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Women Slam Music Industry for Ignoring Sexual Misconduct by Major Stars on January 27, 2024 at 12:00 am Us Weekly

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After years of allegedly being silenced, 10 female survivors of sexual assault took a stand against the music industry — and exposed their experiences with Axl Rose, Nick Carter and more musicians.

“The secrets we have unveiled are horrifying,” attorney Jeff Anderson said in a press release on Thursday, January 25. “What may be even more horrifying is that we know this is only the tip of the iceberg.”

The lawyer hosted a live press event with several women who claimed to have been sexually assaulted while working in the music industry or as fans.

Former Dream singer Melissa Schuman detailed being allegedly assaulted by Backstreet Boys’ Carter, 43, when she was a teenager, while Sheila Kennedy recalled Guns N’ Roses frontman Rose, 61, allegedly attacking her in the ‘80s.

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Related: Hollywood’s Sexual Misconduct Scandals

While Hollywood may appear to be all glitz and glam on the surface, the industry has seen its fair share of scandals through the years. The New York Times and the New Yorker first published investigative pieces in 2017 that accused disgruntled movie producer Harvey Weinstein of decades of sexual assault and harassment. Soon after, Weinstein stood trial and was […]

“The music industry should thrive on talent, dedication, and passion not coercion, not exploitation, not harassment, and certainly not rape,” Schuman, 39, said on Thursday. “In sharing my story, I aim to empower others to break the cycle of silence that has allowed this issue to persist. It’s about time the music industry is no longer a breeding ground for abuse.”

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Kari Krome, who is part of the Make Music Safe Program and a former songwriter for the Runaways, slammed Rodney Bingenheimer for being a “well-known predator” while asking his employer SiriusXM to cut ties with the rocker.

Scroll down to learn more about the survivors’ alleged attacks — and what they want the music industry to do in response:

Women Are ‘Cheap Labor’ in Music Industry

Schuman, who previously spoke about her alleged assault in 2016, recounted her start in music, saying she was part of the girl group Dream in 1999. The band was signed to Sean “Diddy” Combs‘ Bad Boy Records.

“I was in the middle of school at the time, actually barely out of the eighth grade. And I believe that all my dreams were on the verge of coming true,” she said on Thursday, noting that after the group gained multi-platinum status, she thought her career would take off.

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Schuman confessed, “I never, ever considered the darker motives behind discovering and shaping young talent, like the girls in Dream and myself besides us being used as cheap labor.” She alleged that the girls were “a prime age for grooming.”

When she was about to turn 18, Schuman remembered picking up on “this sort of silent understanding by those around me, that success would come at the expense of the exchange of my body.” Schuman alleged that it was joked about among the adults in the industry that “the cost of saying yes to uncomfortable advances” would help with “career advancement.”

Nick Carter Allegedly ‘Weaponized’ Fandom After Assault Claims

Schuman told the press on Thursday that she was “sexually assaulted by Nick Carter of the Backstreet Boys when I was only 18 years old.” She alleged that the incident completely derailed her music career.

“I believed it was impossible to safeguard myself from his control and his influence while pursuing music,” she explained. “And so at the young age of 20 years I abandoned my recording career as a solo artist, I was trapped by skewed power dynamics.”

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Schuman claimed that the industry was not only made up of “predators,” but she argued that “those profiting from the predators that shield them at all costs” were just as bad. When Schuman came forward with her story, first on her blog in 2017 and then to police the next year, she alleged that Carter had his fans shame her.

“I have since become a target of retaliation through orchestrated PR,” she claimed. “Read the headlines and social media attacks my abuser and his boy band are well funded, they have access to extensive resources and they even weapon weaponize their fandom to shield their bandmate and brand from accountability.”

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Related: Nick Carter’s Ups and Downs Through the Years: Legal Trouble and More

As a member of one of the only boy bands with true longevity, Nick Carter has seen it all. Despite his success with the Backstreet Boys, Carter has experienced turmoil in his personal life. In January 2002, he was arrested in Florida and charged with one misdemeanor count of resisting/opposing a law enforcement officer without […]

Schuman sued Carter in April 2023 for sexual assault and battery. In court documents obtained by Us Weekly, Schuman claimed that Carter raped her when she was 18 and he was 22. She alleged in the filing that Carter performed oral sex on her and then forced her to do the same.

“Melissa Schuman has been peddling this tale for many years, but her allegation was false when she first made it back in 2017 —and it still is,” Carter’s lawyer, Liane K. Wakayama, told Us in a statement at the time. “A judge in Nevada recently ruled, after reviewing the extensive evidence we laid out, that there are strong grounds for Nick Carter to proceed with his lawsuit against Ms. Schuman for plotting to damage, defame and extort Nick, his associates, his friends and his family.”

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Wakayama continued: “In light of our progress in Nevada, this kind of response is at once both predictable and pathetic. But this PR stunt won’t shake Nick from his determination to hold Ms. Schuman and her co-conspirators to account for the immeasurable pain and suffering their extortionate conduct has caused.”

Carter and Schuman appeared in court on January 17, during which time he asked for a judge to dismiss the case. Carter’s plea was denied. He has also filed a counter claim against Schuman and two others for allegedly harassing him.

Axl Rose Is a ‘Monster’

Us confirmed in November 2023 that Kennedy, 61, filed a lawsuit against Rose, accusing him of sexually assaulting her in 1989. Kennedy alleged that after she tried to leave Rose’s hotel room because he wanted to engage in group sex with two other models, Rose reportedly “knocked her to the floor” and dragged her to the bed.

“Simply put, this incident never happened. Notably, these fictional claims were filed the day before the New York State filing deadline expires,” Rose’s attorney, Alan S. Gutman, told Us in a statement at the time. “Though he doesn’t deny the possibility of a fan photo taken in passing, Mr. Rose has no recollection of ever meeting or speaking to the Plaintiff, and has never heard about these fictional allegations prior to today. Mr. Rose is confident this case will be resolved in his favor.”

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Kennedy, who was a former Penthouse model, has not backed down from her claims and has continued to allege that the assault has left her traumatized. “I have a voice and I don’t want to be called a victim. I want other women to hear this about Axl Rose, he’s a monster and he needs to be held accountable,” she said on Thursday. “And I’m here today to make sure that happens.”

Kennedy noted that it was “difficult” to talk about the assault but she wanted to get her story out there. “I think it’s really important that we need to make this industry safe for women,” she explained. “There are so many victims that feel shame, that feel guilty. Feel like they when they go to sleep at night, they have nightmares and it needs to stop this monster needs to be stopped: Axl Rose.”

A Call for Rodney Bingenheimer to Be Fired

Krome (legal name Carrie Mitchell) filed two lawsuits in April 2023, one against the late Runaways manager Kim Fowley and the second against former KROQ disc jokey Bingenheimer, 76. Krome claimed that Fowley, who died in 2015, sexually assaulted her in the 1970s when she was a teen. Fowley was previously accused of sexual assault by Runaways’ bassist Jackie Fox.

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Krome alleged that Bingenheimer also sexually assaulted her during that decade after grooming her. Bingenheimer has recently been accused of sexual assault by five other women. He has not publicly commented on the case. Bingenheimer currently has a SiriusXM radio show called “Rodney Bingenheimer in the Underground Garage,” which Krome argued on Thursday should get shut down due to the allegations.

Emma McIntyre/Getty Images

“I’m here to demand Sirius XM to remove Rodney Bingenheimer a well-known serial predator and pedophile,” Krome told reporters. “What I want to know is how do listeners feel about having an abuser and a pedophile employed by Sirius XM? How many more victims need to come forward for Sirius to take this seriously? This is a cancer that’s affected every aspect of the industry and I’m here to call for it to stop and I would just like to say flat out shame on Sirius XM. Remove Rodney Bingenheimer.”

Us Weekly has reached out to Rose, Carter and Bingenheimer’s reps for comment.

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If you or someone you know has been sexually assaulted, contact the National Sexual Assault Hotline at 1-800-656-HOPE (4673).

After years of allegedly being silenced, 10 female survivors of sexual assault took a stand against the music industry — and exposed their experiences with Axl Rose, Nick Carter and more musicians. “The secrets we have unveiled are horrifying,” attorney Jeff Anderson said in a press release on Thursday, January 25. “What may be even 

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Entertainment

Adults, Fame, and a Four-Year-Old: Critics Question Ms. Shirley’s Exposure to Grown Men

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Starkville, Mississippi — The viral rise of 4-year-old LaR’iyah Jesireé, better known as “Ms. Shirley,” has captivated millions on TikTok and Instagram. But as her fame grows, so too does a wave of public concern—particularly over her appearances at meet-and-greet events attended by adults, including grown men, raising urgent questions about child safety, parental responsibility, and the blurred boundaries of social media stardom.

A Viral Sensation in the Spotlight

Ms. Shirley’s infectious line dances, especially her signature “Boots on the Ground” routine, have made her a household name in the world of social media. With over a million followers and appearances on national television, she’s become a symbol of youthful talent and joy.

But behind the viral videos lies a controversy that has split public opinion. Critics argue that the very events fueling her fame—public meet-and-greets, often at venues not designed for children—expose her to adult environments and attention that are inappropriate for someone her age.

The Flashpoint: Meet-and-Greet Backlash

  • Adult Attendance: Social media erupted after images and videos surfaced of Ms. Shirley participating in meet-and-greet events where the majority of attendees were adults, many of them men. Critics questioned the wisdom of placing a young child in such settings, with some calling it “gross and exploitative”.
  • Parental Decisions Under Fire: The backlash intensified as Ms. Shirley’s mother, Latisha Tucker, defended her choices online, insisting she remains a protective parent first. “I’m a mother… before anything,” Tucker said in response to critics, but detractors remain unconvinced, pointing to the risks of adult attention and the potential for exploitation.

Safety, Exploitation, and the Role of Social Media

  • Child Safety Concerns: The controversy has led some observers to report the family to Child Protective Services, citing fears over Ms. Shirley’s exposure to adult audiences and the pressures of internet fame at such a young age.
  • Debate Over Exploitation: For every fan who sees a proud mother sharing her daughter’s talent, there are others who see a child being thrust into the limelight for adult entertainment. Critics warn that the combination of viral fame and adult-dominated events could have lasting consequences for Ms. Shirley’s well-being.
  • Online Reactions: The internet is divided—while many celebrate Ms. Shirley’s talent, others voice discomfort at seeing a toddler perform in spaces where alcohol and adult behavior are present. Some question why a 4-year-old is being branded with a mature-sounding stage name and presented in such grown-up contexts.

The Mother’s Response

Latisha Tucker, Ms. Shirley’s mother, has not shied away from the criticism. She maintains that her daughter’s appearances are carefully managed and that the backlash is fueled by outsiders who misunderstand their intentions. Tucker has publicly stated that any earnings from Ms. Shirley’s fame will be set aside for her future, and insists that her daughter is simply “being a kid like any other kid.” Still, she acknowledges that the scrutiny comes with the territory of internet celebrity.

SOURCE: TIKTOK / @@LARIYAH.MISSSHIRLEY

A Broader Conversation

The uproar over Ms. Shirley’s meet-and-greets is part of a larger debate about the responsibilities of parents who share their children’s lives online, the adequacy of social media safeguards, and the potential for exploitation in the pursuit of viral fame. As platforms like TikTok continue to blur the lines between childhood and celebrity, the story of Ms. Shirley stands as a flashpoint—one that forces parents, platforms, and audiences alike to confront uncomfortable questions about where to draw the line.

Table: Key Issues in the Ms. Shirley Controversy

IssueDescription
Adult Attendance at EventsGrown men and other adults present at meet-and-greets, sparking safety concerns
Parental OversightDebate over whether Ms. Shirley’s mother is protecting or exploiting her child
Child SafetyReports to CPS and public calls for better safeguards for young social media stars
Online DivisionFans celebrate her talent, critics warn of long-term risks and inappropriate exposure

As Ms. Shirley’s star continues to rise, so does the scrutiny. For now, her story remains a cautionary tale at the intersection of childhood, celebrity, and the unpredictable power of the internet.

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Nicki Minaj Demands $200 Million from Jay-Z in Explosive Twitter Rant

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Nicki Minaj has once again set social media ablaze, this time targeting Jay-Z with a series of pointed tweets that allege he owes her an eye-popping $200 million. The outburst has reignited debates about artist compensation, industry transparency, and the ongoing power struggles within hip-hop’s elite circles.

Credit: Heute.at

The $200 Million Claim

In a string of tweets, Minaj directly addressed Jay-Z, writing, “Jay-Z, call me to settle the karmic debt. It’s only collecting more interest. You still in my top five though. Let’s get it.” She went further, warning, “Anyone still calling him Hov will answer to God for the blasphemy.” According to Minaj, the alleged debt stems from Jay-Z’s sale of Tidal, the music streaming platform he launched in 2015 with a group of high-profile artists—including Minaj herself, J. Cole, and Rihanna.

When Jay-Z sold Tidal in 2021, Minaj claims she was only offered $1 million, a figure she says falls dramatically short of what she believes she is owed based on her ownership stake and contributions. She has long voiced dissatisfaction with the payout, but this is the most public—and dramatic—demand to date.

Beyond the Money: Broader Grievances

Minaj’s Twitter storm wasn’t limited to financial complaints. She also:

  • Promised to start a college fund for her fans if she receives the money she claims is owed.
  • Accused blogs and online creators of ignoring her side of the story, especially when it involves Jay-Z.
  • Warned content creators about posting “hate or lies,” saying, “They won’t cover your legal fees… I hope it’s worth losing everything including your account.”

She expressed frustration that mainstream blogs and platforms don’t fully cover her statements, especially when they involve Jay-Z, and suggested that much of the coverage she receives is from less reputable sources.

Credit: Heute.at

Satirical Accusations and Industry Critique

Minaj’s tweets took a satirical turn as she jokingly blamed Jay-Z for a laundry list of cultural grievances, including:

  • The state of hip-hop, football, basketball, and touring
  • The decline of Instagram and Twitter
  • Even processed foods and artificial dyes in candy

She repeatedly declared, “The jig is up,” but clarified that her statements were “alleged and for entertainment purposes only.”

Political and Cultural Criticism

Minaj also criticized Jay-Z’s political involvement, questioning why he didn’t campaign more actively for Kamala Harris or respond to President Obama’s comments about Black men. While Jay-Z has a history of supporting Democratic campaigns, Minaj’s critique centered on more recent events and what she perceives as a lack of advocacy for the Black community.

The Super Bowl and Lil Wayne

Adding another layer to her grievances, Minaj voiced disappointment that Lil Wayne was not chosen to perform at the Super Bowl in New Orleans, a decision she attributes to Jay-Z’s influence in the entertainment industry.

Public and Industry Reaction

Despite the seriousness of her financial claim, many observers note that if Minaj truly believed Jay-Z owed her $200 million, legal action—not social media—would likely follow. As of now, there is no public record of a lawsuit or formal complaint.

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Some fans and commentators see Minaj’s outburst as part of a larger pattern of airing industry grievances online, while others interpret it as a mix of personal frustration and performance art. Minaj herself emphasized that her tweets were “for entertainment purposes only.”

Credit: Heute.at

Conclusion

Nicki Minaj’s explosive Twitter rant against Jay-Z has once again placed the spotlight on issues of artist compensation and industry dynamics. Whether her claims will lead to further action or remain another dramatic chapter in hip-hop’s ongoing soap opera remains to be seen, but for now, the world is watching—and tweeting.

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AI Channels in Crisis? The Truth Behind YouTube’s New Policy Change

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YouTube’s latest policy update, effective July 15th, has sent shockwaves through the AI and faceless channel community. Social media is buzzing with claims that “AI channels are dead,” while others express relief or confusion. If you’re a YouTube creator using AI, you might be wondering: Is this the end, or just another evolution? Here’s what you need to know—and how you can adapt to thrive in this new landscape.

What’s Actually Changing?

YouTube’s update targets mass-produced, repetitive, and low-effort content—not AI itself. The company clarified that these rules are not new but are being enforced more strictly with improved detection tools. The main focus is on content that:

  • Lacks meaningful transformation or originality
  • Is easily automated by bots (e.g., simple Reddit story voiceovers with one static image)
  • Offers little to no added value or commentary

YouTube’s response to creators’ concerns emphasized that AI is not banned, but unoriginal, spammy content is—and always has been—ineligible for monetization.

Which Channels Are at Risk?

Channels most affected by this update typically:

  • Scrape stories from platforms like Reddit, add a robotic AI voiceover, and upload with minimal editing or visuals
  • Rely on a single image or repeated backgrounds throughout the video
  • Fail to add original commentary, analysis, or creative input

Examples include “revenge story” channels or those uploading unedited compilations and meditation tracks without original contributions. Such channels are now more likely to lose monetization or face removal.

Why Is YouTube Doing This?

YouTube aims to:

  • Uphold copyright and fair use standards
  • Encourage creators to add unique value, not just recycle or automate existing content
  • Improve viewer experience by reducing spam and repetitive videos

This approach aligns with long-standing YouTube Partner Program policies and legal doctrines like fair use, which require transformative use of source material.

What’s Safe? What Works?

YouTube is not against AI. In fact, Google (YouTube’s parent company) invests heavily in AI tools. The key is to use AI as a creative assistant, not a replacement for originality. Here’s what successful channels do:

  • Add original commentary or analysis—voiceovers, insights, or humor
  • Create unique characters or personas—animated hosts or virtual presenters
  • Use custom voices—either your own or uniquely generated ones
  • Transform and remix content—don’t just copy, but build on ideas and add new perspectives

Three Strategies to Future-Proof Your Channel

  1. Faceless Character Revolution
    Use an animated or virtual character as the “face” of your channel. This builds brand identity and connects with viewers, even if you never appear on camera.
  2. The Commentary Shield
    Always provide your own voiceover, thoughts, or narrative. Channels like Nuk’s Top Five thrive because they add humor, context, and personal takes to their videos.
  3. Unique Voice Creation
    Use tools like 11 Labs to generate or clone a unique voice for your channel. Avoid using default AI voices that are widely available—stand out with something custom.

Practical Tips for Creators

  • Avoid simple copy-paste content. Always add your own spin, research, or creativity.
  • Mix visuals and audio. Use multiple images, video clips, and sound effects to enhance engagement.
  • Treat your channel like a business. Build intellectual property, develop a recognizable style, and focus on long-term value, not quick hacks.

Final Thoughts

This policy update isn’t the end of AI channels—it’s the end of low-effort, easily automated content. If you’re committed to creating genuine value, using AI as a tool (not a crutch), and building a real brand, you’re not just safe—you’re set up for long-term success on YouTube.

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