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’90 Day Fiance’ Recap: Gino and Jasmine Have Screaming Fight About Dane on January 22, 2024 at 8:38 pm The Hollywood Gossip

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On 90 Day Fiance, Gino Palazzolo and Jasmine Pineda had their latest fight. It involved a breakup threat, ex-related taunting, and — a huge knife?!

Last month, we saw Jasmine threaten a wedding ultimatum to Gino. But she also had a confession to make.

She opened up to Gino about how ex-boyfriend Dane helped to pay for her new butt implants.

To no one’s surprise, this led to another screaming fight.

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“Dane,” Jasmine Pineda says towards the end of her 90 Day Fiance Season 10 trip with her fiance. (Image Credit: TLC)

The ’90 Day’ fight between Jasmine and Gino began with Jasmine’s confession in Florida

On Sunday night, 90 Day Fiance aired Season 10, Episode 14.

The couple were dealing with the fallout from Jasmine finally admitting that $2,000 of her $10,000 butt implants had come from her ex, Dane.

Is it any surprise that Gino was unhappy? And is it any surprise that the two couldn’t handle this like mature adults?

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Gino Palazzolo’s fiancee observed that he appeared to be “like, mad” while they washed a massive array of veggies. (Image Credit: TLC)

To his credit, Gino (while washing a truly farcical volume of veggies, in line with Jasmine’s dietary demands) admitted that he was in a bad mood.

“It breaks my heart to know that I caused this,” Jasmine expressed. “It’s my fault.”

She continued: “This time, I screwed it up. It’s completely my fault.”

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Jasmine Pineda explains that the loan from her ex was out of the goodness of his heart. (Image Credit: TLC)

Gino took things to a weird place

Perhaps given his own history with sugar babies, Gino asked Jasmine if Dane expected anything back from her.

She explained that he did not. Dane, who seems to be a successful guy, is “an altruist person.”

Jasmine likened this $2,000 butt implant loan to a “charity.” That’s a bit much — just say that he’s generous and move on.

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Gino Palazzolo begins to say that, with the wedding so soon, Jasmine should no longer have contact with any exes — even ones who are friends. (Image Credit: TLC)

This is when Gino decided, for whatever reason, to bring up exes.

He noted that Jasmine has insisted that he not have contact with his. Which is true — Jasmine searched the house and confronted Gino over a few keepsakes from his past.

But Gino firing back had Jasmine upset, warning him: “Don’t bring the exes — that makes me moody.”

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“Don’t bring the exes,” Jasmine Pineda warns Gino Palazzolo. “That makes me moody.” (Image Credit: TLC)

Gino was being a hypocrite, and Jasmine called him out

“Whenever I have contacted Dane, it has been as a friend or to ask a favor,” Jasmine reminded him.

“However, when you have contacted your exes, what?” she asked rhetorically. “For example, to send naked pictures of me.”

Infamously, during their first season, Jasmine received screenshots where Gino had sent her nudes to his ex.

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As many 90 Day Fiance fans already knew, Jasmine Pineda lost her job after Gino leaked her nudes. (Image Credit: TLC)

This was not simply a colossal betrayal.

As we reported at the time, that photo made it to various blogs and to her place of work — and Jasmine lost her job as a teacher. According to Jasmine, Gino’s ex did it.

For reasons that we cannot fully understand, Gino asked Jasmine if she had “provoked” his ex. This isn’t just victim-blaming — it’s a bizarre question.

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Jasmine Pineda grips a knife on 90 Day Fiance Season 10, Episode 14. Please stop. (Image Credit: TLC)

Please put down the knife, Jasmine

“All the f–king trauma I went through,” Jasmine exclaimed during her 90 Day fight with Gino.

“All the emotional humiliation that I went through,” she yelled, “and the whole f–king world knew about what you did to me.”

During all of this, Jasmine was still holding the knife that she had been using to slice vegetables. Thankfully, despite her fury, nothing ever came of it.

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To no one’s surprise, Jasmine Pineda became loud and angry on 90 Day Fiance Season 10, Episode 14. Her outbursts often undercut her actual point. (Image Credit: TLC)

“She sent my naked pictures to every f–king blogger she knows,” Jasmine recalled. “And all these f—ing people were looking at myself naked. And you’re asking if I provoked her?”

Gino refused to back down. It seems that the couples counseling session where he learned to not escalate her tantrums didn’t stick.

“I wish I had f–ked Dane that last night,” Jasmine taunted. “That’s the only thing I regret in life — not f–king him so f–king good as we used to.”

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Jasmine Pineda taunts her fiance from the other room, speaking of her former sex life. (Image Credit: TLC)

Gino and Jasmine had a maturity contest and both lost

Weakly, Gino retaliated with his own, much vaguer taunts.

“Yeah I wish I could f–k my exes ’cause they were great,” he jabbed. “They were a lot better than you.”

These are both grown adults who claim to love each other. We remain at a loss to explain their absurdly toxic behavior.

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Gino Palazzolo fires back on 90 Day Fiance Season 10, Episode 14. (Image Credit: TLC)

Jasmine not only stormed out of the room, but stomped up the stairs.

“I’m not gonna get married to this f–king idiot,” she spat. Oh, good, the inevitable breakup declaration that never sticks.

This is a great time to remember that Gino and Jasmine might not have nearly as much of a problem with each other’s exes if they didn’t use their exes to hurt the other.

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Storming up the stairs, Jasmine Pineda declares that she will not marry her fiance. This is not the first time. (Image Credit: TLC)

If you’re playing Gino & Jasmine Bingo, mark your square where they call off the engagement

However, after Jasmine and Gino separately cooled off a little, they spoke again.

Now in Gino’s less-disgusting-than-before bathroom, they spoke about hurting each other’s feelings. And they settled upon a compromise.

“You don’t let me speak to my exes, I don’t want you to speak with your ex,” Gino proposed. 

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Even though Jasmine Pineda knows that she has not betrayed her fiance’s trust, she decides that he is right about a double-standard about exes. (Image Credit: TLC)

To be clear, no-contact with all exes would be an extreme sanction for most relationships.

But Gino and Jasmine do not have most relationships. Neither of them possess the maturity or the emotional intelligence to deal with these complexities.

So, Jasmine sent a voice memo to Dane to thank him for his years of friendship, praise him, and also to cut off all contact.

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On 90 Day Fiance Season 10, Episode 14, Jasmine Pineda leaves a farewell voicemail to a very good friend. (Image Credit: TLC)

Cooler heads prevail

“Our exes are dead to us,” Jasmine said to Gino. “They died.”

That is a little dramatic.

But these two 90 Day Fiance clowns are always dramatic. Gino and Jasmine will fight again, but it will be over something else.

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’90 Day Fiance’ Recap: Gino and Jasmine Have Screaming Fight About Dane was originally published on The Hollywood Gossip.

On 90 Day Fiance, Gino Palazzolo and Jasmine Pineda had their latest fight. It involved a breakup threat, ex-related taunting, …
’90 Day Fiance’ Recap: Gino and Jasmine Have Screaming Fight About Dane was originally published on The Hollywood Gossip. 

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What We Can Learn Inside 50 Cent’s Explosive Diddy Documentary: 5 Reasons You Should Watch

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50 Cent’s new Netflix docuseries about Sean “Diddy” Combs is more than a headline-grabbing exposé; it is a meticulous breakdown of how power, celebrity, and silence can collide in the entertainment industry.

Across its episodes, the series traces Diddy’s rise, the allegations that followed him for years, and the shocking footage and testimonies now forcing a wider cultural reckoning.

For viewers, it offers not just drama, but lessons about media literacy, accountability, and how society treats survivors when a superstar is involved.

Rapper 50 Cent pictured in Tup Tup Palace night club with owners James Jukes and Matt LoveDough, Newcastle, UK, 7th November 2015

1. It Chronicles Diddy’s Rise and Fall – And How Power Warps Reality

The docuseries follows Combs from hitmaker and business icon to a figure facing serious criminal conviction and public disgrace, mapping out decades of influence, branding, and behind-the-scenes behavior. Watching that arc shows how money, fame, and industry relationships can shield someone from scrutiny and delay accountability, even as disturbing accusations accumulate.

Rapper 50 Cent pictured in Tup Tup Palace night club with owners James Jukes and Matt LoveDough, Newcastle, UK, 7th November 2015

2. Never-Before-Seen Footage Shows How Narratives Are Managed

Exclusive footage of Diddy in private settings and in the tense days around his legal troubles reveals how carefully celebrity narratives are shaped, even in crisis.

Viewers can learn to question polished statements and recognize that what looks spontaneous in public is often the result of strategy, damage control, and legal calculation.

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3. Survivors’ Stories Highlight Patterns of Abuse and Silence

Interviews with alleged victims, former staff, and industry insiders describe patterns of control, fear, and emotional or physical harm that were long whispered about but rarely aired in this detail. Their stories underline how difficult it is to speak out against a powerful figure, teaching viewers why many survivors delay disclosure and why consistent patterns across multiple accounts matter.

4. 50 Cent’s Approach Shows Storytelling as a Tool for Accountability

As executive producer, 50 Cent uses his reputation and platform to push a project that leans into uncomfortable truths rather than protecting industry relationships. The series demonstrates how documentary storytelling can challenge established power structures, elevate marginalized voices, and pressure institutions to respond when traditional systems have failed.

5. The Cultural Backlash Reveals How Society Handles Celebrity Accountability

Reactions to the doc—ranging from people calling it necessary and brave to others dismissing it as a vendetta or smear campaign—expose how emotionally invested audiences can be in defending or condemning a famous figure. Watching that debate unfold helps viewers see how fandom, nostalgia, and bias influence who is believed, and why conversations about “cancel culture” often mask deeper questions about justice and who is considered too powerful to fall.

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South Park’s Christmas Episode Delivers the Antichrist

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A new Christmas-themed episode of South Park is scheduled to air with a central plot in which Satan is depicted as preparing for the birth of an Antichrist figure. The premise extends a season-long narrative arc that has involved Satan, Donald Trump, and apocalyptic rhetoric, positioning this holiday episode as a culmination of those storylines rather than a stand‑alone concept.

Episode premise and season context

According to published synopses and entertainment coverage, the episode frames the Antichrist as part of a fictional storyline that blends religious symbolism with commentary on politics, media, and cultural fear. This follows earlier Season 28 episodes that introduced ideas about Trump fathering an Antichrist child and tech billionaire Peter Thiel obsessing over prophecy and end‑times narratives. The Christmas setting is presented as a contrast to the darker themes, reflecting the series’ pattern of pairing holiday imagery with controversial subject matter.

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Public and political reactions

Coverage notes that some figures connected to Donald Trump’s political orbit have criticized the season’s portrayal of Trump and his allies, describing the show as relying on shock tactics rather than substantive critique. Commentators highlight that these objections are directed more at the depiction of real political figures and the show’s tone than at the specific theology of the Antichrist storyline.

At the time of reporting, there have not been widely reported, detailed statements from major religious leaders focused solely on this Christmas episode, though religion-focused criticism of South Park in general has a long history.

Media and cultural commentary

Entertainment outlets such as The Hollywood Reporter, Entertainment Weekly, Forbes, Slate, and USA Today describe the Antichrist arc as part of South Park’s ongoing use of Trump-era and tech-world politics as material for satire.

These reports emphasize that the show’s treatment of the Antichrist, Satan, and prophecy is designed as exaggerated commentary rather than doctrinal argument, while also acknowledging that many viewers may see the storyline as offensive or excessive.

Viewer guidance and content advisory

South Park is rated TV‑MA and is intended for adult audiences due to strong language, explicit themes, and frequent use of religious and political satire. Viewers who are sensitive to depictions of Satan, the Antichrist, or parodies involving real political figures may find this episode particularly objectionable, while others may view it as consistent with the show’s long‑running approach to controversial topics. As with previous episodes, individual responses are likely to vary widely, and the episode is best understood as part of an ongoing satirical series rather than a factual or theological statement.

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Sydney Sweeney Finally Confronts the Plastic Surgery Rumors

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Sydney Sweeney has decided she is finished watching strangers on the internet treat her face like a forensic project. After years of side‑by‑side screenshots, “then vs now” TikToks, and long comment threads wondering what work she has supposedly had done, the actor is now addressing the plastic surgery rumors directly—and using them to say something larger about how women are looked at in Hollywood and online.

Sweeney at the 2025 Toronto International Film Festival red carpet premiere of Christy

Growing Up on Camera vs. “Before and After” Culture

Sweeney points out that people are often mistaking normal changes for procedures: she grew up on camera, her roles now come with big‑budget glam teams, and her body has shifted as she has trained, aged, and worked nonstop. Yet every new red‑carpet photo gets folded into a narrative that assumes surgeons, not time, are responsible. Rather than walking through a checklist of what is “real,” she emphasizes how bizarre it is that internet detectives comb through pores, noses, and jawlines as if they are owed an explanation for every contour of a woman’s face.

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The Real Problem Isn’t Her Face

By speaking up, Sweeney is redirecting the conversation away from her features and toward the culture that obsesses over them.

She argues that the real issue isn’t whether an actress has had work done, but why audiences feel so entitled to dissect her body as public property in the first place.

For her, the constant speculation is less about curiosity and more about control—another way to tell women what they should look like and punish them when they do not fit. In calling out that dynamic, Sweeney isn’t just defending herself; she is forcing fans and followers to ask why tearing apart someone else’s appearance has become such a popular form of entertainment.


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