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’90 Day Fiance’ Recap: Gino and Jasmine Have Screaming Fight About Dane on January 22, 2024 at 8:38 pm The Hollywood Gossip
On 90 Day Fiance, Gino Palazzolo and Jasmine Pineda had their latest fight. It involved a breakup threat, ex-related taunting, and — a huge knife?!
Last month, we saw Jasmine threaten a wedding ultimatum to Gino. But she also had a confession to make.
She opened up to Gino about how ex-boyfriend Dane helped to pay for her new butt implants.
To no one’s surprise, this led to another screaming fight.
“Dane,” Jasmine Pineda says towards the end of her 90 Day Fiance Season 10 trip with her fiance. (Image Credit: TLC)
The ’90 Day’ fight between Jasmine and Gino began with Jasmine’s confession in Florida
On Sunday night, 90 Day Fiance aired Season 10, Episode 14.
The couple were dealing with the fallout from Jasmine finally admitting that $2,000 of her $10,000 butt implants had come from her ex, Dane.
Is it any surprise that Gino was unhappy? And is it any surprise that the two couldn’t handle this like mature adults?
Gino Palazzolo’s fiancee observed that he appeared to be “like, mad” while they washed a massive array of veggies. (Image Credit: TLC)
To his credit, Gino (while washing a truly farcical volume of veggies, in line with Jasmine’s dietary demands) admitted that he was in a bad mood.
“It breaks my heart to know that I caused this,” Jasmine expressed. “It’s my fault.”
She continued: “This time, I screwed it up. It’s completely my fault.”
Jasmine Pineda explains that the loan from her ex was out of the goodness of his heart. (Image Credit: TLC)
Gino took things to a weird place
Perhaps given his own history with sugar babies, Gino asked Jasmine if Dane expected anything back from her.
She explained that he did not. Dane, who seems to be a successful guy, is “an altruist person.”
Jasmine likened this $2,000 butt implant loan to a “charity.” That’s a bit much — just say that he’s generous and move on.
Gino Palazzolo begins to say that, with the wedding so soon, Jasmine should no longer have contact with any exes — even ones who are friends. (Image Credit: TLC)
This is when Gino decided, for whatever reason, to bring up exes.
He noted that Jasmine has insisted that he not have contact with his. Which is true — Jasmine searched the house and confronted Gino over a few keepsakes from his past.
But Gino firing back had Jasmine upset, warning him: “Don’t bring the exes — that makes me moody.”
“Don’t bring the exes,” Jasmine Pineda warns Gino Palazzolo. “That makes me moody.” (Image Credit: TLC)
Gino was being a hypocrite, and Jasmine called him out
“Whenever I have contacted Dane, it has been as a friend or to ask a favor,” Jasmine reminded him.
“However, when you have contacted your exes, what?” she asked rhetorically. “For example, to send naked pictures of me.”
Infamously, during their first season, Jasmine received screenshots where Gino had sent her nudes to his ex.
As many 90 Day Fiance fans already knew, Jasmine Pineda lost her job after Gino leaked her nudes. (Image Credit: TLC)
This was not simply a colossal betrayal.
As we reported at the time, that photo made it to various blogs and to her place of work — and Jasmine lost her job as a teacher. According to Jasmine, Gino’s ex did it.
For reasons that we cannot fully understand, Gino asked Jasmine if she had “provoked” his ex. This isn’t just victim-blaming — it’s a bizarre question.
Jasmine Pineda grips a knife on 90 Day Fiance Season 10, Episode 14. Please stop. (Image Credit: TLC)
Please put down the knife, Jasmine
“All the f–king trauma I went through,” Jasmine exclaimed during her 90 Day fight with Gino.
“All the emotional humiliation that I went through,” she yelled, “and the whole f–king world knew about what you did to me.”
During all of this, Jasmine was still holding the knife that she had been using to slice vegetables. Thankfully, despite her fury, nothing ever came of it.
To no one’s surprise, Jasmine Pineda became loud and angry on 90 Day Fiance Season 10, Episode 14. Her outbursts often undercut her actual point. (Image Credit: TLC)
“She sent my naked pictures to every f–king blogger she knows,” Jasmine recalled. “And all these f—ing people were looking at myself naked. And you’re asking if I provoked her?”
Gino refused to back down. It seems that the couples counseling session where he learned to not escalate her tantrums didn’t stick.
“I wish I had f–ked Dane that last night,” Jasmine taunted. “That’s the only thing I regret in life — not f–king him so f–king good as we used to.”
Jasmine Pineda taunts her fiance from the other room, speaking of her former sex life. (Image Credit: TLC)
Gino and Jasmine had a maturity contest and both lost
Weakly, Gino retaliated with his own, much vaguer taunts.
“Yeah I wish I could f–k my exes ’cause they were great,” he jabbed. “They were a lot better than you.”
These are both grown adults who claim to love each other. We remain at a loss to explain their absurdly toxic behavior.
Gino Palazzolo fires back on 90 Day Fiance Season 10, Episode 14. (Image Credit: TLC)
Jasmine not only stormed out of the room, but stomped up the stairs.
“I’m not gonna get married to this f–king idiot,” she spat. Oh, good, the inevitable breakup declaration that never sticks.
This is a great time to remember that Gino and Jasmine might not have nearly as much of a problem with each other’s exes if they didn’t use their exes to hurt the other.
Storming up the stairs, Jasmine Pineda declares that she will not marry her fiance. This is not the first time. (Image Credit: TLC)
If you’re playing Gino & Jasmine Bingo, mark your square where they call off the engagement
However, after Jasmine and Gino separately cooled off a little, they spoke again.
Now in Gino’s less-disgusting-than-before bathroom, they spoke about hurting each other’s feelings. And they settled upon a compromise.
“You don’t let me speak to my exes, I don’t want you to speak with your ex,” Gino proposed.
Even though Jasmine Pineda knows that she has not betrayed her fiance’s trust, she decides that he is right about a double-standard about exes. (Image Credit: TLC)
To be clear, no-contact with all exes would be an extreme sanction for most relationships.
But Gino and Jasmine do not have most relationships. Neither of them possess the maturity or the emotional intelligence to deal with these complexities.
So, Jasmine sent a voice memo to Dane to thank him for his years of friendship, praise him, and also to cut off all contact.
On 90 Day Fiance Season 10, Episode 14, Jasmine Pineda leaves a farewell voicemail to a very good friend. (Image Credit: TLC)
Cooler heads prevail
“Our exes are dead to us,” Jasmine said to Gino. “They died.”
That is a little dramatic.
But these two 90 Day Fiance clowns are always dramatic. Gino and Jasmine will fight again, but it will be over something else.
’90 Day Fiance’ Recap: Gino and Jasmine Have Screaming Fight About Dane was originally published on The Hollywood Gossip.
On 90 Day Fiance, Gino Palazzolo and Jasmine Pineda had their latest fight. It involved a breakup threat, ex-related taunting, …
’90 Day Fiance’ Recap: Gino and Jasmine Have Screaming Fight About Dane was originally published on The Hollywood Gossip.
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AfriqueFest: Pan-African Musical Experience — World Cup Edition is set to take over Noto Houston on Sunday, June 28, bringing together East, South, and West African sounds in one immersive celebration of music, culture, and connection. Presented by Experience Noir and Bolanle Media, the event is designed as a cinematic night for the culture, blending global energy with Houston nightlife in a way that feels elevated, intentional, and deeply rooted in African creativity.
Spotlight on DJ Shinski
At the heart of this year’s experience is DJ Shinski. Born and raised in Nairobi, Kenya and now based in Houston, DJ Shinski has built an international name off high-energy sets that move effortlessly across Afrobeats, Amapiano, hip‑hop, dancehall, reggae, and electronic sounds.
He has also become Africa’s most‑subscribed DJ on YouTube, crossing the 2‑million‑subscriber mark and turning his mixes into a global destination for music lovers.
DJ Shinski’s style is precise but unpredictable: one moment it’s classic Afrobeats, the next it’s East African anthems, then a run of throwback hip‑hop or R&B that still feels fresh. That ability to read a room and connect multiple worlds in a single set is exactly why AfriqueFest is building so much of the night’s energy around him.
At AfriqueFest, DJ Shinski helps drive the Safari Grooves segment, representing East and Central Africa from 4 PM to 6 PM. Expect a journey that moves from Nairobi to Dar es Salaam, Kampala, Addis, and beyond, all filtered through his signature “vibes on vibes” approach behind the decks.
DJ Tunez and the rest of the night
Supporting that energy, DJ Tunez leads the Gold Coast Beats chapter from 8 PM to 10 PM, bringing his own Nigerian‑American Afrobeats pedigree to the stage. Together with the Diamond Rhythms segment (South) and a curated roster of DJs, the night stretches across the continent in three distinct musical chapters, all connected by a single dance floor.
Hosted by @chris_gone_crazy, @kingdrewwskyy, @roselynomaka, and @samsnewleaf, AfriqueFest is positioned as more than a party—it’s a celebration of sound, style, and Pan‑African identity in Houston, with DJ Shinski anchoring the experience from the moment doors open.
Brought to you by Bolanle Media & Experience Noir
Brought to you by Bolanle Media and Experience Noir, this World Cup edition of AfriqueFest is crafted as a night where global DJs, storytellers, and music lovers collide and create a shared cultural memory. With DJ Shinski front and center—and DJ Tunez helping close the night—guests can expect a show that reflects both the future of African nightlife and the power of the diaspora to create unforgettable live moments.
If you want to experience DJ Shinski live at AfriqueFest, now is the time to lock in your spot. Purchase your tickets now at AfriqueFest.com and get ready for a night of music, movement, and culture at Noto Houston.
Laughter Meets Inspiration: Our Ladies Show Lands on The Roku Channel
A bold new sketch comedy series for women premieres June 13 across the U.S., U.K., and Canada — arriving on the back of a festival-winning run that has critics and audiences already paying attention.
It isn’t every day a brand-new comedy arrives already wearing a row of trophies. Our Ladies Show does. The seven-episode inspirational sketch comedy series — created, written by, and starring Christin Jezak — begins streaming on The Roku Channel on Friday, June 13, 2026, available free to viewers in the United States, United Kingdom, and Canada.
Produced in partnership with global media services leader Encompass Digital Media, the series sets out to do something rare in today’s streaming landscape: make women laugh out loud and leave them lifted. In a media moment crowded with noise and cynicism, Our Ladies Show is a deliberate counterweight — comedy with a conscience, built for women of every age and background.
A Show Built Around Real Life — and Real Laughs
Each of the seven episodes opens with a monologue from one of the cast members introducing the theme, then rolls into three or more sketches that hit the subject from every comedic angle. The series tackles the things women actually carry: holding grudges, comparison, beauty, patience, gift giving, the importance of community, and dealing with anxiety.
The comedy comes from a place of warmth rather than mockery — a “laugh at ourselves” spirit that runs through a gallery of unforgettable characters: a nosey neighbor, an overwhelmed mom, relentlessly optimistic flight attendants, beauty pageant winners past their prime, and a crew of unruly campers with a counselor who simply cannot hold it together.
Then the show does something most sketch series don’t. In the final segment of every episode, the cast gathers in a living-room setting and invites the audience in — sharing real inspiration drawn from the theme, the sketches, and their own personal stories. It’s the moment the laughter turns into something that stays with you.
The Women Behind the Show
Our Ladies Show brings together three performers with serious range:
- Christin Jezak — creator, writer, and star (Miracle at Manchester, Raising Hope, Jimmy Kimmel Live!)
- Hillary Hawkins — (Primal, Nick Jr.’s Play Along, Gullah Gullah Island)
- Sarah Hernandez — (Nefarious, Unplanned, House of Payne)
“In a world with so much division and depression, I hope women of all ages and backgrounds will watch this show, laugh, be reminded of how beautiful, unique, and loved they are, and remember how much we need each other.”— Christin Jezak, Creator & Star
Already a Festival Favorite
The series’ recurring long-form sketch, Neighborhood Watch, didn’t arrive quietly. Originally released as a web series and revamped for Our Ladies Show with new footage, sound, and music, it has been sweeping the festival circuit:
- 🏆 Best Webseries — 2026 New Media Film Festival (Los Angeles)
- 🏆 Best Web/TV Series — Paris Film Awards
- 🏆 Best Web Series — Dallas Movie Awards
- 🏅 Additional wins at the London Movie Awards, Florence Film Awards, and Hollywood Gold Awards
- 🎬 Official Selection — 2026 Harvard Divinity School Film Fest
- ⭐ Finalist — Houston Comedy Film Festival
- 📣 Three nominations — 2025 Content Christian Media Conference, including Best Actress in a TV and Web Series nods for both Christin Jezak and Sarah Hernandez
Where and When to Watch
Our Ladies Show premieres Friday, June 13, 2026, streaming on The Roku Channel — the home of premium and free entertainment — in the U.S., U.K., and Canada. All seven episodes deliver the series’ signature blend of sharp sketch comedy and genuine encouragement.
Watch the trailer now on your platform of choice:
For more information, visit www.ourladiesshow.com and follow @ourladiesshow on Facebook, Instagram, and TikTok.
About Christin Jezak
Christin Jezak has worked for over 15 years in the entertainment industry. She created and stars in Our Ladies Show and the award-winning web series Neighborhood Watch. She produced the EWTN TV program For the Sake of the Gospel and the all-women web series Ladies Keepin’ It Real, played Dr. Sam in Miracle at Manchester (starring Dean Cain, Daniel Roebuck, and Eddie McClintock), and voices Agnes in the podcast Confessions of a Catholic Single. She held a lead role in a short film for NTT Data directed by Academy Award–winning cinematographer Janusz Kamiński, has co-starred on Raising Hope, and appeared in Jimmy Kimmel sketches and a Grubhub Super Bowl commercial.
About The Roku Channel
Roku pioneered streaming on TV and is the #1 TV streaming platform in the U.S., Canada, and Mexico by hours streamed (Hypothesis Group, Dec. 2025). The Roku Channel is the home of premium and free entertainment, alongside Roku’s Howdy and Frndly TV services. Roku is headquartered in San Jose, California.
About Encompass Digital Media
Encompass Digital Media is a global managed services company — technology-driven, software-defined, and people-powered. Trusted by world-leading broadcasters, networks, sports rights-holders, and OTT platforms, it processes over 25,000 hours of content daily, serves 850 channels to 84 countries, distributes over 243,000 live events annually, and reaches 400 million radio listeners weekly worldwide. Learn more at www.encompass.tv.
Media & Interview Requests: To interview creator Christin Jezak or the cast, contact Christin at cjezak@p2ptheatre.com.
Most of the talk about Euphoria asks one question: was it realistic? That’s the wrong question if you make films. The better one is simpler. How did Sam Levinson get an audience to feel addiction from the inside? And what did it cost him to end the show the way he did?
Strip away the noise and Euphoria is a clinic in three choices: point of view, style, and the ending. Here’s what’s worth taking — and what isn’t.
1. Put the Camera Inside the Character
Most shows about drugs watch from across the room. Euphoria doesn’t. When Rue is high, the camera is high too. Walls breathe. Floors tilt. Time skips. You’re not watching her — you’re stuck inside her head.
That’s the lesson: point of view is a decision you make with the camera and the cut, not a mood you add later in color. Levinson builds it into the lens, the blocking, and the edit.
So before you shoot a scene through a character’s eyes, ask one thing on set: whose eyes is this lens standing in for? Then make every cut respect that.
2. Your Style Has to Mean Something
The glitter. The slow push-ins. The impossible club lighting. Euphoria‘s look got copied everywhere. That’s the trap.
The style worked because it carried weight. The beauty wasn’t decoration — it was the lie addiction tells you, the reason the next high looks worth it. The camera made self-destruction gorgeous on purpose.
The copies missed that. A thousand music videos took the look and left the meaning behind, and you can feel how hollow they are. So here’s the test: if your signature style could be swapped onto any other project and still “work,” it’s not a style. It’s a filter. Every choice should have a reason behind it.
3. The Ending Tells the Audience What It All Meant
When Euphoria ended for good in Season 3, Levinson killed Rue — an accidental, fentanyl-laced overdose. He called it “the honest ending,” saying he wanted to tell a true story about addiction and grief in a time when one mistake can be the last one. Reportedly, that wasn’t the original plan; the death of Angus Cloud, who played Fezco, changed the script.
Forget whether you agree with the choice. Study how it works. An ending is the last instruction you give your audience about how to read everything before it.
By ending on consequence instead of recovery, Levinson reframed seven years of beautiful chaos as a story about cost — not a celebration of it.
It’s also the show’s most debatable move, and that’s worth noticing too. A show that spent years making pain look beautiful had to fight to make that pain land as loss. Did it earn the ending, or enjoy the wreckage too long to stick it? Smart filmmakers will disagree — and that argument is exactly what a good ending is supposed to start.
What Not to Take
The neon grief is the most copied part. It’s also the least useful. Take the surface — the colors, the slow-mo, the trauma-as-texture — and you get the costume without the body.
The real craft is underneath. Commit your camera to a real point of view. Make every stylistic choice earn its place. Treat your ending as the point of the whole thing. Do that, and your work won’t look like Euphoria. It’ll do what Euphoria did.
This piece touches on addiction and substance use. If you or someone you know is struggling, support is available through the SAMHSA National Helpline at 1-800-662-4357.
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STREAMING PREMIERE · JUNE 13, 2026
