Entertainment
Marc Maron Calls Out ‘Insecure Babies’ Who Are Offended by ‘Barbie’ on August 3, 2023 at 6:34 pm Us Weekly

John Salangsang/Shutterstock
Oppenheimer may be about an atomic bomb, but Barbie’s the movie causing a pop culture explosion.
“My hope for the movie is that it’s an invitation for everybody to be part of the party and let go of the things that aren’t necessarily serving us as either women or men,” director Greta Gerwig told The New York Times in an interview published on Tuesday, July 25.
The highly-anticipated film — which was released on July 21 and stars Margot Robbie as the titular character alongside Ryan Gosling as Ken — raked in in $162 million on opening weekend. The satirical comedy bested Oppenheimer nearly twice-over.
The movie centers on Barbie and Ken as they leave the safety of Barbie World following an existential crisis — “Do you ever think about dying?” Barbie asks her fellow dolls on the dance floor — and head into the unknown of the real world. It’s a film about identity, breaking barriers and questioning the boxes society places us in.
While nearly all of Tinseltown has been decked out in pink even prior to the film’s release, not everyone is on board with some of the movie’s progressive themes — and the haters have made their criticism known.
Keep scrolling for the Hollywood discourse on Barbie:
The Stans
Jenna Bush Hager was openly “weeping” while taking daughter Poppy to see the Barbie movie. The Today With Hoda & Jenna cohost praised the film for its humanistic themes, noting on Tuesday, July 25, that the movie showed “what it means to be human, what it means to be a woman, what it means to be a mother, all of those things.”
Eva Mendes, meanwhile, couldn’t wait to gush about Gosling as Ken, whom she called “Mi Hombre, Mi Vida, Mi Amor” in an effusive Instagram post earlier this month praising her longtime partner in the role. Mendes opted to quote Gerwig’s commentary to Rolling Stone, in which she hailed Gosling’s performance as “some combination of Marlon Brando meets Gene Wilder meets John Barrymore meets John Travolta.”
Even Amy Schumer — who was initially cast as Barbie in the project before the film and its production went in a different direction — had nothing but good things to say about the film.
“Really enjoyed Barbie and Oppenheimer but I think I should have played Emily Blunt‘s role [in Oppenheimer],” she quipped via Twitter on Monday, July 24.
The Barbie-Burning Backlash
For all of the worldwide Barbie love, the movie was also met with drama — with some critiques more legitimate than others.
Robbie joked to People on the day of the movie’s release that her friends were horrified that she didn’t lock lips with Gosling at any part in the film.
“All of my girlfriends were like, ‘Well you did a whole movie with him and you don’t kiss? What’s wrong with you?’ I thought you were kind of in charge on this one!’” she quipped.
Robbie’s friends’ lighthearted humor, however, was no match for men in power who derided film’s feminist themes and political undertones. Sen. Ted Cruz called the movie “propaganda,” while controversial political commentator Ben Shapiro lambasted Barbie as a “flaming garbage heap” and criticized its “woke” narrative. He also shared a YouTube video of his thoughts titled, “Ben Shapiro DESTROYS The Barbie Movie for 43 Minutes,” in which he destroyed Barbie and Ken dolls by setting them ablaze.
Jenny Anderson/ABC
The Defenders
Whoopi Goldberg, for her part, was having none of it when discussing Cruz and Shapiro’s commentary on The View.
“It’s a movie! It’s a movie about a doll!” Goldberg, 67, declared. “I thought y’all would be happy. [Barbie] has no genitalia, so there’s no sex involved. Ken has no genitalia, so he can’t — it’s a doll movie!”
Her View cohost Alyssa Farah Griffin, meanwhile, slammed the men for feeling “emasculated” by the movie.
Weeks after the film’s premiere, Marc Maron weighed in on the discourse via TikTok, calling Barbie a “f–king masterpiece.” He continued in August, “I’ve never seen anything like it. … The fact that certain men took offense to the point where they, you know, tried to build a grift around it in terms of their narrative … it’s so embarrassing for them.”
Maron added: “Any dude that can’t take those hits in that movie, they’ve really got to look in their pants and decide what they’re made of. I mean, Jesus Christ, what a bunch of f–king insecure babies.”
The Fashion, Because Pink Is the New Pink
Forget any of the naysayers — if Barbie managed to get one thing right, it is the fashion. (And not just in the film, though it wouldn’t surprise Us if costume designer Jacqueline Durran was headed for another Oscar.) At every red carpet event promoting the movie Robbie was decked out in variations of actual Barbie outfits through the years — and every movie-goer followed suit.
Kim and Khloé Kardashian rocked the doll’s signature color while taking their daughters and nieces to the World of Barbie Experience in Los Angeles in early July; Kourtney Kardashian opted for hot pink jorts when seeing the film. Bush Hager, 41, sported a pink sweater at the movies while watching Barbie with her 7-year-old daughter, who wore Barbie shorts for the occasion.
Gerwig, for one, was in awe of the reach of the film — and its fashion. “It’s been amazing to walk around and see people in pink,” she told The New York Times. “Never in my wildest dreams did I imagine something like this.”
Greta Gerwig. Anthony Harvey/Shutterstock
The Music
Not only is the Barbie soundtrack so stacked with talent we don’t even know where to begin — see: Nicki Minaj and Ice Spice‘s “Barbie World,” Lizzo‘s “Pink,” Dua Lipa‘s “Dance the Night and many more — Gosling’s “I’m Just Ken” is the powerhouse performance that everyone can’t stop talking about.
“He has a beautiful voice, and he’s a beautiful dancer. We got there organically,” Gerwig told Rolling Stone on Wednesday, July 25, when explaining how she managed to get the former Mickey Mouse Club member to actually show off his singing chops in the film. “I think if I had said, ‘I want you to sing and dance in this movie,’ he would not have necessarily done that for me. But it was kind of that thing of boiling a lobster. I think by the time he was singing and dancing, he didn’t even totally know how we had gotten there. But he’s so fabulous at it.”
Meanwhile, the scene of all of the Kens singing Matchbox 20’s “Push” to the Barbies on the beach? Iconic. Even MB20 frontman Rob Thomas was here for it — even though he thought the band would be the “butt of the joke” at first.
“I want to preface this by saying I thought it was hilarious,” the musician told USA Today, adding that Gerwig is “one of my crushes forever.”
John Salangsang/Shutterstock Oppenheimer may be about an atomic bomb, but Barbie’s the movie causing a pop culture explosion. “My hope for the movie is that it’s an invitation for everybody to be part of the party and let go of the things that aren’t necessarily serving us as either women or men,” director Greta Gerwig
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Entertainment
Adults, Fame, and a Four-Year-Old: Critics Question Ms. Shirley’s Exposure to Grown Men

Starkville, Mississippi — The viral rise of 4-year-old LaR’iyah Jesireé, better known as “Ms. Shirley,” has captivated millions on TikTok and Instagram. But as her fame grows, so too does a wave of public concern—particularly over her appearances at meet-and-greet events attended by adults, including grown men, raising urgent questions about child safety, parental responsibility, and the blurred boundaries of social media stardom.

A Viral Sensation in the Spotlight
Ms. Shirley’s infectious line dances, especially her signature “Boots on the Ground” routine, have made her a household name in the world of social media. With over a million followers and appearances on national television, she’s become a symbol of youthful talent and joy.
But behind the viral videos lies a controversy that has split public opinion. Critics argue that the very events fueling her fame—public meet-and-greets, often at venues not designed for children—expose her to adult environments and attention that are inappropriate for someone her age.
The Flashpoint: Meet-and-Greet Backlash
- Adult Attendance: Social media erupted after images and videos surfaced of Ms. Shirley participating in meet-and-greet events where the majority of attendees were adults, many of them men. Critics questioned the wisdom of placing a young child in such settings, with some calling it “gross and exploitative”.
- Parental Decisions Under Fire: The backlash intensified as Ms. Shirley’s mother, Latisha Tucker, defended her choices online, insisting she remains a protective parent first. “I’m a mother… before anything,” Tucker said in response to critics, but detractors remain unconvinced, pointing to the risks of adult attention and the potential for exploitation.
Safety, Exploitation, and the Role of Social Media
- Child Safety Concerns: The controversy has led some observers to report the family to Child Protective Services, citing fears over Ms. Shirley’s exposure to adult audiences and the pressures of internet fame at such a young age.
- Debate Over Exploitation: For every fan who sees a proud mother sharing her daughter’s talent, there are others who see a child being thrust into the limelight for adult entertainment. Critics warn that the combination of viral fame and adult-dominated events could have lasting consequences for Ms. Shirley’s well-being.
- Online Reactions: The internet is divided—while many celebrate Ms. Shirley’s talent, others voice discomfort at seeing a toddler perform in spaces where alcohol and adult behavior are present. Some question why a 4-year-old is being branded with a mature-sounding stage name and presented in such grown-up contexts.
The Mother’s Response
Latisha Tucker, Ms. Shirley’s mother, has not shied away from the criticism. She maintains that her daughter’s appearances are carefully managed and that the backlash is fueled by outsiders who misunderstand their intentions. Tucker has publicly stated that any earnings from Ms. Shirley’s fame will be set aside for her future, and insists that her daughter is simply “being a kid like any other kid.” Still, she acknowledges that the scrutiny comes with the territory of internet celebrity.

A Broader Conversation
The uproar over Ms. Shirley’s meet-and-greets is part of a larger debate about the responsibilities of parents who share their children’s lives online, the adequacy of social media safeguards, and the potential for exploitation in the pursuit of viral fame. As platforms like TikTok continue to blur the lines between childhood and celebrity, the story of Ms. Shirley stands as a flashpoint—one that forces parents, platforms, and audiences alike to confront uncomfortable questions about where to draw the line.
Table: Key Issues in the Ms. Shirley Controversy
Issue | Description |
---|---|
Adult Attendance at Events | Grown men and other adults present at meet-and-greets, sparking safety concerns |
Parental Oversight | Debate over whether Ms. Shirley’s mother is protecting or exploiting her child |
Child Safety | Reports to CPS and public calls for better safeguards for young social media stars |
Online Division | Fans celebrate her talent, critics warn of long-term risks and inappropriate exposure |
As Ms. Shirley’s star continues to rise, so does the scrutiny. For now, her story remains a cautionary tale at the intersection of childhood, celebrity, and the unpredictable power of the internet.
Business
Nicki Minaj Demands $200 Million from Jay-Z in Explosive Twitter Rant

Nicki Minaj has once again set social media ablaze, this time targeting Jay-Z with a series of pointed tweets that allege he owes her an eye-popping $200 million. The outburst has reignited debates about artist compensation, industry transparency, and the ongoing power struggles within hip-hop’s elite circles.

The $200 Million Claim
In a string of tweets, Minaj directly addressed Jay-Z, writing, “Jay-Z, call me to settle the karmic debt. It’s only collecting more interest. You still in my top five though. Let’s get it.” She went further, warning, “Anyone still calling him Hov will answer to God for the blasphemy.” According to Minaj, the alleged debt stems from Jay-Z’s sale of Tidal, the music streaming platform he launched in 2015 with a group of high-profile artists—including Minaj herself, J. Cole, and Rihanna.
When Jay-Z sold Tidal in 2021, Minaj claims she was only offered $1 million, a figure she says falls dramatically short of what she believes she is owed based on her ownership stake and contributions. She has long voiced dissatisfaction with the payout, but this is the most public—and dramatic—demand to date.
Beyond the Money: Broader Grievances
Minaj’s Twitter storm wasn’t limited to financial complaints. She also:
- Promised to start a college fund for her fans if she receives the money she claims is owed.
- Accused blogs and online creators of ignoring her side of the story, especially when it involves Jay-Z.
- Warned content creators about posting “hate or lies,” saying, “They won’t cover your legal fees… I hope it’s worth losing everything including your account.”
She expressed frustration that mainstream blogs and platforms don’t fully cover her statements, especially when they involve Jay-Z, and suggested that much of the coverage she receives is from less reputable sources.

Satirical Accusations and Industry Critique
Minaj’s tweets took a satirical turn as she jokingly blamed Jay-Z for a laundry list of cultural grievances, including:
- The state of hip-hop, football, basketball, and touring
- The decline of Instagram and Twitter
- Even processed foods and artificial dyes in candy
She repeatedly declared, “The jig is up,” but clarified that her statements were “alleged and for entertainment purposes only.”
Political and Cultural Criticism
Minaj also criticized Jay-Z’s political involvement, questioning why he didn’t campaign more actively for Kamala Harris or respond to President Obama’s comments about Black men. While Jay-Z has a history of supporting Democratic campaigns, Minaj’s critique centered on more recent events and what she perceives as a lack of advocacy for the Black community.
The Super Bowl and Lil Wayne
Adding another layer to her grievances, Minaj voiced disappointment that Lil Wayne was not chosen to perform at the Super Bowl in New Orleans, a decision she attributes to Jay-Z’s influence in the entertainment industry.
Public and Industry Reaction
Despite the seriousness of her financial claim, many observers note that if Minaj truly believed Jay-Z owed her $200 million, legal action—not social media—would likely follow. As of now, there is no public record of a lawsuit or formal complaint.
Some fans and commentators see Minaj’s outburst as part of a larger pattern of airing industry grievances online, while others interpret it as a mix of personal frustration and performance art. Minaj herself emphasized that her tweets were “for entertainment purposes only.”

Conclusion
Nicki Minaj’s explosive Twitter rant against Jay-Z has once again placed the spotlight on issues of artist compensation and industry dynamics. Whether her claims will lead to further action or remain another dramatic chapter in hip-hop’s ongoing soap opera remains to be seen, but for now, the world is watching—and tweeting.
Entertainment
AI Channels in Crisis? The Truth Behind YouTube’s New Policy Change

YouTube’s latest policy update, effective July 15th, has sent shockwaves through the AI and faceless channel community. Social media is buzzing with claims that “AI channels are dead,” while others express relief or confusion. If you’re a YouTube creator using AI, you might be wondering: Is this the end, or just another evolution? Here’s what you need to know—and how you can adapt to thrive in this new landscape.

What’s Actually Changing?
YouTube’s update targets mass-produced, repetitive, and low-effort content—not AI itself. The company clarified that these rules are not new but are being enforced more strictly with improved detection tools. The main focus is on content that:
- Lacks meaningful transformation or originality
- Is easily automated by bots (e.g., simple Reddit story voiceovers with one static image)
- Offers little to no added value or commentary
YouTube’s response to creators’ concerns emphasized that AI is not banned, but unoriginal, spammy content is—and always has been—ineligible for monetization.
Which Channels Are at Risk?
Channels most affected by this update typically:
- Scrape stories from platforms like Reddit, add a robotic AI voiceover, and upload with minimal editing or visuals
- Rely on a single image or repeated backgrounds throughout the video
- Fail to add original commentary, analysis, or creative input
Examples include “revenge story” channels or those uploading unedited compilations and meditation tracks without original contributions. Such channels are now more likely to lose monetization or face removal.

Why Is YouTube Doing This?
YouTube aims to:
- Uphold copyright and fair use standards
- Encourage creators to add unique value, not just recycle or automate existing content
- Improve viewer experience by reducing spam and repetitive videos
This approach aligns with long-standing YouTube Partner Program policies and legal doctrines like fair use, which require transformative use of source material.
What’s Safe? What Works?
YouTube is not against AI. In fact, Google (YouTube’s parent company) invests heavily in AI tools. The key is to use AI as a creative assistant, not a replacement for originality. Here’s what successful channels do:
- Add original commentary or analysis—voiceovers, insights, or humor
- Create unique characters or personas—animated hosts or virtual presenters
- Use custom voices—either your own or uniquely generated ones
- Transform and remix content—don’t just copy, but build on ideas and add new perspectives
Three Strategies to Future-Proof Your Channel
- Faceless Character Revolution
Use an animated or virtual character as the “face” of your channel. This builds brand identity and connects with viewers, even if you never appear on camera. - The Commentary Shield
Always provide your own voiceover, thoughts, or narrative. Channels like Nuk’s Top Five thrive because they add humor, context, and personal takes to their videos. - Unique Voice Creation
Use tools like 11 Labs to generate or clone a unique voice for your channel. Avoid using default AI voices that are widely available—stand out with something custom.

Practical Tips for Creators
- Avoid simple copy-paste content. Always add your own spin, research, or creativity.
- Mix visuals and audio. Use multiple images, video clips, and sound effects to enhance engagement.
- Treat your channel like a business. Build intellectual property, develop a recognizable style, and focus on long-term value, not quick hacks.
Final Thoughts
This policy update isn’t the end of AI channels—it’s the end of low-effort, easily automated content. If you’re committed to creating genuine value, using AI as a tool (not a crutch), and building a real brand, you’re not just safe—you’re set up for long-term success on YouTube.
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