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“Don’t Eat Paper!”: Comedy in Therapy

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Julius John Galacki, a playwright and screenwriter with a rich background in theater and film, shared insights into his latest comedy screenplay Don’t Eat Paper! during an interview with the Houston Comedy Film Festival. The film was nominated as a finalist for the Best Comedy Feature Screenplay Award at the Houston Comedy Film Festival. Below, Galacki answers questions about the origins of the story, the challenges of screenwriting, and what lies ahead for his career.

The Inspiration Behind Don’t Eat Paper! and Its Characters
The idea for Don’t Eat Paper! stems from Julius’s wife, a therapist who often deals with clients frequently rescheduling appointments. Inspired by the chaos of her work and the classic comedy What About Bob?, Julius’s imagination kicked into overdrive, envisioning a story where a neurotic client dies but continues expecting therapy sessions.

Although Julius’s wife maintains strict confidentiality, she provided insight into psychological concepts such as transference, which helped shape the characters. The main character, Joanie, draws some inspiration from both Julius and his wife, but ultimately, the story’s characters grew organically through Julius’s writing process and feedback from his writers’ group, Safehouse, where actors perform and critique new material.

Comparable Films for Don’t Eat Paper! and Market Fit
Julius sees Don’t Eat Paper! as a blend of What About Bob? and Just Like Heaven, with a touch of the quirky ensemble humor of Little Miss Sunshine. The screenplay also evokes the manic energy of classic farces like It’s a Mad, Mad, Mad, Mad World. From a business perspective, he envisions it as a potential release through Searchlight Pictures, due to its blend of farce, romance, and quirky ensemble comedy.

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Julius’s Screenwriting Journey
Although Julius has been involved in screenwriting for 19 years, his primary background is in playwriting. With a BFA from NYU’s Tisch School of the Arts and an MA from NYU’s Gallatin School, he later attended Yale School of Drama for playwriting, where he also took screenwriting classes. While his love for the stage remains, Julius divides his time equally between playwriting and screenwriting, focusing on the latter in his Los Angeles career.

Upcoming Projects and What’s Next
In addition to submitting Don’t Eat Paper! to screenplay competitions, Julius is working on a comic murder mystery set on the Jersey Shore. He hopes to direct one of his feature-length scripts in the near future and continues revising older screenplays while seeking representation and interest from producers.

How to Get in Touch with Julius
Those interested in Julius’s work can reach him via email at julius.galacki@gmail.com. Be sure to mention that you heard about him through the Houston Comedy Film Festival. For more information, visit his website www.juliusgalacki.com, or check out his film All Things Chicken at allthingschickenthemovie.com.

Social Media Presence
While Julius admits he isn’t very active on social media, his personal Facebook page is available at facebook.com/Yale.Playwright, and his Instagram handle is @julius.galacki.

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Julius is a member of the Dramatists Guild but has yet to join the Writers Guild of America (WGA). He continues to pursue new opportunities and plans to direct a full-length feature film in the future.

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Ye’s Super Bowl Ad Followed by Swastika T-Shirt: Controversy Escalates

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Kanye West, now legally known as Ye, has sparked widespread outrage following a Super Bowl commercial promoting his website, which is currently selling a single item: a $20 white T-shirt featuring a black swastika. This move has drawn sharp criticism from organizations like the Anti-Defamation League (ADL) and social media users, further escalating concerns over Ye’s recent behavior and statements.

Key Details of the Controversy:

The controversy underscores Ye’s increasingly erratic behavior and his ongoing alienation from fans and collaborators.

Bolanle Media covers a wide range of topics, including film, technology, and culture. Our team creates easy-to-understand articles and news pieces that keep readers informed about the latest trends and events. If you’re looking for press coverage or want to share your story with a wider audience, we’d love to hear from you! Contact us today to discuss how we can help bring your news to life

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Taylor Swift Booed at Super Bowl

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At Super Bowl LIX in New Orleans, Taylor Swift, supporting her boyfriend Travis Kelce of the Kansas City Chiefs, was met with boos when shown on the jumbotron at the Caesars Superdome. The crowd’s reaction, largely attributed to Philadelphia Eagles fans, occurred during the game between the Chiefs and the Eagles.

Swift, accompanied by friends like Ice Spice, seemed surprised but remained unbothered by the negative reception. She gave the crowd a side-eye as she shook off the negativity. Serena Williams quickly came to Swift’s defense, posting on X, “I love you @taylorswift 13 don’t listen to those boos!!!”.

The booing has been attributed to several factors:

  • Chiefs Fatigue: With the Chiefs making their fifth Super Bowl appearance in six years, some speculate that the public is growing weary of the team.

Following the incident, Donald Trump also commented on the situation, sharing a post mocking Swift on Truth Social and claiming that his “Make America Great Again” (MAGA) movement was responsible for the boos. He contrasted the crowd’s reaction to Swift with the cheers he received when shown on the jumbotron.

Bolanle Media covers a wide range of topics, including film, technology, and culture. Our team creates easy-to-understand articles and news pieces that keep readers informed about the latest trends and events. If you’re looking for press coverage or want to share your story with a wider audience, we’d love to hear from you! Contact us today to discuss how we can help bring your news to life

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Decoding Kendrick Lamar’s Super Bowl LIX Performance

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Kendrick Lamar’s Super Bowl LIX halftime show was a groundbreaking performance that redefined expectations for the event. The Compton rapper delivered a complex, narrative-driven set that blended artistic expression with pointed social commentary.

Key Elements of the Performance

Samuel L. Jackson as Uncle Sam: The show opened with Jackson dressed as Uncle Sam, representing traditional American expectations for the halftime show. This character served as a foil to Lamar’s performance throughout the set.

Musical Choices: Lamar surprised audiences by heavily featuring tracks from his recent album “GNX” rather than relying solely on older hits. He also performed an unreleased track called “Bodies” at the start of his set.

Visual Storytelling: The performance incorporated intricate choreography and visual elements, including dancers in red, white, and blue forming an American flag during “HUMBLE”.

Political Commentary: Lamar’s set included subtle and overt political messages, addressing themes of race and cultural divide. He referenced Gil Scott-Heron’s “The Revolution Will Not Be Televised,” flipping it to say, “The revolution ’bout to be televised”.

The Drake Feud

A significant focus of the performance was Lamar’s ongoing feud with Drake:

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Cultural Impact

Lamar’s performance was historic as the first solo rapper to headline the Super Bowl halftime show. His approach challenged the typical format of the event, prioritizing artistic expression and social commentary over a simple greatest hits medley.

The show demonstrated Lamar’s ability to balance complex narratives and challenging themes with mass appeal, solidifying his position as a leading figure in contemporary hip-hop and popular culture.

Bolanle Media covers a wide range of topics, including film, technology, and culture. Our team creates easy-to-understand articles and news pieces that keep readers informed about the latest trends and events. If you’re looking for press coverage or want to share your story with a wider audience, we’d love to hear from you! Contact us today to discuss how we can help bring your news to life

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