressure amongst each other just to make it,” says Jeff. “We were pretty hard on each other.” John Chapple/MEGA

There were a lot of boy bands vying to be No. 1. Did you feel any rivalry with them?
JEFF We thought we were more of an R&B vocal group. Not to disparage those bands — we love them, we were friends with all of them — but we thought we were different. Once the media started saying, “Well, you’re like Backstreet Boys and ’N Sync,” then we were like, “Oh, do we need to start dancing more?”
NICK It was a blessing and a curse. There was so much momentum behind the boy band craze, and it was nice to get caught up in that, but it also caused pressure.

To achieve a certain level of success?
DREW There was this completely unattainable bar that was set. People don’t come out and sell 2 million records in the first week — that’s an anomaly.
JEFF There was an article about how our next record was about to come out after Britney [Spears] and Backstreet Boys and ’N Sync consecutively broke records, and it said 98 Degrees is set to do it next. Sadly, we only sold 536,000 records in the first week, and it was a big disappointment.
DREW At this point, we have a better perspective on it all. We enjoy the moment more. We put out projects we’re happy with, and whatever happens with them, happens.

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Which song are you most proud of?
NICK “Invisible Man” will always have a special place in my heart. It brings back memories of calling the radio station as you’re driving your motorhome down the highway, requesting your own song.
JEFF They’d call you out. “Is this 98 Degrees?” I hung up the phone immediately. “Because of You” is also a good one. Once that took off, we were everywhere.

Related: ’90s Pop Stars: Then and Now

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What was that like — being thrust into the spotlight?
DREW
It was awesome but also overwhelming. I kicked a hole in a wall at one venue because I was so frustrated. I had to pay for the repairs!

Did you all keep each other in check?
NICK You become a brotherhood in all the best ways — and sometimes not the best ways. You lean on each other. To have my own brother in the band was very cool for me — he might say it wasn’t for him [laughs] — but it’s fun to go through it together. Getting chased out of a mall in the Philippines — if you were by yourself, it wouldn’t be nearly as much fun.

Clockwise: Nick Lachey, Drew Lachey, Justin Jeffre, Jeff Timmons John Chapple/MEGA (4)

Any major fights through the years?
DREW [Most] of our disagreements were about which song should be a single or which deal to sign. It wasn’t like, “Oh, you stole money from me.”
NICK There was the Kinder egg incident.
JEFF We were in Germany. I was bored. At every stop, I’d get Kinder eggs — these chocolate eggs with a prize in them. I was opening them and playing with the prizes, but not eating the chocolate. It was super-annoying to the guys — chocolate and wrappers everywhere. They kept stepping on them. They wanted to kill me.
NICK If anything, we’re guilty of being too nice to each other. We probably could’ve used a few more air-the-dirty-laundry fights.

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What led to your 2002 hiatus?
JUSTIN We’d just been on the road for so long. We were ready to have more of our own lives outside of the group.
What brought you back together?
DREW We had an opportunity to go back out on the road with New Kids on the Block and Boyz II Men. That was the nudge we needed.

Do you guys ever watch your old music videos?
DREW I went back before this new run of shows. There were moments when I was like, “Oh, my God, I forgot that happened!” We have kids who are old enough to understand it. They’re like, “What was that?” Well, kids, this is a VCR with a VHS tape. [Laughs.] It’s fun to walk down memory lane.

Any regrettable fashion moments?
NICK
So many to choose from. It was bad skin, bad outfits, a lot of bad hair. It was just a lot of bad choices.

Do your kids listen to your music?
DREW They don’t listen to it at all. For the most part, It’s other people that I work with who are of that age that look up the videos on YouTube and think it’s fun. My kids are just like, “Oh my God, how many concerts do we have to sit through?”
NICK My kids hate when I sing.
JEFF My kids like it a bit, but they’re over it — they’ve been to too many concerts. They like Little Uzi Vert or whatever.

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“It ranks up there as one of our worst fashion moments,” Drew says about their looks at the 1998 Mulan premiere. Frank Trapper/Corbis via Getty Images

Justin, are you still living the bachelor life?
JUSTIN My girlfriend has a son, so it feels a bit like there’s a fatherly role — but fortunately, it’s more like I get to be the cool dad.

How’s it being back on the road?
DREW We have a different take on touring now. It’s about [figuring out] what amount of time we feel comfortable being away and how we can route the tour so we can bring our families.

Who forgets the lyrics most when you’re performing?
DREW Nick. In his defense, he has the most lyrics to sing!
NICK But I’ll always sing something! I’ll improvise. It may not be the actual lyric, and our fans will call me out, but it’s proof we’re singing live.

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How do your wives feel about you being on tour?
DREW They’re like, “Go, bye!” [Laughs.] They’re supportive. There are moments our families like to be a part of, and those are the moments you really hold on to.

We’ve all grown and evolved and changed and challenged ourselves,” says Drew. “So we’re bringing new skill sets into the group now.” John Chapple/MEGA

Tell Us about your new music.
JEFF We’ve tried a few things that might not have been our lane. And you see these different things, and the evolution of music. The new music has new sounds in it, but I think the inspiration is our old stuff.
DREW Yeah, we sing love songs. Ultimately, that’s what we do. That’s what we’re most comfortable with, and that’s what we’re best doing.
JEFF My wife is a boy band fan now. Sadly she’s more of a New Kids On The Block fan, but that’s a good test market. So I will run songs by her and she’ll say yay or nay.

You’re rerecording songs as well.
JEFF Record companies traditionally do deals where they take percentages of everything. Ours, EX1, is partnering with us and allowing us to own parts of our masters, and we’re re-recording some of our old hits. It’s exciting.

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All of you are working on solo projects as well across entertainment and business.
DREW We’re all exploring other opportunities. In the past [being in the band] was all-consuming. We learned that you have to have other things that inspire you and move you outside of just this group. So yeah, we’re all hustling on our own too.

What do you like to do when you’re not working?
DREW I have a side business with my wife. And my son and daughter are a part of that as well.
JEFF Just normal dad stuff. When you do this for so long, that’s kind of our vacation — getting to be with your family and experiencing sports and choir and cheerleading.
NICK My favorite thing to do with my kids is taking them to school. It’s just the things you talk about, the conversations that come up, the laughing, the music.

“So many parents tell us they were happy to have music that they didn’t feel awkward hearing in the car,” shares Justin. John Chapple/MEGA

There’s a rumor that the Super Bowl halftime show will feature a bunch of boy bands — 98 Degrees, Backstreet Boys, Boyz II Men. Would you be up for that?
NICK
We’d love for that to happen.

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Boy bands are having a resurgence. Why do you think fans keep coming back for more?
DREW I think it’s just going back to a simpler time. The music was fun. The world seemed a bit safer and less divided, and the shows are upbeat and energetic and bring joy to people.

Related: 2000s Pop Stars, Then and Now: Hilary Duff and More

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What do you hope your legacy will be?
JEFF Our reputation and our work ethic — as well as the music — those are the key things.
DREW We’ve always tried to treat people well. We went through this industry, and we took our lumps, but we did it with dignity and respect.
JUSTIN Many parents talk about how they were just happy to have music that they didn’t feel awkward hearing in the house and in the car, so I think that we’re proud of that.

You’ve got the new tour, a new label and new music. What else do you hope to accomplish together?
DREW We want to do music and a show we’re proud of and just appreciate the ride.
NICK If we start sucking, we’ll be like, “OK, guys. it’s time to hang it up.” But as long as we still feel like we can have fun with it and be good at it, why stop?

In their heyday, 98 Degrees sold nearly 15 million records, had four top 10 singles and regularly graced the covers of teen magazines alongside the likes of ’NSync and the Backstreet Boys. Despite their outsize fame, Ohio natives Drew and Nick Lachey, Jeff Timmons and Justin Jeffre say they never took success for granted — 

​   Us Weekly Read More 

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DJ Shinski Brings AfriqueFest To Life

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AfriqueFest: Pan-African Musical Experience — World Cup Edition is set to take over Noto Houston on Sunday, June 28, bringing together East, South, and West African sounds in one immersive celebration of music, culture, and connection. Presented by Experience Noir and Bolanle Media, the event is designed as a cinematic night for the culture, blending global energy with Houston nightlife in a way that feels elevated, intentional, and deeply rooted in African creativity.

Spotlight on DJ Shinski

At the heart of this year’s experience is DJ Shinski. Born and raised in Nairobi, Kenya and now based in Houston, DJ Shinski has built an international name off high-energy sets that move effortlessly across Afrobeats, Amapiano, hip‑hop, dancehall, reggae, and electronic sounds.

He has also become Africa’s most‑subscribed DJ on YouTube, crossing the 2‑million‑subscriber mark and turning his mixes into a global destination for music lovers.

DJ Shinski’s style is precise but unpredictable: one moment it’s classic Afrobeats, the next it’s East African anthems, then a run of throwback hip‑hop or R&B that still feels fresh. That ability to read a room and connect multiple worlds in a single set is exactly why AfriqueFest is building so much of the night’s energy around him.

At AfriqueFest, DJ Shinski helps drive the Safari Grooves segment, representing East and Central Africa from 4 PM to 6 PM. Expect a journey that moves from Nairobi to Dar es Salaam, Kampala, Addis, and beyond, all filtered through his signature “vibes on vibes” approach behind the decks.

DJ Tunez and the rest of the night

Supporting that energy, DJ Tunez leads the Gold Coast Beats chapter from 8 PM to 10 PM, bringing his own Nigerian‑American Afrobeats pedigree to the stage. Together with the Diamond Rhythms segment (South) and a curated roster of DJs, the night stretches across the continent in three distinct musical chapters, all connected by a single dance floor.

Hosted by @chris_gone_crazy, @kingdrewwskyy, @roselynomaka, and @samsnewleaf, AfriqueFest is positioned as more than a party—it’s a celebration of sound, style, and Pan‑African identity in Houston, with DJ Shinski anchoring the experience from the moment doors open.

Brought to you by Bolanle Media & Experience Noir

Brought to you by Bolanle Media and Experience Noir, this World Cup edition of AfriqueFest is crafted as a night where global DJs, storytellers, and music lovers collide and create a shared cultural memory. With DJ Shinski front and center—and DJ Tunez helping close the night—guests can expect a show that reflects both the future of African nightlife and the power of the diaspora to create unforgettable live moments.

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If you want to experience DJ Shinski live at AfriqueFest, now is the time to lock in your spot. Purchase your tickets now at AfriqueFest.com and get ready for a night of music, movement, and culture at Noto Houston.

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STREAMING PREMIERE · JUNE 13, 2026

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Laughter Meets Inspiration: Our Ladies Show Lands on The Roku Channel

A bold new sketch comedy series for women premieres June 13 across the U.S., U.K., and Canada — arriving on the back of a festival-winning run that has critics and audiences already paying attention.

It isn’t every day a brand-new comedy arrives already wearing a row of trophies. Our Ladies Show does. The seven-episode inspirational sketch comedy series — created, written by, and starring Christin Jezak — begins streaming on The Roku Channel on Friday, June 13, 2026, available free to viewers in the United States, United Kingdom, and Canada.

Produced in partnership with global media services leader Encompass Digital Media, the series sets out to do something rare in today’s streaming landscape: make women laugh out loud and leave them lifted. In a media moment crowded with noise and cynicism, Our Ladies Show is a deliberate counterweight — comedy with a conscience, built for women of every age and background.

A Show Built Around Real Life — and Real Laughs

Each of the seven episodes opens with a monologue from one of the cast members introducing the theme, then rolls into three or more sketches that hit the subject from every comedic angle. The series tackles the things women actually carry: holding grudges, comparison, beauty, patience, gift giving, the importance of community, and dealing with anxiety.

The comedy comes from a place of warmth rather than mockery — a “laugh at ourselves” spirit that runs through a gallery of unforgettable characters: a nosey neighbor, an overwhelmed mom, relentlessly optimistic flight attendants, beauty pageant winners past their prime, and a crew of unruly campers with a counselor who simply cannot hold it together.

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Then the show does something most sketch series don’t. In the final segment of every episode, the cast gathers in a living-room setting and invites the audience in — sharing real inspiration drawn from the theme, the sketches, and their own personal stories. It’s the moment the laughter turns into something that stays with you.

The Women Behind the Show

Our Ladies Show brings together three performers with serious range:

  • Christin Jezak — creator, writer, and star (Miracle at Manchester, Raising Hope, Jimmy Kimmel Live!)
  • Hillary Hawkins — (Primal, Nick Jr.’s Play Along, Gullah Gullah Island)
  • Sarah Hernandez — (Nefarious, Unplanned, House of Payne)

“In a world with so much division and depression, I hope women of all ages and backgrounds will watch this show, laugh, be reminded of how beautiful, unique, and loved they are, and remember how much we need each other.”— Christin Jezak, Creator & Star

Already a Festival Favorite

The series’ recurring long-form sketch, Neighborhood Watch, didn’t arrive quietly. Originally released as a web series and revamped for Our Ladies Show with new footage, sound, and music, it has been sweeping the festival circuit:

  • 🏆 Best Webseries — 2026 New Media Film Festival (Los Angeles)
  • 🏆 Best Web/TV Series — Paris Film Awards
  • 🏆 Best Web Series — Dallas Movie Awards
  • 🏅 Additional wins at the London Movie Awards, Florence Film Awards, and Hollywood Gold Awards
  • 🎬 Official Selection — 2026 Harvard Divinity School Film Fest
  • ⭐ Finalist — Houston Comedy Film Festival
  • 📣 Three nominations — 2025 Content Christian Media Conference, including Best Actress in a TV and Web Series nods for both Christin Jezak and Sarah Hernandez

Where and When to Watch

Our Ladies Show premieres Friday, June 13, 2026, streaming on The Roku Channel — the home of premium and free entertainment — in the U.S., U.K., and Canada. All seven episodes deliver the series’ signature blend of sharp sketch comedy and genuine encouragement.

Click Here To Get Tickets

Watch the trailer now on your platform of choice:

For more information, visit www.ourladiesshow.com and follow @ourladiesshow on Facebook, Instagram, and TikTok.


About Christin Jezak

Christin Jezak has worked for over 15 years in the entertainment industry. She created and stars in Our Ladies Show and the award-winning web series Neighborhood Watch. She produced the EWTN TV program For the Sake of the Gospel and the all-women web series Ladies Keepin’ It Real, played Dr. Sam in Miracle at Manchester (starring Dean Cain, Daniel Roebuck, and Eddie McClintock), and voices Agnes in the podcast Confessions of a Catholic Single. She held a lead role in a short film for NTT Data directed by Academy Award–winning cinematographer Janusz Kamiński, has co-starred on Raising Hope, and appeared in Jimmy Kimmel sketches and a Grubhub Super Bowl commercial.

About The Roku Channel

Roku pioneered streaming on TV and is the #1 TV streaming platform in the U.S., Canada, and Mexico by hours streamed (Hypothesis Group, Dec. 2025). The Roku Channel is the home of premium and free entertainment, alongside Roku’s Howdy and Frndly TV services. Roku is headquartered in San Jose, California.

About Encompass Digital Media

Encompass Digital Media is a global managed services company — technology-driven, software-defined, and people-powered. Trusted by world-leading broadcasters, networks, sports rights-holders, and OTT platforms, it processes over 25,000 hours of content daily, serves 850 channels to 84 countries, distributes over 243,000 live events annually, and reaches 400 million radio listeners weekly worldwide. Learn more at www.encompass.tv.

Media & Interview Requests: To interview creator Christin Jezak or the cast, contact Christin at cjezak@p2ptheatre.com.

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What Filmmakers Should Actually Steal From Euphoria

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Most of the talk about Euphoria asks one question: was it realistic? That’s the wrong question if you make films. The better one is simpler. How did Sam Levinson get an audience to feel addiction from the inside? And what did it cost him to end the show the way he did?

Strip away the noise and Euphoria is a clinic in three choices: point of view, style, and the ending. Here’s what’s worth taking — and what isn’t.

1. Put the Camera Inside the Character

Most shows about drugs watch from across the room. Euphoria doesn’t. When Rue is high, the camera is high too. Walls breathe. Floors tilt. Time skips. You’re not watching her — you’re stuck inside her head.

That’s the lesson: point of view is a decision you make with the camera and the cut, not a mood you add later in color. Levinson builds it into the lens, the blocking, and the edit.

So before you shoot a scene through a character’s eyes, ask one thing on set: whose eyes is this lens standing in for? Then make every cut respect that.

2. Your Style Has to Mean Something

The glitter. The slow push-ins. The impossible club lighting. Euphoria‘s look got copied everywhere. That’s the trap.

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The style worked because it carried weight. The beauty wasn’t decoration — it was the lie addiction tells you, the reason the next high looks worth it. The camera made self-destruction gorgeous on purpose.

The copies missed that. A thousand music videos took the look and left the meaning behind, and you can feel how hollow they are. So here’s the test: if your signature style could be swapped onto any other project and still “work,” it’s not a style. It’s a filter. Every choice should have a reason behind it.

3. The Ending Tells the Audience What It All Meant

When Euphoria ended for good in Season 3, Levinson killed Rue — an accidental, fentanyl-laced overdose. He called it “the honest ending,” saying he wanted to tell a true story about addiction and grief in a time when one mistake can be the last one. Reportedly, that wasn’t the original plan; the death of Angus Cloud, who played Fezco, changed the script.

Forget whether you agree with the choice. Study how it works. An ending is the last instruction you give your audience about how to read everything before it.

By ending on consequence instead of recovery, Levinson reframed seven years of beautiful chaos as a story about cost — not a celebration of it.

It’s also the show’s most debatable move, and that’s worth noticing too. A show that spent years making pain look beautiful had to fight to make that pain land as loss. Did it earn the ending, or enjoy the wreckage too long to stick it? Smart filmmakers will disagree — and that argument is exactly what a good ending is supposed to start.

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What Not to Take

The neon grief is the most copied part. It’s also the least useful. Take the surface — the colors, the slow-mo, the trauma-as-texture — and you get the costume without the body.

The real craft is underneath. Commit your camera to a real point of view. Make every stylistic choice earn its place. Treat your ending as the point of the whole thing. Do that, and your work won’t look like Euphoria. It’ll do what Euphoria did.


This piece touches on addiction and substance use. If you or someone you know is struggling, support is available through the SAMHSA National Helpline at 1-800-662-4357.

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