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Why Daredevil’s OG Showrunner Thinks Renaming Show Is ‘Disney Scam’ on September 20, 2023 at 3:33 am Us Weekly

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Former Daredevil showrunner Steven DeKnight has theories about why the show’s upcoming revival has been renamed. 

Marvel’s original Daredevil series first premiered in 2015 on Netflix and ran for three seasons before getting canceled in 2018. In July 2022, Disney  — which owns Marvel — removed the show from its former streaming service and green-lit a sequel for Disney+ titled Daredevil: Born Again. The revived series is set to feature major elements from its predecessor including Charlie Cox as lead character Matthew Murdock. 

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DeKnight, who penned the OG series but won’t be involved in the new show, slammed Disney on Tuesday, September 19, for what he claims are “corporate shenanigans.”

“It’s an old Disney scam where they slightly rename a series to reset contract terms back to first season,” DeKnight wrote via X (formerly known as Twitter) on Monday. “Needs to be addressed by all the guild/unions and crushed!”

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Hollywood came to a standstill amid the joint WGA and SAG-AFTRA strike — but not every TV show has stopped filming. In July 2023, SAG-AFTRA authorized a strike after the Alliance of Motion Picture and Television Producers (AMPTP) did not address any of their concerns regarding fair wages, the use of artificial intelligence and more […]

DeKnight noted that from what he can “understand” he isn’t “going to see a penny from Daredevil: Born Again” because the additional “Born Again” in the show’s title means Disney can “claim it’s a completely different show.” 

He added: “You know, with the exact same two lead actors (who I love!) playing Daredevil and [William] Fisk [played by Vincent D’Onofrio].”

DeKnight’s claims were in response to a tweet from a Daredevil employee who alleged that the new series is “back to season one IATSE contract terms,” calling the process a “f—king scam.” They claimed that Disney officially canceled the series “once the crew got a full raise and holiday/vacation pay.”

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Related: SAG-AFTRA Strike’s Burning Questions

The entertainment industry is heading for change as Hollywood actors join writers on the picket line.  The Screen Actors Guild – American Federation of Television and Radio Artists — a labor union that represents more than 160,000 TV and film actors — officially voted to join the Writers Guild of America in striking against the Alliance of […]

“I worked on all of the Marvel Netflix shows which all were canceled in season two or three. Our contracts only give us full vacation pay(like 36 cents per hour worked or some shit) on season three shows,” a second message from the IATSE member read. “Four years of work I never got a raise or vacation pay. Like $20,000.” 

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Despite DeKnight’s qualms with Disney’s alleged business procedures surrounding Born Again, the writer insisted he has “zero issue” with the new series and wants to see it succeed. 

“To be clear, I can’t wait to see Charlie Cox and the amazing @vincentdonofrio reprise their iconic [roles],” he wrote via X on Monday. “But to claim this is a complete reboot and you don’t have to pay the original creatives is some corporate shenanigans, to say the least.”

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DeKnight’s comments come amid the ongoing Hollywood strikes. Borth the WGA (Writer’s Guild of America) and SAG-AFTRA (Screen Actors Guild and American Federation of Television and Radio Artists) are striking because of stalled negotiations with the AMPTP (Alliance of Motion Picture and Television Producers) that include issues of fair pay, streaming residual payments and the use of artificial intelligence in film and TV projects.

The WGA initially went on strike in May, while SAG-AFTRA joined them on the picket lines two months later in July. 

Jose Perez/Bauer-Griffin/GC Images Former Daredevil showrunner Steven DeKnight has theories about why the show’s upcoming revival has been renamed.  Marvel’s original Daredevil series first premiered in 2015 on Netflix and ran for three seasons before getting canceled in 2018. In July 2022, Disney  — which owns Marvel — removed the show from its former streaming service 

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Advice

Can You Crack the Code to Film Distribution Success?

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In the ever-evolving film industry, getting your film in front of audiences can be a daunting task. With the rise of streaming platforms and shifting consumer habits, traditional distribution and sales strategies are no longer the only game in town. In this article, we’ll explore the various pathways for film distribution and sales, including working with distributors, sales agents, and platforms like Netflix and Amazon Prime.

Traditional Distribution
Traditional distribution involves partnering with a distributor who will handle the release of your film in theaters, on DVD, and through broadcast television. This can include major studios like Warner Bros. or Sony Pictures, as well as independent distributors like A24 or Magnolia Pictures. Distributors will typically take a percentage of the revenue generated by the film in exchange for their services.
Sales Agents
Sales agents, also known as film sales companies, act as intermediaries between filmmakers and distributors. They will often attend film festivals and markets, like the American Film Market or Cannes, to pitch your film to potential buyers. Sales agents will typically take a commission on any sales they secure.
Streaming Platforms
Streaming platforms like Netflix, Amazon Prime, and Hulu have revolutionized the way audiences consume film content. These platforms are increasingly becoming major players in the distribution and sales landscape. They often acquire films outright, bypassing traditional distribution channels.
Self-Distribution
With the rise of digital platforms, self-distribution has become a viable option for filmmakers. This involves handling distribution and sales in-house, often through a filmmaker’s own production company. Self-distribution allows for greater creative control and potentially higher profit margins.
Strategies for Success
So, how can filmmakers navigate this complex landscape? Here are a few key strategies to keep in mind:
  • Know your audience: Understand who your target audience is and where they consume content.
  • Build a strong online presence: Develop a website and social media channels to showcase your film and connect with potential buyers.
  • Attend film festivals and markets: Network with industry professionals and showcase your film to potential buyers.
  • Consider hybrid distribution models: Combine traditional distribution with self-distribution or streaming platforms to maximize reach and revenue.
Film distribution and sales have evolved significantly in recent years. By understanding the various pathways available, filmmakers can make informed decisions about how to get their film in front of audiences. Whether through traditional distribution, sales agents, streaming platforms, or self-distribution, the key to success lies in knowing your audience, building a strong online presence, and being flexible in an ever-changing landscape.

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Will Smith and Martin Lawrence Rev Up for ‘Bad Boys: Ride or Die’

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Will Smith and Martin Lawrence are hitting the road to promote their upcoming action-comedy flick, “Bad Boys: Ride or Die,” the fourth installment of the beloved “Bad Boys” franchise.

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Despite recent health concerns surrounding Lawrence, the duo’s chemistry remains intact as they embark on an extensive promotional tour across Europe. Smith has expressed gratitude for the unwavering support of fans and praised Sony Pictures for standing by him during challenging times.

The movie marks Smith’s return to the big screen after the infamous Oscars slap incident, and it centers around a quest to redeem the tarnished reputation of the duo’s late captain, Conrad Howard (Joe Pantoliano), who is posthumously accused of being an informant for a Mexican drug cartel.

While the response to “Ride or Die” will undoubtedly be seen as a commentary on Smith’s renewed box office appeal, Lawrence’s manic comic energy remains the driving force behind these films. His delivery of iconic lines during intense action sequences is unparalleled, and the movie understands the importance of crafting situations for him to shine.

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Smith, on the other hand, seems to be playing a more subdued role, allowing Lawrence to take center stage. If the slap incident led to a reevaluation of Smith as a leading man, “Ride or Die” offers a perfect vehicle to remind audiences of his exceptional talent.

As the summer release of “Beverly Hills Cop” with Eddie Murphy approaches, “Bad Boys: Ride or Die” serves as a reminder of the enduring appeal of breezily entertaining genre movies featuring movie stars. Will Smith isn’t going anywhere, and his collaboration with Martin Lawrence promises to be an entertaining ride for fans of the franchise.

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If you want to create awesome branded experiences that truly captivate your audience, look no further than Bolanle Media. Our team of experts specializes in crafting immersive, unforgettable events that seamlessly blend creativity and strategy. From product launches to experiential marketing activations, we’ll ensure your brand makes a lasting impression. With our finger on the pulse of the latest trends and technologies, we’ll help you engage customers in innovative ways they’ll be buzzing about. Don’t settle for ordinary – let Bolanle Media elevate your brand with extraordinary experiences tailored to your unique vision. Click this link to learn more and take your marketing to new heights.

 

 

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Michael Jackson’s Children Blocked from Trust Funds Over $700M Tax Dispute

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Michael Jackson’s three children – Prince, 27, Paris, 25, and Bigi, 22 – along with his mother Katherine, 94, have been barred from accessing funds from the late singer’s trust due to an ongoing legal battle between Jackson’s estate and the Internal Revenue Service (IRS) over a $700 million tax bill.

The dispute arose when the IRS audited the estate’s federal estate tax return and claimed that it had “undervalued its assets,” resulting in an additional $700 million in taxes and penalties owed. While the estate initially won in court in 2021, it later filed a motion for reconsideration regarding the court’s valuation of Jackson’s music catalog, which is still pending.

Michael Jackson and children

Until this case is resolved and the value of Jackson’s estate is determined, the IRS and the estate cannot agree on the deduction amount for the federal estate tax return. Consequently, the estate’s co-executors, John Branca and John McClain, have denied requests from the beneficiaries to release funds, citing the ongoing IRS audit.

Family Feud Over Legal Fees

The situation is further complicated by a separate legal feud between Katherine Jackson and her grandson Bigi. Katherine has been attempting to use funds from the estate to cover legal fees incurred while challenging the $600 million sale of Jackson’s music assets to Sony, a move supported by Bigi and approved by a judge.

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Katherine’s lawyer, Adam Pines, accused the executors of “trying to punish” her for contesting their actions and claimed they would have paid the legal fees if they were related to other litigation. Pines suggested the executors are intentionally withholding payments until Katherine passes away.

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Trust Distribution Requirements

According to the court filing, Jackson’s trust stipulates that 20% of his estate, as valued for federal estate tax purposes, should be donated to charity, with the remaining assets distributed to subtrusts. However, Katherine’s filing disputes the executors’ belief that charitable donations must be made before any distributions to beneficiaries, arguing that “nothing in the Trust requires those payments to be made before any preliminary distribution to other beneficiaries.”

Bigi, on the other hand, has requested the court deny Katherine’s request, stating that “a reversal on appeal would be an extreme longshot” and that her decision to appeal is “not for the benefit of the heirs.”

As the legal battle continues, the estate is providing for Jackson’s children and mother through a “family allowance,” but no funds from the trust itself will be distributed until the tax dispute is resolved and the estate’s value is finalized.

Stay Connected

If you want to create awesome branded experiences that truly captivate your audience, look no further than Bolanle Media. Our team of experts specializes in crafting immersive, unforgettable events that seamlessly blend creativity and strategy. From product launches to experiential marketing activations, we’ll ensure your brand makes a lasting impression. With our finger on the pulse of the latest trends and technologies, we’ll help you engage customers in innovative ways they’ll be buzzing about. Don’t settle for ordinary – let Bolanle Media elevate your brand with extraordinary experiences tailored to your unique vision. Click this link to learn more and take your marketing to new heights.

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