Entertainment
Kevin Costner and Christine Baumgartner’s Divorce: Everything to Know on September 19, 2023 at 7:07 pm Us Weekly

Kevin Costner’s divorce from estranged wife Christine Baumgartner got off to a messy start — and lasted four months before they finalized their legal battle in September 2023..
Us Weekly confirmed in May 2023 that Baumgartner had filed for divorce from the Oscar winner after 19 years of marriage, citing irreconcilable differences.
Costner met Baumgartner on a golf course in the ‘90s while he was preparing to play a professional golfer in the 1996 film Tin Cup. Following his 1994 split from ex-wife Cindy Silva — with whom he shares kids Annie, Lily and Joe — Costner began dating Baumgartner in 1999. The pair tied the knot in September 2004 and went on to welcome sons Cayden and Hayes and daughter Grace. (Costner also shares son Liam with ex Bridget Rooney.)
Following Baumgartner’s divorce filing, a source exclusively told Us that Costner was “deeply saddened” by their breakup but was working to try to “save his marriage.” The insider added: “Kevin loves his wife and children so this has been very hard on him. He is saying that this is his worst nightmare and he would do anything for his family.”
Baumgartner, meanwhile, was experiencing her own roller-coaster of emotions. “Christine feels he should be the one to go,” another source told Us in June 2023, referring to Baumgartner’s decision to remain in her and Costner’s shared home despite their prenup stating she has 30 days to vacate the property. “She’s so angry with Kevin for what she feels led to the end of their marriage — him putting work ahead of the family.”
Scroll below for all the details on Costner and Baumgartner’s ongoing divorce:
Christine Files for Divorce
Although Baumgartner filed for divorce in May 2023, court documents obtained by Us reveal that the pair actually split one month prior. Costner, for his part, filed a response in May 2023, which mentioned that he and Baumgartner signed a prenuptial agreement before their wedding.
Amid news of their separation, the handbag designer was spotted without her wedding ring in Los Angeles in photos obtained by the Daily Mail.
Gregory Pace/Shutterstock
The Fight Over Yellowstone
“Christine wasn’t happy with Yellowstone‘s schedule delays because it caused him to miss so much time with his family,” an insider told Us in May 2023, claiming that the Paramount+ series — which premiered in 2018 — was “one of the reasons” for the duo’s split.
The source continued: “[Costner] was on the fence about doing the show from the beginning. He had to be convinced to do the project. There were months of discussions with Kevin and his family before he did it. He didn’t want do the show without their input.”
According to the insider, delays on the second half of Yellowstone‘s fifth and final season “led to a lot of problems” between the estranged spouses. “Kevin’s team even asked about the possibility of moving the show to California so he could film certain scenes,” the source noted. “It’s been a discussion through the years, but it never worked out. Kevin has been making a lot of effort to make it work for his family.”
Baumgartner reportedly argued in June 2023 court docs that she “did not pressure Kevin to leave the Yellowstone show.”
In August 2023, Baumgartner’s legal team claimed that Costner “refused to answer questions about whether he was offered the opportunity to star in Season 6, or if he simply chose to quit.” Regardless, the attorneys argued that Costner would still be “entitled to a percentage of profit participation” from the show even after his exit. (Costner previously claimed he couldn’t afford Baumgartner’s child support requests because his income would diminish following his exit from the series.)
David Fisher/Shutterstock
Money Woes
In court documents obtained by Us in June 2023, Costner claimed that his estranged wife withdrew “from my bank account and charged on my credit card a total of $95,000, payable to her divorce attorneys and forensic accountant.” He alleged that she had been doing so since April 2023 without his knowledge or consent.
Costner subsequently explained in a filing obtained by Us in July 2023 that he had “no choice” but to reduce his ex’s credit card limit to $30,000 per month due to her “charging large sums” without his knowledge. He referred to the decision as a “reasonable limitation.”
The Fight for Their Home
Costner alleged in June 2023 legal paperwork that Baumgartner was refusing to move out of their shared home, despite their prenup stating she had 30 days to vacate the property following their split. According to Costner, Baumgartner was using the situation to make him comply with “various financial demands.” He acknowledged that he could “contribute as part of his child support obligations $30K per month for a rental house and is willing to advance another $10K for her moving costs.”
Baumgartner’s lawyer, John Rydell, later stated in court documents obtained by Insider that Costner has no “legal” right to force her to leave. “Although the legal basis for Kevin’s request to kick his wife and children out of their home is all but nonexistent, this is still a matter of critical importance for Christine,” the lawyer explained in June 2023.
Baumgartner further claimed in June 2023 court documents obtained by Us that she has “no personal income” which makes it impossible to vacate their joint home. “Christine understands that at some point in the future she and the children will have to move out of the family home,” the filing read. “She cannot do so at this early stage of the case because she does not have sufficient funding to secure housing that will ensure the children can maintain similar standards of living in the parties’ respective homes.”
Us confirmed via court docs in July 2023 that a judge denied Baumgartner’s request to remain on the property until August 2023.
Baumgartner apparently moved out of the couple’s home in late July 2023, a few days before the court-ordered deadline. Prior to her departure, the exes feuded over the division of household items — literally down to kitchen utensils. In court docs filed in July 2023, Baumgartner claimed that Costner was worried she was going to “take too many pots and pans.”
Child Support
Baumgartner reportedly asked for $248,000 a month in child support, stating in a court filing that the figure “is less than the amount needed to maintain the children in their accustomed lifestyle.”
Baumgartner also requested that Costner solely pay for their kids’ private school education, health care expenses and fees related to extracurricular activities and sports, but did not mention any requests for spousal support.
In June 2023 court documents obtained by Us, Baumgartner claimed that Costner makes an estimated $1,537,000 a month from his various jobs as an actor and director. She noted that while Costner has “continued to pay all of” their expenses since their separation, Costner has not made it easy for Baumgartner to pay for things.
“Thus far, Kevin has not been willing to commit to paying an appropriate amount of child support,” she alleged. “I have been willing to move out of the family home, but I cannot do so without support from Kevin.”
Costner, for his part, denied he was “kicking” his children out of their home in court docs obtained by Us in June 2023. “I am only requesting that Christine vacate my separate property home and find alternate living arrangements,” he alleged.
In documents filed later that month and obtained by Us, the actor noted that because he is “no longer under contract for Yellowstone,” he “will earn substantially less in 2023 than I did in 2022″ — and cannot pay the $248,000 per month his estranged wife is requesting in child support.
One month later, Fox News reported that Baumgartner will receive $129,755 per month from Costner in child support, in addition to the actor paying $200,000 and $100,000 in attorneys’ fees and forensic costs, respectively. The duo pay equal expenses for their children’s health care, activities and sports on the “first of each month,” according to the outlet, with “credit sums paid between July 1 and July 12.”
Ahead of an August 2023 child support hearing, Baumgartner requested $175,057 a month from Costner, claiming that amount would help the kids maintain a “lifestyle relatively comparable” to the one they enjoy when they’re with their father.
“Because the children fly on private aircraft to go on luxury vacations when they are with their father, the Family Code dictates that Kevin should pay sufficient child support to Christine so that the children can go on comparable vacations when they are with her. This is true even if the child support payments also improve Christine’s lifestyle,” Baumgartner’s lawyers claimed in a brief filed ahead of the hearing. “Kevin will argue that Christine doesn’t need to provide the children with many of the things to which they have become accustomed, as they can enjoy those things with Kevin. But Kevin’s argument misses the point. The children should be able to participate in their activities with each of their parents.”
Jim Ruymen/UPI/Shutterstock
A Financial Breakdown
In a June 2023 filing, Baumgartner outlined her family’s finances and household expenses. She revealed that Costner earned $19,517,064 in 2022 and the family’s expenses — without taxes — came out to $6,645,285. Some of those fees included $84,040 for household help, $78,780 for children Hayes and Grace’s education, $830,000 on gifts and $238,000 on medical costs.
Baumgartner claimed that Costner recently deposited $1 million into an account set up in her name “without my knowledge or consent.” She alleged that the deposit was a way for her estranged spouse to “force my concession that the spousal support limitation is valid by virtue of my ‘acceptance’ of these funds. I believe that Kevin’s goal is to get me to tap into this money, so he can argue that I’ve waived my right to challenge the Premarital Agreement.”
She stated that she has chosen not to accept the payment — which now includes an additional $400,000. “I cannot access these funds without risk of jeopardizing my legal rights in this case. Except for the contested funds, I have almost no financial assets to my name and zero personal income,” the docs read.
She further insisted that Costner’s recent deposits would not cover her and their kids’ continued costs as outlined in the paperwork. Baumgartner explained that the family’s multiple homes — including their Aspen property and Santa Barbara compound — cost more than $1.5 million in 2022 to upkeep. Their Beach Club costs — which includes the Santa Barbara guest house rental, gym and yard — are an additional $449,202.
Costner, for his part, alleged in a separate filing in June 2023 that Baumgartner spends 60 percent of her child support money toward her own personal expenses, including a private trainer and $188,000 — monthly — on plastic surgery.
The Rumors About the Neighbor
Rumors surfaced in June 2023 that Baumgartner allegedly hooked up with her and Costner’s former tenant Daniel Starr — who previously resided in a home on their Santa Barbara property. While Baumgartner has yet to comment, Starr told TMZ the rumors were “absolutely not” true. He insisted that he is “just a guy who paid [his] rent.”
Starr explained that he left early — he vacated the premises in March 2023 despite having a contract through June 2023 — because he “had to move on.” When pushed further about his dynamic with the estranged couple, Starr told the outlet, “I just was a tenant. I had a tenant-landlord relationship [with them]. Nothing else.”
Zoom Call Drama
Baumgartner claimed Costner told their kids about the split via Zoom, alleging that she told her estranged spouse how “important” it was to “tell the children in person and together” but Costner allegedly “disregarded” her request.
“He insisted that he had the right to tell them that we were getting divorced ‘first’ and tell them privately ‘without me present,’” Baumgartner recalled in the filing. “After a 24-year relationship, from his hotel room in Las Vegas, Kevin told our three children that we were getting divorced over a 10-minute Zoom call without me present.” She revealed that she is “still confused by his motivation to do this via a very short Zoom session, especially since he was planning on being home five days later. He also could have easily come home from Las Vegas to have the conversation in person.”
Divorce Is Finalized
Costner and Baumgartner reportedly finalized their divorce in September 2023. According to multiple outlets, the exes reached a settlement after four months of going back and forth in court. Details about their agreement have not been released.
Earlier in the month, a judge ruled in Costner’s favor in terms of his and Baumgartner’s child support battle. Costner was temporarily ordered to pay $129,755 per month in child support before a judge knocked it down to $63,209 per month beginning September 1.
Following his court appearance, Costner broke his silence about the split, telling reporters that “of course” still has “love” for his ex-wife. He called the divorce proceedings a “horrible place to be” adding that “everybody” involved was hoping to quickly resolve the legal battle.
Kevin Costner’s divorce from estranged wife Christine Baumgartner got off to a messy start — and lasted four months before they finalized their legal battle in September 2023.. Us Weekly confirmed in May 2023 that Baumgartner had filed for divorce from the Oscar winner after 19 years of marriage, citing irreconcilable differences. Costner met Baumgartner
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Advice
How Far Would You Go to Book Your Dream Role?

The question Sydney Sweeney’s career forces every serious artist to ask themselves.
Most people say they want to be an actor. But wanting the life and being willing to do what the life requires are two entirely different things. Sydney Sweeney’s performance as Cassie Howard in Euphoria is one of the clearest examples in recent television of what it actually looks like when an artist refuses to protect themselves from the story they are telling.
The Performance That Started a Conversation
Cassie Howard is not a comfortable character to watch. She is messy, desperate, and heartbreakingly human in ways that most scripts would have softened or simplified. Sydney Sweeney did not soften her. She played every scene at full exposure — the breakdowns, the humiliation, the moments where Cassie is both completely wrong and completely understandable at the same time.
What made the performance remarkable was not the difficulty of the scenes. It was the consistency of her commitment to them. Night after night on set, take after take, she showed up and gave the camera something real. That is not a small thing. That is the kind of discipline that separates working actors from generational ones.
What the Industry Does Not Tell You
The entertainment industry sells you a version of success built around talent, timing, and luck. And while all three matter, none of them are the real differentiator in a room full of equally talented people. The real differentiator is willingness — the willingness to be honest, to be vulnerable, and to let the work require something personal from you.
Most actors hit a wall at some point in their career where a role demands more than they have publicly shown before. The ones who say yes to that moment, who trust the material and the director enough to go somewhere uncomfortable, are the ones audiences remember long after the credits roll.
Sydney Sweeney said yes repeatedly. And the industry took notice.
The Question Worth Asking Yourself
Before you answer, really think about it. There is a moment in every serious audition room where someone might ask you to go further than you are comfortable with — to access something real, to stop performing and start revealing. In that moment, you have to decide what your dream is actually worth to you and, more importantly, what parts of yourself you are not willing to trade for it.
That is the question Euphoria quietly raises for anyone watching with ambition in their chest. Not “could I do that,” but “should I ever feel pressured to.” There is a difference between an artist who chooses vulnerability as a creative tool and one who is pressured into exposure they never agreed to. Knowing that difference is not a weakness. It is the most important thing a young actor can understand before they walk into a room that will test it.
Because the only role that truly costs too much is the one that asks you to abandon who you are to play it.
What You Can Take From This
Whether you are an actor, a filmmaker, a content creator, or someone simply building something from scratch, the principle is the same. The work that connects with people is almost always the work that cost the creator something real. Audiences can feel the difference between performance and truth. They always could.
Sydney Sweeney did not become one of the most talked-about actresses of her generation because she got lucky. She got there because she was willing to be completely, uncomfortably human in front of a camera — and because she knew exactly who she was before she let the role take over.
That combination — full commitment and a clear sense of self — is rarer than talent. And it is the thing worth chasing.
Written for Bolanle Media | Entertainment. Culture. Conversation.
Entertainment
Bieber’s Coachella Set Has Everyone Arguing Again

And honestly? That might be exactly what he wanted.
Justin Bieber stepped onto the Coachella stage Saturday night as the highest-paid headliner in the festival’s history — reportedly pocketing $10 million — and proceeded to sit down at a laptop and play YouTube videos.
The internet, predictably, lost its mind.
What Actually Happened
This was Bieber’s first major U.S. performance since his Justice era — a long-awaited comeback after battling Ramsay Hunt syndrome in 2022, which caused partial facial paralysis, plus years of mental health struggles and a very public disappearing act from the industry.
The stage setup was minimal: a fluid cocoon-like structure, no backup dancers, no elaborate lighting rigs. Just Bieber, a stool, and a laptop.
He opened with tracks from his 2025 albums Swag and Swag II, then invited the crowd on a journey — “How far back do you go?”
What followed was a nostalgic scroll through his entire career: old YouTube covers before he was famous, classic hits “Baby“ and “Never Say Never“ playing on screen while he sang alongside his younger self. Guests including The Kid Laroi, Wizkid, and Tems joined him throughout the night.
He even played his viral “Standing on Business” paparazzi rant and re-enacted it live, hoodie on, completely unbothered.
The Moment Nobody Predicted
But here’s what the critics burying him in their hot takes chose not to lead with: Bieber closed his set with worship music.
In the middle of Coachella — one of the most secular stages on the planet — he performed songs rooted in his Christian faith, openly crediting Jesus as the reason he was standing on that stage at all.
It wasn’t subtle. It wasn’t a quick prayer and a thank-you. He leaned into it fully, in front of a crowd of 125,000 people who came expecting pop bangers and got a testimony instead.
For fans who have followed his faith journey — his deep involvement with Hillsong and later Churchome, his baptism in 2014, and his very public declaration that Jesus saved his life during his darkest years — the moment landed like a full-circle miracle.
Why People Are Mad
Critics have been brutal.
Zara Larsson summed up the skeptics perfectly, posting on TikTok: “It’s giving let’s smoke and watch YouTube“ — and that clip went just as viral as the performance itself.
One fan on X wrote: “I’m crying, this might actually be the worst performance I’ve ever seen. He’s just playing videos from YouTube… zero effort, pure laziness.”
The comparison to Sabrina Carpenter’s Friday headlining set — elaborate staging, multiple costume changes, celebrity cameos — only made Bieber’s stripped-down show look more controversial.
And the $10 million figure kept coming up. People felt cheated.
Why His Fans Think Everyone’s Missing the Point
Here’s where it gets interesting.
One commenter on X put it best: “He did not force a high-production machine that could burn him out again. Instead, he sat with his past, scrolling through old YouTube videos, duetting with his younger self, and mixing nostalgia with new chapters.”
As the set progressed, Bieber visibly opened up. He removed his sunglasses. He took off his hoodie. He smiled, made jokes about falling through a stage as a teenager.
One Instagram account with millions of followers posted: “This Justin Bieber performance healed something in me.”
That healing language is intentional for Bieber — it mirrors how he talks about his faith. In interviews, he has repeatedly said Jesus didn’t just save his career; He saved his life. The worship set at Coachella wasn’t a gimmick. It was a confession.
The Bigger Picture
Love it or hate it, Bieber’s Coachella set is the most talked-about moment from Weekend One — more than Karol G making history as the first Latina to headline the festival, more than Sabrina Carpenter’s spectacle.
That’s not an accident.
In an era where every headliner tries to out-produce the last one, Bieber walked out with a laptop, a stool, and his faith — and made it personal. For millions of fans watching, the worship songs weren’t filler. They were the point.
Whether you call it lazy or legendary, one thing is clear: Justin Bieber isn’t performing for the critics anymore. He’s performing for an audience of One — and the rest of us just happened to be there.
Drop your take in the comments — was Bieber’s Coachella set lazy, legendary, or something even bigger?
Entertainment
Vertical Films Changed Everything. Are You Ready?

People don’t watch films the way they used to—and if you’re still cutting everything for the big screen first, you’re losing the audience that lives in your pocket.
Every swipe on TikTok is a tiny festival: new voices, wild visuals, heartbreak, comedy, and chaos, all judged in under three seconds. In that world, vertical films aren’t a gimmick. They’re the new front door to your work, your brand, and your career.

The movie theater is now in your hand
Think about where you’ve discovered your favorite clips lately: your phone, in bed, in an Uber, between texts. The “cinema” experience has shrunk into a glowing rectangle we hold inches from our face. That’s intimate. That’s personal. That’s power.
Vertical video fills that space completely. No black bars. No distractions. Just one story, one face, one moment staring back at you. It feels less like “I’m watching a movie” and more like “this is happening to me.” For storytellers, that’s gold.
The old rules still matter—but they bend
Film school taught you:
- Compose for the wide frame.
- Let the world breathe at the edges.
- Save the close-up for maximum impact.
Vertical filmmaking says: bring all of that craft… and then flip it. You still need composition, rhythm, framing, and sound. But now:
- The close-up is the default, not the climax.
- Depth replaces width—what’s in front and behind matters more than left and right.
- Micro-scenes—60 seconds or less—must feel like complete emotional beats.
It’s not “less cinematic.” It’s a different kind of cinematic—one that lives where people already are instead of asking them to come to you.
Your characters can live beyond the film
Here’s the secret no one tells you: audiences don’t just fall in love with stories; they fall in love with people. Vertical video lets your characters exist outside the runtime.
Imagine this:
- The day your trailer drops, your lead character is already a recurring presence on people’s For You Pages.
- There are 10 short vertical scenes—arguments, confessions, jokes—that never made the final cut but live as their own mini-episodes.
- Fans aren’t asking “What is this movie?” They’re asking, “When do I get more of her?”
When someone feels like they “know” a character from their feed, buying a ticket or renting your film stops feeling like a risk. It feels like catching up with a friend.
Behind the scenes is no longer optional
Vertical films thrive on honesty. Shaky behind-the-scenes clips. Laughing fits between takes. The director’s 2 a.m. rant about a shot that won’t work. The makeup artist fixing tears after a heavy scene. That’s the texture that makes people care about the final product.
You don’t have to be perfect. You have to be present.
Ideas you can start capturing tomorrow:
- “What we can’t afford, so we’re faking it.”
- “The shot we were scared to try.”
- “One thing we argued about for three days.”
When you show the process, you’re not just selling a film—you’re inviting people into a journey.
Think in episodes, not posts
Most people treat vertical video like a one-off blast: post, pray, forget. Instead, think like a showrunner.
Ask yourself:
- If my project were a vertical series, what’s Episode 1? What’s the hook?
- How can I end each clip with a question, a twist, or a feeling that makes people need the next part?
- Can I tell one complete emotional story across 10 vertical videos?
Suddenly, your feed isn’t random. It’s a season. People don’t just “like” a video—they “follow” to see what happens next.
The attention is real. The opportunity is bigger.
We’re in a rare moment where a micro-drama shot on your phone can sit in the same feed as a studio campaign and still win. A fearless 45-second monologue in a bathroom. A quiet scene of someone deleting a text. A single, wordless push-in on a face that tells the whole story.
Vertical films give you:
- Low cost, high experimentation.
- Immediate feedback from real viewers.
- Proof that your story, your voice, your world can hold attention.
You don’t have to wait for permission, a greenlight, or a perfect budget. You can start where you are, with what you have, and let the audience tell you what’s working.

So, are you ready?
Some filmmakers will roll their eyes and call vertical a phase. They’ll keep making beautiful work that no one sees until a festival says it exists. Others will treat every swipe, every scroll, and every tiny screen as a chance to connect, teach, provoke, and move people.
Those are the filmmakers whose names we’ll be hearing in five years.
The question isn’t whether vertical films are “real cinema.” The question is: when the next person scrolls past your work, do they feel nothing—or do they stop, stare, and think, “I need more of this”?
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