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Women Slam Music Industry for Ignoring Sexual Misconduct by Major Stars on January 27, 2024 at 12:00 am Us Weekly

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After years of allegedly being silenced, 10 female survivors of sexual assault took a stand against the music industry — and exposed their experiences with Axl Rose, Nick Carter and more musicians.

“The secrets we have unveiled are horrifying,” attorney Jeff Anderson said in a press release on Thursday, January 25. “What may be even more horrifying is that we know this is only the tip of the iceberg.”

The lawyer hosted a live press event with several women who claimed to have been sexually assaulted while working in the music industry or as fans.

Former Dream singer Melissa Schuman detailed being allegedly assaulted by Backstreet Boys’ Carter, 43, when she was a teenager, while Sheila Kennedy recalled Guns N’ Roses frontman Rose, 61, allegedly attacking her in the ‘80s.

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Related: Hollywood’s Sexual Misconduct Scandals

While Hollywood may appear to be all glitz and glam on the surface, the industry has seen its fair share of scandals through the years. The New York Times and the New Yorker first published investigative pieces in 2017 that accused disgruntled movie producer Harvey Weinstein of decades of sexual assault and harassment. Soon after, Weinstein stood trial and was […]

“The music industry should thrive on talent, dedication, and passion not coercion, not exploitation, not harassment, and certainly not rape,” Schuman, 39, said on Thursday. “In sharing my story, I aim to empower others to break the cycle of silence that has allowed this issue to persist. It’s about time the music industry is no longer a breeding ground for abuse.”

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Kari Krome, who is part of the Make Music Safe Program and a former songwriter for the Runaways, slammed Rodney Bingenheimer for being a “well-known predator” while asking his employer SiriusXM to cut ties with the rocker.

Scroll down to learn more about the survivors’ alleged attacks — and what they want the music industry to do in response:

Women Are ‘Cheap Labor’ in Music Industry

Schuman, who previously spoke about her alleged assault in 2016, recounted her start in music, saying she was part of the girl group Dream in 1999. The band was signed to Sean “Diddy” Combs‘ Bad Boy Records.

“I was in the middle of school at the time, actually barely out of the eighth grade. And I believe that all my dreams were on the verge of coming true,” she said on Thursday, noting that after the group gained multi-platinum status, she thought her career would take off.

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Schuman confessed, “I never, ever considered the darker motives behind discovering and shaping young talent, like the girls in Dream and myself besides us being used as cheap labor.” She alleged that the girls were “a prime age for grooming.”

When she was about to turn 18, Schuman remembered picking up on “this sort of silent understanding by those around me, that success would come at the expense of the exchange of my body.” Schuman alleged that it was joked about among the adults in the industry that “the cost of saying yes to uncomfortable advances” would help with “career advancement.”

Nick Carter Allegedly ‘Weaponized’ Fandom After Assault Claims

Schuman told the press on Thursday that she was “sexually assaulted by Nick Carter of the Backstreet Boys when I was only 18 years old.” She alleged that the incident completely derailed her music career.

“I believed it was impossible to safeguard myself from his control and his influence while pursuing music,” she explained. “And so at the young age of 20 years I abandoned my recording career as a solo artist, I was trapped by skewed power dynamics.”

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Schuman claimed that the industry was not only made up of “predators,” but she argued that “those profiting from the predators that shield them at all costs” were just as bad. When Schuman came forward with her story, first on her blog in 2017 and then to police the next year, she alleged that Carter had his fans shame her.

“I have since become a target of retaliation through orchestrated PR,” she claimed. “Read the headlines and social media attacks my abuser and his boy band are well funded, they have access to extensive resources and they even weapon weaponize their fandom to shield their bandmate and brand from accountability.”

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Related: Nick Carter’s Ups and Downs Through the Years: Legal Trouble and More

As a member of one of the only boy bands with true longevity, Nick Carter has seen it all. Despite his success with the Backstreet Boys, Carter has experienced turmoil in his personal life. In January 2002, he was arrested in Florida and charged with one misdemeanor count of resisting/opposing a law enforcement officer without […]

Schuman sued Carter in April 2023 for sexual assault and battery. In court documents obtained by Us Weekly, Schuman claimed that Carter raped her when she was 18 and he was 22. She alleged in the filing that Carter performed oral sex on her and then forced her to do the same.

“Melissa Schuman has been peddling this tale for many years, but her allegation was false when she first made it back in 2017 —and it still is,” Carter’s lawyer, Liane K. Wakayama, told Us in a statement at the time. “A judge in Nevada recently ruled, after reviewing the extensive evidence we laid out, that there are strong grounds for Nick Carter to proceed with his lawsuit against Ms. Schuman for plotting to damage, defame and extort Nick, his associates, his friends and his family.”

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Wakayama continued: “In light of our progress in Nevada, this kind of response is at once both predictable and pathetic. But this PR stunt won’t shake Nick from his determination to hold Ms. Schuman and her co-conspirators to account for the immeasurable pain and suffering their extortionate conduct has caused.”

Carter and Schuman appeared in court on January 17, during which time he asked for a judge to dismiss the case. Carter’s plea was denied. He has also filed a counter claim against Schuman and two others for allegedly harassing him.

Axl Rose Is a ‘Monster’

Us confirmed in November 2023 that Kennedy, 61, filed a lawsuit against Rose, accusing him of sexually assaulting her in 1989. Kennedy alleged that after she tried to leave Rose’s hotel room because he wanted to engage in group sex with two other models, Rose reportedly “knocked her to the floor” and dragged her to the bed.

“Simply put, this incident never happened. Notably, these fictional claims were filed the day before the New York State filing deadline expires,” Rose’s attorney, Alan S. Gutman, told Us in a statement at the time. “Though he doesn’t deny the possibility of a fan photo taken in passing, Mr. Rose has no recollection of ever meeting or speaking to the Plaintiff, and has never heard about these fictional allegations prior to today. Mr. Rose is confident this case will be resolved in his favor.”

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Kennedy, who was a former Penthouse model, has not backed down from her claims and has continued to allege that the assault has left her traumatized. “I have a voice and I don’t want to be called a victim. I want other women to hear this about Axl Rose, he’s a monster and he needs to be held accountable,” she said on Thursday. “And I’m here today to make sure that happens.”

Kennedy noted that it was “difficult” to talk about the assault but she wanted to get her story out there. “I think it’s really important that we need to make this industry safe for women,” she explained. “There are so many victims that feel shame, that feel guilty. Feel like they when they go to sleep at night, they have nightmares and it needs to stop this monster needs to be stopped: Axl Rose.”

A Call for Rodney Bingenheimer to Be Fired

Krome (legal name Carrie Mitchell) filed two lawsuits in April 2023, one against the late Runaways manager Kim Fowley and the second against former KROQ disc jokey Bingenheimer, 76. Krome claimed that Fowley, who died in 2015, sexually assaulted her in the 1970s when she was a teen. Fowley was previously accused of sexual assault by Runaways’ bassist Jackie Fox.

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Krome alleged that Bingenheimer also sexually assaulted her during that decade after grooming her. Bingenheimer has recently been accused of sexual assault by five other women. He has not publicly commented on the case. Bingenheimer currently has a SiriusXM radio show called “Rodney Bingenheimer in the Underground Garage,” which Krome argued on Thursday should get shut down due to the allegations.

Emma McIntyre/Getty Images

“I’m here to demand Sirius XM to remove Rodney Bingenheimer a well-known serial predator and pedophile,” Krome told reporters. “What I want to know is how do listeners feel about having an abuser and a pedophile employed by Sirius XM? How many more victims need to come forward for Sirius to take this seriously? This is a cancer that’s affected every aspect of the industry and I’m here to call for it to stop and I would just like to say flat out shame on Sirius XM. Remove Rodney Bingenheimer.”

Us Weekly has reached out to Rose, Carter and Bingenheimer’s reps for comment.

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If you or someone you know has been sexually assaulted, contact the National Sexual Assault Hotline at 1-800-656-HOPE (4673).

After years of allegedly being silenced, 10 female survivors of sexual assault took a stand against the music industry — and exposed their experiences with Axl Rose, Nick Carter and more musicians. “The secrets we have unveiled are horrifying,” attorney Jeff Anderson said in a press release on Thursday, January 25. “What may be even 

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Entertainment

This scene almost broke him. And changed his career.

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As Sinners surges into the cultural conversation, it’s impossible to ignore the force of Christian Robinson’s performance. His “let me in” door scene has become one of the film’s defining moments—raw, desperate, and unforgettable. But the power of that scene makes the most sense when you understand the journey that brought him there.

From church play to breakout roles

Christian’s path didn’t begin on a Hollywood set. It started in a Brooklyn church, when a woman named Miss Val kept asking him to be in a play.

“I told her no countless times,” he remembers. “Every time she saw me, she asked me and she wouldn’t stop asking me.”

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He finally said yes—and everything changed.

“I did it once and I fell in love,” he says. That one performance pushed him into deep research on the craft, a move to Atlanta, and years of unglamorous work: training, auditioning, stacking small wins until he booked his first roles and then Netflix’s Burning Sands, where many met him as Big Country.

By the time Sinners came along, he wasn’t a newcomer hoping to get lucky. He was an actor who had quietly built the muscles to carry something bigger.

The door scene: life or death

On The Roselyn Omaka Show, Christian shared the directing note Ryan Coogler gave him before filming the door scene:

“He explained to me, ‘I need you to bang on this door as if your life depended on it. Like it’s a matter of life and death.’”

Christian didn’t just turn up the volume; he reached deeper.

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“This film speaks a lot about our ancestors,” he told Roselyn Omaka. “So I tried to give a glimpse of what our ancestors would’ve experienced if someone or something that could bring ultimate destruction was after them. How hard would they bang? How loud would they scream to try to get into a place safely? That’s what I intended to convey in that moment.”

That inner picture—life or death, ancestors, ultimate destruction—is why the scene hits like more than a plot beat. It feels like generational memory breaking through a single frame.

Living through a “history” moment in real time

When Roselyn asks what he’s processing as Sinners takes off, Christian admits he’s still inside the wave.

“I’ve never experienced a project with this level of reception and energy and momentum,” he says. “People having their theories and breaking it down and doing reenactments… it’s never been a time like this in my career.”

He’s careful not to over‑define something that’s still unfolding: “There’s no way to give an accurate description of what I’m experiencing while I’m still experiencing it.” He knows he’ll need distance to name it fully.

But he can name one thing: “If I could gather any adjective to describe it, it would be gratefulness. I’m grateful.”

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He also feels the weight of what this film might mean long-term:

“To know that I was there for a large amount of the time it was being brought to life, and a part of what the internet is saying will be history… this is something that I’m inspired by—to shoot for the stars in whatever passion rooted in creativity that you possess.”

Music, joy, and the man behind the moment

Christian talks about the music of Sinners as another force that shaped him. The score wasn’t playing nonstop; it showed up in key moments.

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“The music was played when it was necessary to be played. But when it was played, it resonated,” he says. Hearing Miles Caton’s songs early, before the world did, he remembers thinking, “This is going to be magical… This is one of the ones right here.”

For all the heaviness of the story, he also brought levity. He laughs about being the jokester on set—singing Juvenile and Lil Wayne in the New Orleans hair and makeup trailer, trying to make everyone smile during Essence Fest weekend. “I’m a fun guy,” he says. “I love to see people laugh and have a good time.”

PATHS for us and opening doors

What might be most revealing is how seriously Christian takes his responsibility off screen. In 2015, sitting in his apartment outside Atlanta, he felt God tell him to start a nonprofit called PATHS.

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“I heard from God and he told me to start a nonprofit called PATHS,” he recalls. At first, he and his peers went into schools and inner‑city communities to teach young people “the many different paths to entering the entertainment industry”—not just the craft, but “the practical steps and establishing yourself, like the business of an actor… a stunt person, hair and makeup, etc.”

When the pandemic hit and school visits stopped, he pivoted to a podcast and digital platform: “Fine, I’ll do it,” he laughs. Now PATHS for us lets “anyone anywhere that desires to be in entertainment hear from credible entertainment industry professionals on how they got to where they are and how you can do the same.”

Working on Sinners confirmed that he should go all in: “It just gave me exactly what I needed to know that I should pour my all into it.”

Honoring a history-making moment

As Sinners takes off, Christian keeps coming back to one word: gratefulness—for the film, for the collaborators, for the chance to be part of something people are calling historic.

At Bolanle Media, we see more than a viral scene. We see an artist whose craft is rooted in faith, ancestors, and hard-earned discipline; whose joy lifts the rooms he works in; and whose platform is opening real paths for others.

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This scene almost broke him. And changed his career.
Now, as the world catches up, Christian Robinson is using that breakthrough not just to walk through new doors—but to help the next generation find theirs.

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7 Filmmaking Lessons From Michael B. Jordan’s Oscar Moment

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Michael B. Jordan’s first Oscar win for Sinners isn’t just a milestone for his career — it’s a masterclass for filmmakers watching from the edit bay, the writing desk, or the no‑budget set.

For years, Jordan has been building toward this moment: from early TV roles to his breakout in Fruitvale Station, the cultural shockwave of Black Panther, and his evolution into a producer and director. His Sinners performance and awards run crystallize a set of habits, choices, and values that rising filmmakers can actually use.


1. “Find Your Coogler”: The Power of Long-Term Collaboration

Jordan’s professional story is inseparable from his collaboration with Ryan Coogler. They’ve moved together from intimate indie drama to franchise-level spectacle, and now to awards-season dominance with Sinners.


“Find your people and grow with them, not just next to them.”

For filmmakers, the takeaway is simple:

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  • Stop thinking in “one‑off” crews.
  • Start identifying the producers, DPs, editors, writers, and actors you want to build years of work with.

That kind of trust lets you move faster, go deeper, and take bigger risks together.


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2. Preparation That Lets You Jump Off the Cliff

Jordan has talked in interviews about preparing so thoroughly that he can “let go” when the cameras roll. The homework — script work, character study, physical training, emotional research — is what makes the risk possible.

You can translate that directly into a filmmaking workflow:

  • Do the table read.
  • Break down the script scene by scene.
  • Build visual references and emotional maps.

The more you handle before you’re on set, the more you can afford to explore, improvise, and discover in real time.


“Preparation buys you freedom on set.”


3. Take the “Bad Idea” Swing

A key pattern in Jordan’s choices is betting on material that doesn’t always look safe or obvious on paper. Roles and projects that feel intense, specific, or risky are often the ones that end up resonating the most.

For filmmakers, that means:

  • Stop sandpapering your scripts into something generic.
  • Start protecting the sharp edges — the personal details, the uncomfortable moments, the cultural specifics.

The project that scares you a little might be the one that actually breaks you out.


“If it feels too safe, it’s probably not big enough.”


4. One Hat at a Time (On Purpose)

Jordan is a modern multi-hyphenate — actor, producer, director — but he’s also strategic about when he wears which hat. On some projects, he leans fully into performance and trusts his team with everything else; on others, like Creed III, he steps behind the camera and takes on the entire vision.

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Filmmakers can learn from that restraint:

  • It’s okay to not direct, shoot, edit, and produce every single project.
  • Choosing one primary role per project can sharpen the overall result.

Ask yourself on each film: “What’s the one role where I add the most value here?” Then structure the team accordingly.

“You don’t have to do everything on every film.”


This image released by Warner Bros Pictures shows Michael B. Jordan portraying two characters in a scene from “Sinners.” (Warner Bros. Pictures via AP)

5. Build an Ecosystem, Not Just a Résumé

Through his company and slate, Jordan is doing more than collecting credits. He’s building an ecosystem where the stories he cares about have a home — a pipeline for voices, genres, and perspectives that might not get space elsewhere.

That’s a roadmap for independent filmmakers and media founders:

  • Create recurring spaces (a series, a channel, a festival, a label) where your sensibility is the default.
  • Think beyond the single film; think in seasons, slates, and communities.

Your “ecosystem” might start as a simple recurring short-film series on your site, or a curated block at a festival. Over time, it becomes infrastructure.

“Don’t just book jobs. Build a world.”


6. Honor the Lineage You Stand On

When he accepted his Oscar, Jordan made a point to acknowledge the Black artists and legends who paved the way before him. That posture matters. It keeps ego in check and places today’s wins inside a longer lineage of struggle and progress.

Filmmakers can mirror that by:

  • Citing their influences openly.
  • Educating themselves on the history of the craft, especially in their own communities.
  • Using their platforms to shine a light on peers and predecessors.

This isn’t just about being gracious; it’s about knowing you’re part of a story bigger than one awards season.


“Your win is a chapter, not the whole book.”


7. Let the Win Raise Your Standards

The most powerful thing about this moment is that it doesn’t feel like a finish line. Jordan’s energy reads as: this is motivation, not retirement. The recognition becomes pressure to work smarter, deeper, and more intentionally.

Filmmakers can turn every “win” — whether it’s an Oscar, a festival laurel, a viral clip, or a private email from someone impacted by your work — into fuel for the next draft and the next shoot.

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Ask:

  • What did I do well here that I can codify into my process?
  • Where did I get lucky, and how can I replace luck with craft next time?


“Treat every win as a new baseline, not a peak.”


Why This Matters for Our Community

At Bolane Media, we see Michael B. Jordan’s Oscar moment not just as a celebrity headline, but as a roadmap for emerging storytellers — especially those building from underrepresented communities and independent spaces.

If you’re a filmmaker reading this:

  • Identify one of these seven lessons.
  • Apply it to your next project, not the hypothetical big one five years from now.

Then share your work with us. We want to see what you build.


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Advice

How to Find Your Voice as a Filmmaker

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Every filmmaker aspires to create projects that are not only memorable but also uniquely their own. Finding your creative voice is a journey that requires self-reflection, bold choices, and an unwavering commitment to your vision. Here’s how to uncover your style, take risks, and craft original work that stands out.

1. Discovering Your Voice: Understanding Your Influences

Your unique voice begins with recognizing what inspires you.

  • Step 1: Reflect on the themes, genres, or emotions that consistently draw your interest. Are you inspired by human resilience, surreal worlds, or untold histories?
  • Step 2: Study the work of filmmakers you admire. Analyze what resonates with you—their use of color, pacing, or narrative techniques.

Tip: Combine what you love with your personal experiences to create a lens that only you can offer.

Example: Wes Anderson’s whimsical, symmetrical worlds stem from his love of classic storytelling and his unique visual style.

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Takeaway: Start with what moves you, then add your personal touch.

2. Taking Creative Risks: Experiment and Evolve

To stand out, you must be willing to challenge conventions and explore new territory.

Example: Jordan Peele blended horror with social commentary in Get Out, creating a genre-defying film that captivated audiences.

Takeaway: Risks are an opportunity for growth, even if they don’t always succeed.

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3. Telling Original Stories: Start with Authenticity

Original projects resonate when they stem from a place of truth.

  • Draw from Experience: Incorporate elements of your own life, culture, or worldview into your stories.
  • Explore the “Why”: Ask yourself why this story matters to you and how it connects with your audience.
  • Avoid Trends: Focus on timeless narratives rather than chasing current fads.

Example: Greta Gerwig’s Lady Bird was deeply personal, based on her experiences growing up in Sacramento. The film’s authenticity made it universally relatable.

Takeaway: The more personal the story, the more it resonates.

4. Developing Your Style: Consistency Meets Creativity

Style is not just about visuals—it’s how you tell a story across all elements of filmmaking.

  • Visual Language: Experiment with colors, lighting, and framing to create a distinct aesthetic.
  • Narrative Voice: Develop consistent themes or motifs across your projects.
  • Sound Design: Use music, sound effects, and silence to evoke specific emotions.

Example: Quentin Tarantino’s use of dialogue, pop culture references, and bold music choices makes his work instantly recognizable.

Takeaway: Your style should be intentional, evolving as you grow but always recognizable as yours.

5. Staying True to Yourself: Building Confidence in Your Vision

The filmmaking process is full of challenges, but staying true to your voice is essential.

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  • Stay Authentic: Trust your instincts, even if your ideas seem unconventional.
  • Adapt Without Compromise: Be open to feedback but maintain your core vision.
  • Celebrate Your Growth: View every project, successful or not, as a stepping stone in your creative journey.

Example: Ava DuVernay shifted from public relations to filmmaking, staying true to her voice in films like Selma and 13th, which focus on social justice.

Takeaway: Your voice evolves with every project, so embrace the process.

Conclusion: From Idea to Screen, Your Voice is Your Superpower

Finding your voice as a filmmaker takes time, courage, and commitment. By exploring your influences, taking risks, and staying true to your perspective, you’ll craft stories that not only stand out but also resonate deeply with your audience.

Bolanle Media is excited to announce our partnership with The Newbie Film Academy to offer comprehensive courses designed specifically for aspiring screenwriters. Whether you’re just starting out or looking to enhance your skills, our resources will provide you with the tools and knowledge needed to succeed in the competitive world of screenwriting. Join us today to unlock your creative potential and take your first steps toward crafting compelling stories that resonate with audiences. Let’s turn your ideas into impactful scripts together!

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