Entertainment
Houston Comedy Film Festival 2024 Recap


Credit: D-Shot Productions | Fall 2024 Houston Comedy Film Festival

Credit: D-Shot Productions

DD’s Showbiz and The now offering curriculum for filmmakers with the Houston Comedy Film Festival and Bolanle Media

Festival Winner Hannah Rose Vernot and Director Roselyn Omaka
- Best Animated Comedy Film: “Truth Detector” by William Reliford (Nebraska)
- Best Comedy Feature Screenplay: “The Revenge Plan” by Theresa Marie Romaniec (North Carolina)
- Best Comedy Film: “French Anglais: Escape Deux Sudbury” by Joel Edmiston & Conrad Osei-Bonsu (Canada)
- Best Comedy Micro Film: “ChatGPT Boy Meets Girl” by Simeon Williams (Texas)
- Best Comedy Series Episode: “Feet On The Street with Alyssa Poteet” by Jessie Sanchez (California)
- Best Comedy Short Screenplay: “The Paranormal Prankster: Casefile 002 – Probing Aliens” by Sean Whitley (Texas)
- Best Comedy Teleplay: “Summer’s Holes” by Emily Hyde (Florida)

Credit: D-Shot Productions
- Best Dark Comedy Feature Screenplay: “The Infinity Thieves” by TK Sheffield (Wisconsin)
- Best Dark Comedy Film: “Hitch Hiking Is Safe” by Ylia Trotter (Australia)
- Best Dark Comedy Micro Film: “A Bit Much” by Youssef Mutawe (Canada)
- Best Dark Comedy Screenplay: “Bloodbath And Berets (South Park Spec)” by Elizabeth Crane (Florida)
- Best Director: “God Be With Us,” directed by JaNarie Rhambo (California)
- Best Horror Comedy Film: “Sock It To Me,” directed by Joelle Marie Velez and Peter Anthony Castillo (Illinois)
- Best Horror Comedy Screenplay: “Another Night at Beaver’s,” written by Jeremy Sumrall (Texas)

Joell Edminson and Ben S- Festival Winners for ‘French Anglais: Escape Deux Sudbury’
- Best Mockumentary Film: “Profiles Of Remarkable Neophytes,” directed by Gavin Michael Booth (California)
- Best Mockumentary Micro Film: “Cinching Saddles,” directed by Kevin Sengara and Aman Pannu (Canada)
- Best Picture Award: “Enjoy Your Evening,” directed by Justin Norman (Iowa)
- Best Proof of Concept Award: “Up To Par,” directed by Daryl Gil and Kentrell Newton (California)

Festival Winner Emily Hyde and Director Roselyn Omaka
- Best Romantic Comedy Feature Screenplay: “MIC CHECK; KARAOKE LOVE,” written by Gregory Bonds (California)
- Best Romantic Comedy Film: “The Worst Best Man Ever,” directed by David M Weilert (New York)
- Best Romantic Comedy Micro Film: “The Trade,” directed by Ren Olivieri and David Kalinauskas (Canada)
- Best Romantic Comedy Short Screenplay: “Try A Waffle Cone,” written by Miachel Pruett (Texas)
- Best Screenplay Award Winner: “Ramp Rats,” written by Tom Renville (Texas)
- Best Sketch Comedy Film: “Joan & Samuel: A Tale of Gaslighting and Independence,” directed by Karissa McKinny (California)
- Best Stand-Up Comedy Video: “I Love Watching Movies But Hate When The Titles Are So Misleading!” directed by Jonathan Yates (North Carolina)
- Best Teleplay Award Winner: “Stocktonian Exchange – Kill Your Spirits,” written by Hannah Rose Vernot (California)

Filmmaker Kris Adams and DD’s Showbiz owner Deloris

Credit: D-Shot Productions | Screenwriter Tom Renville and Director Roselyn Omaka


Credit: D-Shot Productions

Credit: D-Shot Productions

Entertainment
Ye’s Super Bowl Ad Followed by Swastika T-Shirt: Controversy Escalates

Kanye West, now legally known as Ye, has sparked widespread outrage following a Super Bowl commercial promoting his website, which is currently selling a single item: a $20 white T-shirt featuring a black swastika. This move has drawn sharp criticism from organizations like the Anti-Defamation League (ADL) and social media users, further escalating concerns over Ye’s recent behavior and statements.
Key Details of the Controversy:
- Super Bowl Ad: The ad aired in select markets, including Los Angeles, and featured Ye reclining in a dentist’s chair, showing off jewel-encrusted teeth. He directed viewers to visit his website, Yeezy.com, which initially offered various items but soon displayed only the swastika T-shirt.
- Antisemitic Remarks: The ad followed Ye’s recent tirade on X (formerly Twitter), where he called himself a Nazi and expressed admiration for Adolf Hitler. He deactivated his account shortly after.
- Symbol Debate: While the T-shirt design features the Nazi Hakenkreuz (“hooked cross”), it has been widely misidentified as a swastika. Some social media users highlighted the distinction between the sacred Hindu swastika and the Nazi symbol.
- ADL Condemnation: The ADL criticized Ye for promoting hate and using a symbol that continues to instill fear among those targeted by antisemitism and white supremacy.
- Public Backlash: Many have pointed out Ye’s hypocrisy, as he previously claimed he would never sell such merchandise to avoid putting fans at risk. Critics argue this stunt reflects either desperation or deliberate provocation.
The controversy underscores Ye’s increasingly erratic behavior and his ongoing alienation from fans and collaborators.

Bolanle Media covers a wide range of topics, including film, technology, and culture. Our team creates easy-to-understand articles and news pieces that keep readers informed about the latest trends and events. If you’re looking for press coverage or want to share your story with a wider audience, we’d love to hear from you! Contact us today to discuss how we can help bring your news to life
Entertainment
Taylor Swift Booed at Super Bowl

At Super Bowl LIX in New Orleans, Taylor Swift, supporting her boyfriend Travis Kelce of the Kansas City Chiefs, was met with boos when shown on the jumbotron at the Caesars Superdome. The crowd’s reaction, largely attributed to Philadelphia Eagles fans, occurred during the game between the Chiefs and the Eagles.
Swift, accompanied by friends like Ice Spice, seemed surprised but remained unbothered by the negative reception. She gave the crowd a side-eye as she shook off the negativity. Serena Williams quickly came to Swift’s defense, posting on X, “I love you @taylorswift 13 don’t listen to those boos!!!”.
The booing has been attributed to several factors:
- Eagles Fans: Many believe the boos came primarily from Eagles fans. Some suggest it was due to her support for Kelce, while others believe it was related to her past support for the Eagles.
- Excessive Camera Time: Some speculate that the excessive camera time Swift receives during NFL broadcasts contributed to the negative reaction.
- Chiefs Fatigue: With the Chiefs making their fifth Super Bowl appearance in six years, some speculate that the public is growing weary of the team.
Following the incident, Donald Trump also commented on the situation, sharing a post mocking Swift on Truth Social and claiming that his “Make America Great Again” (MAGA) movement was responsible for the boos. He contrasted the crowd’s reaction to Swift with the cheers he received when shown on the jumbotron.

Bolanle Media covers a wide range of topics, including film, technology, and culture. Our team creates easy-to-understand articles and news pieces that keep readers informed about the latest trends and events. If you’re looking for press coverage or want to share your story with a wider audience, we’d love to hear from you! Contact us today to discuss how we can help bring your news to life
Entertainment
Decoding Kendrick Lamar’s Super Bowl LIX Performance

Kendrick Lamar’s Super Bowl LIX halftime show was a groundbreaking performance that redefined expectations for the event. The Compton rapper delivered a complex, narrative-driven set that blended artistic expression with pointed social commentary.
Key Elements of the Performance
Samuel L. Jackson as Uncle Sam: The show opened with Jackson dressed as Uncle Sam, representing traditional American expectations for the halftime show. This character served as a foil to Lamar’s performance throughout the set.

Musical Choices: Lamar surprised audiences by heavily featuring tracks from his recent album “GNX” rather than relying solely on older hits. He also performed an unreleased track called “Bodies” at the start of his set.
Visual Storytelling: The performance incorporated intricate choreography and visual elements, including dancers in red, white, and blue forming an American flag during “HUMBLE”.
Political Commentary: Lamar’s set included subtle and overt political messages, addressing themes of race and cultural divide. He referenced Gil Scott-Heron’s “The Revolution Will Not Be Televised,” flipping it to say, “The revolution ’bout to be televised”.
The Drake Feud
A significant focus of the performance was Lamar’s ongoing feud with Drake:
- Lamar wore his pgLang lowercase “a” chain, a symbol associated with his rivalry with Drake.
- He performed “Not Like Us,” his Grammy-winning diss track aimed at Drake.
- Serena Williams, Drake’s ex, appeared on stage during “Not Like Us”.
- Lamar closed the show with “Game Over” spelled out in the crowd, interpreted as a final message to Drake.
Cultural Impact
Lamar’s performance was historic as the first solo rapper to headline the Super Bowl halftime show. His approach challenged the typical format of the event, prioritizing artistic expression and social commentary over a simple greatest hits medley.
The show demonstrated Lamar’s ability to balance complex narratives and challenging themes with mass appeal, solidifying his position as a leading figure in contemporary hip-hop and popular culture.
Bolanle Media covers a wide range of topics, including film, technology, and culture. Our team creates easy-to-understand articles and news pieces that keep readers informed about the latest trends and events. If you’re looking for press coverage or want to share your story with a wider audience, we’d love to hear from you! Contact us today to discuss how we can help bring your news to life
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