Entertainment
“The Worst Best Man Ever”: A Story of Love & Laughter
Published
6 days agoon
We’re thrilled to introduce David Weilert & Philip A Ramos, seasoned filmmakers in the film industry! Their latest project, “The Worst Best Man Ever,” has earned them a spot as a finalist for the Best Romantic Comedy Film Award at the Houston Comedy Film Festival. David and Philip have created a heartfelt and hilarious short film, The Worst Best Man Ever, blending humor with genuine emotional depth. The film, a proof of concept for their feature-length project Groomsday, tackles the complexities of relationships, choices, and love—or the lack thereof.
The Genesis of “The Worst Best Man Ever”
The inspiration for The Worst Best Man Ever comes from the filmmakers’ personal experiences navigating the tricky waters of relationships. David and Philip wanted to explore how dating can sometimes continue out of a sense of obligation rather than genuine love.
“We all have been there,” says David, “where we find ourselves at a crossroads, trying to figure out the best path forward, even when that path isn’t the easiest one.” Their love for comedies that tug at the heartstrings helped shape this film into the kind of project they are most passionate about—one that blends humor with moments of introspection.
Overcoming the Challenges
One of the biggest challenges in bringing The Worst Best Man Ever to life was timing. The filmmakers were determined not to rush the process, focusing on assembling the perfect cast and crew to ensure the film lived up to their vision. “We wanted to make sure that we found the right time to make it,” David explains. “We didn’t want to rush the process and be left with a film that we would not be content with.”
Their careful approach paid off, as the film showcases not only their comedic chops but also the depth of emotion and thoughtfulness that went into its production.
A Duo with Decades of Experience
David and Philip have both been working in film and television for over a decade. David has been creating films since he was just 12 years old, and Philip’s award-winning short film, The Kidnapping of a Fish, further demonstrates their talent and dedication to storytelling. The two bring a wealth of professional experience to their projects, working as Production Coordinators on major New York-based productions for a variety of platforms.
Their passion for filmmaking goes beyond their day jobs, as both are committed to telling meaningful, mainstream stories with wide appeal.
What’s Next?
The success of The Worst Best Man Ever is just the beginning. David and Philip have three strong projects in the pipeline, including two feature films that, like Groomsday, have short films as proof of concepts. In addition, they are developing a TV show. With several projects in the works, this dynamic duo is set to make a lasting impact on the world of comedy and beyond.
Get in Touch
For those looking to collaborate or support future projects, David and Philip are easily reachable through email or social media. They’re also committed to keeping their followers updated on their progress through their websites and social platforms.
You can contact them via email at davidweilert1@gmail.com or mcflyfilm@gmail.com and follow their work on Instagram at @david_weilert, @mcflyfilm, and @worstbestmanever. Their websites, davidweilert.com and thatstormfilms.com, offer more details on their projects.
On the Horizon
Currently in talks with distributors and agents, David and Philip are looking for representation and investors who share their vision for mainstream comedies. They are grateful to platforms like the Houston Comedy Film Festival for showcasing their work and hope to secure the funding needed to bring their upcoming feature films to life.
A Union of Filmmakers
Both filmmakers are members of IATSE Local 161, the union for Production Coordinators in New York City. Philip is also a member of the Producers Guild of America, reflecting their deep integration into the film industry.
As The Worst Best Man Ever continues to make waves on the festival circuit, David and Philip are set to rise as filmmakers who know how to mix humor, heart, and a deep understanding of the human condition. Their upcoming projects promise to deliver even more laughs and meaningful moments, leaving audiences eager for what’s next.
From the Film Festival Circuit Founder, Mikal Fair:
“Explore the ‘Film Festival Submitter’s Handbook 2024,’ your ultimate guide to conquering the film festival circuit. Whether you’re a filmmaker or screenwriter, this essential resource provides practical strategies to navigate the competitive landscape of film festivals successfully. From crafting compelling titles, taglines, and synopses to creating impactful director’s and writer’s statements, this handbook equips you with the tools to shine in the festival circuit. Learn to develop effective marketing materials, including posters and trailers, and discover the importance of communication and presenting a professional package. With insights tailored to the evolving role of social media and marketing in the film industry, this handbook is your key to festival triumph. Get your copy now and embark on your journey to festival success!”
For film investment opportunities, please see below:
Author: Bolanle Media Staff
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Entertainment
Matthew Gilleece: Comedy Screenwriter on the Rise
Published
5 hours agoon
October 9, 2024
We’re thrilled to shine the spotlight on Matthew Gilleece, a talented and innovative screenwriter who’s making waves in the comedy scene. As a finalist for the Best Comedy Short Screenplay Award at the prestigious Houston Comedy Film Festival, Matthew’s work is garnering attention and acclaim.
The Genesis of “Teddy Better Be Late”
Matthew’s screenplay, “Teddy Better Be Late”, was born from a clever observation of his lifelong friend and son’s chronic lateness. With a stroke of creative genius, he transformed this relatable quirk into a superpower, crafting a story that’s both humorous and heartwarming.
A Seasoned Screenwriter with a Unique Voice
With 13 years of screenwriting experience under his belt, Matthew has honed his craft, developing a distinctive voice that resonates with audiences. His previous works, including the feature-length script “Everyman” and the short script “The Right Fork”, have already garnered recognition in several contests.
Current Projects and Future Collaborations
Matthew is currently juggling multiple projects, including short stage plays and a new script that’s taking shape. His enthusiasm for storytelling and collaboration is contagious, and we can’t wait to see what he’ll create next. Connect with Matthew on social media: Facebook, Instagram. Reach out to him directly at matthewgilleece@gmail.com to explore potential collaborations.
Visual Storytelling
To accompany this spotlight article, Matthew has provided a headshot and AI-generated concept art for “Teddy Better Be Late”, offering a glimpse into the world he’s created.
A Bright Future Ahead
As Matthew continues to push the boundaries of comedy screenwriting, we’re excited to see where his talent takes him. With his unique perspective, dedication to his craft, and infectious enthusiasm, he’s sure to leave a lasting impact on the industry.
From the Film Festival Circuit Founder, Mikal Fair:
“Explore the ‘Film Festival Submitter’s Handbook 2024,’ your ultimate guide to conquering the film festival circuit. Whether you’re a filmmaker or screenwriter, this essential resource provides practical strategies to navigate the competitive landscape of film festivals successfully. From crafting compelling titles, taglines, and synopses to creating impactful director’s and writer’s statements, this handbook equips you with the tools to shine in the festival circuit. Learn to develop effective marketing materials, including posters and trailers, and discover the importance of communication and presenting a professional package. With insights tailored to the evolving role of social media and marketing in the film industry, this handbook is your key to festival triumph. Get your copy now and embark on your journey to festival success!”
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Author: Bolanle Media Staff
- Best Animated Comedy Film: “Truth Detector” by William Reliford (Nebraska)
- Best Comedy Feature Screenplay: “The Revenge Plan” by Theresa Marie Romaniec (North Carolina)
- Best Comedy Film: “French Anglais: Escape Deux Sudbury” by Joel Edmiston & Conrad Osei-Bonsu (Canada)
- Best Comedy Micro Film: “ChatGPT Boy Meets Girl” by Simeon Williams (Texas)
- Best Comedy Series Episode: “Feet On The Street with Alyssa Poteet” by Jessie Sanchez (California)
- Best Comedy Short Screenplay: “The Paranormal Prankster: Casefile 002 – Probing Aliens” by Sean Whitley (Texas)
- Best Comedy Teleplay: “Summer’s Holes” by Emily Hyde (Florida)
- Best Dark Comedy Feature Screenplay: “The Infinity Thieves” by TK Sheffield (Wisconsin)
- Best Dark Comedy Film: “Hitch Hiking Is Safe” by Ylia Trotter (Australia)
- Best Dark Comedy Micro Film: “A Bit Much” by Youssef Mutawe (Canada)
- Best Dark Comedy Screenplay: “Bloodbath And Berets (South Park Spec)” by Elizabeth Crane (Florida)
- Best Director: “God Be With Us,” directed by JaNarie Rhambo (California)
- Best Horror Comedy Film: “Sock It To Me,” directed by Joelle Marie Velez and Peter Anthony Castillo (Illinois)
- Best Horror Comedy Screenplay: “Another Night at Beaver’s,” written by Jeremy Sumrall (Texas)
- Best Mockumentary Film: “Profiles Of Remarkable Neophytes,” directed by Gavin Michael Booth (California)
- Best Mockumentary Micro Film: “Cinching Saddles,” directed by Kevin Sengara and Aman Pannu (Canada)
- Best Picture Award: “Enjoy Your Evening,” directed by Justin Norman (Iowa)
- Best Proof of Concept Award: “Up To Par,” directed by Daryl Gil and Kentrell Newton (California)
- Best Romantic Comedy Feature Screenplay: “MIC CHECK; KARAOKE LOVE,” written by Gregory Bonds (California)
- Best Romantic Comedy Film: “The Worst Best Man Ever,” directed by David M Weilert (New York)
- Best Romantic Comedy Micro Film: “The Trade,” directed by Ren Olivieri and David Kalinauskas (Canada)
- Best Romantic Comedy Short Screenplay: “Try A Waffle Cone,” written by Miachel Pruett (Texas)
- Best Screenplay Award Winner: “Ramp Rats,” written by Tom Renville (Texas)
- Best Sketch Comedy Film: “Joan & Samuel: A Tale of Gaslighting and Independence,” directed by Karissa McKinny (California)
- Best Stand-Up Comedy Video: “I Love Watching Movies But Hate When The Titles Are So Misleading!” directed by Jonathan Yates (North Carolina)
- Best Teleplay Award Winner: “Stocktonian Exchange – Kill Your Spirits,” written by Hannah Rose Vernot (California)
Author: Bolanle Media Staff
Entertainment
Tom Renville’s Breakout Moment: ‘Ramp Rats’ Takes Flight
Published
3 days agoon
October 7, 2024From the Film Festival Circuit Founder, Mikal Fair:
“Explore the ‘Film Festival Submitter’s Handbook 2024,’ your ultimate guide to conquering the film festival circuit. Whether you’re a filmmaker or screenwriter, this essential resource provides practical strategies to navigate the competitive landscape of film festivals successfully. From crafting compelling titles, taglines, and synopses to creating impactful director’s and writer’s statements, this handbook equips you with the tools to shine in the festival circuit. Learn to develop effective marketing materials, including posters and trailers, and discover the importance of communication and presenting a professional package. With insights tailored to the evolving role of social media and marketing in the film industry, this handbook is your key to festival triumph. Get your copy now and embark on your journey to festival success!”
For film investment opportunities, please see below:
Author: Bolanle Media Staff
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