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Erin Moriarty and Megyn Kelly. Getty Images (2)
The Boys star Erin Moriarty opened up about how the plastic surgery accusations are getting out of hand after Megyn Kelly‘s “disgustingly false” claims.
“This is something I truly never anticipated writing,” the actress, 29, wrote in a lengthy Instagram post on Friday, January 26. “We’re all subject to levels of bullying throughout our lives but I am horrified, and I felt that I deserved to take a second to address these things. I had no idea what was going on, to be honest, because I’ve had one of the most challenging weeks of my life.”
Moriarty — who plays Starlight/Annie on Prime Video’s dark superhero series The Boys — has been the subject of much social media speculation over recent weeks with plastic surgery speculation. The actress had posted some photos after some recent weight loss where she was clearly in full glam with strong contour and overlined lips — a departure from some of her more natural makeup looks. She said she expected the usual social media trolls to make their comments and move on.
“I specifically thought that as I emerge this period of time — so stressed that I BARELY been able to eat and sleep,” Moriarty explained. “I thought ok, I’m going to emerge this 10 pounds thinner and the verbal abuse/accusations will be flying — usually either drug use or just a flippant ‘eat a burger’ comment. You learn to become Teflon and move on. I had NO idea what was going on this time.”
The criticism of her looks took a much larger spotlight when Moriarty was used as an example of alleged extreme plastic surgery on Sirius XM’s The Megyn Kelly Show. She was shocked to see the January 17 segment. “To receive a message about a disgustingly false, counterproductive to the degree of being ironically misogynistic video of Megyn Kelly commenting on the manner — to learn the widespread nature of this has left me horrified,” Moriarty shared.
Kelly, 53, displayed what she called a “relatively recent” photo of Moriarty, claiming the photo was taken within the last year, and called her “a nice, beautiful, natural gal.” Then, she showed a more recent photo that she claimed was shocking, alleging she had “Kim Kardashian lips,” had altered her nose and cheeks.
“Look, I’m not against plastic surgery,” Kelly said. “This is something else. This is like a mental disorder. This is extreme. When you start off incredibly beautiful and you end up like a plastic Barbie version of a Kardashian.”
Moriarty noted the first photo shown wasn’t taken within the last year. “Megyn used a photo taken ‘a year ago’ according to her, that had in actuality been taken about a decade ago, before I was of LEGAL DRINKING AGE (I’m about to turn 30) as an example (maybe do some research that would take 30 seconds),” she said in her Instagram statement. “How utterly misinformed, inaccurate, and clickbait seeing people who we follow and consider to be informed is appalling.”
Erin Moriarty attends the premiere of ‘Captain Fantastic’ on June 28, 2016 in Los Angeles. Amanda Edwards/WireImage
The photo in question appeared to be from the June 2016 Captain Fantastic premiere in Los Angeles. Moriarty had turned 22 just a few days prior. (It’s possible that Moriarty is confusing the premiere with when the movie was in production. She filmed her scenes in 2014 when she was 19 and 20.)
Moriarty went on to address the selfie she posted earlier this month that Kelly used for comparison (which has since been deleted from her social media). “I got my make up done that day and it involves major contouring and I remember leaving and feeling really pretty,” the actress said. “And even that day was an immensely stressful day for me. I came running to those girls, and I showed up in tears after what had happened that day, and I left feeling better simply because I felt like they had reduced my lack of sleep and worked their magic wands.”
Her confidence was short-lived. “I saw the comments, scathing enough to just turn my comments off,” she continued. “But this is becoming harassment. This is becoming false news.”
Moriarty announced that she will leave Instagram, deleting all but a handful of posts. She’ll keep her account active so people can see her statement but “otherwise, consider it deactivated.” She added that this isn’t just because of Kelly, but the video seems to have been last straw for Moriarty.
“I an horrified by the reaction, the reductive assumptions, and the aforementioned video that is a primary example of such harassment,” she said. “It’s broken my heart. You’ve broken my heart. You’ve lost the privilege of this account. … The way that this has been spoken about, the way that I have been spoken to, I will not accept. I have been in a hole and I’ve been consumed by this personal situation at hand,” Moriarty explained. “You never know what someone is going through, social media is a platform that is not representative of a whole person, and [sic] irregardless, there is no excuse for the words that have been spoken directly to me or about me. Shame on you, Megyn Kelly.”
She concluded with one final dig at Kelly, “Implying that my photo is reflective of women being in a worse place is as false as my conviction in saying that if you resigned, you would be leaving women in a better place.”
Moriarty’s makeup artist, Makeup by Nelly, supported her in the comment section. “I love you Erin! You look beautiful with and without makeup on. I am the contour QUEEEEEN I guess because we made headlines bb,” Nelly wrote. “It’s 2024 ladies and gents we must know what makeup can do nowadays. It shouldn’t be rocket science to figure that out. Stay strong and positive.”
The cast and crew of The Boys also showed their support. Chace Crawford (who plays The Deep) left a red heart emoji while Jack Quaid (who portrays Hughie) commented, “Love you, Erin. F–k the haters.”
Showrunner Eric Kripke added, “Love you. Seriously they can f–k off. Beyond the cruelty, it’s just patently false. Be kind, people.”
The Boys star Erin Moriarty opened up about how the plastic surgery accusations are getting out of hand after Megyn Kelly‘s “disgustingly false” claims. “This is something I truly never anticipated writing,” the actress, 29, wrote in a lengthy Instagram post on Friday, January 26. “We’re all subject to levels of bullying throughout our lives
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Every filmmaker aspires to create projects that are not only memorable but also uniquely their own. Finding your creative voice is a journey that requires self-reflection, bold choices, and an unwavering commitment to your vision. Here’s how to uncover your style, take risks, and craft original work that stands out.
Your unique voice begins with recognizing what inspires you.
Tip: Combine what you love with your personal experiences to create a lens that only you can offer.
Example: Wes Anderson’s whimsical, symmetrical worlds stem from his love of classic storytelling and his unique visual style.
Takeaway: Start with what moves you, then add your personal touch.
To stand out, you must be willing to challenge conventions and explore new territory.
Example: Jordan Peele blended horror with social commentary in Get Out, creating a genre-defying film that captivated audiences.
Takeaway: Risks are an opportunity for growth, even if they don’t always succeed.
Original projects resonate when they stem from a place of truth.
Example: Greta Gerwig’s Lady Bird was deeply personal, based on her experiences growing up in Sacramento. The film’s authenticity made it universally relatable.
Takeaway: The more personal the story, the more it resonates.
Style is not just about visuals—it’s how you tell a story across all elements of filmmaking.
Example: Quentin Tarantino’s use of dialogue, pop culture references, and bold music choices makes his work instantly recognizable.
Takeaway: Your style should be intentional, evolving as you grow but always recognizable as yours.
The filmmaking process is full of challenges, but staying true to your voice is essential.
Example: Ava DuVernay shifted from public relations to filmmaking, staying true to her voice in films like Selma and 13th, which focus on social justice.
Takeaway: Your voice evolves with every project, so embrace the process.
Finding your voice as a filmmaker takes time, courage, and commitment. By exploring your influences, taking risks, and staying true to your perspective, you’ll craft stories that not only stand out but also resonate deeply with your audience.
Bolanle Media is excited to announce our partnership with The Newbie Film Academy to offer comprehensive courses designed specifically for aspiring screenwriters. Whether you’re just starting out or looking to enhance your skills, our resources will provide you with the tools and knowledge needed to succeed in the competitive world of screenwriting. Join us today to unlock your creative potential and take your first steps toward crafting compelling stories that resonate with audiences. Let’s turn your ideas into impactful scripts together!

The Michael Jackson biopic Michael is more than celebrity drama; it is a real-time lesson in how legal decisions can quietly rewrite a story that millions of people will see. You do not need a $200M budget for the same forces—contracts, settlements, and rights issues—to shape or even erase key parts of your own work.

The film Michael originally included a third act that addressed the 1993 child sexual abuse allegations and their impact on Jackson’s life and career. Trade reports say this version showed investigators at Neverland Ranch and dramatized the scandal as a turning point in the story. After cameras rolled, lawyers for the Jackson estate realized there was a clause in the settlement with accuser Jordan Chandler that barred any depiction or mention of him in a movie.
Because of that old agreement, the filmmakers had to remove all references to Chandler and rework the ending so the story stopped years earlier, in the late 1980s at Jackson’s commercial peak.
According to reporting, this meant roughly 22 days of reshoots, costing around 10–15 million dollars and pushing the total budget over 200 million.
Meanwhile, actress Kat Graham confirmed her portrayal of Diana Ross was cut for “legal considerations,” showing how likeness and approval issues can wipe out an entire character even after filming.
For audiences, the result is a movie that intentionally avoids one of the most controversial chapters of Jackson’s life, which some critics argue makes the portrait feel incomplete or selectively curated.
The key detail in the Michael story is that a contract signed decades ago could dictate what present-day filmmakers are allowed to show. That settlement clause did not just affect the people who signed it; it effectively controlled the narrative of a big-budget film made years later. This is how legal documents become invisible co-authors: they quietly set boundaries around what your story can and cannot include.
Creators face similar invisible lines with:
Legal commentary warns that fictionalizing real events and people carries heightened risk because audiences tend to connect your dramatization back to actual individuals. That risk does not disappear just because you are “small” or “indie”; impact, not audience size, usually determines exposure.
Independent filmmakers often choose the indie route precisely to maintain creative control, but they can face more risk if they skip legal planning. Common problems include unclear ownership of the script, missing music licenses, handshake agreements with collaborators, and no written permission to use locations or people’s likenesses. These are the kinds of issues that can derail distribution, block a streaming deal, or force last-minute cuts that fundamentally change your story.
Legal guides for indie filmmakers consistently emphasize a few realities:
So when you watch Michael skip over certain events, you are seeing, in exaggerated form, the same forces that can shape an indie short, web series, documentary, or podcast episode.
You do not need a law degree, but you do need a basic legal strategy for your creative work. Here are practical steps drawn from entertainment-law and indie-film resources:
Education-focused legal resources repeatedly stress that preventative steps—basic contracts, clear permissions, and simple registrations—are far cheaper than dealing with takedowns, lawsuits, or forced rewrites later.
The Michael biopic illustrates what happens when legal obligations and creative vision collide: whole characters disappear, endings are rewritten, and the public only sees a version of the story that fits within old contracts.
As an indie filmmaker, writer, or content creator, you may not have millions at stake, but you do have something just as valuable—your voice and your ability to tell the story you meant to tell.
Understanding the legal dimensions of your work is not a distraction from creativity; it is a way of protecting it. When you know where the legal boundaries are, you can design stories that are bold, truthful, and still safe enough to reach the audiences they deserve.

This Mother’s Day in Spring, Texas, you’re invited to do more than just sit at brunch—come dance, sweat, and celebrate at the Mother’s Day AfroFun Praise Party: Gospel Dance, Fitness & Feel‑Good Stats in 60 Minutes. This one‑hour Afrobeat gospel dance class is for men and women, bringing live worship, high‑energy choreography, and real fitness benefits together in one unforgettable experience.
On the mic is powerhouse gospel singer Shawna Pat, known for her heartfelt worship, energetic praise songs, and ministry that makes every room feel like church and concert at the same time. She’ll be leading live vocals all class long, turning each track into a moment to sing along, shout, or just soak in the presence while you move.
On the floor, Andrew from WoWo Boyz and the Kingdrewwskyy crew bring the Afrobeat power. Expect easy‑to‑follow, Afro‑inspired choreography that looks hype on video but still feels doable if you’re brand new to dance. Together, Shawna and Andrew create a “praise party meets fitness class” vibe you can’t get from a playlist or a regular gym session.
This event is built for men and women—moms, dads, sons, daughters, couples, and friends who want to honor the mothers in their lives while doing something healthy and fun. The format is simple: warm‑up, dance‑cardio, a short ministry moment focused on mothers and families, and a cool‑down to breathe and stretch it out.
All levels are welcome. If you can walk and two‑step, you can do this class. You choose your intensity: go all‑in with every jump or keep it low‑impact and still stay in the groove. The music is clean and faith‑filled, so you never have to worry about lyrics or the vibe if you’re inviting church friends or bringing teens.
Behind the fun, this one hour delivers real health wins. Health guidelines recommend at least 150 minutes of moderate‑intensity cardio per week, but less than half of adults hit that number. AfroFun helps close that gap—by making movement feel like a celebration instead of a chore.
In just 60 minutes, many people can:
You walk out with more than photos and memories—you leave with better numbers for your heart, body, and mood.
AfroFun Praise Party happens Sunday, May 10, 4–5 PM at 2400 FM 2920, Spring, TX 77388, with free parking and in‑person, high‑energy vibes. Tickets are limited, and early spots always move fastest once people see Shawna Pat and WoWo Boyz are in the building.

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