Related: Best Moments From Taylor Swift and the Kelces at the Chiefs vs. Bills Game
Advertisement
Taylor Swift and Jason Kelce Getty Images (2)
Taylor Swift found a subtle way to show she was on board with Jason Kelce’s shirtless antics during the Kansas City Chiefs game against the Buffalo Bills.
The pop star, 34, took to social media on Wednesday, January 24, to “like” an Instagram clip of Jason, 36, boyfriend Travis Kelce discussing the Sunday, January 21, event during the most recent episode of their “New Heights” podcast.
The snippet, which was posted via the official “New Heights” Instagram account, featured the siblings discussing Jason’s decision to strip down in the cold after watching Travis, 34, score a touchdown in the first quarter.
“You celebrated my touchdown by taking your shirt off, screaming, jumping out of the suite, chugging a bear with the fans [and] then jumping back into the suite,” Travis recalled, noting that he watched the viral moment afterward and could confirm it was “pure pandemonium.”
While Travis said he wanted more “cameras” on Jason’s wife, Kylie Kelce, in the suite to get her reaction, Jason confessed he gave her a “heads up” before actually jumping out the window into the “dead of winter.”
“The moment we got into that suite, I’m like, ‘I’m taking my shirt off and I’m jumping out of that suite,’” he recalled telling Kylie, 31, to which he claims his wife replied, “Don’t you dare.”
According to Jason, Kylie —who he wed in 2018 — gave him a warning ahead of the game to be on his “best behavior” as she knew the couple would be seeing Swift. Jason, however, countered her warning, arguing, “Kylie the first time I met you I was black-out drunk and fell asleep at the bar, this is part of the charm. … This is my best first impression and this is my best chance.”
Sunday’s game marked the first time Jason and Kylie met Swift since the singer began dating Travis in summer 2023. While Swift has been spotted supporting Travis and Chiefs games all over the country — often alongside Travis’ parents, Donna and Ed Kelce — Jason and Kylie have been busy due to Jason’s own NFL season with the Philadelphia Eagles. (The Eagles’ 2023-2024 season came to an end on January 15 when they lost to the Tampa Bay Buccaneers.)
Jason Kelce Kathryn Riley/Getty Images
When the Chiefs and the Eagles had their post-Super Bowl LVII showdown in November 2023, Swift was unable to attend due to a rescheduled Eras Tour concert in Brazil.
The wait was seemingly worth it, as Travis said during Thursday’s podcast that Swift was a big fan of Jason, telling his brother, “Tay absolutely loved you.”
Sure enough, footage found via social media from Sunday’s game showed Swift and Jason high-fiving while they watched the Chiefs defeat the Bills 27-24. Jason also spotted a young fan of Swift’s in the crowd during the game and brought her over to the Grammy winner for a quick hello.
“We’re gonna show this to Taylor,” Jason could be seen saying in footage shared via social media, bringing the fan over to the suite window to wave to Swift, who was seen returning the gesture.
As for Kylie’s reaction to her husband’s hilarious shenanigans, Kylie commented on the “New Heights” Instagram on Wednesday to reveal that she plans on using the incident as leverage.
“‘I’m not asking for permission, I’m doing this.’ – the exact quote I will say when I’m grabbing the keys to go get a cat,” she wrote
Taylor Swift found a subtle way to show she was on board with Jason Kelce’s shirtless antics during the Kansas City Chiefs game against the Buffalo Bills. The pop star, 34, took to social media on Wednesday, January 24, to “like” an Instagram clip of Jason, 36, boyfriend Travis Kelce discussing the Sunday, January 21,
Us Weekly Read More
Starkville, Mississippi — The viral rise of 4-year-old LaR’iyah Jesireé, better known as “Ms. Shirley,” has captivated millions on TikTok and Instagram. But as her fame grows, so too does a wave of public concern—particularly over her appearances at meet-and-greet events attended by adults, including grown men, raising urgent questions about child safety, parental responsibility, and the blurred boundaries of social media stardom.
Ms. Shirley’s infectious line dances, especially her signature “Boots on the Ground” routine, have made her a household name in the world of social media. With over a million followers and appearances on national television, she’s become a symbol of youthful talent and joy.
But behind the viral videos lies a controversy that has split public opinion. Critics argue that the very events fueling her fame—public meet-and-greets, often at venues not designed for children—expose her to adult environments and attention that are inappropriate for someone her age.
Latisha Tucker, Ms. Shirley’s mother, has not shied away from the criticism. She maintains that her daughter’s appearances are carefully managed and that the backlash is fueled by outsiders who misunderstand their intentions. Tucker has publicly stated that any earnings from Ms. Shirley’s fame will be set aside for her future, and insists that her daughter is simply “being a kid like any other kid.” Still, she acknowledges that the scrutiny comes with the territory of internet celebrity.
The uproar over Ms. Shirley’s meet-and-greets is part of a larger debate about the responsibilities of parents who share their children’s lives online, the adequacy of social media safeguards, and the potential for exploitation in the pursuit of viral fame. As platforms like TikTok continue to blur the lines between childhood and celebrity, the story of Ms. Shirley stands as a flashpoint—one that forces parents, platforms, and audiences alike to confront uncomfortable questions about where to draw the line.
Issue | Description |
---|---|
Adult Attendance at Events | Grown men and other adults present at meet-and-greets, sparking safety concerns |
Parental Oversight | Debate over whether Ms. Shirley’s mother is protecting or exploiting her child |
Child Safety | Reports to CPS and public calls for better safeguards for young social media stars |
Online Division | Fans celebrate her talent, critics warn of long-term risks and inappropriate exposure |
As Ms. Shirley’s star continues to rise, so does the scrutiny. For now, her story remains a cautionary tale at the intersection of childhood, celebrity, and the unpredictable power of the internet.
Nicki Minaj has once again set social media ablaze, this time targeting Jay-Z with a series of pointed tweets that allege he owes her an eye-popping $200 million. The outburst has reignited debates about artist compensation, industry transparency, and the ongoing power struggles within hip-hop’s elite circles.
In a string of tweets, Minaj directly addressed Jay-Z, writing, “Jay-Z, call me to settle the karmic debt. It’s only collecting more interest. You still in my top five though. Let’s get it.” She went further, warning, “Anyone still calling him Hov will answer to God for the blasphemy.” According to Minaj, the alleged debt stems from Jay-Z’s sale of Tidal, the music streaming platform he launched in 2015 with a group of high-profile artists—including Minaj herself, J. Cole, and Rihanna.
When Jay-Z sold Tidal in 2021, Minaj claims she was only offered $1 million, a figure she says falls dramatically short of what she believes she is owed based on her ownership stake and contributions. She has long voiced dissatisfaction with the payout, but this is the most public—and dramatic—demand to date.
Minaj’s Twitter storm wasn’t limited to financial complaints. She also:
She expressed frustration that mainstream blogs and platforms don’t fully cover her statements, especially when they involve Jay-Z, and suggested that much of the coverage she receives is from less reputable sources.
Minaj’s tweets took a satirical turn as she jokingly blamed Jay-Z for a laundry list of cultural grievances, including:
She repeatedly declared, “The jig is up,” but clarified that her statements were “alleged and for entertainment purposes only.”
Minaj also criticized Jay-Z’s political involvement, questioning why he didn’t campaign more actively for Kamala Harris or respond to President Obama’s comments about Black men. While Jay-Z has a history of supporting Democratic campaigns, Minaj’s critique centered on more recent events and what she perceives as a lack of advocacy for the Black community.
Adding another layer to her grievances, Minaj voiced disappointment that Lil Wayne was not chosen to perform at the Super Bowl in New Orleans, a decision she attributes to Jay-Z’s influence in the entertainment industry.
Despite the seriousness of her financial claim, many observers note that if Minaj truly believed Jay-Z owed her $200 million, legal action—not social media—would likely follow. As of now, there is no public record of a lawsuit or formal complaint.
Some fans and commentators see Minaj’s outburst as part of a larger pattern of airing industry grievances online, while others interpret it as a mix of personal frustration and performance art. Minaj herself emphasized that her tweets were “for entertainment purposes only.”
Nicki Minaj’s explosive Twitter rant against Jay-Z has once again placed the spotlight on issues of artist compensation and industry dynamics. Whether her claims will lead to further action or remain another dramatic chapter in hip-hop’s ongoing soap opera remains to be seen, but for now, the world is watching—and tweeting.
YouTube’s latest policy update, effective July 15th, has sent shockwaves through the AI and faceless channel community. Social media is buzzing with claims that “AI channels are dead,” while others express relief or confusion. If you’re a YouTube creator using AI, you might be wondering: Is this the end, or just another evolution? Here’s what you need to know—and how you can adapt to thrive in this new landscape.
YouTube’s update targets mass-produced, repetitive, and low-effort content—not AI itself. The company clarified that these rules are not new but are being enforced more strictly with improved detection tools. The main focus is on content that:
YouTube’s response to creators’ concerns emphasized that AI is not banned, but unoriginal, spammy content is—and always has been—ineligible for monetization.
Channels most affected by this update typically:
Examples include “revenge story” channels or those uploading unedited compilations and meditation tracks without original contributions. Such channels are now more likely to lose monetization or face removal.
YouTube aims to:
This approach aligns with long-standing YouTube Partner Program policies and legal doctrines like fair use, which require transformative use of source material.
YouTube is not against AI. In fact, Google (YouTube’s parent company) invests heavily in AI tools. The key is to use AI as a creative assistant, not a replacement for originality. Here’s what successful channels do:
This policy update isn’t the end of AI channels—it’s the end of low-effort, easily automated content. If you’re committed to creating genuine value, using AI as a tool (not a crutch), and building a real brand, you’re not just safe—you’re set up for long-term success on YouTube.
Pros and Cons of the Big Beautiful Bill
What SXSW 2025 Filmmakers Want Every New Director to Know
Filming Yourself and Look Cinematic
Father Leaps Overboard to Save Daughter on Disney Dream Cruise
Bolanle Newsroom Brief: Israel Strikes Iran’s Nuclear Sites — What It Means for the World
McCullough Alleges Government Hid COVID Vaccine Side Effects
Why 20% of Us Are Always Late
How to Find Your Voice as a Filmmaker