Related: A Complete Guide to Travis and Jason Kelce’s Family
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Donna Kelce and Travis Kelce Randy Shropshire/Getty Images for Netflix
Travis Kelce is revealing the source of his confidence: his mom, Donna Kelce.
“My mom’s home videos, man,” Travis, 34, shared during a Friday, February 2, Kansas City Chiefs press conference. “Just having that camera on me at all times, seeing what silly stuff I’m gonna do next, man. Honestly, I’ve always been comfortable in the rooms that I’ve been in and just been fortunate that I’ve been able to kind of look into a camera with ease, I guess. I don’t know. It’s just having fun out there.”
Travis, who has played as a tight end for the Chiefs since the 2013 NFL draft, confessed that becoming an athlete also helped him come out of his shell after growing up as a timid child.
“I think just having confidence in general and sports for me is where I built my confidence,” he continued. “You probably won’t believe it, but I was a shy kid growing up until I got onto the sports field or the court or the ice rink.”
It was the “fun,” he added, that ultimately let him show off his personality. “I was having success, and that just kind of propelled me to have confidence in life,” he said.
Travis has been a household name in the NFL for more than a decade, but the 2023-2024 season thrust him into A-list celebrity status after he began dating girlfriend Taylor Swift in summer 2023. Swift, 34, made her first appearance at a Chiefs game alongside Donna, 71, that September. She has continued to cheer him on ever since, causing the world to invest in the pair’s love story.
Travis Kelce says he built his confidence from sports.
He says you “probably won’t believe it but I was a shy kid growing up until I got onto the sports field or the court or the ice rink.”
Kelce will look to show off some of that confidence in the Super Bowl. pic.twitter.com/RO4igu4svH
— Sports Radio 810 WHB (@SportsRadio810) February 3, 2024
In addition to his personal life making headlines, Travis has also made a name for himself in the entertainment industry outside of football. He’s appeared in various commercials on TV, from State Farm to Campbell’s Chunky Soup, and serves as the spokesperson for biopharmaceutical company Pfizer. He also achieved a lifelong dream in March 2023 of hosting Saturday Night Live.
When asked last month about expanding his career outside of football, Travis confessed that while he’s considered it, he be retiring from the game any time soon.
Donna Kelce and Travis Kelce Barry Brecheisen/Getty Images
“I’ve been fortunate to do a few things outside of the sports world that I’ve been enjoying doing, like getting on camera,” he explained in a January 11 press conference. “The SNL stuff kind of opened up a new happiness and a new career path for me, but it’s funny for me to even say that at this point in my career because I think it’s so much further down the road than it is right now.”
“I have no reason to stop playing football,” he added. “I love it. We still have success.”
Travis’ next big moment in the spotlight will be for his athletic achievements as the Chiefs are set to face off against the San Fransisco 49ers in Super Bowl LVIII. The Sunday, February 11, game, which will take place at Las Vegas’ Allegiant Stadium, serves as a rematch between the two teams, who previously competed for the Lombardi trophy in 2020 with the Chiefs taking home the win.
While it’s unconfirmed if Swift will make an appearance at the event due to her Tokyo Eras Tour concerts wrapping up one day prior, Donna will be in the stands cheering her son to victory along with Travis’ dad, Ed Kelce.
Travis Kelce is revealing the source of his confidence: his mom, Donna Kelce. “My mom’s home videos, man,” Travis, 34, shared during a Friday, February 2, Kansas City Chiefs press conference. “Just having that camera on me at all times, seeing what silly stuff I’m gonna do next, man. Honestly, I’ve always been comfortable in
Us Weekly Read More
The film industry, once a beacon of creative opportunity and stable careers, is facing an unprecedented crisis. From Hollywood’s production decline to the vanishing “middle class” of filmmakers, professionals and aspiring creatives alike are asking: Is it still possible to make a living in film in 2025 and beyond?
Recent reports from major outlets like the LA Times and Film LA reveal a stark reality: filming in the greater Los Angeles area dropped by 22% in the first quarter of this year, with total shoot days down nearly 25%. This isn’t just a local issue—Hollywood’s struggles are a warning sign for the global industry.
The rise of streaming platforms has fundamentally changed how content is produced and consumed. Tech-driven companies like Netflix use vast amounts of viewer data to determine what gets made, leading to a glut of similar content—true crime, celebrity docs, and reality shows—at the expense of originality. While this approach maximizes short-term profits, it stifles creative risk-taking and makes it harder for new, innovative projects to get greenlit.
Shooting in California has become prohibitively expensive, with permits and labor costs driving productions overseas to cheaper locations like Hungary and Ireland. Even with recent tariffs aimed at protecting domestic filmmaking, the economics remain challenging for all but the biggest studios.
Perhaps the most devastating trend is the erosion of the “middle class” in filmmaking—those who built steady careers on commercials, network TV, and mid-budget features. As budgets shrink and studios play it safe, these jobs are vanishing, leaving only high-end blockbusters and low-budget, scrappy productions.
Despite the doom and gloom, the demand for high-quality visual content is stronger than ever—just not in the traditional places. The future belongs to those who can pivot:
One professional filmmaker recounts how, after years of working on high-profile documentaries for Netflix and HBO, he shifted focus to smaller, more agile projects for commercial clients like Coinbase. Despite smaller crews and less gear, these jobs proved more profitable than many traditional gigs, demonstrating that adaptability and reputation can open new doors—even in a shrinking market.
The dream of professional filmmaking isn’t dead—but it has evolved. The middle ground may be disappearing, but opportunities abound for those willing to adapt, learn new skills, and straddle both the high and low ends of the market. The industry’s future belongs to the flexible, the creative, and the entrepreneurial.
Tyler Perry, the acclaimed filmmaker and media mogul, is facing a $260 million lawsuit filed by actor Derek Dixon, who appeared in Perry’s BET series “The Oval” and “Ruthless“. The lawsuit, filed in June 2025 in Los Angeles County Superior Court, alleges a pattern of sexual harassment, assault, and professional retaliation spanning several years.
Year | Event Description |
---|---|
2019 | Dixon meets Perry at a studio event; receives acting opportunity |
2020 | Alleged first assault at Perry’s home in Georgia |
2021 | Further alleged incidents, including at Perry’s private island |
2023 | Dixon moves to California, claims continued harassment and promises of a show |
2024 | Dixon files complaint with the EEOC and resigns from “The Oval” |
June 2025 | Lawsuit filed in Los Angeles County Superior Court |
Tyler Perry is currently embroiled in a high-profile legal battle over allegations of sexual harassment and assault brought by actor Derek Dixon. The case centers on claims of abuse of power, coercion, and retaliation, with Perry strongly denying all accusations and vowing to contest the lawsuit vigorously.
Bolanle Media Press Room
The film industry stands at a crossroads in 2025, facing rapid technological changes, economic uncertainty, and evolving audience habits. While some professionals fear for the future, others see opportunity in the turbulence. Bolanle Media Press Room explores the reality behind the headlines, drawing on candid conversations with working filmmakers, directors, and crew members.
Industry professionals report a landscape marked by inconsistency1. Many crew members and directors experience long periods without work, followed by intense bursts of activity. Budgets have tightened, leading to more unpaid hours and increased pressure on freelancers and production companies.
The rise of AI and social media has fundamentally changed how films and advertising content are produced and consumed. Brands now often opt for influencer-driven campaigns over traditional big-budget productions, shifting opportunities and budgets away from established production pipelines.
Those thriving in the current climate are often those who have diversified their skills and roles1. The advice to “niche down” is less relevant, as industry professionals find success by working across multiple sectors and job functions.
Despite the challenges, many in the industry remain optimistic. Passion for storytelling and adaptability are cited as crucial for survival and success.
The film industry is not dying—it is transforming. While shrinking budgets, new technologies, and changing workflows create discomfort and unpredictability, they also bring new opportunities for those willing to adapt. The need for compelling stories and passionate storytellers remains unchanged, ensuring a future for those who embrace change and stay curious.
For more insights and interviews with industry professionals, follow Bolanle Media Press Room for the latest updates on the evolving world of filmmaking.
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April 18, 2024 at 9:44 pm
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