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Lisa Marie Presley Slammed Sofia Coppola’s ‘Priscilla’ Movie Before Death on November 3, 2023 at 2:04 am Us Weekly

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Lisa Marie Presley was not happy with Sofia Coppola’s Priscilla film — or the script’s depiction of father Elvis Presley — before her death.

“My father only comes across as a predator and manipulative,” Lisa Marie wrote in a 2022 email to Coppola, 52, which was obtained by Variety on Thursday, November 2. “As his daughter, I don’t read this and see any of my father in this character. I don’t read this and see my mother’s perspective of my father. I read this and see your shockingly vengeful and contemptuous perspective and I don’t understand why?”

In a second email, Lisa Marie told the director that she would “be forced to be in a position where I will have to openly say how I feel about the film and go against you, my mother and this film publicly” if Coppola went ahead with the project. The messages were sent four months before Lisa Marie died in January after suffering a fatal cardiac arrest at the age of 54, according to the outlet.

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Priscilla — which is written, directed and produced by Coppola and stars Cailee Spaeny and Jacob Elordi — tells the story of Elvis and Priscilla Presley’s romance, which began when they were 24 and 14, respectively. The film pulls inspiration from Priscilla’s own 1985 memoir, Elvis and Me, recounting the twosome’s — at times tumultuous — relationship from her young perspective.

Related: What to Know About Sofia Coppola’s Priscilla Presley Biopic

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Baz Lurhmann’s Oscar-nominated Elvis Presley biopic took the world by storm — but now it’s time for Priscilla Presley to shine.  After Elvis dominated the 2022 awards season, Priscilla — which is written, directed and produced by Sofia Coppola — takes a different approach to Elvis and Priscilla’s love story. Premiering in November, the film […]

The movie was an official selection of this year’s Venice Film Festival earlier this year, garnering critical praise and earning Spaeny, 25, a best actress prize.

When it comes to how Priscilla, 85, feels about the film, she told audiences in Venice that Coppola “did an amazing job” and “really put everything out for her that I could.” Lisa Marie, however, shared in her emails that she feared her mother “isn’t seeing the nuance here or realizing the way in which Elvis will be perceived when this movie comes out.”

“I feel protective over my mother who has spent her whole life elevating my father’s legacy,” she wrote. “I am worried she doesn’t understand the intentions behind this film or the outcome it will have.”

Lisa Marie praised Baz Luhrmann’s 2022 Elvis biopic, which she called “a break from suffering and a ray of light that hit us last year” that made 15-year-old twins Harper and Finley Lockwood “so proud and honored to be his granddaughters.” (Lisa Marie shared Harper and Finley with ex-husband Michael Lockwood. She was also mom to daughter Riley and son Benjamin, whom she shared with ex Danny Keough.)

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“It made them feel blessed for a moment and less cursed in life,” she said. “It made us all so proud because it was a true depiction of who he really was.”

Lisa Marie noted that Harper was sent a trade announcement about Priscilla going into production — and that her family was going to “have to endure another hit” in their lives from a “movie about her grandfather that is going to try to make him look really, really bad but it’s not true.”

“I had to explain that her beloved grandmother is supporting it,” she continued. “These two little girls have been through so much in the past 7 years, enduring my divorce and horrific custody battle and then losing their brother. We’ve all been drowning.”

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She added that she did not understand Coppola’s “need to attempt to take my father down on the heels of such an incredible film” by ” using the excuse” of telling her mother’s story from Coppola’s “very dark and jaded reality.”

Coppola, for her part, revealed how she responded to Lisa Marie’s claims through a statement to Variety from her rep on Thursday. “I hope that when you see the final film you will feel differently and understand I’m taking great care in honoring your mother, while also presenting your father with sensitivity and complexity,” she wrote, per the outlet.

While Lisa Marie noted in her emails that Coppola should “understand” how she feels due to her own famous family — she is the daughter of legendary director Francis Ford Coppola — Sofia previously shared that her connection to the material is actually what inspired make Priscilla in the first place.

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Related: The Presley Family’s Most Heartbreaking Tragedies: Elvis’ Death and More

Elvis Presley was a music icon through the years, and his family became just as legendary. The “Jailhouse Rock” crooner, who rose to fame in 1950s, died in August 1977 at the age of 42. His only daughter, Lisa Marie Presley, had been the one to discover his passing before calling his ex-girlfriend Linda Thompson. […]

“I was struck by how much I connected with it emotionally. I thought it was just going to be a fun adventure, and I was surprised by how relatable her story was,” she told The Hollywood Reporter in August. “And I always like themes about finding one’s identity and teenage girls growing into adulthood.”

Sofia added that coming of age in the shadow of a public figure felt relatable to her own experience. “I know from my family what it’s like to be inside a show business family. I know that growing up, people are looking at you in a different way.” she said.

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Bryan Steffy/WireImage Lisa Marie Presley was not happy with Sofia Coppola’s Priscilla film — or the script’s depiction of father Elvis Presley — before her death. “My father only comes across as a predator and manipulative,” Lisa Marie wrote in a 2022 email to Coppola, 52, which was obtained by Variety on Thursday, November 2. 

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Entertainment

Adults, Fame, and a Four-Year-Old: Critics Question Ms. Shirley’s Exposure to Grown Men

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Starkville, Mississippi — The viral rise of 4-year-old LaR’iyah Jesireé, better known as “Ms. Shirley,” has captivated millions on TikTok and Instagram. But as her fame grows, so too does a wave of public concern—particularly over her appearances at meet-and-greet events attended by adults, including grown men, raising urgent questions about child safety, parental responsibility, and the blurred boundaries of social media stardom.

A Viral Sensation in the Spotlight

Ms. Shirley’s infectious line dances, especially her signature “Boots on the Ground” routine, have made her a household name in the world of social media. With over a million followers and appearances on national television, she’s become a symbol of youthful talent and joy.

But behind the viral videos lies a controversy that has split public opinion. Critics argue that the very events fueling her fame—public meet-and-greets, often at venues not designed for children—expose her to adult environments and attention that are inappropriate for someone her age.

The Flashpoint: Meet-and-Greet Backlash

  • Adult Attendance: Social media erupted after images and videos surfaced of Ms. Shirley participating in meet-and-greet events where the majority of attendees were adults, many of them men. Critics questioned the wisdom of placing a young child in such settings, with some calling it “gross and exploitative”.
  • Parental Decisions Under Fire: The backlash intensified as Ms. Shirley’s mother, Latisha Tucker, defended her choices online, insisting she remains a protective parent first. “I’m a mother… before anything,” Tucker said in response to critics, but detractors remain unconvinced, pointing to the risks of adult attention and the potential for exploitation.

Safety, Exploitation, and the Role of Social Media

  • Child Safety Concerns: The controversy has led some observers to report the family to Child Protective Services, citing fears over Ms. Shirley’s exposure to adult audiences and the pressures of internet fame at such a young age.
  • Debate Over Exploitation: For every fan who sees a proud mother sharing her daughter’s talent, there are others who see a child being thrust into the limelight for adult entertainment. Critics warn that the combination of viral fame and adult-dominated events could have lasting consequences for Ms. Shirley’s well-being.
  • Online Reactions: The internet is divided—while many celebrate Ms. Shirley’s talent, others voice discomfort at seeing a toddler perform in spaces where alcohol and adult behavior are present. Some question why a 4-year-old is being branded with a mature-sounding stage name and presented in such grown-up contexts.

The Mother’s Response

Latisha Tucker, Ms. Shirley’s mother, has not shied away from the criticism. She maintains that her daughter’s appearances are carefully managed and that the backlash is fueled by outsiders who misunderstand their intentions. Tucker has publicly stated that any earnings from Ms. Shirley’s fame will be set aside for her future, and insists that her daughter is simply “being a kid like any other kid.” Still, she acknowledges that the scrutiny comes with the territory of internet celebrity.

SOURCE: TIKTOK / @@LARIYAH.MISSSHIRLEY

A Broader Conversation

The uproar over Ms. Shirley’s meet-and-greets is part of a larger debate about the responsibilities of parents who share their children’s lives online, the adequacy of social media safeguards, and the potential for exploitation in the pursuit of viral fame. As platforms like TikTok continue to blur the lines between childhood and celebrity, the story of Ms. Shirley stands as a flashpoint—one that forces parents, platforms, and audiences alike to confront uncomfortable questions about where to draw the line.

Table: Key Issues in the Ms. Shirley Controversy

IssueDescription
Adult Attendance at EventsGrown men and other adults present at meet-and-greets, sparking safety concerns
Parental OversightDebate over whether Ms. Shirley’s mother is protecting or exploiting her child
Child SafetyReports to CPS and public calls for better safeguards for young social media stars
Online DivisionFans celebrate her talent, critics warn of long-term risks and inappropriate exposure

As Ms. Shirley’s star continues to rise, so does the scrutiny. For now, her story remains a cautionary tale at the intersection of childhood, celebrity, and the unpredictable power of the internet.

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Nicki Minaj Demands $200 Million from Jay-Z in Explosive Twitter Rant

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Nicki Minaj has once again set social media ablaze, this time targeting Jay-Z with a series of pointed tweets that allege he owes her an eye-popping $200 million. The outburst has reignited debates about artist compensation, industry transparency, and the ongoing power struggles within hip-hop’s elite circles.

Credit: Heute.at

The $200 Million Claim

In a string of tweets, Minaj directly addressed Jay-Z, writing, “Jay-Z, call me to settle the karmic debt. It’s only collecting more interest. You still in my top five though. Let’s get it.” She went further, warning, “Anyone still calling him Hov will answer to God for the blasphemy.” According to Minaj, the alleged debt stems from Jay-Z’s sale of Tidal, the music streaming platform he launched in 2015 with a group of high-profile artists—including Minaj herself, J. Cole, and Rihanna.

When Jay-Z sold Tidal in 2021, Minaj claims she was only offered $1 million, a figure she says falls dramatically short of what she believes she is owed based on her ownership stake and contributions. She has long voiced dissatisfaction with the payout, but this is the most public—and dramatic—demand to date.

Beyond the Money: Broader Grievances

Minaj’s Twitter storm wasn’t limited to financial complaints. She also:

  • Promised to start a college fund for her fans if she receives the money she claims is owed.
  • Accused blogs and online creators of ignoring her side of the story, especially when it involves Jay-Z.
  • Warned content creators about posting “hate or lies,” saying, “They won’t cover your legal fees… I hope it’s worth losing everything including your account.”

She expressed frustration that mainstream blogs and platforms don’t fully cover her statements, especially when they involve Jay-Z, and suggested that much of the coverage she receives is from less reputable sources.

Credit: Heute.at

Satirical Accusations and Industry Critique

Minaj’s tweets took a satirical turn as she jokingly blamed Jay-Z for a laundry list of cultural grievances, including:

  • The state of hip-hop, football, basketball, and touring
  • The decline of Instagram and Twitter
  • Even processed foods and artificial dyes in candy

She repeatedly declared, “The jig is up,” but clarified that her statements were “alleged and for entertainment purposes only.”

Political and Cultural Criticism

Minaj also criticized Jay-Z’s political involvement, questioning why he didn’t campaign more actively for Kamala Harris or respond to President Obama’s comments about Black men. While Jay-Z has a history of supporting Democratic campaigns, Minaj’s critique centered on more recent events and what she perceives as a lack of advocacy for the Black community.

The Super Bowl and Lil Wayne

Adding another layer to her grievances, Minaj voiced disappointment that Lil Wayne was not chosen to perform at the Super Bowl in New Orleans, a decision she attributes to Jay-Z’s influence in the entertainment industry.

Public and Industry Reaction

Despite the seriousness of her financial claim, many observers note that if Minaj truly believed Jay-Z owed her $200 million, legal action—not social media—would likely follow. As of now, there is no public record of a lawsuit or formal complaint.

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Some fans and commentators see Minaj’s outburst as part of a larger pattern of airing industry grievances online, while others interpret it as a mix of personal frustration and performance art. Minaj herself emphasized that her tweets were “for entertainment purposes only.”

Credit: Heute.at

Conclusion

Nicki Minaj’s explosive Twitter rant against Jay-Z has once again placed the spotlight on issues of artist compensation and industry dynamics. Whether her claims will lead to further action or remain another dramatic chapter in hip-hop’s ongoing soap opera remains to be seen, but for now, the world is watching—and tweeting.

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AI Channels in Crisis? The Truth Behind YouTube’s New Policy Change

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YouTube’s latest policy update, effective July 15th, has sent shockwaves through the AI and faceless channel community. Social media is buzzing with claims that “AI channels are dead,” while others express relief or confusion. If you’re a YouTube creator using AI, you might be wondering: Is this the end, or just another evolution? Here’s what you need to know—and how you can adapt to thrive in this new landscape.

What’s Actually Changing?

YouTube’s update targets mass-produced, repetitive, and low-effort content—not AI itself. The company clarified that these rules are not new but are being enforced more strictly with improved detection tools. The main focus is on content that:

  • Lacks meaningful transformation or originality
  • Is easily automated by bots (e.g., simple Reddit story voiceovers with one static image)
  • Offers little to no added value or commentary

YouTube’s response to creators’ concerns emphasized that AI is not banned, but unoriginal, spammy content is—and always has been—ineligible for monetization.

Which Channels Are at Risk?

Channels most affected by this update typically:

  • Scrape stories from platforms like Reddit, add a robotic AI voiceover, and upload with minimal editing or visuals
  • Rely on a single image or repeated backgrounds throughout the video
  • Fail to add original commentary, analysis, or creative input

Examples include “revenge story” channels or those uploading unedited compilations and meditation tracks without original contributions. Such channels are now more likely to lose monetization or face removal.

Why Is YouTube Doing This?

YouTube aims to:

  • Uphold copyright and fair use standards
  • Encourage creators to add unique value, not just recycle or automate existing content
  • Improve viewer experience by reducing spam and repetitive videos

This approach aligns with long-standing YouTube Partner Program policies and legal doctrines like fair use, which require transformative use of source material.

What’s Safe? What Works?

YouTube is not against AI. In fact, Google (YouTube’s parent company) invests heavily in AI tools. The key is to use AI as a creative assistant, not a replacement for originality. Here’s what successful channels do:

  • Add original commentary or analysis—voiceovers, insights, or humor
  • Create unique characters or personas—animated hosts or virtual presenters
  • Use custom voices—either your own or uniquely generated ones
  • Transform and remix content—don’t just copy, but build on ideas and add new perspectives

Three Strategies to Future-Proof Your Channel

  1. Faceless Character Revolution
    Use an animated or virtual character as the “face” of your channel. This builds brand identity and connects with viewers, even if you never appear on camera.
  2. The Commentary Shield
    Always provide your own voiceover, thoughts, or narrative. Channels like Nuk’s Top Five thrive because they add humor, context, and personal takes to their videos.
  3. Unique Voice Creation
    Use tools like 11 Labs to generate or clone a unique voice for your channel. Avoid using default AI voices that are widely available—stand out with something custom.

Practical Tips for Creators

  • Avoid simple copy-paste content. Always add your own spin, research, or creativity.
  • Mix visuals and audio. Use multiple images, video clips, and sound effects to enhance engagement.
  • Treat your channel like a business. Build intellectual property, develop a recognizable style, and focus on long-term value, not quick hacks.

Final Thoughts

This policy update isn’t the end of AI channels—it’s the end of low-effort, easily automated content. If you’re committed to creating genuine value, using AI as a tool (not a crutch), and building a real brand, you’re not just safe—you’re set up for long-term success on YouTube.

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