Entertainment

Jovi Dufren and Big Ed Brown FIGHT on 90 Day The Last Resort After Ed Meddles in … on October 25, 2023 at 9:34 pm The Hollywood Gossip

Published

3 years ago

October 25, 2023

After last week’s episode of 90 Day: The Single Life included some strip club drama, it was time for the fallout.

Big Ed has had a big beef with Jovi since last year, when Jovi stood up to him at the Happily Ever After? Tell All. Finally, he had his chance for revenge.

Accusing Jovi of plotting against him, Ed stirred up trouble in Jovi’s marriage. He hit a sore spot, and Yara became very upset.

But when Ed brought Jovi’s young daughter into the dig, Jovi lunged for him. Security interceded.

Franchise villain Big Ed Brown causes problems on purpose, telling one castmate what she should ask her husband. (Image Credit: TLC)

It all started out on a yacht. Arguably never a good place to be — especially if Big Ed Brown is in the mix.

The men from the show had visited a strip club — one of Jovi’s favorite places on the planet.

And Ed decided to expose Jovi for messaging a stripper he once knew while the guys were out.

Yara Zaya and Jovi Dufren listen awkwardly as their castmate stirs up trouble on 90 Day: The Last Resort. (Image Credit: TLC)

In case you missed it, Jovi had previously taken this stripper to Jamaica. They’d been sleeping together.

Obviously, this was before he met his beautiful wife, Yara, let alone married her.

It’s also important to note that he didn’t meet up with this woman. But … why was he reaching out if he knows how it will make Yara feel?

Yara Zaya asks the question: who was her husband texting, and what was he asking? (Image Credit: TLC)

At first, when Ed began to stir the pot, Yara was in good humor.

But as she watched Jovi’s calm-yet-nervous reaction (yes, he can do both), she grew more alarmed.

Hearing that Jovi asked this girl he once took on vacation where she’s now working did push some emotional buttons. Yara is his wife and the mother of his daughter, but she has real insecurities about his love of strippers.

A laughing but increasingly serious Yara Zaya asks Jovi Dufren “Why do you need to know?” (Image Credit: TLC)

Jovi wasn’t offering any answers. That had Yara feeling worried.

Again, Jovi has hurt Yara’s feelings before with this same topic. No, he didn’t cheat, but he also knew that Yara wouldn’t like this and did it anyway.

Bursting into tears, Yara threw her drink on him and stormed off to the other end of the yacht.

A very unhappy Yara Zaya tosses her drink on Jovi Dufren and storms off on 90 Day: The Last Resort. (Image Credit: TLC)

Ed would go on to claim, to the camera, that he felt bad about rolling this particular golden apple into Jovi and Yara’s marriage.

But that’s a little hard to believe. He did it, for one thing.

And he looked smug when he went about it and made things worse.

Jovi Dufren confronts Big Ed Brown for causing problems on purpose. (Image Credit: TLC)

Additionally, Ed voiced a belief that Jovi had been conspiring against him during the strip club trip.

“Your whole point was to try to take me down,” Ed accused Jovi on the yacht. “I saw through your plan.”

Ed claimed that Jovi “had it coming” for revealing how ill-behaved Ed was (remember, Jovi didn’t go around motorboating anyone).

Speaking to the 90 Day: The Single Life confessional camera, Big Ed Brown spins a conspiracy theory about how a castmate was trying to sabotage him. He wasn’t. (Image Credit: TLC)

After receiving comfort from franchise villain and real-life awful person Angela Deem, of all people, Yara returned.

She wanted to see Jovi’s phone. He refused.

But that unpleasantness was not the end of it.

We don’t normally say this, but Angela Deem is doing the right thing here. It’s normally never true. Yara Zaya did need a hug in this moment on 90 Day: The Single Life, however. (Image Credit: TLC)

“I’m not denying that I deserved that [Yara throwing a drink in my face], but enough is enough,” Jovi declared.

At this point, a tearful Yara wept, wondering what she could do that he’d drop his obsession with strippers.

This is really something that they need to work out, and not just for reality TV. If you keep knowingly upsetting your spouse in the same way, something must change — or your marriage will end.

Seated beside Big Ed Brown and the remote Michael Ilesanmi, Jovi Dufren admits that he did deserve the drink-dunking. (Image Credit: TLC)

Jovi emphasized that he was not, under any circumstances, looking to hook up with the stripper — or anyone other than his wife.

He then took aim at Ed, who caused problems in his marriage on purpose.

Jovi told Ed that his comments were “unnecessary.”

Wielding Michael Ilesanmi like a scepter, Big Ed Brown decided to taunt a castmate about his young child. That was too much, even for Liz Woods. (Image Credit: TLC)

The thing about Ed is that he clearly resents Jovi, for a lot of reasons. Many viewers speculate that Jovi’s successful career, looks, youth, and gorgeous wife are all factors.

So, no, he didn’t back down. Instead, he brought Jovi and Yara’s young daughter, Mylah, into the mix.

“Why don’t you tell your daughter where you were?” Ed viciously spat. Dude, Mylah is three years old.

Jovi Dufren directly threatens franchise villain Big Ed Brown after the latter used Jovi and Yara’s young daughter as part of a taunt. (Image Credit: TLC)

Jovi did not mince words, warning Ed that he will “punch him in the f–king face” if he mentioned Mylah again.

(A lot of 90 Day viewers might pay to see such a thing, but we here at THG do not condone violence — even against reality stars)

At this point, Jovi stood up and lunged at Ed. Security stepped in — and so did Liz Woods, trying to protect her then-fiance. (They have since married, so … the opposite of congratulations are in order. Condolences?)

During a confrontation, Jovi Dufren stands up and lunges towards Big Ed Brown. The latter did not appreciate Liz Woods’ efforts to protect him. (Image Credit: TLC)

Liz’s involvement really brought out what we can only call Ed’s inner pissbaby. He has too many insecurities to count.

Ed loves making things Liz’s fault, so he accused that she had “made me look weak. It made me look like I can’t defend myself.”

This hurt Liz’s feelings, to the point where she was reconsidering their plans to marry. Sadly, she didn’t reconsider hard enough. Poor Liz.

Jovi Dufren and Big Ed Brown FIGHT on 90 Day The Last Resort After Ed Meddles in … was originally published on The Hollywood Gossip.

After last week’s episode of 90 Day: The Single Life included some strip club drama, it was time for the …
Jovi Dufren and Big Ed Brown FIGHT on 90 Day The Last Resort After Ed Meddles in … was originally published on The Hollywood Gossip.

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Entertainment

DJ Shinski Brings AfriqueFest To Life

Published

8 hours ago

June 16, 2026

Bolanle Media Staff

AfriqueFest: Pan-African Musical Experience — World Cup Edition is set to take over Noto Houston on Sunday, June 28, bringing together East, South, and West African sounds in one immersive celebration of music, culture, and connection. Presented by Experience Noir and Bolanle Media, the event is designed as a cinematic night for the culture, blending global energy with Houston nightlife in a way that feels elevated, intentional, and deeply rooted in African creativity.

Spotlight on DJ Shinski

At the heart of this year’s experience is DJ Shinski. Born and raised in Nairobi, Kenya and now based in Houston, DJ Shinski has built an international name off high-energy sets that move effortlessly across Afrobeats, Amapiano, hip‑hop, dancehall, reggae, and electronic sounds.

He has also become Africa’s most‑subscribed DJ on YouTube, crossing the 2‑million‑subscriber mark and turning his mixes into a global destination for music lovers.

DJ Shinski’s style is precise but unpredictable: one moment it’s classic Afrobeats, the next it’s East African anthems, then a run of throwback hip‑hop or R&B that still feels fresh. That ability to read a room and connect multiple worlds in a single set is exactly why AfriqueFest is building so much of the night’s energy around him.

At AfriqueFest, DJ Shinski helps drive the Safari Grooves segment, representing East and Central Africa from 4 PM to 6 PM. Expect a journey that moves from Nairobi to Dar es Salaam, Kampala, Addis, and beyond, all filtered through his signature “vibes on vibes” approach behind the decks.

DJ Tunez and the rest of the night

Supporting that energy, DJ Tunez leads the Gold Coast Beats chapter from 8 PM to 10 PM, bringing his own Nigerian‑American Afrobeats pedigree to the stage. Together with the Diamond Rhythms segment (South) and a curated roster of DJs, the night stretches across the continent in three distinct musical chapters, all connected by a single dance floor.

Hosted by @chris_gone_crazy, @kingdrewwskyy, @roselynomaka, and @samsnewleaf, AfriqueFest is positioned as more than a party—it’s a celebration of sound, style, and Pan‑African identity in Houston, with DJ Shinski anchoring the experience from the moment doors open.

Brought to you by Bolanle Media & Experience Noir

Brought to you by Bolanle Media and Experience Noir, this World Cup edition of AfriqueFest is crafted as a night where global DJs, storytellers, and music lovers collide and create a shared cultural memory. With DJ Shinski front and center—and DJ Tunez helping close the night—guests can expect a show that reflects both the future of African nightlife and the power of the diaspora to create unforgettable live moments.

If you want to experience DJ Shinski live at AfriqueFest, now is the time to lock in your spot. Purchase your tickets now at AfriqueFest.com and get ready for a night of music, movement, and culture at Noto Houston.

Entertainment

STREAMING PREMIERE · JUNE 13, 2026

Published

3 days ago

June 13, 2026

Bolanle Media Staff

Laughter Meets Inspiration: Our Ladies Show Lands on The Roku Channel

A bold new sketch comedy series for women premieres June 13 across the U.S., U.K., and Canada — arriving on the back of a festival-winning run that has critics and audiences already paying attention.

It isn’t every day a brand-new comedy arrives already wearing a row of trophies. Our Ladies Show does. The seven-episode inspirational sketch comedy series — created, written by, and starring Christin Jezak — begins streaming on The Roku Channel on Friday, June 13, 2026, available free to viewers in the United States, United Kingdom, and Canada.

Produced in partnership with global media services leader Encompass Digital Media, the series sets out to do something rare in today’s streaming landscape: make women laugh out loud and leave them lifted. In a media moment crowded with noise and cynicism, Our Ladies Show is a deliberate counterweight — comedy with a conscience, built for women of every age and background.

A Show Built Around Real Life — and Real Laughs

Each of the seven episodes opens with a monologue from one of the cast members introducing the theme, then rolls into three or more sketches that hit the subject from every comedic angle. The series tackles the things women actually carry: holding grudges, comparison, beauty, patience, gift giving, the importance of community, and dealing with anxiety.

The comedy comes from a place of warmth rather than mockery — a “laugh at ourselves” spirit that runs through a gallery of unforgettable characters: a nosey neighbor, an overwhelmed mom, relentlessly optimistic flight attendants, beauty pageant winners past their prime, and a crew of unruly campers with a counselor who simply cannot hold it together.

Then the show does something most sketch series don’t. In the final segment of every episode, the cast gathers in a living-room setting and invites the audience in — sharing real inspiration drawn from the theme, the sketches, and their own personal stories. It’s the moment the laughter turns into something that stays with you.

The Women Behind the Show

Our Ladies Show brings together three performers with serious range:

Christin Jezak — creator, writer, and star (Miracle at Manchester, Raising Hope, Jimmy Kimmel Live!)
Hillary Hawkins — (Primal, Nick Jr.’s Play Along, Gullah Gullah Island)
Sarah Hernandez — (Nefarious, Unplanned, House of Payne)

“In a world with so much division and depression, I hope women of all ages and backgrounds will watch this show, laugh, be reminded of how beautiful, unique, and loved they are, and remember how much we need each other.”— Christin Jezak, Creator & Star

Already a Festival Favorite

The series’ recurring long-form sketch, Neighborhood Watch, didn’t arrive quietly. Originally released as a web series and revamped for Our Ladies Show with new footage, sound, and music, it has been sweeping the festival circuit:

🏆 Best Webseries — 2026 New Media Film Festival (Los Angeles)
🏆 Best Web/TV Series — Paris Film Awards
🏆 Best Web Series — Dallas Movie Awards
🏅 Additional wins at the London Movie Awards, Florence Film Awards, and Hollywood Gold Awards
🎬 Official Selection — 2026 Harvard Divinity School Film Fest
⭐ Finalist — Houston Comedy Film Festival
📣 Three nominations — 2025 Content Christian Media Conference, including Best Actress in a TV and Web Series nods for both Christin Jezak and Sarah Hernandez

Where and When to Watch

Our Ladies Show premieres Friday, June 13, 2026, streaming on The Roku Channel — the home of premium and free entertainment — in the U.S., U.K., and Canada. All seven episodes deliver the series’ signature blend of sharp sketch comedy and genuine encouragement.

Watch the trailer now on your platform of choice:

For more information, visit www.ourladiesshow.com and follow @ourladiesshow on Facebook, Instagram, and TikTok.

About Christin Jezak

Christin Jezak has worked for over 15 years in the entertainment industry. She created and stars in Our Ladies Show and the award-winning web series Neighborhood Watch. She produced the EWTN TV program For the Sake of the Gospel and the all-women web series Ladies Keepin’ It Real, played Dr. Sam in Miracle at Manchester (starring Dean Cain, Daniel Roebuck, and Eddie McClintock), and voices Agnes in the podcast Confessions of a Catholic Single. She held a lead role in a short film for NTT Data directed by Academy Award–winning cinematographer Janusz Kamiński, has co-starred on Raising Hope, and appeared in Jimmy Kimmel sketches and a Grubhub Super Bowl commercial.

About The Roku Channel

Roku pioneered streaming on TV and is the #1 TV streaming platform in the U.S., Canada, and Mexico by hours streamed (Hypothesis Group, Dec. 2025). The Roku Channel is the home of premium and free entertainment, alongside Roku’s Howdy and Frndly TV services. Roku is headquartered in San Jose, California.

About Encompass Digital Media

Encompass Digital Media is a global managed services company — technology-driven, software-defined, and people-powered. Trusted by world-leading broadcasters, networks, sports rights-holders, and OTT platforms, it processes over 25,000 hours of content daily, serves 850 channels to 84 countries, distributes over 243,000 live events annually, and reaches 400 million radio listeners weekly worldwide. Learn more at www.encompass.tv.

Media & Interview Requests: To interview creator Christin Jezak or the cast, contact Christin at cjezak@p2ptheatre.com.

Entertainment

What Filmmakers Should Actually Steal From Euphoria

Published

2 weeks ago

June 4, 2026

Bolanle Media Staff

Most of the talk about Euphoria asks one question: was it realistic? That’s the wrong question if you make films. The better one is simpler. How did Sam Levinson get an audience to feel addiction from the inside? And what did it cost him to end the show the way he did?

Strip away the noise and Euphoria is a clinic in three choices: point of view, style, and the ending. Here’s what’s worth taking — and what isn’t.

1. Put the Camera Inside the Character

Most shows about drugs watch from across the room. Euphoria doesn’t. When Rue is high, the camera is high too. Walls breathe. Floors tilt. Time skips. You’re not watching her — you’re stuck inside her head.

That’s the lesson: point of view is a decision you make with the camera and the cut, not a mood you add later in color. Levinson builds it into the lens, the blocking, and the edit.

So before you shoot a scene through a character’s eyes, ask one thing on set: whose eyes is this lens standing in for? Then make every cut respect that.

2. Your Style Has to Mean Something

The glitter. The slow push-ins. The impossible club lighting. Euphoria‘s look got copied everywhere. That’s the trap.

The style worked because it carried weight. The beauty wasn’t decoration — it was the lie addiction tells you, the reason the next high looks worth it. The camera made self-destruction gorgeous on purpose.

The copies missed that. A thousand music videos took the look and left the meaning behind, and you can feel how hollow they are. So here’s the test: if your signature style could be swapped onto any other project and still “work,” it’s not a style. It’s a filter. Every choice should have a reason behind it.

3. The Ending Tells the Audience What It All Meant

When Euphoria ended for good in Season 3, Levinson killed Rue — an accidental, fentanyl-laced overdose. He called it “the honest ending,” saying he wanted to tell a true story about addiction and grief in a time when one mistake can be the last one. Reportedly, that wasn’t the original plan; the death of Angus Cloud, who played Fezco, changed the script.

Forget whether you agree with the choice. Study how it works. An ending is the last instruction you give your audience about how to read everything before it.

By ending on consequence instead of recovery, Levinson reframed seven years of beautiful chaos as a story about cost — not a celebration of it.

It’s also the show’s most debatable move, and that’s worth noticing too. A show that spent years making pain look beautiful had to fight to make that pain land as loss. Did it earn the ending, or enjoy the wreckage too long to stick it? Smart filmmakers will disagree — and that argument is exactly what a good ending is supposed to start.

What Not to Take

The neon grief is the most copied part. It’s also the least useful. Take the surface — the colors, the slow-mo, the trauma-as-texture — and you get the costume without the body.

The real craft is underneath. Commit your camera to a real point of view. Make every stylistic choice earn its place. Treat your ending as the point of the whole thing. Do that, and your work won’t look like Euphoria. It’ll do what Euphoria did.

This piece touches on addiction and substance use. If you or someone you know is struggling, support is available through the SAMHSA National Helpline at 1-800-662-4357.