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Sister Wives’ Janelle Brown Reveals Which Son Is ‘Somewhat’ Talking to Kody on January 1, 2024 at 4:01 am Us Weekly

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Janelle Brown revealed one of her sons is “somewhat” speaking with father Kody Brown, one year after their family feud aired on Sister Wives.

“The conversation still hasn’t happened,” Janelle, 54, said on the Sunday, December 31, episode of Sister Wives Look Back: How It’s Going special, referring to her sons Garrison and Gabriel’s reconnecting with Kody, 54. “There’s still nothing.”

She clarified that Kody “does have somewhat of a relationship with Garrison right now.” She explained: “A little bit. But there’s no reconciliation, really.” Janelle and Kody share Garrison, 25, and Gabriel, 21, as well as Logan, 29, Maddie, 27, Hunter, 26, and Savanah, 18.

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Related: Sister Wives’ Kody and Janelle Brown’s Family: A Complete Guide to 6 Kids

A full family! Kody Brown and Janelle Brown (née Schriever) shared a lot of love before their 2022 split — including raising their six children. The Sister Wives stars’ 1993 spiritual wedding marked their beginning of their plural family. Kody, for his part, was already legally married to Meri Brown when he welcomed Janelle into […]

Janelle’s remarks were in response to rewatching her season 18 fight with Kody, in which the former couple accused each other of “gaslighting.” During the argument, which took place ahead of their December 2022 split, Janelle revealed that she wasn’t going to do Christmas with Kody because of his issues with their boys.

Viewers first learned about Kody’s tension with Garrison and Gabriel during season 17 of the TLC series. The rift started after Kody claimed his sons didn’t respect him or his COVID-19 rules. Kody then insisted that the boys give him an apology before they could come to family events, which he later walked back.

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Janelle Brown, Kody Brown and Christine Brown Gabe Ginsberg/FilmMagic

During season 18, which aired this past fall, the tension between Kody and Garrison and Gabriel led to a blowout with Janelle and they split soon after.

“I don’t want to talk about my breakup with Janelle anymore. It’s very painful,” Kody told the cameras on Sunday’s episode, when prompted to rewatch the 2022 scene. “Janelle and I are not good together. She’s not a loyal wife. I’m probably a s–ty husband. I don’t care. We’re not working anymore.”

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Related: Janelle and Kody Brown’s Family Photos With Their 6 Kids

Proud parents! Sister Wives stars Janelle Brown and Kody Brown have documented themselves doting on their six children through the years. Janelle and Kody were spiritually married in 1993, three years after he legally wed Meri Brown. “Before Kody and I were really courting, I was actually friends with his family,” Janelle said during a 2013 episode of […]

When Janelle watched it back, she called her former spouse “an ass.” Janelle explained on the TV special that in Kody’s “perfect world” she would have “stood with him against my kids.”

Janelle noted that when she didn’t do that, Kody lost “his crap” and made it seem like “it’s all my fault.” Now, Janelle said she’s done trying to fix things with her ex-husband. “I don’t care if I ever interact with Kody again,” she said in Sunday’s episode.

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Ahead of his and Janelle’s separation in late 2022, Kody split from Christine Brown in November 2021. Meri Brown confirmed in January that she and Kody had also parted ways. Kody remains married to fourth wife Robyn Brown.

Janelle Brown revealed one of her sons is “somewhat” speaking with father Kody Brown, one year after their family feud aired on Sister Wives. “The conversation still hasn’t happened,” Janelle, 54, said on the Sunday, December 31, episode of Sister Wives Look Back: How It’s Going special, referring to her sons Garrison and Gabriel’s reconnecting 

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Entertainment

Selling Your Soul in Hollywood: The Hidden Cost of Fame

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By all appearances, Hollywood is a dream factory — a place where charisma, talent, and luck collide to create stars. But behind the camera lights and red carpets lies a conversation few inside the industry speak openly about: the spiritual and moral price of ambition.

For actor Omar Gooding, the idea of “selling your soul” in Hollywood isn’t a metaphor — it’s a moral process that begins with tiny compromises. In an October 2025 interview, Gooding explained that no one in Hollywood makes a literal deal with the devil. Instead, it’s the quiet yeses, the moments when comfort overrides conviction, that mark the beginning of the trade. “They don’t say, ‘Take this or you’ll never make it,’” he said. “They just put it in front of you. You choose.”

Those choices, he argues, create a pattern. Once you show that you’ll accept something you once resisted, the industry notices. “Hollywood knows who it can get away with what,” Gooding said. “One thing always leads to another.” The phrase “selling your soul,” in this context, means losing your say — doing what you’re told rather than what you believe in.

That moral tension has long shadowed the arts. Comedians like Dave Chappelle, who famously walked away from millions to preserve his creative integrity, often serve as examples of where conviction and career collide. In resurfaced interviews, Chappelle hinted that he felt manipulated and silenced by powerful figures who sought control of his narrative, warning that “they’re trying to convince me I’m insane.”

This isn’t just about conspiracy — it’s about agency. Hollywood runs on perception. Performers are rewarded for being agreeable, moldable, entertaining. Those who question the machine or refuse the script risk exile, while those who conform are elevated — sometimes beyond what they can handle.

We see the ‘collections’ all the time,” Gooding explained. “When the bill comes due, you can tell. They made that deal long ago.”

But the story doesn’t end in darkness. Gooding also emphasizes that in today’s entertainment landscape, artists have more control than ever. With streaming, social media, and creator‑driven platforms, performers don’t have to “play the game” to be seen. Independent creators can build their own stages, speak their own truths, and reach millions without trading authenticity for access.

Still, the temptation remains — recognition, validation, quick success. And every generation of artists must answer the same question: What are you willing to do for fame?

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As Gooding put it, “You just make the best choices you can. Because once it’s gone — your name, your peace, your soul — there’s no buying it back.”

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California Bans AI Clones from Replacing Real Talent

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California just made a dramatic stand for human creativity, defeating the threat of AI actor clones with a sweeping new law that puts people—not algorithms—back in the Hollywood spotlight. With the stroke of Governor Gavin Newsom’s pen in October 2025, the state has sent a clear message to studios, tech companies, and the world: entertainment’s heart belongs to those who create and perform, not to digital facsimiles.

California Draws a Hard Line: No More AI Clones

For months, the entertainment industry has been divided over the use of artificial intelligence in filmmaking. Studios, lured by promises of cost-cutting and creative flexibility, have invested in software that can mimic an actor’s face, voice, and even emotional range. But for performers, this wave of synthetic reproduction has triggered alarm—encouraged by chilling stories of deepfakes, unauthorized digital doubles, and contracts that let studios reuse a star’s likeness indefinitely, sometimes without pay or approval.

The new California law, anchored by AB 2602 and AB 1836, changes everything:

  • Every contract must explicitly detail how studios can use digital replicas or voice models, preventing once-common “blank check” agreements that overlooked this risk.
  • No one—not studios nor streaming giants—can create or release AI-generated clones of an actor, living or dead, without clear, written consent from the performer or their estate.
  • The law gives families new powers to defend loved ones from posthumous deepfake exploitation, closing painful loopholes that once let virtual versions of late icons appear in new ads, films, or games.

Actors Celebrate a Major Victory

The legislation rides the momentum of the recent SAG-AFTRA strike, where real-life talent demanded control over their own digital destinies. Leaders say these protections will empower artists to negotiate fair contracts and refuse participation in projects that cross ethical lines, restoring dignity and choice in an industry threatened by silent algorithms.

Stars, unions, and advocacy groups are hailing the law as the most robust defense yet against unwanted AI replications.

As one actor put it, “This isn’t just about money—it’s about identity, legacy, and respect for real artists in a synthetic age.”

A New Chapter for the Entertainment Industry

California’s move isn’t just a victory for local talent—it’s a warning shot to studios everywhere. Companies will now be forced to rethink production pipelines, consult legal counsel, and obtain proper clearance before digitally cloning anyone. Global entertainment platforms and tech developers will need to comply if they want to do business in the world’s entertainment capital.

These laws also set a template likely to ripple through other creative fields, from musicians whose voices can be synthesized to writers whose work could be mimicked by generative AI. For now, California performers finally have a powerful shield, ready to fight for the right to shape their own public image.

Conclusion: Human Talent Takes Center Stage

With its no-nonsense ban on AI actor clones, California draws a bold line, championing the work, likeness, and very humanity of its creative stars. It’s a landmark step that forces the entertainment industry to choose: respect real talent, or face real consequences. The age of the consentless digital double is over—human performers remain the true source of Hollywood magic.

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Chaos and Comedy: Darby Kingman’s “Camp Wackapoo: Rise of Glog”

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Darby Kingman’s “Camp Wackapoo: Rise of Glog” redefines summer camp comedy with a wild, energetic story about ambition, chaos, and the joy of embracing the unexpected. The film centers on a relentlessly competitive camp counselor who’s determined to finish first—only to face a motley crew of unruly campers and a summer unlike any other.

As Darby puts it, “Not everything is that deep. It really honestly was to make people laugh. She has all these kids that are not working with her and she’s just losing her mind. It’s crazy, silly, goofy, and it was a blast.”

What started as a simple scene for Darby’s acting reel evolved into a full-fledged film with encouragement from her mentor at Debbie Reynolds Acting School. Darby dove into every role—writing, directing, starring, and meticulously preparing each prop and costume. “Plan and prepare, but also be flexible and ready to be in the moment—that’s when the magic happens,” she advises.

Working with a handpicked cast of her own dance students, Darby built an atmosphere of real teamwork and camaraderie. She credits the “precious” energy of her young cast, her creative director of photography, and the overall spirit of her production team for turning the project into something bigger than herself. Her experience is an inspiring blueprint for indie filmmakers:

“Take initiative and control of your career. You can’t just sit around and wait for somebody to pick you. Figure out what you’re good at and go for it. Create something that brings joy to others.”

Her production motto? “Preparation is key, but you have to be ready to go with the flow—that’s when the magic happens.” Darby’s fearless creativity, focus on collaboration, and love for comedy shine throughout “Camp Wackapoo: Rise of Glog.” It’s more than just a camp satire—it’s a heartfelt testament to hard work, original humor, and leadership from the ground up: “People need to laugh right now. That’s a win.”

Catch “Camp Wackapoo: Rise of Glog” and experience Darby’s infectious energy and comic genius at the Deluxe Theatre on November 1, 2025. Get your tickets now at Houstoncomedyfilmfestival.com.

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