Related: ‘Wizards of Waverly Place’ Cast: Where Are They Now?
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David DeLuise, David Henrie, Selena Gomez and Maria Canals-Barrera. Courtesy of Maria Canals-Barrera/Instagram
What’s that, a hat? No, it’s a Wizards of Waverly Place cast reunion!
“The Russos coming back,” David DeLuise and David Henrie, who played father and son on Wizards of Waverly Place, captioned a joint Instagram post on Friday, January 26.
DeLuise, 52, and Henrie, 34, were all smiles as they posed alongside former costars Selena Gomez and Maria Canals-Barrera.
Wizards of Waverly Place — which launched Gomez, now 31, to fame — originally aired on Disney Channel between 2007 and 2012. Henrie, Gomez and Jake T. Austin played the three Russo siblings, who were secretly wizards-in-training while balancing normal teen lives in New York City. News broke earlier this month that Henrie and Gomez, who played the eldest Russo siblings Justin and Alex, would reprise their roles in a new TV pilot.
“You guys are gonna LOVE the new Wizards show!” Wizards mom Canals-Barrera, 57, gushed via Instagram on Friday.
Several former Wizards guest stars commented on the sweet reunion pics.
“This makes me soooo happy,” Bailee Madison, who briefly played a gender-swapped version of Austin’s Max on the final season, wrote via Instagram comment.
Josh Sussman, for his part, added, “The best TV family! .”
Henrie and Gomez announced on January 18 that they were producing a spinoff of Wizards of Waverly Place that will revolve around a grown-up Justin (Henrie) and his family. Justin, who ended the OG series finale as a full-wizard and the headmaster of wizarding school WizTech, has since given up his powers. In the pilot, he will return to the world of magic when he meets a young wizard named Billie (Janice LeAnn Brown) in need of a mentor. It is not yet known what Alex (Gomez) has been up to in the new series.
Gomez and her former TV family have frequently stayed in touch since the show wrapped. She and Henrie have even been perfecting their reboot pitch for years.
“Nothing has happened yet, but there’s a lot of talk [of a revival],” Henrie told Access in August 2020. “We all talk about it for fun. Everyone would be down, but it’s just a matter of time, I think. We’ve talked about it: Gregg [Sulkin], Selena, me, Jake. I think, what we said [about] what made the show special was that we were a family and that the family stuff together was like a family unit.”
David Henrie, Maria Canals-Barrera, Jake T. Austin, David DeLuise and Selena Gomez. WireImage
He continued at the time: “I think a great place to start the [potential new] show would be the opposite version of that, so you have somewhere to go throughout the series. So, if you started the show where the family’s divided, and not united.”
Henrie further speculated that Gomez’s Alex would be a major fashionista, like “the Meryl Streep of the wizard world,” while Austin’s Max would own a chain of sub shops. (While Max lost the wizard competition in the OG series finale, Jerry gave him the keys to the family’s sandwich restaurant.)
What’s that, a hat? No, it’s a Wizards of Waverly Place cast reunion! “The Russos ❤️🪄coming back,” David DeLuise and David Henrie, who played father and son on Wizards of Waverly Place, captioned a joint Instagram post on Friday, January 26. DeLuise, 52, and Henrie, 34, were all smiles as they posed alongside former costars
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California just made a dramatic stand for human creativity, defeating the threat of AI actor clones with a sweeping new law that puts people—not algorithms—back in the Hollywood spotlight. With the stroke of Governor Gavin Newsom’s pen in October 2025, the state has sent a clear message to studios, tech companies, and the world: entertainment’s heart belongs to those who create and perform, not to digital facsimiles.
For months, the entertainment industry has been divided over the use of artificial intelligence in filmmaking. Studios, lured by promises of cost-cutting and creative flexibility, have invested in software that can mimic an actor’s face, voice, and even emotional range. But for performers, this wave of synthetic reproduction has triggered alarm—encouraged by chilling stories of deepfakes, unauthorized digital doubles, and contracts that let studios reuse a star’s likeness indefinitely, sometimes without pay or approval.
The new California law, anchored by AB 2602 and AB 1836, changes everything:
The legislation rides the momentum of the recent SAG-AFTRA strike, where real-life talent demanded control over their own digital destinies. Leaders say these protections will empower artists to negotiate fair contracts and refuse participation in projects that cross ethical lines, restoring dignity and choice in an industry threatened by silent algorithms.
Stars, unions, and advocacy groups are hailing the law as the most robust defense yet against unwanted AI replications.
As one actor put it, “This isn’t just about money—it’s about identity, legacy, and respect for real artists in a synthetic age.”
California’s move isn’t just a victory for local talent—it’s a warning shot to studios everywhere. Companies will now be forced to rethink production pipelines, consult legal counsel, and obtain proper clearance before digitally cloning anyone. Global entertainment platforms and tech developers will need to comply if they want to do business in the world’s entertainment capital.
These laws also set a template likely to ripple through other creative fields, from musicians whose voices can be synthesized to writers whose work could be mimicked by generative AI. For now, California performers finally have a powerful shield, ready to fight for the right to shape their own public image.
With its no-nonsense ban on AI actor clones, California draws a bold line, championing the work, likeness, and very humanity of its creative stars. It’s a landmark step that forces the entertainment industry to choose: respect real talent, or face real consequences. The age of the consentless digital double is over—human performers remain the true source of Hollywood magic.
Darby Kingman’s “Camp Wackapoo: Rise of Glog” redefines summer camp comedy with a wild, energetic story about ambition, chaos, and the joy of embracing the unexpected. The film centers on a relentlessly competitive camp counselor who’s determined to finish first—only to face a motley crew of unruly campers and a summer unlike any other.
As Darby puts it, “Not everything is that deep. It really honestly was to make people laugh. She has all these kids that are not working with her and she’s just losing her mind. It’s crazy, silly, goofy, and it was a blast.”
What started as a simple scene for Darby’s acting reel evolved into a full-fledged film with encouragement from her mentor at Debbie Reynolds Acting School. Darby dove into every role—writing, directing, starring, and meticulously preparing each prop and costume. “Plan and prepare, but also be flexible and ready to be in the moment—that’s when the magic happens,” she advises.
Working with a handpicked cast of her own dance students, Darby built an atmosphere of real teamwork and camaraderie. She credits the “precious” energy of her young cast, her creative director of photography, and the overall spirit of her production team for turning the project into something bigger than herself. Her experience is an inspiring blueprint for indie filmmakers:
“Take initiative and control of your career. You can’t just sit around and wait for somebody to pick you. Figure out what you’re good at and go for it. Create something that brings joy to others.”
Her production motto? “Preparation is key, but you have to be ready to go with the flow—that’s when the magic happens.” Darby’s fearless creativity, focus on collaboration, and love for comedy shine throughout “Camp Wackapoo: Rise of Glog.” It’s more than just a camp satire—it’s a heartfelt testament to hard work, original humor, and leadership from the ground up: “People need to laugh right now. That’s a win.”
Catch “Camp Wackapoo: Rise of Glog” and experience Darby’s infectious energy and comic genius at the Deluxe Theatre on November 1, 2025. Get your tickets now at Houstoncomedyfilmfestival.com.
The world of film and entertainment is mourning the loss of Diane Keaton, an Oscar-winning actress renowned for her enduring talent, individuality, and influence on generations of performers and fans. Keaton died at the age of 79 in California on Saturday, October 11, 2025, her family confirmed. Details remain private, with her family requesting privacy as they grieve this profound loss.
Diane Keaton rose to fame in the 1970s through a series of memorable roles, most notably as Kay Adams in “The Godfather” trilogy and as the quirky, unforgettable lead in Woody Allen’s “Annie Hall,” for which she won the Academy Award for Best Actress. Her performances in films like “The First Wives Club,” “Something’s Gotta Give,” and the “Book Club” series solidified her reputation as an actress with unique comedic timing and dramatic depth. Keaton was celebrated not only for her artistry but also for her androgynous fashion sense, characterized by menswear-inspired looks, hats, and an easy, effortless style that influenced generations.
Following the news of her passing, tributes poured in from Hollywood and beyond. Bette Midler, Goldie Hawn, and Jane Fonda were among the countless stars who expressed devastation and admiration for Keaton’s incomparable legacy. Hawn recalled their friendship and collaborations, writing: “Diane, we aren’t ready to lose you…you stole the hearts of the world and shared your genius with millions”. Midler echoed the sentiment, praising Keaton as “brilliant, beautiful, extraordinary” and a truly original presence in Hollywood.
Though fiercely independent and known for her openness, Keaton kept her declining health private in her final months. Friends and neighbors noticed her retreat from public life and social media, and she was recently seen less often in her Brentwood neighborhood. In the past, Keaton candidly discussed her ongoing battles with skin cancer and bulimia, openly advocating for personal health and authenticity.
Diane Keaton leaves behind a legacy defined by her fearless performances, unique style, and enduring influence on the arts. She is survived by her two children, Dexter and Duke. As Hollywood and her global fanbase mourn, her pioneering spirit and unmistakable voice will continue to inspire generations.
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