Entertainment
The Biggest Celeb Memoir Bombshells of 2023: Prince Harry’s Todger and More on December 28, 2023 at 11:02 pm Us Weekly
Celebrity memoir fans received an enormous bounty in 2023, with stars including Britney Spears, Prince Harry and Barbra Streisand dropping books packed with juicy recollections.
Harry kicked off the year with his much-discussed memoir, Spare, which included plenty of tea on his royal family members. In one chapter, Harry claimed that he and his brother, Prince William, got into a physical fight after William allegedly called Meghan Markle “difficult.” According to Harry, William “grabbed” him by the collar and broke his necklace before knocking him to the floor.
Nine months later, Streisand shared her own royal anecdote in her hefty tome, My Name Is Barbra. The Funny Girl star claimed that Harry’s dad, King Charles III, once said he had a crush on her, in part because of her “great sex appeal.”
The duo met in 1974, at which point Charles was still single, but alas, sparks didn’t fly, and Streisand never got the chance to become the queen of England. “The fact is, both Prince Charles and I are shy, but somehow we still managed to connect … because that proved to be the beginning of an unexpected friendship,” Streisand wrote.
Keep scrolling for the biggest bombshells celebrities dropped in the memoirs this year:
Prince Harry’s Todger Froze Right Before His Brother’s Wedding
Released in January, Harry’s memoir, Spare, was full of shocking revelations about the British royal family, but nothing caused as many double takes as the news that he got frostbite on his penis during a 2011 trip to the North Pole — weeks before William’s wedding to Princess Kate Middleton.
“Pa was very interested, and sympathetic about the discomfort of my frostnipped ears and cheeks, and it was an effort not to overshare and tell him also about my equally tender penis,” Harry wrote, recalling how he told his family about the situation the night before the ceremony. “Upon arriving home I’d been horrified to discover that my nether regions were frostnipped as well, and while the ears and cheeks were already healing, the todger wasn’t. It was becoming more of an issue by the day.”
Jeremy Selwyn – WPA Pool/Getty Images
Pamela Anderson Found a Crack Pipe in the Christmas Tree
Anderson claimed in her January memoir, Love, Pamela, that her ex-husband Rick Salomon once left a crack pipe in her Christmas tree. “People had warned me that Rick was a serious addict, but I’d never seen that side of him,” she wrote. “It seemed like an exaggeration. Rick insists to this day that my assistant planted the pipe in the tree to break us up.”
Salomon, who was married to Anderson in 2007 and from 2014 to 2015, admitted to using crack but claimed the pipe wasn’t his doing. “I smoked crack for 25 f–king years, but the crack pipe in the Christmas tree was 1,000 percent not mine,” he told the New York Post in January, noting that he has been sober for 15 years. “[That] crack pipe has nothing to do with me, but I am a crackhead.”
Paris Hilton’s Teenage Assault
Hilton detailed her horrifying first sexual encounter in her March book, Paris: The Memoir, telling readers that she was raped at age 15 by an older guy who allegedly drugged her with a wine cooler. “After that, I don’t remember much. Broken pieces,” she wrote. “I became aware of a crushing weight on me. Suffocating me. Cracking my ribs. … He clamped down on my face and whispered: ‘It’s a dream. It’s a dream. You’re dreaming.’”
Before the incident, Hilton planned to abstain from sex until marriage, but she decided to have sex with her high school boyfriend so she could reclaim her narrative. “Going forward, it made a much better ‘How I Lost My Virginity’ story,” she said. “Once upon a time. With a cute boy who loved me.”
Minka Kelly’s Heartbreaking Childhood
In May, Kelly detailed her difficult upbringing in Tell Me Everything, which recounted the time she spent living in the storage room of an apartment building after her mother could no longer afford the rent. Kelly also said her mom — who died in 2008 after battling cancer — took her to work with her at a strip club when she was 7, did drugs in front of her and left her with friends for lengthy periods of time.
Additionally, Kelly revealed that she briefly dated Friday Night Lights costar Taylor Kitsch. “We fell in lust fast and hard. I would have told you back then that we were madly in love. Mad, yes. But love it was not. We were infatuated with each other. I had no idea how to give or receive love back then,” she wrote. “I loved being with him. It’s just that the good only lasted so long before our incompatibility reared its ugly head. We ended up getting back together and breaking up more times than I can count.”
Elliot Page’s Secret Romance With Kate Mara
Page revealed in his June memoir, Pageboy, that he had a secret romance with Mara while Page was filming 2014’s X-Men: Days of Future Past. “The first person I fell for after my heart was broken was Kate Mara,” Page wrote. “She had a boyfriend at the time, the lovely and talented Max Minghella. … This was right after I’d come out as gay and it was a time of exploration and also heartbreak. I think my relationship, or whatever you want to call it with Kate, very much encapsulates a certain dynamic that I consistently found myself in, which was falling for people that — I think a lot of us do this — who aren’t fully available.”
Page noted in an interview with People that Mara had “read the book” before its publication. Mara also appeared with Page at a Los Angeles event celebrating the memoir’s release.
Jim Bob Duggar Tried to Withhold Thousands of Dollars From Jill Duggar and Derrick Dillard
In their September book, Counting the Cost, Jill and husband Dillard claimed that Jill’s dad, Jim Bob, refused to share profits from the family’s TLC show with them. Jill later described a family meeting during which Jim Bob announced he planned to give the boys in the family $80,000 — and credited Dillard for the idea. The Dillards were suspicious about the offer and thought “there was some angle” Jim Bob wasn’t being fully honest about. In order to get the money, Dillard and the other guys would have to sign an NDA and a contract with Mad Family Inc. for an additional seven years — “plus an unlimited number of years beyond that if the company chose.”
Jill further claimed that an IRS notice informed her and Dillard that they made $130,000 more than they were ever paid. Jim Bob initially offered to give them $2,000 before relenting and paying them $175,000. “I never knew that victory could feel so hollow or so overwhelmingly sad,” Jill wrote.
Kerry Washington Learned Her True Parentage in Her 40s
The famously private Washington opened up about her parents in her September memoir, Thicker Than Water, and said she didn’t learn until her 40s that she was conceived via a sperm donor. Her mother and father finally told her the truth in 2018 when she was going to participate in the PBS series Finding Your Roots and had to collect DNA samples from them. She noted that the revelation hasn’t affected her relationship with the man who raised her but said she hasn’t been able to locate her biological father.
Reba McEntire Wore a Wig for 5 Months to Hide a Haircut
In her October book, Not That Fancy, McEntire revealed that she’d wanted to chop off her long red hair “for a long time,” but the idea made her team “nervous.” They eventually came to a compromise wherein the haircut would become part of the rollout for her 1996 album, What If It’s You. The problem was that the chop happened five months before the album dropped. The solution? A wig.
“I finally debuted my short hair at the Country Music Association (CMA) Awards show, and it felt so good!” McEntire recalled, noting that What If It’s You ultimately went double platinum. “So I guess you could say it worked. A new style may seem like a small thing, but it helped me feel more like myself, and I think my fans liked that. It just goes to show — trust your gut and do what’s right for you. Everyone else will catch up.”
Jada Pinkett Smith and Will Smith Have Been Separated for 7 Years
Readers expected Pinkett Smith’s October memoir, Worthy, to touch on her husband’s infamous Oscars slapping incident — and it did — but there was a bigger revelation to come: Smith and his wife had already been separated for six years when The Slap went down. Pinkett Smith revealed that she and Smith separated in 2016 after coming to “the proverbial stage of irreconcilable differences.”
The duo decided not to divorce, however, because of a promise they made to one another early in their relationship. “So, at the end of 2016, Will and I looked each other in the eyes and decided to separate in every way except legally,” Pinkett Smith wrote. “We would remain family-strong, not lose our friendship and maintain our policy of complete transparency — i.e., no secrets about what we were doing and whom we were doing it with.”
Arturo Holmes/FilmMagic
Kanye West Offered to Get Julia Fox a Boob Job
Fox’s October memoir, Down the Drain, didn’t mention West by name, but it was clear who she meant when she referred to “the artist” she previously dated. According to Fox, West offered to get her a boob job, but she refused. She also claimed that the rapper was the person behind the January 2022 Interview magazine article about their date night, which was purportedly written by her. Fox alleged that West didn’t like her original draft and so submitted a “completely fabricated” version written by his “annoying friend.”
Britney Spears Had an Abortion
In October, Spears revealed in her book, The Woman in Me, that she had an abortion after she became pregnant with Justin Timberlake’s baby during their relationship. (The former couple dated from 1999 to 2002.)
“It was a surprise, but for me, it wasn’t a tragedy. I loved Justin so much. I always expected us to have a family together one day. This would just be much earlier than I’d anticipated,” she wrote. “But Justin definitely wasn’t happy about the pregnancy. He said we weren’t ready to have a baby in our lives, that we were way too young.”
Spears went on to say that Timberlake tried to comfort her after her at-home medication abortion by playing guitar. “At some point he thought maybe music would help, so he got his guitar and he lay there with me strumming it,” she wrote. Timberlake never reacted to the tell-all.
J. Merritt/Getty Images for GLAAD
John Stamos Was the Person Who Told Lori Loughlin She Got Caught for College Cheating Scandal
Stamos’ October book, If You Would Have Told Me, was full of juicy revelations, but the most interesting tidbits concerned his Full House costar Loughlin. According to Stamos, he was the person who informed Loughlin in 2019 that she was on the hook for the college admissions scandal. “In March 2019, I get a strange text around 5:30 a.m. from my good friend Roger Lodge. He asks if Lori is OK. I hit him back, ‘Why, what’s up?’ Something about a college scandal,” Stamos wrote. “I started googling, but there was very little I could find. I knew she was working in Canada, so I called to check on her.”
Loughlin told Stamos she was “not sure” what was happening, but by then the story had gone wide. “Then, switching on the news, the story breaks big time. I immediately text Lori, ‘Are you watching the news?’” Stamos recalled. “An FBI agent is announcing the largest college admissions scandal ever handled by the Department of Justice, involving bribes to prestigious colleges for falsified student acceptances.”
Loughlin ultimately pleaded guilty to one count of conspiracy to commit wire and mail fraud and served two months in prison.
Stamos went on to reveal that he nearly dated Loughlin before meeting ex-wife Rebecca Romijn. “She’s my Sandra Dee from Grease, the good girl with a kind heart who always makes me feel upbeat when I’m around her,” he wrote of Loughlin before comparing Romijn to Sandy as well. “[She’s] the Sandy-in-Black-Leather at the end of Grease. … Am I going to sit in a swing forlorn at the drive-in wearing a motorcycle jacket warbling like John Travolta for Sandra Dee or am I putting on the letterman’s sweater to enter the carnival in search of black patent leather stilettos with chills multiplying? Let’s just say Rebecca’s first call sounds a lot like, ‘Tell me about it, Stud,’ and it’s electrifying.”
Mireya Acierto/Getty Images
Barbra Streisand Passed on a Lot of Famous Men
In her 992-page memoir, My Name Is Barbra (released in November), Streisand didn’t hesitate to list the celebrity men who expressed romantic interest in her over the years. According to the Oscar winner, she turned down a proposition from Marlon Brando, who later became her friend, and refused advances from Mandy Patinkin, with whom she starred in Yentl.
Streisand also claimed that King Charles III told her she was the “only pinup” on his wall when he attended Cambridge University. “Who knew?” she wrote, adding that the then-prince allegedly described her as “devastatingly attractive” at one point. “Certainly not me, and it’s probably better that I didn’t when we met, because it would have made me self-conscious.”
Mike ‘The Situation’ Sorrentino Had Smuggled Pills Shipped to ‘DWTS’
The Jersey Shore: Family Vacation star revealed in his December memoir, Reality Check, that a New Jersey drug dealer shipped him packages of painkillers hidden in pens while he was competing on season 11 of Dancing With the Stars in 2011.
“I needed those pills for DWTS,” he wrote. “That was one of the hardest shows I’ve ever done. I practiced eight hours a day, popping six [30-milligram pills] every few hours.”
Celebrity memoir fans received an enormous bounty in 2023, with stars including Britney Spears, Prince Harry and Barbra Streisand dropping books packed with juicy recollections. Harry kicked off the year with his much-discussed memoir, Spare, which included plenty of tea on his royal family members. In one chapter, Harry claimed that he and his brother,
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Advice
How Far Would You Go to Book Your Dream Role?

The question Sydney Sweeney’s career forces every serious artist to ask themselves.
Most people say they want to be an actor. But wanting the life and being willing to do what the life requires are two entirely different things. Sydney Sweeney’s performance as Cassie Howard in Euphoria is one of the clearest examples in recent television of what it actually looks like when an artist refuses to protect themselves from the story they are telling.
The Performance That Started a Conversation
Cassie Howard is not a comfortable character to watch. She is messy, desperate, and heartbreakingly human in ways that most scripts would have softened or simplified. Sydney Sweeney did not soften her. She played every scene at full exposure — the breakdowns, the humiliation, the moments where Cassie is both completely wrong and completely understandable at the same time.
What made the performance remarkable was not the difficulty of the scenes. It was the consistency of her commitment to them. Night after night on set, take after take, she showed up and gave the camera something real. That is not a small thing. That is the kind of discipline that separates working actors from generational ones.
What the Industry Does Not Tell You
The entertainment industry sells you a version of success built around talent, timing, and luck. And while all three matter, none of them are the real differentiator in a room full of equally talented people. The real differentiator is willingness — the willingness to be honest, to be vulnerable, and to let the work require something personal from you.
Most actors hit a wall at some point in their career where a role demands more than they have publicly shown before. The ones who say yes to that moment, who trust the material and the director enough to go somewhere uncomfortable, are the ones audiences remember long after the credits roll.
Sydney Sweeney said yes repeatedly. And the industry took notice.
The Question Worth Asking Yourself
Before you answer, really think about it. There is a moment in every serious audition room where someone might ask you to go further than you are comfortable with — to access something real, to stop performing and start revealing. In that moment, you have to decide what your dream is actually worth to you and, more importantly, what parts of yourself you are not willing to trade for it.
That is the question Euphoria quietly raises for anyone watching with ambition in their chest. Not “could I do that,” but “should I ever feel pressured to.” There is a difference between an artist who chooses vulnerability as a creative tool and one who is pressured into exposure they never agreed to. Knowing that difference is not a weakness. It is the most important thing a young actor can understand before they walk into a room that will test it.
Because the only role that truly costs too much is the one that asks you to abandon who you are to play it.
What You Can Take From This
Whether you are an actor, a filmmaker, a content creator, or someone simply building something from scratch, the principle is the same. The work that connects with people is almost always the work that cost the creator something real. Audiences can feel the difference between performance and truth. They always could.
Sydney Sweeney did not become one of the most talked-about actresses of her generation because she got lucky. She got there because she was willing to be completely, uncomfortably human in front of a camera — and because she knew exactly who she was before she let the role take over.
That combination — full commitment and a clear sense of self — is rarer than talent. And it is the thing worth chasing.
Written for Bolanle Media | Entertainment. Culture. Conversation.
Entertainment
Bieber’s Coachella Set Has Everyone Arguing Again

And honestly? That might be exactly what he wanted.
Justin Bieber stepped onto the Coachella stage Saturday night as the highest-paid headliner in the festival’s history — reportedly pocketing $10 million — and proceeded to sit down at a laptop and play YouTube videos.
The internet, predictably, lost its mind.
What Actually Happened
This was Bieber’s first major U.S. performance since his Justice era — a long-awaited comeback after battling Ramsay Hunt syndrome in 2022, which caused partial facial paralysis, plus years of mental health struggles and a very public disappearing act from the industry.
The stage setup was minimal: a fluid cocoon-like structure, no backup dancers, no elaborate lighting rigs. Just Bieber, a stool, and a laptop.
He opened with tracks from his 2025 albums Swag and Swag II, then invited the crowd on a journey — “How far back do you go?”
What followed was a nostalgic scroll through his entire career: old YouTube covers before he was famous, classic hits “Baby“ and “Never Say Never“ playing on screen while he sang alongside his younger self. Guests including The Kid Laroi, Wizkid, and Tems joined him throughout the night.
He even played his viral “Standing on Business” paparazzi rant and re-enacted it live, hoodie on, completely unbothered.
The Moment Nobody Predicted
But here’s what the critics burying him in their hot takes chose not to lead with: Bieber closed his set with worship music.
In the middle of Coachella — one of the most secular stages on the planet — he performed songs rooted in his Christian faith, openly crediting Jesus as the reason he was standing on that stage at all.
It wasn’t subtle. It wasn’t a quick prayer and a thank-you. He leaned into it fully, in front of a crowd of 125,000 people who came expecting pop bangers and got a testimony instead.
For fans who have followed his faith journey — his deep involvement with Hillsong and later Churchome, his baptism in 2014, and his very public declaration that Jesus saved his life during his darkest years — the moment landed like a full-circle miracle.
Why People Are Mad
Critics have been brutal.
Zara Larsson summed up the skeptics perfectly, posting on TikTok: “It’s giving let’s smoke and watch YouTube“ — and that clip went just as viral as the performance itself.
One fan on X wrote: “I’m crying, this might actually be the worst performance I’ve ever seen. He’s just playing videos from YouTube… zero effort, pure laziness.”
The comparison to Sabrina Carpenter’s Friday headlining set — elaborate staging, multiple costume changes, celebrity cameos — only made Bieber’s stripped-down show look more controversial.
And the $10 million figure kept coming up. People felt cheated.
Why His Fans Think Everyone’s Missing the Point
Here’s where it gets interesting.
One commenter on X put it best: “He did not force a high-production machine that could burn him out again. Instead, he sat with his past, scrolling through old YouTube videos, duetting with his younger self, and mixing nostalgia with new chapters.”
As the set progressed, Bieber visibly opened up. He removed his sunglasses. He took off his hoodie. He smiled, made jokes about falling through a stage as a teenager.
One Instagram account with millions of followers posted: “This Justin Bieber performance healed something in me.”
That healing language is intentional for Bieber — it mirrors how he talks about his faith. In interviews, he has repeatedly said Jesus didn’t just save his career; He saved his life. The worship set at Coachella wasn’t a gimmick. It was a confession.
The Bigger Picture
Love it or hate it, Bieber’s Coachella set is the most talked-about moment from Weekend One — more than Karol G making history as the first Latina to headline the festival, more than Sabrina Carpenter’s spectacle.
That’s not an accident.
In an era where every headliner tries to out-produce the last one, Bieber walked out with a laptop, a stool, and his faith — and made it personal. For millions of fans watching, the worship songs weren’t filler. They were the point.
Whether you call it lazy or legendary, one thing is clear: Justin Bieber isn’t performing for the critics anymore. He’s performing for an audience of One — and the rest of us just happened to be there.
Drop your take in the comments — was Bieber’s Coachella set lazy, legendary, or something even bigger?
Entertainment
Vertical Films Changed Everything. Are You Ready?

People don’t watch films the way they used to—and if you’re still cutting everything for the big screen first, you’re losing the audience that lives in your pocket.
Every swipe on TikTok is a tiny festival: new voices, wild visuals, heartbreak, comedy, and chaos, all judged in under three seconds. In that world, vertical films aren’t a gimmick. They’re the new front door to your work, your brand, and your career.

The movie theater is now in your hand
Think about where you’ve discovered your favorite clips lately: your phone, in bed, in an Uber, between texts. The “cinema” experience has shrunk into a glowing rectangle we hold inches from our face. That’s intimate. That’s personal. That’s power.
Vertical video fills that space completely. No black bars. No distractions. Just one story, one face, one moment staring back at you. It feels less like “I’m watching a movie” and more like “this is happening to me.” For storytellers, that’s gold.
The old rules still matter—but they bend
Film school taught you:
- Compose for the wide frame.
- Let the world breathe at the edges.
- Save the close-up for maximum impact.
Vertical filmmaking says: bring all of that craft… and then flip it. You still need composition, rhythm, framing, and sound. But now:
- The close-up is the default, not the climax.
- Depth replaces width—what’s in front and behind matters more than left and right.
- Micro-scenes—60 seconds or less—must feel like complete emotional beats.
It’s not “less cinematic.” It’s a different kind of cinematic—one that lives where people already are instead of asking them to come to you.
Your characters can live beyond the film
Here’s the secret no one tells you: audiences don’t just fall in love with stories; they fall in love with people. Vertical video lets your characters exist outside the runtime.
Imagine this:
- The day your trailer drops, your lead character is already a recurring presence on people’s For You Pages.
- There are 10 short vertical scenes—arguments, confessions, jokes—that never made the final cut but live as their own mini-episodes.
- Fans aren’t asking “What is this movie?” They’re asking, “When do I get more of her?”
When someone feels like they “know” a character from their feed, buying a ticket or renting your film stops feeling like a risk. It feels like catching up with a friend.
Behind the scenes is no longer optional
Vertical films thrive on honesty. Shaky behind-the-scenes clips. Laughing fits between takes. The director’s 2 a.m. rant about a shot that won’t work. The makeup artist fixing tears after a heavy scene. That’s the texture that makes people care about the final product.
You don’t have to be perfect. You have to be present.
Ideas you can start capturing tomorrow:
- “What we can’t afford, so we’re faking it.”
- “The shot we were scared to try.”
- “One thing we argued about for three days.”
When you show the process, you’re not just selling a film—you’re inviting people into a journey.
Think in episodes, not posts
Most people treat vertical video like a one-off blast: post, pray, forget. Instead, think like a showrunner.
Ask yourself:
- If my project were a vertical series, what’s Episode 1? What’s the hook?
- How can I end each clip with a question, a twist, or a feeling that makes people need the next part?
- Can I tell one complete emotional story across 10 vertical videos?
Suddenly, your feed isn’t random. It’s a season. People don’t just “like” a video—they “follow” to see what happens next.
The attention is real. The opportunity is bigger.
We’re in a rare moment where a micro-drama shot on your phone can sit in the same feed as a studio campaign and still win. A fearless 45-second monologue in a bathroom. A quiet scene of someone deleting a text. A single, wordless push-in on a face that tells the whole story.
Vertical films give you:
- Low cost, high experimentation.
- Immediate feedback from real viewers.
- Proof that your story, your voice, your world can hold attention.
You don’t have to wait for permission, a greenlight, or a perfect budget. You can start where you are, with what you have, and let the audience tell you what’s working.

So, are you ready?
Some filmmakers will roll their eyes and call vertical a phase. They’ll keep making beautiful work that no one sees until a festival says it exists. Others will treat every swipe, every scroll, and every tiny screen as a chance to connect, teach, provoke, and move people.
Those are the filmmakers whose names we’ll be hearing in five years.
The question isn’t whether vertical films are “real cinema.” The question is: when the next person scrolls past your work, do they feel nothing—or do they stop, stare, and think, “I need more of this”?
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