Entertainment
The Best Citrus Colognes for Men on November 18, 2023 at 5:00 am Us Weekly

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The sweet, slightly tart scent of citrus brings to mind breezy summer days, making it ideal for warm-weather wear. That said, all citrus colognes are not created equal. Nobody wants to smell notes of Sunny D when they could breathe in the essence of freshly-sliced bergamot.
Not sure how to separate the winning citrus colognes from the losers? Check out some of the best citrus colognes for men.
1. Atlantis by Blu Atlas
Blu Atlas
Simply referring to Atlantis as a “citrus cologne” doesn’t really do it justice. It opens with a wonderfully balanced citrus burst featuring lemon and bergamot, but the dry-down reveals a darker complexity that any guy will love.
This eau de parfum’s premium ingredients are meant to take you on an adventure through the jungles of Bali, so it’s fitting that Atlantis evolves through several scents of the forest. The bright, fruity top and middle notes give way to earthier, almost animalic smells you’d find on the jungle floor.
Top: bergamot, blackcurrant, lemon
Middle: apricot, peach, clary sage, lavender
Base: ambrette, musk, violet, oakmoss, orris
2. Neroli Portofino by Tom Ford
Want to experience the Italian Riviera? Now you (or at least your nose) can. Neroli Portofino was inspired by the Riviera’s stunning greenery, clear water, and cool breezes. Don’t be fooled by the “neroli” (blossom of the bitter orange tree) in the name — Neroli Portofino is still very much a citrus cologne! The opening includes no less than four distinct citrus notes: bergamot, bitter orange, lemon, and mandarin orange.
This eau de parfum is designed for both men and women, and it’s impressively androgynous. The floral notes (some of which are from citrus trees!) are tempered enough by amber and ambrette to make this fragrance masculine enough for any guy.
Top: bergamot, bitter orange, lemon, mandarin orange, lavender, myrtle, rosemary
Middle: African orange flower, neroli, jasmine, pittosporum
Base: amber, ambrette, angelica
3. Nero 70 by Xerjoff
This eau de parfum is relatively new: it was developed in 2020 as a fragrance for both women and men. Xerjoff is a luxury Italian perfumer, and most people would consider its creations to be “niche” fragrances. However, Nero 70’s diverse array of notes makes it a pleasant scent to most.
There’s a lot going on in this blend, but it very clearly has a main accord of citrus. The underlying vanilla accord is a sweet surprise, but there are enough of the stereotypically “darker” notes to prevent it from ever becoming overly saccharine.
Top: Calabrian bergamot, Sicilian citruses, lavender
Middle: neroli
Base: bourbon vanilla, amber, musk
4. Bergamote 22 by Le Labo
Some people think Le Labo is overrated, but this niche design house is certainly capable of coming up with some memorable fragrances! Many Le Labo favorites have surprising scents that you wouldn’t have guessed by the name. But this simply-named one delivers as promised.
Bergamote 22 is ideal if you’re looking for a very “modern” smelling citrus cologne. Its opening is crisp and almost bitter, but it’s balanced out by light floral and woody touches. We think this fragrance is a well-rounded crowd-pleaser.
Top: bergamot, grapefruit, petitgrain
Middle: nutmeg, orange blossom
Base: amber, cedar, vetiver, musk
5. Citrus and Mint Leaf by Cremo
Cremo mostly makes grooming and personal care products, but those products are known for their “good uncommon scents.” So it’s no surprise that Cremo also sells some of its popular scents in the form of eau de toilette spray colognes.
If you find that you like the crisp, refreshing scent of Citrus and Mint Leaf, you might like Cremo’s coordinating products. The brand’s Citrus and Mint Leaf body wash is infused with peppermint oil to deliver a wonderfully cooling sensation perfect for summer. There’s a cooling 2-in-1 shampoo, too.
Top: citron
Middle: mint
Base: cedar, moss
6. Aqua Celestia Cologne Forte by Maison Francis Kurkdjian
Need a fragrance that’s light, floral, refreshing, and still masculine? If so, Aqua Celestia Cologne Forte is a great choice for you. Its beautiful bergamot opening seems almost fizzy, so it’s a perfect prelude to the sweet blend of jasmine and mimosa flowers.
All of this might sound saccharine, but thanks to its masterful blend, this cologne remains balanced. Its soft but present base of musk keeps everything grounded. The manufacturer says that it “releases a bright, crystal-clear aura and offers a flight towards the horizon.” You’ll have to try it and see for yourself!
Top: bergamot, blackcurrant
Middle: mimosa, jasmine
Base: musk
7. Viking Cologne by Creed
Viking Cologne is classified as a fougere fragrance. “Fougere” comes from the French word for “fern,” and it describes colognes that have been inspired by ferns and other forest greenery.
Like most fougeres, Viking Cologne features a citrusy opening and a middle that includes lavender and geranium. But this fragrance’s heart is also distinctly herbal and spicy thanks to the inclusion of sage, nutmeg, and rosemary.
The strong, layered base brings together some heavy hitters of the fragrance world. The smooth woodiness includes the warmth of sandalwood and the mystery of olibanum (also called frankincense).
Top: mandarin orange, pink pepper, lemon, bergamot
Middle: lavender, geranium, sage, nutmeg, rosemary
Base: vetiver, cedar, sandalwood, patchouli, olibanum
8. Byredo Mister Marvelous
According to the founder and creative director of Byredo, Mister Marvelous was made to “celebrate great character, resilience, and creativity.” It was launched in 2011 and brought back as a limited re-issue in 2022.
This eau de parfum is an intriguing blend that combines classic ingredients with surprising twists. Among the top notes are mandarin leaves — an interesting alternative to the mandarin orange sometimes found here. And at the heart of this enchanting fragrance, lavender is accompanied by a burst of fresh bamboo.
Top: bergamot, neroli, mandarin leaves
Middle: lavender, bamboo
Base: amber, cedarwood
9. Dylan Blue by Versace
This iconic, complex eau de toilette was launched in 2016 and quickly became a favorite. Although it has quite a citrusy opening, Dylan Blue is also perfect for any guy who loves aromatic, woody fragrances. It’s versatile and nice smelling, but some connoisseurs say that it’s a very generic scent. But many “generic” perfumes appeal to a wide variety of people, so you’re sure to get compliments on how you smell when you wear this one!
Plus, Dylan Blue will look great on the shelves of your medicine cabinet: the bottle itself is a work of art. Its deep blue glass is graced by a golden Medusa seal. It’s a fragrance designed for men, but Versace also makes a lighter-smelling women’s version.
Top: Calabrian bergamot, water notes, fig leaf, grapefruit
Middle: ambroxan, patchouli, black pepper, papyrus, violet leaf
Base: saffron, incense, musk, tonka bean
10. Fresh Citron + Driftwood Cologne by OffCourt
OffCourt isn’t really your typical cologne brand. It describes itself as “the first company dedicated to creating products that specifically address the negative side effects of sweating.” It creates products designed for active men who frequently sweat and shower. OffCourt makes specially-formulated body wash, body spray, and other products designed to support skin health.
Those products come in refreshing and interesting scents, so OffCourt creates colognes to match. This one gives off summery, beachy vibes, and it’s perfect for adding a little freshness to your day. If you like it, you might also like OffCourt’s coordinating exfoliating soap and body wash.
Top: Italian lemon, green apple, grapefruit, mandarin
Middle: sea breeze, green violet leaves
Base: cedarwood, patchouli, white musk
11. Monsieur Balmain by Balmain
Many citrus colognes only include a couple of citrus notes at the opening. But if you want a whole bouquet of zesty citrus top notes, you should definitely check out this fragrance! It’s definitely stood the test of time, too — Monsieur Balmain was released in 1964!
A scan through the notes might make you think this is a loud, attention-getting fragrance. But despite its wide variety of notes, Monsieur Balmain is anything but chaotic. It’s smooth, understated, and a little seductive, making it a great choice for date night.
Top: lemon, bergamot, bitter orange, mint
Middle: ginger, sandalwood, rosemary, caraway, moss, pepper, nutmeg, rose, thyme
Base: vetiver, clary sage, sandalwood, amber, musk
12. The Ghost in the Shell by Etat Libre d’Orange
Etat Libre d’Orange is a niche fragrance company that often gives its scents interesting backstories. This one was inspired in part by “Hyperion,” a science fiction saga by Dan Simmons. Fittingly, Ghost in the Shell combines natural notes with unique ingredients from biotechnology. The result is a distinctive, enigmatic cologne like nothing you’ve smelled before. If you want to take the leap and try this unlikely marriage of natural and synthetic, you won’t be sorry!
Top: Aqual , Yuzu HE, hexyl acetate
Middle: jasmine absolute, Mugane, milky skin accord
Base: Vinylguaiacol, Orcanox
13. Divine l’été Orange Rouge by Divine
Launched in 2022, this is one of the newest fragrances on the list. It’s sweet, pleasant, and uplifting, so it’s the perfect mood-boosting cologne to wear on cloudy days. This fragrance primarily centers around the scent of orange, but it’s longer-lasting than many citrus-heavy fragrances. This is especially impressive, as citrus notes are almost always the first to evaporate.
If you take a look at Divine l’été Orange Rouge’s note profile, you can see why its citrus accord lasts so long. Bergamot makes a rare appearance as a middle (rather than a top) note. The base also includes orange blossom, which is ordinarily used almost exclusively as a top note.
Top: blood orange, bitter orange, tangerine
Middle: green bergamot, ginger, peppermint
Base: orange blossom, patchouli, olibanum, cistus
14. Clinique Happy for Men by Clinique
This interesting and uplifting fragrance has no shortage of citrus and green notes, but it also includes a surprising wealth of floral scents. That might seem a little surprising for a men’s cologne, but these sweet, delicate scents are balanced out nicely by the masculine scent of cedar, cypress, and musk.
Clinique Happy for Men was developed after the success of Clinique Happy, a fragrance designed for women. The men’s version has been on the market for 15 years, so its enduring popularity is a great endorsement.
Top: mandarin orange, lemon, lime, sea notes, green notes
Middle: jasmine, lily of the valley, freesia, rose
Base: cedar, musk, cypress, guaiac wood
15. Classic Citrus by Banana Republic
You might not imagine Banana Republic when you think of fragrance designers, but this affordable, approachable citrus cologne punches well above its weight. It’s a unisex fragrance that’s smooth and light while still remaining pretty androgynous.
Classic Citrus is a great warm-weather fragrance that’s a perfect choice for spring and summer. With notes like pollen, honey, and honeysuckle, it’s the perfect accompaniment to the summer solstice.
Top: grapefruit, clementine, blackcurrant
Middle: pollen, honeysuckle, honey
Base: musk, pine, ginger, animal notes
FAQs: Getting to Know the Best Citrus Colognes for Men
What are some common citrus notes?
The class of “citrus” fragrances covers a wide variety of perfumes and colognes. And if you have a discerning nose, you might find yourself drawn to some citrus notes over others. Here are some of the most popular citrus notes you might encounter while choosing your next citrus perfume.
Orange is just what it sounds like! Orange notes typically come from the peel of the fruit. If you’ve ever breathed in that light, fine mist that sometimes appears as you peel an orange, you know what a successful orange note should smell like.
Bitter orange, sometimes referred to as “bigarade,” is a note that comes from the Seville orange. This extra-sour variety is the same one used to make marmalade. Bitter orange is a common note in chypre fragrances (fragrances based around citrus, labdanum, and oakmoss). Because it’s so tart and fresh, it’s also great for balancing out floral fragrances.
Citron is a somewhat uncommon citrus fruit that smells like something between a lemon and a lime. It’s zingy and attention-grabbing, so it’s an excellent top note. It’s a little drier than many citrus notes, and it has more staying power, too.
Bergamot is one of the classic citrus ingredients. The bergamot fruit is small and green, and it smells a bit like lemon. If you’ve ever had Earl Gray tea, you know the scent: it’s somehow between green and floral.
Lemon can add some real zing to any fragrance. It’s the most tart of the citrus notes, so most perfumers use it sparingly. It does well alongside woody and vanilla notes.
Grapefruit is a well-balanced citrus note that is neither too sweet nor too tart. It goes nicely with other citrus fruits, but it also does well with woody and aromatic notes. It pairs naturally with lavender, basil, rosemary, and musk.
Neroli notes are similar to orange notes. That’s because neroli oil comes from the blossom of the orange tree. It smells like a floral version of an orange note. Neroli’s sweetness is a great counterbalance for the tartness of bergamot, so you often see these two notes together!
Mandarin is a scent that’s similar to orange. After all, the mandarin is a type of orange. It smells a little sweeter, and a mandarin note sometimes smells a bit “green.”
Lime is one of the more uncommon citrus top notes. It’s light yet juicy and just sweet enough, so it’s a great opener that floats above other notes. It tends to pair well with other citrus notes, so it’s perfect for adding layers and variety to citrus-heavy fragrances.
Petitgrain comes from the bitter orange tree. It was once made by distilling the immature bitter orange fruit. However, it’s now usually made from leaves and twigs. Petitgrain is the perfect marriage of green, citrus, and even floral accents.
Yuzu may not be as popular as some of the other citrus notes, but it’s been slowly gaining popularity in the fragrance world. It comes from a fruit of the same name, and it smells like a mixture of grapefruit and green notes. It also tends to prolong the life of other citrus notes.
What about other notes?
Many of the notes in the best citrus colognes for men come from familiar things: different fruits, types of wood, and even water. But in the case of some notes, what they smell like is less than obvious.
Pittosporum is a plant extract that adds some extra sweetness to fragrances. Since it smells a bit like jasmine and a bit like orange blossom, it’s a good fit for most citrus colognes.
Ambrette/musk mallow is an oil from the plant of the same name. It’s a natural substitute for animal musk, and it works well in colognes that just need a light touch of musk. Ambrette has a scent that is sweet, floral, and musky all at once.
Aqual is an ingredient that smells like water, and it’s often found in citrus and aquatic fragrances.
Amber is a “fantasy” note that is warm, rich, powdery, and a little sweet. It’s often made of a mixture of vanilla, benzoin, and labdanum, although other ingredients like tonka bean are sometimes included, too.
Olibanum, also known as frankincense, is a tree resin with a complex, distinctive scent. It typically appears as a top note, and it smells woody, balsamic, green, and spicy all at once.
Angelica comes from the root of the angelica plant. Although it’s not an overly common fragrance note, it’s the perfect complement to citrusy fragrances. Angelica is earthy, woody, a little spicy, and it has a hint of citrus, so it’s an ideal grounding ingredient for citrus fragrances.
Ambroxan is a synthetic ingredient that smells like a combination of amber and musk.
Papyrus is a common note in Indian fragrances, but it sometimes appears in Western fragrances as well. It’s a type of grass (Cyperus papyrus) that was used to make a type of paper in ancient times. Papyrus has a smell that combines elements of wood, spice, and earth.
Mugane is an artificial molecule engineered to give off a powerful floral scent.
Vinyl Guaiacol is a molecule that imparts the scent of a few different accords at once. It can add a hint of vanilla and clove as well as a distinctive, powdery carnation accord.
Orcanox is an engineered molecule that can be described as woody, powdery, and green all at once. Some people say that it smells like a mix of clary sage, labdanum (an extract from the rock rose plant), cypress, and ambroxan.
Guaiac wood comes from the heart of the palo santo tree. It smells a little bit smoky, with notes of birch tar and tobacco. Some people say it even has a faint rubbery scent.
Hexyl acetate is a compound that smells like a combination of jasmine and green notes.
What are top, middle, and base notes?
Most fragrance designers won’t just list all the notes in a given cologne. Rather, they’ll usually be divided into top, middle, and base notes. This isn’t a gimmick — some notes actually evaporate faster than others. A good cologne will evolve throughout the day, gradually revealing its true character. If you pay attention, you’ll be able to notice the shift between the notes.
Top notes are the notes you smell immediately after spraying cologne. They usually smell “fresh” or “light.” Citrus (like bergamot, lemon, or grapefruit), other “light” fruits (like blackcurrants and berries), and even herbs (like basil and sage) are some common top notes. They usually only hang around for about 15 minutes before revealing the middle notes.
Middle notes, also known as “heart notes,” are the center of the fragrance. They’re typically a little richer and heavier than top notes, but not as rich or heavy as the base notes. Middle notes have the important job of connecting the top notes and base notes, so they need to be able to go with both. Otherwise, the cologne will smell chaotic and disjointed. Some common middle notes are rose, jasmine, neroli, lavender, clary sage, and pine. These notes usually stick around for two to four hours (or longer with longer-lasting fragrances).
Base notes may seem subtle at first, but as the top and middle notes evaporate, they gradually become more present. These are notes that are commonly characterized as “rich” or “dark,” and they usually last from four to six hours. Some common base notes are musk, cedar, vanilla, and sandalwood.
Can you wear a citrus cologne year-round?
In the warmer months, a spritz of citrus cologne can be as refreshing as fresh-squeezed lemonade. Wearing citrus colognes makes sense in the spring and summer, but what about in the colder months?
Some people find that citrus colognes are the perfect antidote to dreary winter days. Citrus fragrances are certainly versatile enough to be worn year-round, but it’s up to you to decide whether you want to wear one or choose something a little heavier.
Are citrus colognes long-lasting?
Lots of people complain that their citrus colognes don’t seem to last long at all. Unfortunately, much of that is due to the volatility of the molecules. The essential oils used to make citrus fragrances evaporate very quickly.
If you want to make sure you get a cologne that lasts, you might try looking for an eau de parfum or parfum as opposed to an eau de toilette. Eau de parfum formulas are more concentrated than eau de toilettes colognes, and fragrances labeled “parfum” are even more concentrated.
However, even if you have a long-lasting cologne, the citrus notes themselves may still be fleeting. Generally speaking, high-quality citrus fragrances contain more citrus oils, so they tend to last longer than budget fragrances.
How can I make my citrus fragrance last longer?
When you apply any cologne the right way, you’ll be able to make it realize its full potential. But careful application is especially important for citrus colognes. When you apply your cologne correctly, it will linger on your skin and last longer.
Cologne tends to last longer on moisturized skin. If your skin is naturally oily, you may not have to do anything beyond spritzing on your fragrance. But if your skin is dry, try using moisturizer or lotion before putting on your cologne.
If you apply fragrance while your pores are steamed open from a shower, you may also find that it lasts longer. Make sure your skin is dry (but still warm) and apply it to pulse points or warmer parts of your body (like your neck, wrists, inside of your elbows, behind your ears, etc.).
Most cologne aficionados will tell you to never spray cologne on your clothes. Fragrance needs contact with your skin oils to evolve and change, after all. But if your main goal is making a citrusy cologne last longer, it might be worth it to try spritzing a little on your clothes.
Word of warning, though: colognes can stain some fabrics (like silk). Don’t hold the bottle too close — otherwise, you might end up with a noticeable wet patch on your clothes!
One other thing to consider is how you store your fragrance. Light, heat, and humidity can all shorten a cologne’s shelf life and cause it to break down prematurely. And since citrus scents are the most volatile, they’re usually the first ingredients to be affected. Make sure you store your citrus colognes (and your other colognes, too) in a dark, cool, dry place.
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Branded content. Us Weekly has affiliate partnerships so we may receive compensation for some links to products and services. The sweet, slightly tart scent of citrus brings to mind breezy summer days, making it ideal for warm-weather wear. That said, all citrus colognes are not created equal. Nobody wants to smell notes of Sunny D
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Business
How Epstein’s Cash Shaped Artists, Agencies, and Algorithms

Jeffrey Epstein’s money did more than buy private jets and legal leverage. It flowed into the same ecosystem that decides which artists get pushed to the front, which research gets labeled “cutting edge,” and which stories about race and power are treated as respectable debate instead of hate speech. That doesn’t mean he sat in a control room programming playlists. It means his worldview seeped into institutions that already shape what we hear, see, and believe.
The Gatekeepers and Their Stains
The fallout around Casey Wasserman is a vivid example of how this works. Wasserman built a powerhouse talent and marketing agency that controls a major slice of sports, entertainment, and the global touring business. When the Epstein files revealed friendly, flirtatious exchanges between Wasserman and Ghislaine Maxwell, and documented his ties to Epstein’s circle, artists and staff began to question whose money and relationships were quietly underwriting their careers.

That doesn’t prove Epstein “created” any particular star. But it shows that a man deeply entangled with Epstein was sitting at a choke point: deciding which artists get representation, which tours get resources, which festivals and campaigns happen. In an industry built on access and favor, proximity to someone like Epstein is not just gossip; it signals which values are tolerated at the top.
When a gatekeeper with that history sits between artists and the public, “the industry” stops being an abstract machine and starts looking like a web of human choices — choices that, for years, were made in rooms where Epstein’s name wasn’t considered a disqualifier.
Funding Brains, Not Just Brands

Epstein’s interest in culture didn’t end with celebrity selfies. He was obsessed with the science of brains, intelligence, and behavior — and that’s where his money begins to overlap with how audiences are modeled and, eventually, how algorithms are trained.
He cultivated relationships with scientists at elite universities and funded research into genomics, cognition, and brain development. In one high‑profile case, a UCLA professor specializing in music and the brain corresponded with Epstein for years and accepted funding for an institute focused on how music affects neural circuits. On its face, that looks like straightforward philanthropy. Put it next to his email trail and a different pattern appears.
Epstein’s correspondence shows him pushing eugenics and “race science” again and again — arguing that genetic differences explain test score gaps between Black and white people, promoting the idea of editing human beings under the euphemism of “genetic altruism,” and surrounding himself with thinkers who entertained those frames. One researcher in his orbit described Black children as biologically better suited to running and hunting than to abstract thinking.
So you have a financier who is:
- Funding brain and behavior research.
- Deeply invested in ranking human groups by intelligence.
- Embedded in networks that shape both scientific agendas and cultural production.
None of that proves a specific piece of music research turned into a specific Spotify recommendation. But it does show how his ideology was given time, money, and legitimacy in the very spaces that define what counts as serious knowledge about human minds.

How Ideas Leak Into Algorithms
There is another layer that is easier to see: what enters the knowledge base that machines learn from.
Fringe researchers recently misused a large U.S. study of children’s genetics and brain development to publish papers claiming racial hierarchies in IQ and tying Black people’s economic outcomes to supposed genetic deficits. Those papers then showed up as sources in answers from large AI systems when users asked about race and intelligence. Even after mainstream scientists criticized the work, it had already entered both the academic record and the training data of systems that help generate and rank content.
Epstein did not write those specific papers, but he funded the kind of people and projects that keep race‑IQ discourse alive inside elite spaces. Once that thinking is in the mix, recommendation engines and search systems don’t have to be explicitly racist to reproduce it. They simply mirror what’s in their training data and what has been treated as “serious” research.
Zoomed out, the pipeline looks less like a neat conspiracy and more like an ecosystem:
- Wealthy men fund “edgy” work on genes, brains, and behavior.
- Some of that work revives old racist ideas with new data and jargon.
- Those studies get scraped, indexed, and sometimes amplified by AI systems.
- The same platforms host and boost music, video, and news — making decisions shaped by engagement patterns built on biased narratives.
The algorithm deciding what you see next is standing downstream from all of this.
The Celebrity as Smoke Screen
Epstein’s contact lists are full of directors, actors, musicians, authors, and public intellectuals. Many now insist they had no idea what he was doing. Some probably didn’t; others clearly chose not to ask. From Epstein’s perspective, the value of those relationships is obvious.
Being seen in orbit around beloved artists and cultural figures created a reputational firewall. If the public repeatedly saw him photographed with geniuses, Oscar winners, and hit‑makers, their brains filed him under “eccentric patron” rather than “dangerous predator.”
That softens the landing for his ideas, too. Race science sounds less toxic when it’s discussed over dinner at a university‑backed salon or exchanged in emails with a famous thinker.
The more oxygen is spent on the celebrity angle — who flew on which plane, who sat at which dinner — the less attention is left for what may matter more in the long run: the way his money and ideology were welcomed by institutions that shape culture and knowledge.

What to Love, Who to Fear
The point is not to claim that Jeffrey Epstein was secretly programming your TikTok feed or hand‑picking your favorite rapper. The deeper question is what happens when a man with his worldview is allowed to invest in the people and institutions that decide:
- Which artists are “marketable.”
- Which scientific questions are “important.”
- Which studies are “serious” enough to train our machines on.
- Which faces and stories are framed as aspirational — and which as dangerous.
If your media diet feels saturated with certain kinds of Black representation — hyper‑visible in music and sports, under‑represented in positions of uncontested authority — while “objective” science quietly debates Black intelligence, that’s not random drift. It’s the outcome of centuries of narrative work that men like Epstein bought into and helped sustain.
No one can draw a straight, provable line from his bank account to a specific song or recommendation. But the lines he did draw — to elite agencies, to brain and music research, to race‑obsessed science networks — are enough to show this: his money was not only paying for crimes in private. It was also buying him a seat at the tables where culture and knowledge are made, where the stories about who to love and who to fear get quietly agreed upon.

A Challenge to Filmmakers and Creatives
For anyone making culture inside this system, that’s the uncomfortable part: this isn’t just a story about “them.” It’s also a story about you.
Filmmakers, showrunners, musicians, actors, and writers all sit at points where money, narrative, and visibility intersect. You rarely control where the capital ultimately comes from, but you do control what you validate, what you reproduce, and what you challenge.
Questions worth carrying into every room:
- Whose gaze are you serving when you pitch, cast, and cut?
- Which Black characters are being centered — and are they full humans or familiar stereotypes made safe for gatekeepers?
- When someone says a project is “too political,” “too niche,” or “bad for the algorithm,” whose comfort is really being protected?
- Are you treating “the industry” as a neutral force, or as a set of human choices you can push against?
If wealth like Epstein’s can quietly seep into agencies, labs, and institutions that decide what gets made and amplified, then the stories you choose to tell — and refuse to tell — become one of the few levers of resistance inside that machine. You may not control every funding source, but you can decide whether your work reinforces a world where Black people are data points and aesthetics, or one where they are subjects, authors, and owners.
The industry will always have its “gatekeepers.” The open question is whether creatives accept that role as fixed, or start behaving like counter‑programmers: naming the patterns, refusing easy archetypes, and building alternative pathways, platforms, and partnerships wherever possible. In a landscape where money has long been used to decide what to love and who to fear, your choices about whose stories get light are not just artistic decisions. They are acts of power.
Entertainment
You wanted to make movies, not decode Epstein. Too late.

That’s the realization hanging over anyone picking up a camera right now. You didn’t sign up to be a forensic analyst of flight logs, sealed documents, or “unverified tips.” You wanted to tell stories. But your audience lives in a world where every new leak, every exposed celebrity, every dead‑end investigation feeds into one blunt conclusion:
Nobody at the top is clean. And nobody in charge is really coming to save us.
If you’re still making films in this moment, the question isn’t whether you’ll respond to that. You already are, whether you intend to or not. The real question is: will your work help people move, or help them go numb?

Your Audience Doesn’t Believe in Grown‑Ups Anymore
Look at the timeline your viewers live in:
- Names tied to Epstein.
- Names tied to trafficking.
- Names tied to abuse, exploitation, coverups.
- Carefully worded statements, high‑priced lawyers, and “no admission of wrongdoing.”
And in between all of that: playlists, memes, awards shows, campaign ads, and glossy biopics about “legends” we now know were monsters to someone.
If you’re under 35, this is your normal. You grew up:
- Watching childhood heroes get exposed one after another.
- Hearing “open secrets” whispered for years before anyone with power pretended to care.
- Seeing survivors discredited, then quietly vindicated when it was too late to matter.
So when the next leak drops and another “icon” is implicated, the shock isn’t that it happened. The shock is how little changes.
This is the psychic landscape your work drops into. People aren’t just asking, “Is this movie good?” They’re asking, often subconsciously: “Does this filmmaker understand the world I’m actually living in, or are they still selling me the old fantasy?”
You’re Not Just Telling Stories. You’re Translating a Crisis of Trust.
You may not want the job, but you have it: you’re a translator in a time when language itself feels rigged.
Politicians put out statements. Corporations put out statements. Studios put out statements. The public has learned to hear those as legal strategies, not moral positions.
You, on the other hand, still have this small window of trust. Not blind trust—your audience is too skeptical for that—but curious trust. They’ll give you 90 minutes, maybe a season, to see if you can make sense of what they’re feeling:
- The rage at systems that protect predators.
- The confusion when people they admired turn out to be complicit.
- The dread that this is all so big, so entrenched, that nothing they do matters.
If your work dodges that, it doesn’t just feel “light.” It feels dishonest.
That doesn’t mean every film has to be a trafficking exposé. It means even your “small” stories are now taking place in a world where institutions have failed in ways we can’t unsee. If you pretend otherwise, the audience can feel the lie in the walls.

Numbness Is the Real Villain You’re Up Against
You asked for something that could inspire movement and change. To do that, you have to understand the enemy that’s closest to home:
It’s not only the billionaire on the jet. It’s numbness.
Numbness is what happens when your nervous system has been hit with too much horror and too little justice. It looks like apathy, but it’s not. It’s self‑defense. It says:
- “If I let myself feel this, I’ll break.”
- “If I care again and nothing changes, I’ll lose my mind.”
- “If everyone at the top is corrupt, why should I bother being good?”
When you entertain without acknowledging this, you help people stay comfortably numb. When you only horrify without hope, you push them deeper into it.
Your job is more dangerous and more sacred than that. Your job is to take numbness seriously—and then pierce it.
How?
- By creating characters who feel exactly what your audience feels: overwhelmed, angry, hopeless.
- By letting those characters try anyway—in flawed, realistic, human ways.
- By refusing to end every story with “the system wins, nothing matters,” even if you can’t promise a clean victory.
Movement doesn’t start because everyone suddenly believes they can win. It starts because enough people decide they’d rather lose fighting than win asleep.
Show that decision.
Don’t Just Expose Monsters. Expose Mechanisms.
If you make work that brushes against Epstein‑type themes, avoid the easiest trap: turning it into a “one bad guy” tale.
The real horror isn’t one predator. It’s how many people, institutions, and incentives it takes to keep a predator powerful.
If you want your work to fuel real change:
- Show the assistants and staffers who notice something is off and choose silence—or risk.
- Show the PR teams whose entire job is to wash blood off brands.
- Show the industry rituals—the invite‑only parties, the “you’re one of us now” moments—where complicity becomes a form of currency.
- Show the fans, watching allegations pile up against someone who shaped their childhood, and the war inside them between denial and conscience.
When you map the mechanism, you give people a way to see where they fit in that machine. You also help them imagine where it can be broken.
Your Camera Is a Weapon. Choose a Target.
In a moment like this, neutrality is a story choice—and the audience knows it.
Ask yourself, project by project:
- Who gets humanized? If you give more depth to the abuser than the abused, that says something.
- Who gets the last word? Is it the lawyer’s statement, the spin doctor, the jaded bystander—or the person who was actually harmed?
- What gets framed as inevitable? Corruption? Cowardice? Or courage?
You don’t have to sermonize. But you do have to choose. If your work shrugs and says, “That’s just how it is,” don’t be surprised when it lands like anesthetic instead of ignition.
Ignition doesn’t require a happy ending. It just requires a crack—a moment where someone unexpected refuses to play along. A survivor who won’t recant. A worker who refuses the payout. A friend who believes the kid the first time.
Those tiny acts are how movements start in real life. Put them on screen like they matter, because they do.
Stop Waiting for Permission
A lot of people in your position are still quietly waiting—for a greenlight, for a grant, for a “better time,” for the industry to decide it’s ready for harsher truths.
Here’s the harshest truth of all: the system you’re waiting on is the same one your audience doesn’t trust.
So maybe the movement doesn’t start with the perfectly packaged, studio‑approved, four‑quadrant expose. Maybe it starts with:
- A microbudget feature that refuses to flatter power.
- A doc shot on borrowed gear that traces one tiny piece of the web with obsessive honesty.
- A series of shorts that make it emotionally impossible to look at “open secrets” as jokes anymore.
- A narrative film that never names Epstein once, but makes the logic that created him impossible to unsee.
If you do your job right, people will leave your work not just “informed,” but uncomfortable with their own passivity—and with a clearer sense of where their own leverage actually lives.

The Movement You Can Actually Spark
You are not going to single‑handedly dismantle trafficking, corruption, or elite impunity with one film. That’s not your job.
Your job is to help people:
- Feel again where they’ve gone numb.
- Name clearly what they’ve only sensed in fragments.
- See themselves not as background extras in someone else’s empire, but as moral agents with choices that matter.
If your film makes one survivor feel seen instead of crazy, that’s movement.
If it makes one young viewer question why they still worship a predator, that’s movement.
If it makes one industry person think twice before staying silent, that’s movement.

And movements, despite what the history montages pretend, are not made of big moments. They’re made of a million small, private decisions to stop lying—to others, and to ourselves.
You wanted to make movies, not decode Epstein.
Too late.
You’re here. The curtain’s already been pulled back. Use your camera to decide what we look at now: more distraction from what we know, or a clearer view of it.
One of those choices helps people forget.
The other might just help them remember who they are—and what they refuse to tolerate—long enough to do something about it.
Business & Money
Ghislaine Maxwell Just Told Congress She’ll Talk — If Trump Frees Her

February 9, 2026 — Ghislaine Maxwell tried to bargain with Congress from a prison video call.
Maxwell, the woman convicted of helping Jeffrey Epstein traffic underage girls, appeared virtually before the House Oversight Committee today and refused to answer a single question. She invoked her Fifth Amendment right against self‑incrimination on every substantive topic, including Epstein’s network, his associates, and any powerful figures who moved through his orbit.

Maxwell is serving a 20‑year federal sentence at a prison camp in Texas after being found guilty in 2021 of sex‑trafficking, conspiracy, and related charges. Her trial exposed a pattern of recruiting and grooming minors for Epstein’s abuse, and her conviction has been upheld on appeal. Despite that legal reality, her appearance today was less about accountability and more about negotiation.
Her lawyer, David Markus, told lawmakers that Maxwell would be willing to “speak fully and honestly” about Epstein and his world — but only if President Donald Trump grants her clemency or a pardon. Markus also claimed she could clear both Trump and Bill Clinton of wrongdoing related to Epstein, a statement critics immediately dismissed as a political play rather than a genuine bid for truth.
Republican Chair James Comer has already said he does not support clemency for Maxwell, and several Democrats accused her of trying to leverage her potential knowledge of powerful people as a way to escape prison. To many survivors’ advocates, the spectacle reinforced the sense that the system is more sympathetic to the powerful than to the victims.
At the same time, Congress is now reviewing roughly 3.5 million pages of Epstein‑related documents that the Justice Department has made available under tight restrictions. Lawmakers must view them on secure computers at the DOJ, with no phones allowed and no copies permitted. Early reports suggest that at least six male individuals, including one high‑ranking foreign official, had their names and images redacted without clear legal justification.

Those unredacted files are supposed to answer questions about who knew what, and when. The problem is that Maxwell is signaling she may never answer any of them — unless she is set free. As of February 9, 2026, the story is still this: a convicted trafficker is using her silence as leverage, Congress is sifting through a wall of redacted files, and the public is still waiting to see who really stood behind Epstein’s power.
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