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Erin Moriarty and Megyn Kelly. Getty Images (2)
The Boys star Erin Moriarty opened up about how the plastic surgery accusations are getting out of hand after Megyn Kelly‘s “disgustingly false” claims.
“This is something I truly never anticipated writing,” the actress, 29, wrote in a lengthy Instagram post on Friday, January 26. “We’re all subject to levels of bullying throughout our lives but I am horrified, and I felt that I deserved to take a second to address these things. I had no idea what was going on, to be honest, because I’ve had one of the most challenging weeks of my life.”
Moriarty — who plays Starlight/Annie on Prime Video’s dark superhero series The Boys — has been the subject of much social media speculation over recent weeks with plastic surgery speculation. The actress had posted some photos after some recent weight loss where she was clearly in full glam with strong contour and overlined lips — a departure from some of her more natural makeup looks. She said she expected the usual social media trolls to make their comments and move on.
“I specifically thought that as I emerge this period of time — so stressed that I BARELY been able to eat and sleep,” Moriarty explained. “I thought ok, I’m going to emerge this 10 pounds thinner and the verbal abuse/accusations will be flying — usually either drug use or just a flippant ‘eat a burger’ comment. You learn to become Teflon and move on. I had NO idea what was going on this time.”
The criticism of her looks took a much larger spotlight when Moriarty was used as an example of alleged extreme plastic surgery on Sirius XM’s The Megyn Kelly Show. She was shocked to see the January 17 segment. “To receive a message about a disgustingly false, counterproductive to the degree of being ironically misogynistic video of Megyn Kelly commenting on the manner — to learn the widespread nature of this has left me horrified,” Moriarty shared.
Kelly, 53, displayed what she called a “relatively recent” photo of Moriarty, claiming the photo was taken within the last year, and called her “a nice, beautiful, natural gal.” Then, she showed a more recent photo that she claimed was shocking, alleging she had “Kim Kardashian lips,” had altered her nose and cheeks.
“Look, I’m not against plastic surgery,” Kelly said. “This is something else. This is like a mental disorder. This is extreme. When you start off incredibly beautiful and you end up like a plastic Barbie version of a Kardashian.”
Moriarty noted the first photo shown wasn’t taken within the last year. “Megyn used a photo taken ‘a year ago’ according to her, that had in actuality been taken about a decade ago, before I was of LEGAL DRINKING AGE (I’m about to turn 30) as an example (maybe do some research that would take 30 seconds),” she said in her Instagram statement. “How utterly misinformed, inaccurate, and clickbait seeing people who we follow and consider to be informed is appalling.”
Erin Moriarty attends the premiere of ‘Captain Fantastic’ on June 28, 2016 in Los Angeles. Amanda Edwards/WireImage
The photo in question appeared to be from the June 2016 Captain Fantastic premiere in Los Angeles. Moriarty had turned 22 just a few days prior. (It’s possible that Moriarty is confusing the premiere with when the movie was in production. She filmed her scenes in 2014 when she was 19 and 20.)
Moriarty went on to address the selfie she posted earlier this month that Kelly used for comparison (which has since been deleted from her social media). “I got my make up done that day and it involves major contouring and I remember leaving and feeling really pretty,” the actress said. “And even that day was an immensely stressful day for me. I came running to those girls, and I showed up in tears after what had happened that day, and I left feeling better simply because I felt like they had reduced my lack of sleep and worked their magic wands.”
Her confidence was short-lived. “I saw the comments, scathing enough to just turn my comments off,” she continued. “But this is becoming harassment. This is becoming false news.”
Moriarty announced that she will leave Instagram, deleting all but a handful of posts. She’ll keep her account active so people can see her statement but “otherwise, consider it deactivated.” She added that this isn’t just because of Kelly, but the video seems to have been last straw for Moriarty.
“I an horrified by the reaction, the reductive assumptions, and the aforementioned video that is a primary example of such harassment,” she said. “It’s broken my heart. You’ve broken my heart. You’ve lost the privilege of this account. … The way that this has been spoken about, the way that I have been spoken to, I will not accept. I have been in a hole and I’ve been consumed by this personal situation at hand,” Moriarty explained. “You never know what someone is going through, social media is a platform that is not representative of a whole person, and [sic] irregardless, there is no excuse for the words that have been spoken directly to me or about me. Shame on you, Megyn Kelly.”
She concluded with one final dig at Kelly, “Implying that my photo is reflective of women being in a worse place is as false as my conviction in saying that if you resigned, you would be leaving women in a better place.”
Moriarty’s makeup artist, Makeup by Nelly, supported her in the comment section. “I love you Erin! You look beautiful with and without makeup on. I am the contour QUEEEEEN I guess because we made headlines bb,” Nelly wrote. “It’s 2024 ladies and gents we must know what makeup can do nowadays. It shouldn’t be rocket science to figure that out. Stay strong and positive.”
The cast and crew of The Boys also showed their support. Chace Crawford (who plays The Deep) left a red heart emoji while Jack Quaid (who portrays Hughie) commented, “Love you, Erin. F–k the haters.”
Showrunner Eric Kripke added, “Love you. Seriously they can f–k off. Beyond the cruelty, it’s just patently false. Be kind, people.”
The Boys star Erin Moriarty opened up about how the plastic surgery accusations are getting out of hand after Megyn Kelly‘s “disgustingly false” claims. “This is something I truly never anticipated writing,” the actress, 29, wrote in a lengthy Instagram post on Friday, January 26. “We’re all subject to levels of bullying throughout our lives
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California just made a dramatic stand for human creativity, defeating the threat of AI actor clones with a sweeping new law that puts people—not algorithms—back in the Hollywood spotlight. With the stroke of Governor Gavin Newsom’s pen in October 2025, the state has sent a clear message to studios, tech companies, and the world: entertainment’s heart belongs to those who create and perform, not to digital facsimiles.
For months, the entertainment industry has been divided over the use of artificial intelligence in filmmaking. Studios, lured by promises of cost-cutting and creative flexibility, have invested in software that can mimic an actor’s face, voice, and even emotional range. But for performers, this wave of synthetic reproduction has triggered alarm—encouraged by chilling stories of deepfakes, unauthorized digital doubles, and contracts that let studios reuse a star’s likeness indefinitely, sometimes without pay or approval.
The new California law, anchored by AB 2602 and AB 1836, changes everything:
The legislation rides the momentum of the recent SAG-AFTRA strike, where real-life talent demanded control over their own digital destinies. Leaders say these protections will empower artists to negotiate fair contracts and refuse participation in projects that cross ethical lines, restoring dignity and choice in an industry threatened by silent algorithms.
Stars, unions, and advocacy groups are hailing the law as the most robust defense yet against unwanted AI replications.
As one actor put it, “This isn’t just about money—it’s about identity, legacy, and respect for real artists in a synthetic age.”
California’s move isn’t just a victory for local talent—it’s a warning shot to studios everywhere. Companies will now be forced to rethink production pipelines, consult legal counsel, and obtain proper clearance before digitally cloning anyone. Global entertainment platforms and tech developers will need to comply if they want to do business in the world’s entertainment capital.
These laws also set a template likely to ripple through other creative fields, from musicians whose voices can be synthesized to writers whose work could be mimicked by generative AI. For now, California performers finally have a powerful shield, ready to fight for the right to shape their own public image.
With its no-nonsense ban on AI actor clones, California draws a bold line, championing the work, likeness, and very humanity of its creative stars. It’s a landmark step that forces the entertainment industry to choose: respect real talent, or face real consequences. The age of the consentless digital double is over—human performers remain the true source of Hollywood magic.
Darby Kingman’s “Camp Wackapoo: Rise of Glog” redefines summer camp comedy with a wild, energetic story about ambition, chaos, and the joy of embracing the unexpected. The film centers on a relentlessly competitive camp counselor who’s determined to finish first—only to face a motley crew of unruly campers and a summer unlike any other.
As Darby puts it, “Not everything is that deep. It really honestly was to make people laugh. She has all these kids that are not working with her and she’s just losing her mind. It’s crazy, silly, goofy, and it was a blast.”
What started as a simple scene for Darby’s acting reel evolved into a full-fledged film with encouragement from her mentor at Debbie Reynolds Acting School. Darby dove into every role—writing, directing, starring, and meticulously preparing each prop and costume. “Plan and prepare, but also be flexible and ready to be in the moment—that’s when the magic happens,” she advises.
Working with a handpicked cast of her own dance students, Darby built an atmosphere of real teamwork and camaraderie. She credits the “precious” energy of her young cast, her creative director of photography, and the overall spirit of her production team for turning the project into something bigger than herself. Her experience is an inspiring blueprint for indie filmmakers:
“Take initiative and control of your career. You can’t just sit around and wait for somebody to pick you. Figure out what you’re good at and go for it. Create something that brings joy to others.”
Her production motto? “Preparation is key, but you have to be ready to go with the flow—that’s when the magic happens.” Darby’s fearless creativity, focus on collaboration, and love for comedy shine throughout “Camp Wackapoo: Rise of Glog.” It’s more than just a camp satire—it’s a heartfelt testament to hard work, original humor, and leadership from the ground up: “People need to laugh right now. That’s a win.”
Catch “Camp Wackapoo: Rise of Glog” and experience Darby’s infectious energy and comic genius at the Deluxe Theatre on November 1, 2025. Get your tickets now at Houstoncomedyfilmfestival.com.
The world of film and entertainment is mourning the loss of Diane Keaton, an Oscar-winning actress renowned for her enduring talent, individuality, and influence on generations of performers and fans. Keaton died at the age of 79 in California on Saturday, October 11, 2025, her family confirmed. Details remain private, with her family requesting privacy as they grieve this profound loss.
Diane Keaton rose to fame in the 1970s through a series of memorable roles, most notably as Kay Adams in “The Godfather” trilogy and as the quirky, unforgettable lead in Woody Allen’s “Annie Hall,” for which she won the Academy Award for Best Actress. Her performances in films like “The First Wives Club,” “Something’s Gotta Give,” and the “Book Club” series solidified her reputation as an actress with unique comedic timing and dramatic depth. Keaton was celebrated not only for her artistry but also for her androgynous fashion sense, characterized by menswear-inspired looks, hats, and an easy, effortless style that influenced generations.
Following the news of her passing, tributes poured in from Hollywood and beyond. Bette Midler, Goldie Hawn, and Jane Fonda were among the countless stars who expressed devastation and admiration for Keaton’s incomparable legacy. Hawn recalled their friendship and collaborations, writing: “Diane, we aren’t ready to lose you…you stole the hearts of the world and shared your genius with millions”. Midler echoed the sentiment, praising Keaton as “brilliant, beautiful, extraordinary” and a truly original presence in Hollywood.
Though fiercely independent and known for her openness, Keaton kept her declining health private in her final months. Friends and neighbors noticed her retreat from public life and social media, and she was recently seen less often in her Brentwood neighborhood. In the past, Keaton candidly discussed her ongoing battles with skin cancer and bulimia, openly advocating for personal health and authenticity.
Diane Keaton leaves behind a legacy defined by her fearless performances, unique style, and enduring influence on the arts. She is survived by her two children, Dexter and Duke. As Hollywood and her global fanbase mourn, her pioneering spirit and unmistakable voice will continue to inspire generations.
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