Entertainment
The Best Movies of 2023: From ‘Barbie’ to ‘M3gan’ and Everything In-Between on December 11, 2023 at 2:51 am Us Weekly

Warner Bros./Universal (2)
This is a Top 20 Movies of 2023 post, so obviously we must start with … Taylor Swift.
Seriously.
Go back to October, when the devastating SAG-AFTRA strike was still in full throttle. High-profile projects like Dune 2 had been jettisoned to 2024; the films that were being released couldn’t benefit from proper promotion. An industry that had barely emerged from the pandemic seemed on life support. Only true cinephiles cared about going to the movies.
Then Taylor Swift: The Eras Tour arrived.
The concert movie was nearly three hours in length and offered exactly zero minutes of backstage footage from her mega-selling tour. Whatever. Fans who did catch the live show clamored at the chance to relive their summer memories — and those who missed it were afforded a front-row seat at a fraction of the cost. The audiences didn’t just passively sit and watch as if it were an eat-your-vegetables period piece, either. They sang and danced and turned it into a joyous $150-million-grossing interactive experience.
Now, Swift happens to be a celebrity of unparalleled popularity at the moment. Go ahead and name a comparable actor who can draw in crowds of that magnitude — and don’t say Tom Cruise or Leonardo DiCaprio. (Ahem: Disappointing ticket sales for Mission: Impossible — Dead Reckoning Part I and Killers of the Flower Moon.) Not even the great Beyoncé could pull off a similar box-office feat with her own well-reviewed Renaissance Tour concert flick.
Still, even after The Eras Tour hits streaming, belting out “Cruel Summer” alone on the couch is bound to yield diminishing returns. Queuing up your favorite movie with a few clicks may be convenient, but there’s still something enormously satisfying about taking in a film on a big screen. And when that film actually delivers on its promise . . .?! The communal endorphin rush can’t be denied.
Enter this year’s Top 20. Admittedly, none of these picks prompted live sing-a-longs. Yet they all succeeded in striking a chord from deep within. (And, because this is still 2023, several picks are available to watch at home right now.) Go check them out. Or, put it this way: Baby just say yes.
Courtesy of Warner Bros.
1. ‘Barbie’
Want to know how to think out of the (pink) box? Take the seemingly-perfect doll (Margot Robbie) and wake her up to the harsh gender-imbalanced realities beyond the utopian Barbieland. But director Greta Gerwig’s smart modern comedy truly resonated with kids of all ages because its impactful messaging came wrapped in delightful candy-colored entertainment. Plus, Ryan Gosling proved he Ken do it all. (Max on December 15; available for purchase on digital and on-demand)
2. ‘Maestro’
In his sophomore directing effort, Bradley Cooper takes on iconic West Side Story composer and conductor Leonard Bernstein. Yet this is no ordinary womb-to-tomb biopic. Using artful construction and a towering score from the musical genius himself, Cooper focuses on Bernstein’s troubled decades-long romance with the beguiling Felicia Montealegre (Carey Mulligan). Not pitch perfect, but pretty darn close. (In select theaters; Netflix on December 20)
3. ‘American Fiction’
For this blistering satire — which won the top prize at the Toronto International Film Festival — a frustrated academic and author (a never-better Jeffrey Wright) decides to single-handedly rail against an industry that tends to celebrate Black storytelling with traumatic and poverty narratives. Amid the outrageously funny moments, it shines as a relatable and poignant family melodrama. Bravo. (In theaters December 22)
4. ‘AIR’
A historical foot note in which a Nike marketing whiz (Matt Damon) attempts to sign Michael Jordan to a shoe contract in 1984 has inspired a totally terrific movie. In fact, considering that Air Jordans now epitomize corporate American culture, it’s a minor miracle director Ben Affleck (who also plays Nike CEO Phil Knight) delivered such a shaggy underdog story about gumption, optimism and faith. (Prime Video)
Universal Studios
5. ‘Oppenheimer’
There’s a reason audiences were blown away (sorry!) by Christopher Nolan’s epic. Despite a heady subject matter — the creation of the atomic bomb — and challenging non-linear three-hour-long narrative, it’s a fascinating and technically excellent look at one of the most important chapters in 20th century history. A first-rate ensemble that included Cillian Murphy, Robert Downey Jr., Matt Damon and Emily Blunt helped too. (Available for purchase on DVD, digital and on-demand)
6. ‘Anatomy of a Fall’
Confirmed: The Palme d’Or winner from the Cannes Film Festival is no esoteric sleep aid. On the contrary, this thriller in which a German novelist (Sandra Huller) stands trial for the murder of her possibly depressed husband crackles with twisty intensity. Featuring a blind boy that maybe can’t be trusted, a hero of a dog and an ending that begs for deep analytical discussion. (In theaters)
7. ‘The Holdovers’
Cheers to a sensitive 1970-set tale about damaged souls who push each other through disappointment. Paul Giamatti is an ultra-curmudgeonly teacher at an all-boys boarding school tasked with watching a student (Dominic Sessa) over Christmas break. Along with the school’s grieving cafeteria manager (Da’Vine Joy Randolph), the trio forge a bond during the most wonderful — albeit loneliest — time of the year. And they do it without resorting to easy sentimentality. (In theaters and available for purchase on digital and on-demand)
8. ‘Past Lives’
This tender romance and Sundance gem spans 24 years and two continents. Nora (Greta Lee) and Hae-Sung (Teo Yoo) are childhood friends in South Korea who reconnect as adults. But because life is messy, Nora is now married and knows that, despite the pair’s palpable chemistry, she just can’t chuck her reality to fulfill her fantasy. (Right?!) This realization only makes the pair’s wide-ranging conversations more poignant and bittersweet. (Available for purchase on digital and on-demand)
9. ‘Poor Things’
Barbie channels Frankenstein in this buzzy and beyond-unhinged stunner. Emma Stone delivers a career re-defining performance as Bella Baxter, an unhappy wife brought back to life with a new brain in 19th century Europe. She proceeds to embark on a journey of sexual discovery and liberation. Be forewarned that the latest from director Yargos Lanthimos (The Favourite) is odd to the extreme with a perverse sense of humor. It’s also stuffed with joy. (In theaters)
Courtesy of Netflix
10. ‘May December’
A beyond-unconventional love story is the basis for a riveting character study with off-kilter comedic energy to spare. Gracie (Julianne Moore) and her much-younger husband (Riverdale’s Charles Melton) are still trying to shake the stigma of their illicit 90s-era liaison. Then a TV actress (Natalie Portman) swoops into town to shadow Gracie for an indie film. The film plays like both a twisted thriller and a nefarious satire on celebrity. (Netflix)
11. ‘Fair Play’
Here’s your basic 90s-era thriller complete with bloody period sex, forbidden workplace romance, male jealousy, uncomfortable misogyny, alcoholism, erectile dysfunction, corporate gameplay, finance mumbo jumbo, a pushy New York mother and totally bonkers last scene. So, how are you not streaming it right now?! (Netflix)
12. ‘Are You There, God? It’s Me, Margaret’
The well-worn Judy Blume novel that got us all through middle school also got through the adaptation process with flying colors. Just like the original bittersweet coming-of-age source material, the recently uprooted sixth-grader (Abby Ryder Fortson) tries to find her place in the world. Though set in 1970, every moment still rings painfully yet hilariously true. You must, you must, you must seek it out. (Streaming on Starz; available for purchase on digital and on-demand)
13. ‘The Burial’
The solid fact-based courtroom drama isn’t nearly as grim as the title implies. After a funeral home owner (Tommy Lee Jones) finds himself mired in a bad business deal, he enlists the help of flashy lawyer (Jamie Foxx). Despite their unlikely partnership, the two figure a way to make it work while exposing corporate corruption and racial injustice. Those issues aside, the movie surprisingly excels as a rousing crowd-pleaser. (Prime Video)
14. ‘Killers of the Flower Moon’
No doubt there’s lots to admire about Martin Scorsese’s sprawling epic, which examines the tragic true story behind a series of murders in Oklahoma’s Osage Nation in the 1920s. Start with sturdy performances from Leonardo DiCaprio, Robert De Niro — always so intimidating as The Bad Guy — and standout Lily Gladstone. Even at 206 minutes, the story moves briskly; certainly faster than last year’s interminable Avatar sequel. So where was that gut-punch moment? (Available for purchase on digital and on-demand)
Courtesy of TIFF
15. ‘Dream Scenario’
Wake up and listen up: An indie focusing on a mild-mannered biology professor is a wildly imaginative comedy and thought-provoking social satire. Nicolas Cage’s Paul Matthews is the definition of average — until he starts popping up in people’s dreams. Even when the narrative takes a more sinister turn, the knowing laughs never stop. And in a career spanning more than 40 years, Cage gives one of most endearing performances to date. (In theaters)
16. ‘You Hurt My Feelings’
Julia Louis-Dreyfus plays a neurotic New York City writer — as if there are any other kind! — and devoted wife and mother. All is sufficiently fine in her little world until she overhears her therapist husband (Tobias Menzies) criticizing the quality of her unsold new novel. This breezy effort from writer-director Nicole Holofcener (Enough Said) astutely examines what and how we choose to fib to protect the people we love. And for all its laughs, not once does the movie resort to wacky sitcom-like hijinks. (Available for purchase on digital and on demand)
17. ‘NYAD’
This legit feel-gooder centers on the remarkable real-life feat of athlete and journalist Diana Nyad (Annette Bening). After turning 60, she decides to free-swim the 110 miles from Cuba to Key West. No faux Disney princess, Nyad can be controlling and arrogant — especially to her best friend and coach (Jodie Foster). But these qualities work in her favor as she sets out on her historic swim. Inspirational rah-rah fare aside, two bona fide movie stars show how an adult friendship can go the distance. (Netflix)
18. ‘Priscilla’
If Elvis presented the King of Rock ‘n Roll as a razzle-dazzle music icon struggling with his demons, this drama plays like the other side of the record. The softer side. And a necessary one. Using delicate touch, writer and director Sofia Coppola shows how a teen Priscilla (Cailee Spaeny) was wooed by significantly older rock star Elvis Presley. Beyond the pretty dresses and nail polish, there’s a transfixing and tart portrait of marital loneliness. (In theaters)
19. ‘Dumb Money’
Because of the dual strikes, this wickedly entertaining comedy was undervalued at the box office. Maybe it’s fitting? Nonetheless, buy in to the hard-to-believe true story of the Boston finance misfit (Paul Dano) who took on The Man by sinking $50,000 into GameStop stock. The cast, which also includes Seth Rogen, Sebastian Stan, America Ferrera and Pete Davidson, are all winners. (Available for purchase on digital and on demand)
Courtesy of Youtube
20. ‘M3Gan’
Hey, it’s the anti-Barbie doll! But this weird little demon still delivered both laughs and thrills. Bring on the sequel. (Available for purchase on digital and on demand)
Warner Bros./Universal (2) This is a Top 20 Movies of 2023 post, so obviously we must start with … Taylor Swift. Seriously. Go back to October, when the devastating SAG-AFTRA strike was still in full throttle. High-profile projects like Dune 2 had been jettisoned to 2024; the films that were being released couldn’t benefit from
Us Weekly Read More
Entertainment
What We Can Learn Inside 50 Cent’s Explosive Diddy Documentary: 5 Reasons You Should Watch

50 Cent’s new Netflix docuseries about Sean “Diddy” Combs is more than a headline-grabbing exposé; it is a meticulous breakdown of how power, celebrity, and silence can collide in the entertainment industry.
Across its episodes, the series traces Diddy’s rise, the allegations that followed him for years, and the shocking footage and testimonies now forcing a wider cultural reckoning.

1. It Chronicles Diddy’s Rise and Fall – And How Power Warps Reality
The docuseries follows Combs from hitmaker and business icon to a figure facing serious criminal conviction and public disgrace, mapping out decades of influence, branding, and behind-the-scenes behavior. Watching that arc shows how money, fame, and industry relationships can shield someone from scrutiny and delay accountability, even as disturbing accusations accumulate.

2. Never-Before-Seen Footage Shows How Narratives Are Managed
Exclusive footage of Diddy in private settings and in the tense days around his legal troubles reveals how carefully celebrity narratives are shaped, even in crisis.
Viewers can learn to question polished statements and recognize that what looks spontaneous in public is often the result of strategy, damage control, and legal calculation.
3. Survivors’ Stories Highlight Patterns of Abuse and Silence
Interviews with alleged victims, former staff, and industry insiders describe patterns of control, fear, and emotional or physical harm that were long whispered about but rarely aired in this detail. Their stories underline how difficult it is to speak out against a powerful figure, teaching viewers why many survivors delay disclosure and why consistent patterns across multiple accounts matter.
4. 50 Cent’s Approach Shows Storytelling as a Tool for Accountability
As executive producer, 50 Cent uses his reputation and platform to push a project that leans into uncomfortable truths rather than protecting industry relationships. The series demonstrates how documentary storytelling can challenge established power structures, elevate marginalized voices, and pressure institutions to respond when traditional systems have failed.
5. The Cultural Backlash Reveals How Society Handles Celebrity Accountability
Reactions to the doc—ranging from people calling it necessary and brave to others dismissing it as a vendetta or smear campaign—expose how emotionally invested audiences can be in defending or condemning a famous figure. Watching that debate unfold helps viewers see how fandom, nostalgia, and bias influence who is believed, and why conversations about “cancel culture” often mask deeper questions about justice and who is considered too powerful to fall.
Entertainment
South Park’s Christmas Episode Delivers the Antichrist

A new Christmas-themed episode of South Park is scheduled to air with a central plot in which Satan is depicted as preparing for the birth of an Antichrist figure. The premise extends a season-long narrative arc that has involved Satan, Donald Trump, and apocalyptic rhetoric, positioning this holiday episode as a culmination of those storylines rather than a stand‑alone concept.
Episode premise and season context
According to published synopses and entertainment coverage, the episode frames the Antichrist as part of a fictional storyline that blends religious symbolism with commentary on politics, media, and cultural fear. This follows earlier Season 28 episodes that introduced ideas about Trump fathering an Antichrist child and tech billionaire Peter Thiel obsessing over prophecy and end‑times narratives. The Christmas setting is presented as a contrast to the darker themes, reflecting the series’ pattern of pairing holiday imagery with controversial subject matter.
Public and political reactions
Coverage notes that some figures connected to Donald Trump’s political orbit have criticized the season’s portrayal of Trump and his allies, describing the show as relying on shock tactics rather than substantive critique. Commentators highlight that these objections are directed more at the depiction of real political figures and the show’s tone than at the specific theology of the Antichrist storyline.
At the time of reporting, there have not been widely reported, detailed statements from major religious leaders focused solely on this Christmas episode, though religion-focused criticism of South Park in general has a long history.
Media and cultural commentary
Entertainment outlets such as The Hollywood Reporter, Entertainment Weekly, Forbes, Slate, and USA Today describe the Antichrist arc as part of South Park’s ongoing use of Trump-era and tech-world politics as material for satire.
Viewer guidance and content advisory
South Park is rated TV‑MA and is intended for adult audiences due to strong language, explicit themes, and frequent use of religious and political satire. Viewers who are sensitive to depictions of Satan, the Antichrist, or parodies involving real political figures may find this episode particularly objectionable, while others may view it as consistent with the show’s long‑running approach to controversial topics. As with previous episodes, individual responses are likely to vary widely, and the episode is best understood as part of an ongoing satirical series rather than a factual or theological statement.
Entertainment
Sydney Sweeney Finally Confronts the Plastic Surgery Rumors

Sydney Sweeney has decided she is finished watching strangers on the internet treat her face like a forensic project. After years of side‑by‑side screenshots, “then vs now” TikToks, and long comment threads wondering what work she has supposedly had done, the actor is now addressing the plastic surgery rumors directly—and using them to say something larger about how women are looked at in Hollywood and online.

Growing Up on Camera vs. “Before and After” Culture
Sweeney points out that people are often mistaking normal changes for procedures: she grew up on camera, her roles now come with big‑budget glam teams, and her body has shifted as she has trained, aged, and worked nonstop. Yet every new red‑carpet photo gets folded into a narrative that assumes surgeons, not time, are responsible. Rather than walking through a checklist of what is “real,” she emphasizes how bizarre it is that internet detectives comb through pores, noses, and jawlines as if they are owed an explanation for every contour of a woman’s face.
The Real Problem Isn’t Her Face
By speaking up, Sweeney is redirecting the conversation away from her features and toward the culture that obsesses over them.
She argues that the real issue isn’t whether an actress has had work done, but why audiences feel so entitled to dissect her body as public property in the first place.
For her, the constant speculation is less about curiosity and more about control—another way to tell women what they should look like and punish them when they do not fit. In calling out that dynamic, Sweeney isn’t just defending herself; she is forcing fans and followers to ask why tearing apart someone else’s appearance has become such a popular form of entertainment.
Entertainment4 weeks agoColombia’s ‘Doll’ Arrest: Police Say a 23-Year-Old Orchestrated Hits, Including Her Ex’s Murder
Entertainment4 weeks agoMiley Cyrus Is Engaged to Maxx Morando
Film Industry3 weeks agoDisney Brings Beloved Characters to ChatGPT After $1 Billion OpenAI Deal
Business4 weeks agoLuana Lopes Lara: How a 29‑Year‑Old Became the Youngest Self‑Made Woman Billionaire
Film Industry3 weeks agoNetflix Got Outbid: Paramount Drops a $108 Billion Cash Bomb on Warner Bros.
Entertainment4 weeks agoAnne Hathaway Just Turned Her Instagram Bio Into a 2026 Release Calendar
Entertainment3 weeks agoWhat We Can Learn Inside 50 Cent’s Explosive Diddy Documentary: 5 Reasons You Should Watch
Entertainment4 weeks agoNetflix’s $82.7 Billion Warner Bros Deal Signals the Rise of a New Hollywood Power

















