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Erin Moriarty and Megyn Kelly. Getty Images (2)
The Boys star Erin Moriarty opened up about how the plastic surgery accusations are getting out of hand after Megyn Kelly‘s “disgustingly false” claims.
“This is something I truly never anticipated writing,” the actress, 29, wrote in a lengthy Instagram post on Friday, January 26. “We’re all subject to levels of bullying throughout our lives but I am horrified, and I felt that I deserved to take a second to address these things. I had no idea what was going on, to be honest, because I’ve had one of the most challenging weeks of my life.”
Moriarty — who plays Starlight/Annie on Prime Video’s dark superhero series The Boys — has been the subject of much social media speculation over recent weeks with plastic surgery speculation. The actress had posted some photos after some recent weight loss where she was clearly in full glam with strong contour and overlined lips — a departure from some of her more natural makeup looks. She said she expected the usual social media trolls to make their comments and move on.
“I specifically thought that as I emerge this period of time — so stressed that I BARELY been able to eat and sleep,” Moriarty explained. “I thought ok, I’m going to emerge this 10 pounds thinner and the verbal abuse/accusations will be flying — usually either drug use or just a flippant ‘eat a burger’ comment. You learn to become Teflon and move on. I had NO idea what was going on this time.”
The criticism of her looks took a much larger spotlight when Moriarty was used as an example of alleged extreme plastic surgery on Sirius XM’s The Megyn Kelly Show. She was shocked to see the January 17 segment. “To receive a message about a disgustingly false, counterproductive to the degree of being ironically misogynistic video of Megyn Kelly commenting on the manner — to learn the widespread nature of this has left me horrified,” Moriarty shared.
Kelly, 53, displayed what she called a “relatively recent” photo of Moriarty, claiming the photo was taken within the last year, and called her “a nice, beautiful, natural gal.” Then, she showed a more recent photo that she claimed was shocking, alleging she had “Kim Kardashian lips,” had altered her nose and cheeks.
“Look, I’m not against plastic surgery,” Kelly said. “This is something else. This is like a mental disorder. This is extreme. When you start off incredibly beautiful and you end up like a plastic Barbie version of a Kardashian.”
Moriarty noted the first photo shown wasn’t taken within the last year. “Megyn used a photo taken ‘a year ago’ according to her, that had in actuality been taken about a decade ago, before I was of LEGAL DRINKING AGE (I’m about to turn 30) as an example (maybe do some research that would take 30 seconds),” she said in her Instagram statement. “How utterly misinformed, inaccurate, and clickbait seeing people who we follow and consider to be informed is appalling.”
Erin Moriarty attends the premiere of ‘Captain Fantastic’ on June 28, 2016 in Los Angeles. Amanda Edwards/WireImage
The photo in question appeared to be from the June 2016 Captain Fantastic premiere in Los Angeles. Moriarty had turned 22 just a few days prior. (It’s possible that Moriarty is confusing the premiere with when the movie was in production. She filmed her scenes in 2014 when she was 19 and 20.)
Moriarty went on to address the selfie she posted earlier this month that Kelly used for comparison (which has since been deleted from her social media). “I got my make up done that day and it involves major contouring and I remember leaving and feeling really pretty,” the actress said. “And even that day was an immensely stressful day for me. I came running to those girls, and I showed up in tears after what had happened that day, and I left feeling better simply because I felt like they had reduced my lack of sleep and worked their magic wands.”
Her confidence was short-lived. “I saw the comments, scathing enough to just turn my comments off,” she continued. “But this is becoming harassment. This is becoming false news.”
Moriarty announced that she will leave Instagram, deleting all but a handful of posts. She’ll keep her account active so people can see her statement but “otherwise, consider it deactivated.” She added that this isn’t just because of Kelly, but the video seems to have been last straw for Moriarty.
“I an horrified by the reaction, the reductive assumptions, and the aforementioned video that is a primary example of such harassment,” she said. “It’s broken my heart. You’ve broken my heart. You’ve lost the privilege of this account. … The way that this has been spoken about, the way that I have been spoken to, I will not accept. I have been in a hole and I’ve been consumed by this personal situation at hand,” Moriarty explained. “You never know what someone is going through, social media is a platform that is not representative of a whole person, and [sic] irregardless, there is no excuse for the words that have been spoken directly to me or about me. Shame on you, Megyn Kelly.”
She concluded with one final dig at Kelly, “Implying that my photo is reflective of women being in a worse place is as false as my conviction in saying that if you resigned, you would be leaving women in a better place.”
Moriarty’s makeup artist, Makeup by Nelly, supported her in the comment section. “I love you Erin! You look beautiful with and without makeup on. I am the contour QUEEEEEN I guess because we made headlines bb,” Nelly wrote. “It’s 2024 ladies and gents we must know what makeup can do nowadays. It shouldn’t be rocket science to figure that out. Stay strong and positive.”
The cast and crew of The Boys also showed their support. Chace Crawford (who plays The Deep) left a red heart emoji while Jack Quaid (who portrays Hughie) commented, “Love you, Erin. F–k the haters.”
Showrunner Eric Kripke added, “Love you. Seriously they can f–k off. Beyond the cruelty, it’s just patently false. Be kind, people.”
The Boys star Erin Moriarty opened up about how the plastic surgery accusations are getting out of hand after Megyn Kelly‘s “disgustingly false” claims. “This is something I truly never anticipated writing,” the actress, 29, wrote in a lengthy Instagram post on Friday, January 26. “We’re all subject to levels of bullying throughout our lives
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By Bolanle Media | July 2, 2026
Photo: Tyla at the 2026 Met Gala in custom Valentino — days before making the biggest business move of her career.
There are career moves, and then there are statements. Tyla just made a statement that will be studied in music business classrooms for years.
The South African superstar — born Tyla Laura Seethal, 24 years old, and already the proud owner of two Grammy Awards — has officially signed a multi-million dollar global deal with Roc Nation, Jay-Z’s powerhouse entertainment company, walking away from Epic Records to align herself with the most influential roster in the music business. The signing was confirmed across social media with a major digital announcement this week, and the reaction from industry insiders was immediate — shock, admiration, and the quiet acknowledgment that someone just changed the trajectory of African music forever.
Let’s not forget where this all started. In 2023, a 21-year-old from Johannesburg released a song called “Water” that nobody could quite categorize and everybody needed to hear. Within weeks, it had sparked one of the most viral TikTok dance challenges of the decade, charted simultaneously across the United States, the United Kingdom, and Africa, and earned Tyla a Grammy Award for Best African Music Performance — the first year that category even existed.
That win wasn’t just personal. It was a signal. African music — Afrobeats, Amapiano, and now what Tyla herself calls A*Pop — was no longer knocking at the door of the global mainstream. It had walked through it. And Tyla had handed it the key.
What followed was a whirlwind two years of sold-out shows, magazine covers, red carpet domination, and a growing reputation as one of the most stylistically fearless artists on the planet. She attended the 2026 Met Gala — her third consecutive appearance — wearing a custom Valentino gown dripping in diamond chains with a sweeping teal skirt, styled by the legendary Law Roach, with beauty by Pat McGrath. The look was breathtaking. But it was also strategic. Every Met Gala appearance, every fashion moment, every carefully placed interview has been building toward exactly this: the infrastructure to match the vision.

To understand why this deal matters, you have to understand what Roc Nation actually is — because it is not simply a record label.
Founded by Jay-Z in 2008, Roc Nation is a full-service entertainment company with divisions spanning artist management, touring, brand partnerships, film and television, sports management, and philanthropy. Its roster has included Rihanna, Alicia Keys, J. Cole, Big Sean, Lil Uzi Vert, and Megan Thee Stallion — artists who didn’t just sell records, but built multi-decade cultural empires that extended into fashion, film, business, and beyond. The through-line isn’t genre. It’s scale.
For Tyla specifically, the Roc Nation deal unlocks a completely different level of access. We’re talking about premium budgets for music videos and live production, top-tier brand partnership pipelines with luxury and lifestyle companies, film and television placement relationships that most artists spend a decade trying to build, and the kind of media weight that gets you on the cover of Vogue, Time, and Billboard in the same calendar year. Roc Nation doesn’t just manage artists — it engineers icons.
On the African music side, Tyla joins fellow Roc Nation signee Ayra Starr, the Nigerian pop star who inked her deal in 2025, deepening the label’s clear and deliberate strategic investment in African pop as the next dominant global genre. Jay-Z is not betting on a trend. He is betting on a generation.
The timing of this signing is not accidental — it is surgical.
Tyla’s highly anticipated sophomore album, A*POP, is officially set to drop July 24, 2026, just three weeks away — a 14-track project that she has described as unapologetic, globally ambitious, and deeply rooted in her South African identity while simultaneously reaching for something universal. The lead single “She Did It Again” features Swedish pop titan Zara Larsson, a collaboration that announces in no uncertain terms that Tyla is not staying in any lane she didn’t build herself.
With Roc Nation’s full machine now behind the album rollout — promotional infrastructure, media relationships, tour routing, brand activations — A*POP arrives with a runway that Epic Records simply could not have provided at this scale. The industry is already paying attention. For music supervisors, film and TV executives, brand marketers, and entertainment investors reading this right now — put A*POP on your radar immediately. This is the kind of release that shapes culture, not just charts.
Here is what gets lost in the excitement of a big announcement: the systemic significance of what Tyla just did.
The music industry’s historical relationship with African artists has been, at best, transactional — major labels slow to invest, quick to cash in on a viral moment, and consistently reluctant to build the kind of long-term infrastructure that turns an artist into a brand. Tyla has navigated that system with remarkable intelligence, refusing to be reduced to a trend, building her artistic identity on her own terms, and now — at 24 — arriving at the negotiating table with enough leverage to choose Roc Nation on her terms.
That matters. Not just for Tyla, but for every African artist watching this unfold from Lagos, Accra, Nairobi, Cape Town, and Houston. It is proof that the path from regional phenomenon to global superstar is not only possible — it is being paved right now, in real time, by a young woman from Johannesburg who refused to shrink.
For media companies, content platforms, entertainment executives, and brand strategists operating in the African diaspora space — this is your data point. African pop is not a niche. It is not a trend. It is not a moment. It is a movement, and Tyla just secured the most powerful co-sign available in the global music business to lead it.
Watch this space. Very closely.
Follow @bolanlemedia on Instagram for real-time music, film, and entertainment industry news. Read more at bolanlemedia.com

AfriqueFest: Pan-African Musical Experience — World Cup Edition is set to take over Noto Houston on Sunday, June 28, bringing together East, South, and West African sounds in one immersive celebration of music, culture, and connection. Presented by Experience Noir and Bolanle Media, the event is designed as a cinematic night for the culture, blending global energy with Houston nightlife in a way that feels elevated, intentional, and deeply rooted in African creativity.

At the heart of this year’s experience is DJ Shinski. Born and raised in Nairobi, Kenya and now based in Houston, DJ Shinski has built an international name off high-energy sets that move effortlessly across Afrobeats, Amapiano, hip‑hop, dancehall, reggae, and electronic sounds.
He has also become Africa’s most‑subscribed DJ on YouTube, crossing the 2‑million‑subscriber mark and turning his mixes into a global destination for music lovers.
DJ Shinski’s style is precise but unpredictable: one moment it’s classic Afrobeats, the next it’s East African anthems, then a run of throwback hip‑hop or R&B that still feels fresh. That ability to read a room and connect multiple worlds in a single set is exactly why AfriqueFest is building so much of the night’s energy around him.
At AfriqueFest, DJ Shinski helps drive the Safari Grooves segment, representing East and Central Africa from 4 PM to 6 PM. Expect a journey that moves from Nairobi to Dar es Salaam, Kampala, Addis, and beyond, all filtered through his signature “vibes on vibes” approach behind the decks.
Supporting that energy, DJ Tunez leads the Gold Coast Beats chapter from 8 PM to 10 PM, bringing his own Nigerian‑American Afrobeats pedigree to the stage. Together with the Diamond Rhythms segment (South) and a curated roster of DJs, the night stretches across the continent in three distinct musical chapters, all connected by a single dance floor.
Hosted by @chris_gone_crazy, @kingdrewwskyy, @roselynomaka, and @samsnewleaf, AfriqueFest is positioned as more than a party—it’s a celebration of sound, style, and Pan‑African identity in Houston, with DJ Shinski anchoring the experience from the moment doors open.
Brought to you by Bolanle Media and Experience Noir, this World Cup edition of AfriqueFest is crafted as a night where global DJs, storytellers, and music lovers collide and create a shared cultural memory. With DJ Shinski front and center—and DJ Tunez helping close the night—guests can expect a show that reflects both the future of African nightlife and the power of the diaspora to create unforgettable live moments.
If you want to experience DJ Shinski live at AfriqueFest, now is the time to lock in your spot. Purchase your tickets now at AfriqueFest.com and get ready for a night of music, movement, and culture at Noto Houston.

A bold new sketch comedy series for women premieres June 13 across the U.S., U.K., and Canada — arriving on the back of a festival-winning run that has critics and audiences already paying attention.
It isn’t every day a brand-new comedy arrives already wearing a row of trophies. Our Ladies Show does. The seven-episode inspirational sketch comedy series — created, written by, and starring Christin Jezak — begins streaming on The Roku Channel on Friday, June 13, 2026, available free to viewers in the United States, United Kingdom, and Canada.
Produced in partnership with global media services leader Encompass Digital Media, the series sets out to do something rare in today’s streaming landscape: make women laugh out loud and leave them lifted. In a media moment crowded with noise and cynicism, Our Ladies Show is a deliberate counterweight — comedy with a conscience, built for women of every age and background.

Each of the seven episodes opens with a monologue from one of the cast members introducing the theme, then rolls into three or more sketches that hit the subject from every comedic angle. The series tackles the things women actually carry: holding grudges, comparison, beauty, patience, gift giving, the importance of community, and dealing with anxiety.
The comedy comes from a place of warmth rather than mockery — a “laugh at ourselves” spirit that runs through a gallery of unforgettable characters: a nosey neighbor, an overwhelmed mom, relentlessly optimistic flight attendants, beauty pageant winners past their prime, and a crew of unruly campers with a counselor who simply cannot hold it together.
Then the show does something most sketch series don’t. In the final segment of every episode, the cast gathers in a living-room setting and invites the audience in — sharing real inspiration drawn from the theme, the sketches, and their own personal stories. It’s the moment the laughter turns into something that stays with you.

Our Ladies Show brings together three performers with serious range:
“In a world with so much division and depression, I hope women of all ages and backgrounds will watch this show, laugh, be reminded of how beautiful, unique, and loved they are, and remember how much we need each other.”— Christin Jezak, Creator & Star
The series’ recurring long-form sketch, Neighborhood Watch, didn’t arrive quietly. Originally released as a web series and revamped for Our Ladies Show with new footage, sound, and music, it has been sweeping the festival circuit:
Our Ladies Show premieres Friday, June 13, 2026, streaming on The Roku Channel — the home of premium and free entertainment — in the U.S., U.K., and Canada. All seven episodes deliver the series’ signature blend of sharp sketch comedy and genuine encouragement.

Watch the trailer now on your platform of choice:
For more information, visit www.ourladiesshow.com and follow @ourladiesshow on Facebook, Instagram, and TikTok.

Christin Jezak has worked for over 15 years in the entertainment industry. She created and stars in Our Ladies Show and the award-winning web series Neighborhood Watch. She produced the EWTN TV program For the Sake of the Gospel and the all-women web series Ladies Keepin’ It Real, played Dr. Sam in Miracle at Manchester (starring Dean Cain, Daniel Roebuck, and Eddie McClintock), and voices Agnes in the podcast Confessions of a Catholic Single. She held a lead role in a short film for NTT Data directed by Academy Award–winning cinematographer Janusz Kamiński, has co-starred on Raising Hope, and appeared in Jimmy Kimmel sketches and a Grubhub Super Bowl commercial.

Roku pioneered streaming on TV and is the #1 TV streaming platform in the U.S., Canada, and Mexico by hours streamed (Hypothesis Group, Dec. 2025). The Roku Channel is the home of premium and free entertainment, alongside Roku’s Howdy and Frndly TV services. Roku is headquartered in San Jose, California.
Encompass Digital Media is a global managed services company — technology-driven, software-defined, and people-powered. Trusted by world-leading broadcasters, networks, sports rights-holders, and OTT platforms, it processes over 25,000 hours of content daily, serves 850 channels to 84 countries, distributes over 243,000 live events annually, and reaches 400 million radio listeners weekly worldwide. Learn more at www.encompass.tv.
Media & Interview Requests: To interview creator Christin Jezak or the cast, contact Christin at cjezak@p2ptheatre.com.

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