Related: Taylor Swift and Travis Kelce’s Relationship Timeline
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Taylor Swift Orders Travis Kelce. Getty Images (2)
Taylor Swift ordered Travis Kelce’s favorite sweet treat while enjoying a girls’ night out with Brittany Mahomes.
“It was pretty cool because Travis … he always requests our cinnamon roll, so I would think that he must have said something to her since she was going to [our establishment],” Megan Garrelts, owner of Rye restaurant in Leawood, Kansas told Page Six on Thursday, January 4. “That was pretty fun, so we warmed it up.”
Swift, 34, dined at the local joint alongside Mahomes, 28, and a few other wives of Chiefs players on Saturday, December 30, celebrating a birthday for one of the women. The restaurant was likely recommended to the pop star by Kelce, 34, who dines there frequently.
“We have some history with serving [the Chiefs] through the years,” Garrelts told the outlet, noting that Kelce also frequents their Kansas City location. “He comes in pretty often to both. He’s awesome.”
While Garrelts shared that Kelce typically loves saying “hi” to the people dining at the eatery, he’s been “a little more private” as of late. “He sits in the private room, but normally he sits in the main dining room with his friends and handlers. He’s great,” she added.
As for Swift, the restaurateur told Page Six that the singer was “very, very nice” and even picked up the tab for the table. According to Garrelts, Rye was given a heads-up that a notable guest would be coming in for the evening but didn’t know the identity of the diner until Swift showed up around 7:30 p.m. that night.
“Due to the nature of when we have a high profile guest, we try to keep it pretty on the down-low just out of respect for privacy,” Garrelts explained, sharing that Swift and the other WAGs sat in a private room for the evening. “Nobody really knew she was there.”
Despite keeping it low-key, Garrelts said the women “all ordered cocktails” and were definitely “having lively girls’ night” before the Chiefs game the following day.
Maddie Meyer/Getty Images
Swift has been spending much of her free time in Kansas City since she started dating Kelce last year. The singer has cheered the tight end on at multiple games — both home and away — alongside Brittany, who is the wife of Chiefs quarterback Patrick Mahomes, as well as Travis’ parents, Donna and Ed Kelce.
On Christmas, Taylor brought her own parents, Andrea and Scott Swift, as well as her brother, Austin Swift, to Arrowhead Stadium to watch Travis’ team play against the Las Vegas Raiders. Austin, 31, rocked a full Santa Claus suit for the event, which Travis praised during an episode of his “New Heights” podcast the following week.
“He killed it,” Travis told brother Jason Kelce and his wife, Kylie Kelce of the getup. “He actually made me feel like a child because his gift to me was straight out of the bag. … [He] handed me a VHS of my favorite football movie of all time … Little Giants.”
Swit seemingly stuck around KC after Christmas to celebrate New Year’s Eve with her boyfriend the following week. The couple attended a late-night bash alongside the Mahomes’, cozying up and posing for photos as they counted down to midnight.
Kelce later opened up about the soiree on the Wednesday, January 3, episode of “New Heights,” which took place after the Kansas City Chiefs defeated the Cincinnati Bengals.
“It was fun, yeah. We all got to celebrate New Year’s together. It was cool, man, to have all the friends and family [there]. I think I had over 50, 55 people come in for this one,” Travis said of the NYE party. While he didn’t mention Swift by name, he gushed over having “a good New Year’s celebration with all the friends and fam.”
Taylor Swift ordered Travis Kelce’s favorite sweet treat while enjoying a girls’ night out with Brittany Mahomes. “It was pretty cool because Travis … he always requests our cinnamon roll, so I would think that he must have said something to her since she was going to [our establishment],” Megan Garrelts, owner of Rye restaurant
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Every filmmaker aspires to create projects that are not only memorable but also uniquely their own. Finding your creative voice is a journey that requires self-reflection, bold choices, and an unwavering commitment to your vision. Here’s how to uncover your style, take risks, and craft original work that stands out.
Your unique voice begins with recognizing what inspires you.
Tip: Combine what you love with your personal experiences to create a lens that only you can offer.
Example: Wes Anderson’s whimsical, symmetrical worlds stem from his love of classic storytelling and his unique visual style.
Takeaway: Start with what moves you, then add your personal touch.
To stand out, you must be willing to challenge conventions and explore new territory.
Example: Jordan Peele blended horror with social commentary in Get Out, creating a genre-defying film that captivated audiences.
Takeaway: Risks are an opportunity for growth, even if they don’t always succeed.
Original projects resonate when they stem from a place of truth.
Example: Greta Gerwig’s Lady Bird was deeply personal, based on her experiences growing up in Sacramento. The film’s authenticity made it universally relatable.
Takeaway: The more personal the story, the more it resonates.
Style is not just about visuals—it’s how you tell a story across all elements of filmmaking.
Example: Quentin Tarantino’s use of dialogue, pop culture references, and bold music choices makes his work instantly recognizable.
Takeaway: Your style should be intentional, evolving as you grow but always recognizable as yours.
The filmmaking process is full of challenges, but staying true to your voice is essential.
Example: Ava DuVernay shifted from public relations to filmmaking, staying true to her voice in films like Selma and 13th, which focus on social justice.
Takeaway: Your voice evolves with every project, so embrace the process.
Finding your voice as a filmmaker takes time, courage, and commitment. By exploring your influences, taking risks, and staying true to your perspective, you’ll craft stories that not only stand out but also resonate deeply with your audience.
Bolanle Media is excited to announce our partnership with The Newbie Film Academy to offer comprehensive courses designed specifically for aspiring screenwriters. Whether you’re just starting out or looking to enhance your skills, our resources will provide you with the tools and knowledge needed to succeed in the competitive world of screenwriting. Join us today to unlock your creative potential and take your first steps toward crafting compelling stories that resonate with audiences. Let’s turn your ideas into impactful scripts together!

The Michael Jackson biopic Michael is more than celebrity drama; it is a real-time lesson in how legal decisions can quietly rewrite a story that millions of people will see. You do not need a $200M budget for the same forces—contracts, settlements, and rights issues—to shape or even erase key parts of your own work.

The film Michael originally included a third act that addressed the 1993 child sexual abuse allegations and their impact on Jackson’s life and career. Trade reports say this version showed investigators at Neverland Ranch and dramatized the scandal as a turning point in the story. After cameras rolled, lawyers for the Jackson estate realized there was a clause in the settlement with accuser Jordan Chandler that barred any depiction or mention of him in a movie.
Because of that old agreement, the filmmakers had to remove all references to Chandler and rework the ending so the story stopped years earlier, in the late 1980s at Jackson’s commercial peak.
According to reporting, this meant roughly 22 days of reshoots, costing around 10–15 million dollars and pushing the total budget over 200 million.
Meanwhile, actress Kat Graham confirmed her portrayal of Diana Ross was cut for “legal considerations,” showing how likeness and approval issues can wipe out an entire character even after filming.
For audiences, the result is a movie that intentionally avoids one of the most controversial chapters of Jackson’s life, which some critics argue makes the portrait feel incomplete or selectively curated.
The key detail in the Michael story is that a contract signed decades ago could dictate what present-day filmmakers are allowed to show. That settlement clause did not just affect the people who signed it; it effectively controlled the narrative of a big-budget film made years later. This is how legal documents become invisible co-authors: they quietly set boundaries around what your story can and cannot include.
Creators face similar invisible lines with:
Legal commentary warns that fictionalizing real events and people carries heightened risk because audiences tend to connect your dramatization back to actual individuals. That risk does not disappear just because you are “small” or “indie”; impact, not audience size, usually determines exposure.
Independent filmmakers often choose the indie route precisely to maintain creative control, but they can face more risk if they skip legal planning. Common problems include unclear ownership of the script, missing music licenses, handshake agreements with collaborators, and no written permission to use locations or people’s likenesses. These are the kinds of issues that can derail distribution, block a streaming deal, or force last-minute cuts that fundamentally change your story.
Legal guides for indie filmmakers consistently emphasize a few realities:
So when you watch Michael skip over certain events, you are seeing, in exaggerated form, the same forces that can shape an indie short, web series, documentary, or podcast episode.
You do not need a law degree, but you do need a basic legal strategy for your creative work. Here are practical steps drawn from entertainment-law and indie-film resources:
Education-focused legal resources repeatedly stress that preventative steps—basic contracts, clear permissions, and simple registrations—are far cheaper than dealing with takedowns, lawsuits, or forced rewrites later.
The Michael biopic illustrates what happens when legal obligations and creative vision collide: whole characters disappear, endings are rewritten, and the public only sees a version of the story that fits within old contracts.
As an indie filmmaker, writer, or content creator, you may not have millions at stake, but you do have something just as valuable—your voice and your ability to tell the story you meant to tell.
Understanding the legal dimensions of your work is not a distraction from creativity; it is a way of protecting it. When you know where the legal boundaries are, you can design stories that are bold, truthful, and still safe enough to reach the audiences they deserve.

This Mother’s Day in Spring, Texas, you’re invited to do more than just sit at brunch—come dance, sweat, and celebrate at the Mother’s Day AfroFun Praise Party: Gospel Dance, Fitness & Feel‑Good Stats in 60 Minutes. This one‑hour Afrobeat gospel dance class is for men and women, bringing live worship, high‑energy choreography, and real fitness benefits together in one unforgettable experience.
On the mic is powerhouse gospel singer Shawna Pat, known for her heartfelt worship, energetic praise songs, and ministry that makes every room feel like church and concert at the same time. She’ll be leading live vocals all class long, turning each track into a moment to sing along, shout, or just soak in the presence while you move.
On the floor, Andrew from WoWo Boyz and the Kingdrewwskyy crew bring the Afrobeat power. Expect easy‑to‑follow, Afro‑inspired choreography that looks hype on video but still feels doable if you’re brand new to dance. Together, Shawna and Andrew create a “praise party meets fitness class” vibe you can’t get from a playlist or a regular gym session.
This event is built for men and women—moms, dads, sons, daughters, couples, and friends who want to honor the mothers in their lives while doing something healthy and fun. The format is simple: warm‑up, dance‑cardio, a short ministry moment focused on mothers and families, and a cool‑down to breathe and stretch it out.
All levels are welcome. If you can walk and two‑step, you can do this class. You choose your intensity: go all‑in with every jump or keep it low‑impact and still stay in the groove. The music is clean and faith‑filled, so you never have to worry about lyrics or the vibe if you’re inviting church friends or bringing teens.
Behind the fun, this one hour delivers real health wins. Health guidelines recommend at least 150 minutes of moderate‑intensity cardio per week, but less than half of adults hit that number. AfroFun helps close that gap—by making movement feel like a celebration instead of a chore.
In just 60 minutes, many people can:
You walk out with more than photos and memories—you leave with better numbers for your heart, body, and mood.
AfroFun Praise Party happens Sunday, May 10, 4–5 PM at 2400 FM 2920, Spring, TX 77388, with free parking and in‑person, high‑energy vibes. Tickets are limited, and early spots always move fastest once people see Shawna Pat and WoWo Boyz are in the building.

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