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Sister Wives’ Robyn Brown Says Kody Is ‘Self-Sabotaging’ Their Romance on December 11, 2023 at 4:01 am Us Weekly

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Robyn Brown. TLC

Robyn Brown revealed during part 3 of season 18’s Sister Wives: 1-on-1 special that her marriage to Kody Brown has taken a hit after his splits from his other wives.

“What he’s doing is he’s self-sabotaging,” Robyn, 45, said during the latest tell-all episode of the TLC series on Sunday, December 10. “He’s angry. He tries to [implode].”

Kody, 54, legally married Robyn and adopted her children from a prior relationship in 2014 after his legal divorce from first wife Meri Brown. Kody and Meri, 52, remained in a spiritual union for several years, confirming their split in January. The breakup came after Kody’s splits from Christine Brown in 2021 and Janelle Brown in 2022.

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“He tries to [sabotage our relationship] and I have to stop him all the time,” Robyn revealed on Sunday, claiming that Kody started to pick fights with her after his other relationships fell apart. “We’re in different places about the bomb that went off on our family. I’m in a major place of mourning and he’s angry and he doesn’t want to [talk about it].”

Related: Look Back at Sister Wives’ Kody and Robyn Brown’s Relationship From the Start

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Still going strong! Though Robyn Brown was the last wife to join Kody Brown’s polygamous brood, the pair’s bond has only gotten stronger since their wedding day. “She looked like a soccer mom,” Kody opened up about his first impressions of Robyn during an early episode of Sister Wives. “She had a van, three kids and was divorced. […]

Kody agreed during the tell-all that he was sabotaging his relationship with Robyn to “punish” himself after the failed marriages. “I thought of myself leaving Robin and having another lover and looking [at] this lover and going, ‘I don’t love you. I’m in love with another woman. I’m in love with a woman that I left because I was too much a piece of s–t to manage the relationship,’” he confessed, adding that he had “demons” to fight after Christine, 51, walked away from their union.

“[There was] a lot of devil, a lot of temptation, which would be destructive of my relationship with Robyn,” he recalled. “So I dealt with a lot of anger and she would get frustrated. My anger was a turn off. It was scary.”

Scroll down for more bombshell revelations from part 3 of Sister Wives: 1-on-1:

Courtesy of TLC

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Meri Claims Kody Didn’t ‘Respect’ Her as a ‘Human Being’ Pre-Split

During season 18, which filmed in 2022 and aired this fall, Meri and Kody finally decided to part ways after years of turmoil. Meri explained in the tell-all that she realized that Kody valued his relationship with Robyn more than any other romance when he reminded Robyn about their covenant and seemingly revealed that it was stronger than his and Meri’s dynamic.

“He fell out of love with me or whatever. I only base that off of that scene where he said to [Robyn], ‘If I ever fall out of love with you, don’t string me along’ or whatever his words were,” Meri explained to host Sukanya Krishnan, claiming Kody never promised her that. “I’m like, ‘Then why did you not respect me enough as a human being?’”

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Related: Sister Wives’ Meri Calls 2023 Her ‘Season of Change’ After Kody Split

Sister Wives’ Meri Brown is focused on moving forward as a single woman after confirming her split from Kody Brown. Meri legally married Kody in 1990, becoming his first wife. She stuck around as the Wyoming native built their plural marriage, which expanded in 1993 and 1994 with Kody’s spiritual marriages to Janelle Brown and […]

Meri acknowledged that Kody didn’t feel like she was his “wife anymore, even though we made covenants, and nothing has happened to break them at that point,” claiming she deserved to hear it from him — and not on an episode of Sister Wives. “I understand that’s how you feel about me but have the respect for me as a human being to tell me to my face. And he didn’t,” she added.

Kody responded by arguing, “That covenant doesn’t include the dissolution of my soul or personality. That relationship does not work in a marriage for me. It’s that simple. I don’t care about the covenant if you can’t get through that, then it’s broken.”

Robyn and Kody Have ‘Never’ Had This Many ‘Problems’ in Marriage

“We’ve never had as many problems as we’re having right now in our marriage,” Robyn revealed. “He’s suspicious of anybody being disloyal to him. His suspicion is about women in general.”

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Robyn explained that after going through his divorce from Christine, Kody became more “cautious” and “suspicious” of all women. “I said, ‘I feel like you’re lining up all the women [and] I’m there with them and you’re, you know, shooting them all down,’” she said. “And that’s not fair. Just because you’re having some issues with other women in your life, or a woman or whatever, doesn’t mean that we’re all bad.”

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Christine Admits She Doesn’t ‘Trust’ Robyn

When asked to “name a reason” she’s not friends with Robyn, Christine replied, “Well, I don’t trust her.” She explained, “I think she says one thing but does another. How can you say you want the whole big family picture, but then do all these separate things with Kody? How can you say you want the whole big family picture when he’s over at your house all the time?”

That lack of trust has made Christine not want to maintain a relationship with her former sister wife. “I don’t want to sit here and blame Robyn, but I’m not going to be her friend because I don’t believe her,” she said. “But I’m not going to blame her for everything falling apart. I think we probably all have something to do with that.”

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Meri also opened up about not trusting her ex-sister wives, claiming, “They don’t have my back.” After clarifying that Robyn does have her back, Meri admitted that she and Robyn are no longer as close as they once were.

“My relationship with Robyn, like, that’s something that she and I are working on and trying to figure out and navigate because it is different,” she said. “You know, as much as I think we would like to say, ‘No, it’s not [different],’ it is because now I’m friends with my ex-husband’s wife and I’m emotionally not 100 percent there yet.”

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Robyn Claims Her Kids Were Mocked After Christmas 2021 Fallout

Viewers learned during season 18 that Janelle, 54, and Christine’s kids had a falling out with Robyn and her children while trying to organize a gift exchange for Christmas 2021. After Robyn allegedly inserted herself into the plans, Janelle and Robyn’s kids pulled back. Robyn claimed the kids even started to be mean toward her own children.

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“[My kids] started trying to express themselves and the other kids started mocking them and dismissing them and it made them feel very ganged up on,” Robyn alleged on Sunday. “What had happened was my kids came to me and they said, ‘We don’t feel emotionally safe to be a part of this gift exchange anymore.’”

Christine recalled Robyn telling the group that she and Kody had decided their kids weren’t going to do the gift exchange at all after the dramatic fight. “[My kids] were devastated and they were like, ‘What does that mean? I thought those were our siblings,’” Christine claimed. “And they’re like, ‘Why can’t we just move past this and be siblings?’”

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Related: Sister Wives’ Christine and Janelle Brown Deny Only Robyn Can ‘Speak Kody’

Discovery (4) Christine and Janelle Brown shut down Robyn Brown’s claim that she “speaks Kody” the best on part 2 of Sister Wives: 1-on-1. “I think I get Kody pretty well. Like, I feel like I understand him,” Robyn, 45, said on the Sunday, December 3, episode of the Sister Wives season 18 tell-all, which […]

Janelle had a similar recollection of the drama, saying, “All of a sudden [Robyn] comes back with, ‘Well, I’ve talked to your dad, and we’re just going to do our thing separate,’” she recalled. “And so my kids were like, ‘Our dad, like, our dad? You mean the father of us all?’”

Robyn insisted that her children “really wanted to belong” and alleged that some of Kody’s other kids told them “they didn’t belong and they weren’t part of the family and things like that.”

Janelle Says Kids Were Told to ‘Sit Down and Shut Up’ When Robyn Married In

Looking back, Meri confessed that she thinks the family “could’ve done it better” when it came to integrating Robyn and her three kids from a prior relationship into their brood. “I think that some people felt like this was forced on them, like they didn’t have an opinion,” Meri said.

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Janelle, meanwhile, claimed that the group “didn’t take the time to listen to our own children” before Robyn married Kody in 2014.

“We just kind of told them to just accept these kids. We really hurried and kind of put it together without really taking everybody’s temperature,” Janelle said, claiming, “They were being told to, you know, sit down and shut up and accept this family being merged in. I feel like maybe we should’ve taken some time.”

Courtesy of Christine Brown/Instagram

Christine Reveals Difference Between David Woolley and Kody

Christine gushed over her then-fiancé during the tell-all, revealing they met on an online dating site. “The night that I signed up for it, there was this picture and he has these eyes and I’m like, ‘I want to be looked at with those eyes with a look of love at him for the rest of my life,’” she recalled.

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When asked to name the biggest difference between Woolley, whom she married in October, and Kody, Christine said it comes down to love. “The first thing I realized was that David loves me. He loves me, and I feel so loved. But with that comes a confidence that I can just be me,” she said. “There’s no strings attached to it. Nothing. I don’t have to do anything to earn his love. … It’s just always there.”

Part 4 of the Sister Wives: 1-on-1 special airs on TLC Sunday, December 17, at 10 p.m. ET.

Robyn Brown revealed during part 3 of season 18’s Sister Wives: 1-on-1 special that her marriage to Kody Brown has taken a hit after his splits from his other wives. “What he’s doing is he’s self-sabotaging,” Robyn, 45, said during the latest tell-all episode of the TLC series on Sunday, December 10. “He’s angry. He 

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This scene almost broke him. And changed his career.

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As Sinners surges into the cultural conversation, it’s impossible to ignore the force of Christian Robinson’s performance. His “let me in” door scene has become one of the film’s defining moments—raw, desperate, and unforgettable. But the power of that scene makes the most sense when you understand the journey that brought him there.

From church play to breakout roles

Christian’s path didn’t begin on a Hollywood set. It started in a Brooklyn church, when a woman named Miss Val kept asking him to be in a play.

“I told her no countless times,” he remembers. “Every time she saw me, she asked me and she wouldn’t stop asking me.”

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He finally said yes—and everything changed.

“I did it once and I fell in love,” he says. That one performance pushed him into deep research on the craft, a move to Atlanta, and years of unglamorous work: training, auditioning, stacking small wins until he booked his first roles and then Netflix’s Burning Sands, where many met him as Big Country.

By the time Sinners came along, he wasn’t a newcomer hoping to get lucky. He was an actor who had quietly built the muscles to carry something bigger.

The door scene: life or death

On The Roselyn Omaka Show, Christian shared the directing note Ryan Coogler gave him before filming the door scene:

“He explained to me, ‘I need you to bang on this door as if your life depended on it. Like it’s a matter of life and death.’”

Christian didn’t just turn up the volume; he reached deeper.

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“This film speaks a lot about our ancestors,” he told Roselyn Omaka. “So I tried to give a glimpse of what our ancestors would’ve experienced if someone or something that could bring ultimate destruction was after them. How hard would they bang? How loud would they scream to try to get into a place safely? That’s what I intended to convey in that moment.”

That inner picture—life or death, ancestors, ultimate destruction—is why the scene hits like more than a plot beat. It feels like generational memory breaking through a single frame.

Living through a “history” moment in real time

When Roselyn asks what he’s processing as Sinners takes off, Christian admits he’s still inside the wave.

“I’ve never experienced a project with this level of reception and energy and momentum,” he says. “People having their theories and breaking it down and doing reenactments… it’s never been a time like this in my career.”

He’s careful not to over‑define something that’s still unfolding: “There’s no way to give an accurate description of what I’m experiencing while I’m still experiencing it.” He knows he’ll need distance to name it fully.

But he can name one thing: “If I could gather any adjective to describe it, it would be gratefulness. I’m grateful.”

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He also feels the weight of what this film might mean long-term:

“To know that I was there for a large amount of the time it was being brought to life, and a part of what the internet is saying will be history… this is something that I’m inspired by—to shoot for the stars in whatever passion rooted in creativity that you possess.”

Music, joy, and the man behind the moment

Christian talks about the music of Sinners as another force that shaped him. The score wasn’t playing nonstop; it showed up in key moments.

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“The music was played when it was necessary to be played. But when it was played, it resonated,” he says. Hearing Miles Caton’s songs early, before the world did, he remembers thinking, “This is going to be magical… This is one of the ones right here.”

For all the heaviness of the story, he also brought levity. He laughs about being the jokester on set—singing Juvenile and Lil Wayne in the New Orleans hair and makeup trailer, trying to make everyone smile during Essence Fest weekend. “I’m a fun guy,” he says. “I love to see people laugh and have a good time.”

PATHS for us and opening doors

What might be most revealing is how seriously Christian takes his responsibility off screen. In 2015, sitting in his apartment outside Atlanta, he felt God tell him to start a nonprofit called PATHS.

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“I heard from God and he told me to start a nonprofit called PATHS,” he recalls. At first, he and his peers went into schools and inner‑city communities to teach young people “the many different paths to entering the entertainment industry”—not just the craft, but “the practical steps and establishing yourself, like the business of an actor… a stunt person, hair and makeup, etc.”

When the pandemic hit and school visits stopped, he pivoted to a podcast and digital platform: “Fine, I’ll do it,” he laughs. Now PATHS for us lets “anyone anywhere that desires to be in entertainment hear from credible entertainment industry professionals on how they got to where they are and how you can do the same.”

Working on Sinners confirmed that he should go all in: “It just gave me exactly what I needed to know that I should pour my all into it.”

Honoring a history-making moment

As Sinners takes off, Christian keeps coming back to one word: gratefulness—for the film, for the collaborators, for the chance to be part of something people are calling historic.

At Bolanle Media, we see more than a viral scene. We see an artist whose craft is rooted in faith, ancestors, and hard-earned discipline; whose joy lifts the rooms he works in; and whose platform is opening real paths for others.

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This scene almost broke him. And changed his career.
Now, as the world catches up, Christian Robinson is using that breakthrough not just to walk through new doors—but to help the next generation find theirs.

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7 Filmmaking Lessons From Michael B. Jordan’s Oscar Moment

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Michael B. Jordan’s first Oscar win for Sinners isn’t just a milestone for his career — it’s a masterclass for filmmakers watching from the edit bay, the writing desk, or the no‑budget set.

For years, Jordan has been building toward this moment: from early TV roles to his breakout in Fruitvale Station, the cultural shockwave of Black Panther, and his evolution into a producer and director. His Sinners performance and awards run crystallize a set of habits, choices, and values that rising filmmakers can actually use.


1. “Find Your Coogler”: The Power of Long-Term Collaboration

Jordan’s professional story is inseparable from his collaboration with Ryan Coogler. They’ve moved together from intimate indie drama to franchise-level spectacle, and now to awards-season dominance with Sinners.


“Find your people and grow with them, not just next to them.”

For filmmakers, the takeaway is simple:

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  • Stop thinking in “one‑off” crews.
  • Start identifying the producers, DPs, editors, writers, and actors you want to build years of work with.

That kind of trust lets you move faster, go deeper, and take bigger risks together.


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2. Preparation That Lets You Jump Off the Cliff

Jordan has talked in interviews about preparing so thoroughly that he can “let go” when the cameras roll. The homework — script work, character study, physical training, emotional research — is what makes the risk possible.

You can translate that directly into a filmmaking workflow:

  • Do the table read.
  • Break down the script scene by scene.
  • Build visual references and emotional maps.

The more you handle before you’re on set, the more you can afford to explore, improvise, and discover in real time.


“Preparation buys you freedom on set.”


3. Take the “Bad Idea” Swing

A key pattern in Jordan’s choices is betting on material that doesn’t always look safe or obvious on paper. Roles and projects that feel intense, specific, or risky are often the ones that end up resonating the most.

For filmmakers, that means:

  • Stop sandpapering your scripts into something generic.
  • Start protecting the sharp edges — the personal details, the uncomfortable moments, the cultural specifics.

The project that scares you a little might be the one that actually breaks you out.


“If it feels too safe, it’s probably not big enough.”


4. One Hat at a Time (On Purpose)

Jordan is a modern multi-hyphenate — actor, producer, director — but he’s also strategic about when he wears which hat. On some projects, he leans fully into performance and trusts his team with everything else; on others, like Creed III, he steps behind the camera and takes on the entire vision.

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Filmmakers can learn from that restraint:

  • It’s okay to not direct, shoot, edit, and produce every single project.
  • Choosing one primary role per project can sharpen the overall result.

Ask yourself on each film: “What’s the one role where I add the most value here?” Then structure the team accordingly.

“You don’t have to do everything on every film.”


This image released by Warner Bros Pictures shows Michael B. Jordan portraying two characters in a scene from “Sinners.” (Warner Bros. Pictures via AP)

5. Build an Ecosystem, Not Just a Résumé

Through his company and slate, Jordan is doing more than collecting credits. He’s building an ecosystem where the stories he cares about have a home — a pipeline for voices, genres, and perspectives that might not get space elsewhere.

That’s a roadmap for independent filmmakers and media founders:

  • Create recurring spaces (a series, a channel, a festival, a label) where your sensibility is the default.
  • Think beyond the single film; think in seasons, slates, and communities.

Your “ecosystem” might start as a simple recurring short-film series on your site, or a curated block at a festival. Over time, it becomes infrastructure.

“Don’t just book jobs. Build a world.”


6. Honor the Lineage You Stand On

When he accepted his Oscar, Jordan made a point to acknowledge the Black artists and legends who paved the way before him. That posture matters. It keeps ego in check and places today’s wins inside a longer lineage of struggle and progress.

Filmmakers can mirror that by:

  • Citing their influences openly.
  • Educating themselves on the history of the craft, especially in their own communities.
  • Using their platforms to shine a light on peers and predecessors.

This isn’t just about being gracious; it’s about knowing you’re part of a story bigger than one awards season.


“Your win is a chapter, not the whole book.”


7. Let the Win Raise Your Standards

The most powerful thing about this moment is that it doesn’t feel like a finish line. Jordan’s energy reads as: this is motivation, not retirement. The recognition becomes pressure to work smarter, deeper, and more intentionally.

Filmmakers can turn every “win” — whether it’s an Oscar, a festival laurel, a viral clip, or a private email from someone impacted by your work — into fuel for the next draft and the next shoot.

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Ask:

  • What did I do well here that I can codify into my process?
  • Where did I get lucky, and how can I replace luck with craft next time?


“Treat every win as a new baseline, not a peak.”


Why This Matters for Our Community

At Bolane Media, we see Michael B. Jordan’s Oscar moment not just as a celebrity headline, but as a roadmap for emerging storytellers — especially those building from underrepresented communities and independent spaces.

If you’re a filmmaker reading this:

  • Identify one of these seven lessons.
  • Apply it to your next project, not the hypothetical big one five years from now.

Then share your work with us. We want to see what you build.


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How to Find Your Voice as a Filmmaker

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Every filmmaker aspires to create projects that are not only memorable but also uniquely their own. Finding your creative voice is a journey that requires self-reflection, bold choices, and an unwavering commitment to your vision. Here’s how to uncover your style, take risks, and craft original work that stands out.

1. Discovering Your Voice: Understanding Your Influences

Your unique voice begins with recognizing what inspires you.

  • Step 1: Reflect on the themes, genres, or emotions that consistently draw your interest. Are you inspired by human resilience, surreal worlds, or untold histories?
  • Step 2: Study the work of filmmakers you admire. Analyze what resonates with you—their use of color, pacing, or narrative techniques.

Tip: Combine what you love with your personal experiences to create a lens that only you can offer.

Example: Wes Anderson’s whimsical, symmetrical worlds stem from his love of classic storytelling and his unique visual style.

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Takeaway: Start with what moves you, then add your personal touch.

2. Taking Creative Risks: Experiment and Evolve

To stand out, you must be willing to challenge conventions and explore new territory.

Example: Jordan Peele blended horror with social commentary in Get Out, creating a genre-defying film that captivated audiences.

Takeaway: Risks are an opportunity for growth, even if they don’t always succeed.

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3. Telling Original Stories: Start with Authenticity

Original projects resonate when they stem from a place of truth.

  • Draw from Experience: Incorporate elements of your own life, culture, or worldview into your stories.
  • Explore the “Why”: Ask yourself why this story matters to you and how it connects with your audience.
  • Avoid Trends: Focus on timeless narratives rather than chasing current fads.

Example: Greta Gerwig’s Lady Bird was deeply personal, based on her experiences growing up in Sacramento. The film’s authenticity made it universally relatable.

Takeaway: The more personal the story, the more it resonates.

4. Developing Your Style: Consistency Meets Creativity

Style is not just about visuals—it’s how you tell a story across all elements of filmmaking.

  • Visual Language: Experiment with colors, lighting, and framing to create a distinct aesthetic.
  • Narrative Voice: Develop consistent themes or motifs across your projects.
  • Sound Design: Use music, sound effects, and silence to evoke specific emotions.

Example: Quentin Tarantino’s use of dialogue, pop culture references, and bold music choices makes his work instantly recognizable.

Takeaway: Your style should be intentional, evolving as you grow but always recognizable as yours.

5. Staying True to Yourself: Building Confidence in Your Vision

The filmmaking process is full of challenges, but staying true to your voice is essential.

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  • Stay Authentic: Trust your instincts, even if your ideas seem unconventional.
  • Adapt Without Compromise: Be open to feedback but maintain your core vision.
  • Celebrate Your Growth: View every project, successful or not, as a stepping stone in your creative journey.

Example: Ava DuVernay shifted from public relations to filmmaking, staying true to her voice in films like Selma and 13th, which focus on social justice.

Takeaway: Your voice evolves with every project, so embrace the process.

Conclusion: From Idea to Screen, Your Voice is Your Superpower

Finding your voice as a filmmaker takes time, courage, and commitment. By exploring your influences, taking risks, and staying true to your perspective, you’ll craft stories that not only stand out but also resonate deeply with your audience.

Bolanle Media is excited to announce our partnership with The Newbie Film Academy to offer comprehensive courses designed specifically for aspiring screenwriters. Whether you’re just starting out or looking to enhance your skills, our resources will provide you with the tools and knowledge needed to succeed in the competitive world of screenwriting. Join us today to unlock your creative potential and take your first steps toward crafting compelling stories that resonate with audiences. Let’s turn your ideas into impactful scripts together!

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