Entertainment
“The Worst Best Man Ever”: A Story of Love & Laughter
We’re thrilled to introduce David Weilert & Philip A Ramos, seasoned filmmakers in the film industry! Their latest project, “The Worst Best Man Ever,” has earned them a spot as a finalist for the Best Romantic Comedy Film Award at the Houston Comedy Film Festival. David and Philip have created a heartfelt and hilarious short film, The Worst Best Man Ever, blending humor with genuine emotional depth. The film, a proof of concept for their feature-length project Groomsday, tackles the complexities of relationships, choices, and love—or the lack thereof.
The Genesis of “The Worst Best Man Ever”
The inspiration for The Worst Best Man Ever comes from the filmmakers’ personal experiences navigating the tricky waters of relationships. David and Philip wanted to explore how dating can sometimes continue out of a sense of obligation rather than genuine love.
“We all have been there,” says David, “where we find ourselves at a crossroads, trying to figure out the best path forward, even when that path isn’t the easiest one.” Their love for comedies that tug at the heartstrings helped shape this film into the kind of project they are most passionate about—one that blends humor with moments of introspection.
Overcoming the Challenges
One of the biggest challenges in bringing The Worst Best Man Ever to life was timing. The filmmakers were determined not to rush the process, focusing on assembling the perfect cast and crew to ensure the film lived up to their vision. “We wanted to make sure that we found the right time to make it,” David explains. “We didn’t want to rush the process and be left with a film that we would not be content with.”
Their careful approach paid off, as the film showcases not only their comedic chops but also the depth of emotion and thoughtfulness that went into its production.
A Duo with Decades of Experience
David and Philip have both been working in film and television for over a decade. David has been creating films since he was just 12 years old, and Philip’s award-winning short film, The Kidnapping of a Fish, further demonstrates their talent and dedication to storytelling. The two bring a wealth of professional experience to their projects, working as Production Coordinators on major New York-based productions for a variety of platforms.
Their passion for filmmaking goes beyond their day jobs, as both are committed to telling meaningful, mainstream stories with wide appeal.
What’s Next?
The success of The Worst Best Man Ever is just the beginning. David and Philip have three strong projects in the pipeline, including two feature films that, like Groomsday, have short films as proof of concepts. In addition, they are developing a TV show. With several projects in the works, this dynamic duo is set to make a lasting impact on the world of comedy and beyond.
Get in Touch
For those looking to collaborate or support future projects, David and Philip are easily reachable through email or social media. They’re also committed to keeping their followers updated on their progress through their websites and social platforms.
You can contact them via email at davidweilert1@gmail.com or mcflyfilm@gmail.com and follow their work on Instagram at @david_weilert, @mcflyfilm, and @worstbestmanever. Their websites, davidweilert.com and thatstormfilms.com, offer more details on their projects.
On the Horizon
Currently in talks with distributors and agents, David and Philip are looking for representation and investors who share their vision for mainstream comedies. They are grateful to platforms like the Houston Comedy Film Festival for showcasing their work and hope to secure the funding needed to bring their upcoming feature films to life.
A Union of Filmmakers
Both filmmakers are members of IATSE Local 161, the union for Production Coordinators in New York City. Philip is also a member of the Producers Guild of America, reflecting their deep integration into the film industry.
As The Worst Best Man Ever continues to make waves on the festival circuit, David and Philip are set to rise as filmmakers who know how to mix humor, heart, and a deep understanding of the human condition. Their upcoming projects promise to deliver even more laughs and meaningful moments, leaving audiences eager for what’s next.
From the Film Festival Circuit Founder, Mikal Fair:
Entertainment
Selling Your Soul in Hollywood: The Hidden Cost of Fame

By all appearances, Hollywood is a dream factory — a place where charisma, talent, and luck collide to create stars. But behind the camera lights and red carpets lies a conversation few inside the industry speak openly about: the spiritual and moral price of ambition.

For actor Omar Gooding, the idea of “selling your soul” in Hollywood isn’t a metaphor — it’s a moral process that begins with tiny compromises. In an October 2025 interview, Gooding explained that no one in Hollywood makes a literal deal with the devil. Instead, it’s the quiet yeses, the moments when comfort overrides conviction, that mark the beginning of the trade. “They don’t say, ‘Take this or you’ll never make it,’” he said. “They just put it in front of you. You choose.”
Those choices, he argues, create a pattern. Once you show that you’ll accept something you once resisted, the industry notices. “Hollywood knows who it can get away with what,” Gooding said. “One thing always leads to another.” The phrase “selling your soul,” in this context, means losing your say — doing what you’re told rather than what you believe in.
That moral tension has long shadowed the arts. Comedians like Dave Chappelle, who famously walked away from millions to preserve his creative integrity, often serve as examples of where conviction and career collide. In resurfaced interviews, Chappelle hinted that he felt manipulated and silenced by powerful figures who sought control of his narrative, warning that “they’re trying to convince me I’m insane.”
This isn’t just about conspiracy — it’s about agency. Hollywood runs on perception. Performers are rewarded for being agreeable, moldable, entertaining. Those who question the machine or refuse the script risk exile, while those who conform are elevated — sometimes beyond what they can handle.
“We see the ‘collections’ all the time,” Gooding explained. “When the bill comes due, you can tell. They made that deal long ago.”

But the story doesn’t end in darkness. Gooding also emphasizes that in today’s entertainment landscape, artists have more control than ever. With streaming, social media, and creator‑driven platforms, performers don’t have to “play the game” to be seen. Independent creators can build their own stages, speak their own truths, and reach millions without trading authenticity for access.
Still, the temptation remains — recognition, validation, quick success. And every generation of artists must answer the same question: What are you willing to do for fame?
As Gooding put it, “You just make the best choices you can. Because once it’s gone — your name, your peace, your soul — there’s no buying it back.”
Entertainment
California Bans AI Clones from Replacing Real Talent

California just made a dramatic stand for human creativity, defeating the threat of AI actor clones with a sweeping new law that puts people—not algorithms—back in the Hollywood spotlight. With the stroke of Governor Gavin Newsom’s pen in October 2025, the state has sent a clear message to studios, tech companies, and the world: entertainment’s heart belongs to those who create and perform, not to digital facsimiles.
California Draws a Hard Line: No More AI Clones
For months, the entertainment industry has been divided over the use of artificial intelligence in filmmaking. Studios, lured by promises of cost-cutting and creative flexibility, have invested in software that can mimic an actor’s face, voice, and even emotional range. But for performers, this wave of synthetic reproduction has triggered alarm—encouraged by chilling stories of deepfakes, unauthorized digital doubles, and contracts that let studios reuse a star’s likeness indefinitely, sometimes without pay or approval.
The new California law, anchored by AB 2602 and AB 1836, changes everything:
- Every contract must explicitly detail how studios can use digital replicas or voice models, preventing once-common “blank check” agreements that overlooked this risk.
- No one—not studios nor streaming giants—can create or release AI-generated clones of an actor, living or dead, without clear, written consent from the performer or their estate.
- The law gives families new powers to defend loved ones from posthumous deepfake exploitation, closing painful loopholes that once let virtual versions of late icons appear in new ads, films, or games.
Actors Celebrate a Major Victory
The legislation rides the momentum of the recent SAG-AFTRA strike, where real-life talent demanded control over their own digital destinies. Leaders say these protections will empower artists to negotiate fair contracts and refuse participation in projects that cross ethical lines, restoring dignity and choice in an industry threatened by silent algorithms.
Stars, unions, and advocacy groups are hailing the law as the most robust defense yet against unwanted AI replications.
As one actor put it, “This isn’t just about money—it’s about identity, legacy, and respect for real artists in a synthetic age.”
A New Chapter for the Entertainment Industry
California’s move isn’t just a victory for local talent—it’s a warning shot to studios everywhere. Companies will now be forced to rethink production pipelines, consult legal counsel, and obtain proper clearance before digitally cloning anyone. Global entertainment platforms and tech developers will need to comply if they want to do business in the world’s entertainment capital.

These laws also set a template likely to ripple through other creative fields, from musicians whose voices can be synthesized to writers whose work could be mimicked by generative AI. For now, California performers finally have a powerful shield, ready to fight for the right to shape their own public image.
Conclusion: Human Talent Takes Center Stage
With its no-nonsense ban on AI actor clones, California draws a bold line, championing the work, likeness, and very humanity of its creative stars. It’s a landmark step that forces the entertainment industry to choose: respect real talent, or face real consequences. The age of the consentless digital double is over—human performers remain the true source of Hollywood magic.
Entertainment
Chaos and Comedy: Darby Kingman’s “Camp Wackapoo: Rise of Glog”

Darby Kingman’s “Camp Wackapoo: Rise of Glog” redefines summer camp comedy with a wild, energetic story about ambition, chaos, and the joy of embracing the unexpected. The film centers on a relentlessly competitive camp counselor who’s determined to finish first—only to face a motley crew of unruly campers and a summer unlike any other.
As Darby puts it, “Not everything is that deep. It really honestly was to make people laugh. She has all these kids that are not working with her and she’s just losing her mind. It’s crazy, silly, goofy, and it was a blast.”
What started as a simple scene for Darby’s acting reel evolved into a full-fledged film with encouragement from her mentor at Debbie Reynolds Acting School. Darby dove into every role—writing, directing, starring, and meticulously preparing each prop and costume. “Plan and prepare, but also be flexible and ready to be in the moment—that’s when the magic happens,” she advises.
Working with a handpicked cast of her own dance students, Darby built an atmosphere of real teamwork and camaraderie. She credits the “precious” energy of her young cast, her creative director of photography, and the overall spirit of her production team for turning the project into something bigger than herself. Her experience is an inspiring blueprint for indie filmmakers:
“Take initiative and control of your career. You can’t just sit around and wait for somebody to pick you. Figure out what you’re good at and go for it. Create something that brings joy to others.”

Her production motto? “Preparation is key, but you have to be ready to go with the flow—that’s when the magic happens.” Darby’s fearless creativity, focus on collaboration, and love for comedy shine throughout “Camp Wackapoo: Rise of Glog.” It’s more than just a camp satire—it’s a heartfelt testament to hard work, original humor, and leadership from the ground up: “People need to laugh right now. That’s a win.”
Catch “Camp Wackapoo: Rise of Glog” and experience Darby’s infectious energy and comic genius at the Deluxe Theatre on November 1, 2025. Get your tickets now at Houstoncomedyfilmfestival.com.
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