Entertainment
Jill Duggar Cried Over Jim Bob Confrontation About Pants: Book Takeaways on September 12, 2023 at 11:00 am Us Weekly

Courtesy of Jill Duggar/Instagram
After her dramatic departure from the Counting On spotlight, Jill Duggar is ready to share her side of the story.
Duggar, 32, opened up like never before in her new book, Counting the Cost, about growing up in front of TLC cameras with her famous family — and the various costs that came with fame. Her memoir touches on her experience in the Institute in Basic Life Principles (IBLP) faith, her exit from reality TV and her newfound independence (which includes a big change to her once modest dress code).
Jim Bob and Michelle Duggar’s daughter also shed light on her brother Josh Duggar’s scandals, from his 2015 Ashley Madison apology to his 2021 arrest for child pornography. Through it all, Jill has leaned on her husband, Derick Dillard, for support. (The couple share sons Israel, Samuel and Frederick.)
In an author’s note, Jill assures readers that her goal in writing her book was not to “shame” her family or “get their attention” amid their estrangement. Days before the book dropped on Tuesday, September 12, Jim Bob, 58, and Michelle, 56, issued a statement regarding some of Jill’s claims.
“We love all of our children very much,” they noted. “As with any family, few things are more painful than conflicts or problems among those you love. … We do not believe the best way to resolve conflicts, facilitate forgiveness and reconciliation, or to communicate through difficulties is through the media or in a public forum so we will not comment.”
Counting the Cost is available now. Scroll down for the book’s biggest bombshell revelations:
On Dressing Modestly
In chapter 1, Jill recalled a childhood family trip to the beach in Georgia feeling overwhelming due to her modest upbringing. “I didn’t want to get any bad thoughts into my head, so I tried not to stare,” she said of the beachgoers in their bathing suits. “But it was hard not to, and I worried for Pops and my brothers. Us girls had been told often how much harder it was for boys to keep their thoughts pure. I couldn’t imagine the battles they were fighting out there on the sand.”
Jill further revealed that her family had a code word they would use — “Nike” — when they spotted women out and about who weren’t dressed modestly to remind them to look away.
As Jill grew older, she began to develop her own thoughts about the merits of the modesty guidelines she was taught. In chapter 7, she credited her sister Jinger with “inspiring” her to step outside of her comfort zone and recalled turning to her husband for support. (Jinger has also opted to start wearing pants — and even sported a pair of ripped jeans in 2021.)
After welcoming her second son, Samuel, in 2017, Jill wore leggings in public for the first time but remained partially covered up while nursing her newborn. She was confronted by her father a few days after the outing and given a book about modesty.
“I cried when I got home. I felt embarrassed, humiliated, even though nobody else had been in the room with us,” Jill wrote. “Pops had told us ever since we were little that we needed to be able to stand up for our convictions, even if others disagreed. Why couldn’t he see that by deciding to wear pants, I was doing exactly what he taught us? All my life I’d been trying to show respect to Pops, but when was he going to show the same to me?”
On the Fallout of Josh’s Behavior
When Jill was 11, her parents approached her to talk about her brother Josh, who had “confessed about some stuff he’s done.” He was sent away for a few months to participate in a program developed by the IBLP. Jill wrote in chapter 2 that her family “didn’t talk much” about what had happened.
“Mom and Pops gave us the bare details about Josh, and so all I really knew was that he’d been sent away to stay with some of their friends, that he would be working construction, and that hopefully it wouldn’t be long before he would return to us. That was all,” she recalled. “I was happy to move on and put it all behind me.”
Before leaving for his training, Josh told a girl he had been courting about his actions. She allegedly wrote him a letter about the situation but never sent it, instead choosing to keep it hidden in a book, which she later lent to a friend. The friend informed church leaders about the letter, which then tipped off an investigation about a “potentially abusive situation.”
Jill was “terrified” that “someone was going to take us away” from Jim Bob and Michelle.
Courtesy of Jill Duggar/Instagram
“The fallout was immense,” she wrote. “We didn’t know who we could trust, who was for us and who was against us.”
News eventually broke in June 2015 that a police report was filed against Josh, who was accused of molesting multiple girls as a teenager. Jill and her sister Jessa, who were identified as victims, defended their family at the time in an interview with Megyn Kelly. Jill revealed in her book that Josh was in the room with them while the interview was being filmed.
On the Ashley Madison Scandal
Two months after making headlines for his past molestation, Josh was involved in the Ashley Madison data breach. He admitted in an August 2015 statement that he watched pornography and had been unfaithful to his wife, Anna. In chapter 5 of her book, Jill recalled texting her brother for answers.
“I wanted to hear directly from him, to know whether there was any truth to the rumors,” she wrote. Josh never replied. (He was sent to a Christian-run rehab in Illinois called Reformers Unanimous.)
Jill, meanwhile, began to grow uncomfortable with how steadfast her parents were in their support for Josh. “Though I love my parents and it made a lot of sense that they would want to protect and care for their child, I couldn’t help but think about the lengths that Pops had gone to in order to guard Josh’s privacy and keep him from being publicly humiliated. … The feelings grew stronger within me, and by the time I went to bed I felt sick to my core,” she wrote.
As more questions arose, Jill started to struggle with the IBLP teachings and the expectation that she would also take her brother’s side.
On Wanting to Be Paid
In chapter 5, Jill remembered sitting down with her husband and her father to discuss payment for their work on the family’s TLC series. According to Jill, Jim Bob reminded them that the show was an “opportunity to share with the world that children are a blessing.”
Dillard proceeded to ask if they could have a small percentage of the profits, but Jim Bob said it “wasn’t a very good idea,” arguing that Michelle should be paid before anyone else because she “had all these kids.” Jim Bob said he paid “some of the others who work for me” an hourly rate ($10-12) for appearing on the show.
Jill later described a family meeting during which Jim Bob announced he planned to give the boys in the family $80,000 — and credited Dillard for the idea. Jill felt like the shout-out was a “trigger” because of what they went through trying to get money for the show. She and her husband were suspicious about the offer and thought “there was some angle” Jim Bob wasn’t being fully honest about.
In order to get the money, Dillard and the other boys would have to sign a contract with Mad Family Inc. for an additional seven years — “plus an unlimited number of years beyond that if the company chose.” The contract also included a lifelong NDA. Jill and Dillard declined the deal. “$80,000 was a lot of money, but these strings were tight enough to choke,” Jill wrote.
On Leaving ‘Counting On’
While in El Salvador for a mission trip, Jill and her husband were consistently asked by producers to return home to film — and repeatedly said no. They were reminded of a contract they signed requiring them to go back, but neither one of them could recall signing the documents. (Jill previously shared a similar anecdote in Prime Video’s Shiny Happy People.)
Jim Bob got involved, insisting that the couple return home to be on camera, claiming the show would fail if they didn’t help. “If you don’t come to shoot this and TLC cancels the show again, everyone is going to look at you and know that it’s your fault and that you could have stopped it. Are you gonna be OK carrying that burden?” Jill recalled her father asking.
Jill and Dillard eventually gave in and flew home, but the incident was the catalyst for their decision to leave Counting On entirely. The couple were interested in working with the International Mission Board, but the organization would only collaborate if they quit the show. “The fallout was instantaneous,” Jill wrote of attempting to get out of the contract.
The pair finally departed Counting On in 2017 after denying the show’s request to film Jill giving birth to Samuel. Jill confessed in chapter 6 that she didn’t “remember much at all about the last interviews” she filmed for the show.
“I know what I was feeling — a mix of sorrow and gratitude, or relief and anxiety, of feeling happy that this was all behind us now at the same time as wondering what was coming next — but I don’t recall what we said. … Part of me still wonders why they didn’t bother to explain to viewers why we left. Part of me knows that it didn’t matter,” she wrote.
On Starting Birth Control
Jill had an emergency C-section while delivering her second son. The baby’s heartbeat was unstable, and the procedure was underway before Jill received anesthesia. “This is it, Jill. This is where you and the baby die. This is the end,” she remembered thinking. “There’s no more need to tough it out.”
Samuel spent some time in the NICU after his arrival, and Jill decided to go on birth control — a controversial choice in her family. (Doctors recommend avoiding pregnancy for at least 18 months after a C-section.) Jill “kept it a secret from nearly everyone” and felt guilty, despite knowing she was making the right choice for her health.
“I was devastated at the thought of not being able to have more kids, and I felt like my fertility had been robbed from me,” she wrote. “But also, dare I say it, I was somewhat relieved. The devastation far outweighed the relief, but there was a small part of me that appreciated the excuse not to have to go through a zillion pregnancies and deliveries.”
On Her Financial Struggles
Despite leaving Counting On, Jill and Dillard continued to lose out on mission work because there was no record of their contracts being nullified. The twosome drafted a letter to Jim Bob, to which he responded by apologizing for his “controlling spirit and lack of sensitivity.”
The pair later received a notice from the IRS indicating they earned $130,000 more than they ever got. Jill and her husband were inspired to have a sit-down with Jim Bob and Michelle (and a mediator) in order to sort out their issues. After three hours, the meeting ended with “not much in the way of resolution,” she wrote.
Jill and Dillard eventually pursued therapy, but the twosome’s financial burdens escalated while Dillard was in law school. They asked Jim Bob for the money they were owed — and he retorted with a lengthy outline of everything he spent on them over the years, ultimately offering a measly $2,000.
“For all the progress we were making in therapy, for all the desire we had to be on good terms with family and work things out, that email set us back a long way. It felt cold. It felt brutal. It hurt,” Jill wrote. “It seemed Pops wasn’t being generous when we thought he was being generous in the past.”
The couple then asked to see the 2014 contract they were swayed into signing, causing Jim Bob to go “ballistic.” When the dispute was “finally resolved,” Jill and Dillard received $175,000. “I never knew that victory could feel so hollow or so overwhelmingly sad,” she wrote.
On Being ‘Willing’ to Testify Against Josh
In chapter 9, Jill opened up about her brother’s 2021 arrest and subsequent trial for receipt and possession of child pornography. “These charges were way more serious than I’d expected, and I was in shock to hear how terrible the crimes he was accused of were,” she wrote.
Jill was encouraged to avoid reading about the trial because she was on the prosecution’s witness list. She recalled feeling “willing to” take the stand even though it was a “sobering” thought.
“I wanted to know the truth. I wanted the evidence to come out. And I wanted Josh to be put away for a very long time,” she wrote.
Jill’s anger toward her brother “burned,” but she also “felt sad” about what had occurred. “Sad that Josh had become such a monster, sad that even with all of the chances Josh had been given to change, he had thrown them all away and he continued down a dark, terrible road,” she wrote. “Like the rest of the world, I was finally able to see my eldest brother for what he was — a man unable to control himself, totally detached from the reality of how deeply he was hurting others.”
Josh was convicted in December 2021 and sentenced the following May to 151 months in prison.
Courtesy of Jill Duggar/Instagram After her dramatic departure from the Counting On spotlight, Jill Duggar is ready to share her side of the story. Duggar, 32, opened up like never before in her new book, Counting the Cost, about growing up in front of TLC cameras with her famous family — and the various costs
Us Weekly Read More
Advice
How Far Would You Go to Book Your Dream Role?

The question Sydney Sweeney’s career forces every serious artist to ask themselves.
Most people say they want to be an actor. But wanting the life and being willing to do what the life requires are two entirely different things. Sydney Sweeney’s performance as Cassie Howard in Euphoria is one of the clearest examples in recent television of what it actually looks like when an artist refuses to protect themselves from the story they are telling.
The Performance That Started a Conversation
Cassie Howard is not a comfortable character to watch. She is messy, desperate, and heartbreakingly human in ways that most scripts would have softened or simplified. Sydney Sweeney did not soften her. She played every scene at full exposure — the breakdowns, the humiliation, the moments where Cassie is both completely wrong and completely understandable at the same time.
What made the performance remarkable was not the difficulty of the scenes. It was the consistency of her commitment to them. Night after night on set, take after take, she showed up and gave the camera something real. That is not a small thing. That is the kind of discipline that separates working actors from generational ones.
What the Industry Does Not Tell You
The entertainment industry sells you a version of success built around talent, timing, and luck. And while all three matter, none of them are the real differentiator in a room full of equally talented people. The real differentiator is willingness — the willingness to be honest, to be vulnerable, and to let the work require something personal from you.
Most actors hit a wall at some point in their career where a role demands more than they have publicly shown before. The ones who say yes to that moment, who trust the material and the director enough to go somewhere uncomfortable, are the ones audiences remember long after the credits roll.
Sydney Sweeney said yes repeatedly. And the industry took notice.
The Question Worth Asking Yourself
Before you answer, really think about it. There is a moment in every serious audition room where someone might ask you to go further than you are comfortable with — to access something real, to stop performing and start revealing. In that moment, you have to decide what your dream is actually worth to you and, more importantly, what parts of yourself you are not willing to trade for it.
That is the question Euphoria quietly raises for anyone watching with ambition in their chest. Not “could I do that,” but “should I ever feel pressured to.” There is a difference between an artist who chooses vulnerability as a creative tool and one who is pressured into exposure they never agreed to. Knowing that difference is not a weakness. It is the most important thing a young actor can understand before they walk into a room that will test it.
Because the only role that truly costs too much is the one that asks you to abandon who you are to play it.
What You Can Take From This
Whether you are an actor, a filmmaker, a content creator, or someone simply building something from scratch, the principle is the same. The work that connects with people is almost always the work that cost the creator something real. Audiences can feel the difference between performance and truth. They always could.
Sydney Sweeney did not become one of the most talked-about actresses of her generation because she got lucky. She got there because she was willing to be completely, uncomfortably human in front of a camera — and because she knew exactly who she was before she let the role take over.
That combination — full commitment and a clear sense of self — is rarer than talent. And it is the thing worth chasing.
Written for Bolanle Media | Entertainment. Culture. Conversation.
Entertainment
Bieber’s Coachella Set Has Everyone Arguing Again

And honestly? That might be exactly what he wanted.
Justin Bieber stepped onto the Coachella stage Saturday night as the highest-paid headliner in the festival’s history — reportedly pocketing $10 million — and proceeded to sit down at a laptop and play YouTube videos.
The internet, predictably, lost its mind.
What Actually Happened
This was Bieber’s first major U.S. performance since his Justice era — a long-awaited comeback after battling Ramsay Hunt syndrome in 2022, which caused partial facial paralysis, plus years of mental health struggles and a very public disappearing act from the industry.
The stage setup was minimal: a fluid cocoon-like structure, no backup dancers, no elaborate lighting rigs. Just Bieber, a stool, and a laptop.
He opened with tracks from his 2025 albums Swag and Swag II, then invited the crowd on a journey — “How far back do you go?”
What followed was a nostalgic scroll through his entire career: old YouTube covers before he was famous, classic hits “Baby“ and “Never Say Never“ playing on screen while he sang alongside his younger self. Guests including The Kid Laroi, Wizkid, and Tems joined him throughout the night.
He even played his viral “Standing on Business” paparazzi rant and re-enacted it live, hoodie on, completely unbothered.
The Moment Nobody Predicted
But here’s what the critics burying him in their hot takes chose not to lead with: Bieber closed his set with worship music.
In the middle of Coachella — one of the most secular stages on the planet — he performed songs rooted in his Christian faith, openly crediting Jesus as the reason he was standing on that stage at all.
It wasn’t subtle. It wasn’t a quick prayer and a thank-you. He leaned into it fully, in front of a crowd of 125,000 people who came expecting pop bangers and got a testimony instead.
For fans who have followed his faith journey — his deep involvement with Hillsong and later Churchome, his baptism in 2014, and his very public declaration that Jesus saved his life during his darkest years — the moment landed like a full-circle miracle.
Why People Are Mad
Critics have been brutal.
Zara Larsson summed up the skeptics perfectly, posting on TikTok: “It’s giving let’s smoke and watch YouTube“ — and that clip went just as viral as the performance itself.
One fan on X wrote: “I’m crying, this might actually be the worst performance I’ve ever seen. He’s just playing videos from YouTube… zero effort, pure laziness.”
The comparison to Sabrina Carpenter’s Friday headlining set — elaborate staging, multiple costume changes, celebrity cameos — only made Bieber’s stripped-down show look more controversial.
And the $10 million figure kept coming up. People felt cheated.
Why His Fans Think Everyone’s Missing the Point
Here’s where it gets interesting.
One commenter on X put it best: “He did not force a high-production machine that could burn him out again. Instead, he sat with his past, scrolling through old YouTube videos, duetting with his younger self, and mixing nostalgia with new chapters.”
As the set progressed, Bieber visibly opened up. He removed his sunglasses. He took off his hoodie. He smiled, made jokes about falling through a stage as a teenager.
One Instagram account with millions of followers posted: “This Justin Bieber performance healed something in me.”
That healing language is intentional for Bieber — it mirrors how he talks about his faith. In interviews, he has repeatedly said Jesus didn’t just save his career; He saved his life. The worship set at Coachella wasn’t a gimmick. It was a confession.
The Bigger Picture
Love it or hate it, Bieber’s Coachella set is the most talked-about moment from Weekend One — more than Karol G making history as the first Latina to headline the festival, more than Sabrina Carpenter’s spectacle.
That’s not an accident.
In an era where every headliner tries to out-produce the last one, Bieber walked out with a laptop, a stool, and his faith — and made it personal. For millions of fans watching, the worship songs weren’t filler. They were the point.
Whether you call it lazy or legendary, one thing is clear: Justin Bieber isn’t performing for the critics anymore. He’s performing for an audience of One — and the rest of us just happened to be there.
Drop your take in the comments — was Bieber’s Coachella set lazy, legendary, or something even bigger?
Entertainment
Vertical Films Changed Everything. Are You Ready?

People don’t watch films the way they used to—and if you’re still cutting everything for the big screen first, you’re losing the audience that lives in your pocket.
Every swipe on TikTok is a tiny festival: new voices, wild visuals, heartbreak, comedy, and chaos, all judged in under three seconds. In that world, vertical films aren’t a gimmick. They’re the new front door to your work, your brand, and your career.

The movie theater is now in your hand
Think about where you’ve discovered your favorite clips lately: your phone, in bed, in an Uber, between texts. The “cinema” experience has shrunk into a glowing rectangle we hold inches from our face. That’s intimate. That’s personal. That’s power.
Vertical video fills that space completely. No black bars. No distractions. Just one story, one face, one moment staring back at you. It feels less like “I’m watching a movie” and more like “this is happening to me.” For storytellers, that’s gold.
The old rules still matter—but they bend
Film school taught you:
- Compose for the wide frame.
- Let the world breathe at the edges.
- Save the close-up for maximum impact.
Vertical filmmaking says: bring all of that craft… and then flip it. You still need composition, rhythm, framing, and sound. But now:
- The close-up is the default, not the climax.
- Depth replaces width—what’s in front and behind matters more than left and right.
- Micro-scenes—60 seconds or less—must feel like complete emotional beats.
It’s not “less cinematic.” It’s a different kind of cinematic—one that lives where people already are instead of asking them to come to you.
Your characters can live beyond the film
Here’s the secret no one tells you: audiences don’t just fall in love with stories; they fall in love with people. Vertical video lets your characters exist outside the runtime.
Imagine this:
- The day your trailer drops, your lead character is already a recurring presence on people’s For You Pages.
- There are 10 short vertical scenes—arguments, confessions, jokes—that never made the final cut but live as their own mini-episodes.
- Fans aren’t asking “What is this movie?” They’re asking, “When do I get more of her?”
When someone feels like they “know” a character from their feed, buying a ticket or renting your film stops feeling like a risk. It feels like catching up with a friend.
Behind the scenes is no longer optional
Vertical films thrive on honesty. Shaky behind-the-scenes clips. Laughing fits between takes. The director’s 2 a.m. rant about a shot that won’t work. The makeup artist fixing tears after a heavy scene. That’s the texture that makes people care about the final product.
You don’t have to be perfect. You have to be present.
Ideas you can start capturing tomorrow:
- “What we can’t afford, so we’re faking it.”
- “The shot we were scared to try.”
- “One thing we argued about for three days.”
When you show the process, you’re not just selling a film—you’re inviting people into a journey.
Think in episodes, not posts
Most people treat vertical video like a one-off blast: post, pray, forget. Instead, think like a showrunner.
Ask yourself:
- If my project were a vertical series, what’s Episode 1? What’s the hook?
- How can I end each clip with a question, a twist, or a feeling that makes people need the next part?
- Can I tell one complete emotional story across 10 vertical videos?
Suddenly, your feed isn’t random. It’s a season. People don’t just “like” a video—they “follow” to see what happens next.
The attention is real. The opportunity is bigger.
We’re in a rare moment where a micro-drama shot on your phone can sit in the same feed as a studio campaign and still win. A fearless 45-second monologue in a bathroom. A quiet scene of someone deleting a text. A single, wordless push-in on a face that tells the whole story.
Vertical films give you:
- Low cost, high experimentation.
- Immediate feedback from real viewers.
- Proof that your story, your voice, your world can hold attention.
You don’t have to wait for permission, a greenlight, or a perfect budget. You can start where you are, with what you have, and let the audience tell you what’s working.

So, are you ready?
Some filmmakers will roll their eyes and call vertical a phase. They’ll keep making beautiful work that no one sees until a festival says it exists. Others will treat every swipe, every scroll, and every tiny screen as a chance to connect, teach, provoke, and move people.
Those are the filmmakers whose names we’ll be hearing in five years.
The question isn’t whether vertical films are “real cinema.” The question is: when the next person scrolls past your work, do they feel nothing—or do they stop, stare, and think, “I need more of this”?
News3 weeks agoThe Timothée Chalamet Guide to Ruining Your Image
Entertainment3 weeks agoThe machine isn’t coming. It’s aleady the room.
Advice4 weeks agoStop Waiting for Permission — The Film Industry Just Rewrote the Rules
Entertainment2 weeks agoWhat Kanye’s ‘Father’ Says About Power, Faith, and Control
News3 weeks agoDid OnlyFans Save Creators—or Trap Them?
News3 weeks agoHow She Earns $40M+ In 2026
News1 week agoWhy Your Indie Film Disappears Online
News2 weeks agoThe Franchise Is Over. Here’s Who’s Winning Now.





















