Entertainment
Jacob Elordi’s ‘Kissing Booth’ Costar Reacts to His Criticism of the Films on November 18, 2023 at 3:38 am Us Weekly

Jacob Elordi may have felt “dead inside” while filming the Kissing Booth trilogy, but Taylor Zakhar Perez was more than happy to be there.
“I thought it was a shame because to my knowledge, everybody else had such a wonderful experience,” Perez, 31, told Variety in a Friday, November 17, interview. “It’s a shame that was [Elordi’s] experience. Especially when those movies came out, it was a time when we really needed something like that.”
The Kissing Booth first premiered in 2018 and starred Elordi, 26, alongside Joey King and Joel Courtney. Perez joined the cast for the franchise’s subsequent sequels, which hit Netflix in 2020 and 2021 at the height of the coronavirus pandemic.
Perez told Variety that judging from his own fans’ interactions and getting stopped “everywhere” he goes, he can see what The Kissing Booth “means to people and what it brought them during such a dark time.” He added that for Elordi, the silver lining is that he “still made people laugh and feel good.”
Elordi made headlines earlier this month when he revealed that he didn’t want to make the films even “before” he started shooting them, telling GQ, “Those movies are ridiculous. They’re not universal. They’re an escape.”
The Priscilla star described the rom-com trilogy as “one for them, one for me” films — a Hollywood phrase that describes actors doing one big budget movie for money to allow them the opportunity for smaller passion projects. Elordi noted that the concept of “one and one” was a “trap” he didn’t want to fall into.
“Because it can become 15 for them, none for you,” he explained. “You have no original ideas and you’re dead inside. So, it’s a fine dance. My ‘one for them,’ I’ve done it.”
Marcos Cruz/Netflix
When asked if he’d heard from his former costars regarding his comments on the films, Elordi told Variety earlier this week that he hadn’t, but clarified that he is “incredibly grateful to everybody” involved in them.
This isn’t the first time Elordi has been vocal about his distaste for the Kissing Booth franchise. He previously told Esquire in 2021 that he felt “corny” and “terribly misunderstood” because of the movies he’s made in the past. “I had to prove I was a serious actor,” he explained.
Elordi has since steered away from the rom-com genre and delved into more dramatic roles including Nate Jacobs on HBO’s Euphoria and Elvis Presley in Sophia Coppola’s 2023 film Priscilla, which is based on Priscilla Presley’s 1985 memoir, Elvis and Me.
Earlier this month, Elordi opened up about playing a side of the King of Rock n Roll that some people may not want to see.
“For me, it was portraying this person the way that she had described him in the moments that [Priscilla] had described,” he told E! News at the time. When asked why he was “so good at playing troubled men,” Elordi replied, “I don’t know if it’s necessarily always troubled men. It’s just I enjoy playing complex people.”
Steve Granitz/FilmMagic Jacob Elordi may have felt “dead inside” while filming the Kissing Booth trilogy, but Taylor Zakhar Perez was more than happy to be there. “I thought it was a shame because to my knowledge, everybody else had such a wonderful experience,” Perez, 31, told Variety in a Friday, November 17, interview. “It’s a
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Entertainment
California Bans AI Clones from Replacing Real Talent

California just made a dramatic stand for human creativity, defeating the threat of AI actor clones with a sweeping new law that puts people—not algorithms—back in the Hollywood spotlight. With the stroke of Governor Gavin Newsom’s pen in October 2025, the state has sent a clear message to studios, tech companies, and the world: entertainment’s heart belongs to those who create and perform, not to digital facsimiles.
California Draws a Hard Line: No More AI Clones
For months, the entertainment industry has been divided over the use of artificial intelligence in filmmaking. Studios, lured by promises of cost-cutting and creative flexibility, have invested in software that can mimic an actor’s face, voice, and even emotional range. But for performers, this wave of synthetic reproduction has triggered alarm—encouraged by chilling stories of deepfakes, unauthorized digital doubles, and contracts that let studios reuse a star’s likeness indefinitely, sometimes without pay or approval.
The new California law, anchored by AB 2602 and AB 1836, changes everything:
- Every contract must explicitly detail how studios can use digital replicas or voice models, preventing once-common “blank check” agreements that overlooked this risk.
- No one—not studios nor streaming giants—can create or release AI-generated clones of an actor, living or dead, without clear, written consent from the performer or their estate.
- The law gives families new powers to defend loved ones from posthumous deepfake exploitation, closing painful loopholes that once let virtual versions of late icons appear in new ads, films, or games.
Actors Celebrate a Major Victory
The legislation rides the momentum of the recent SAG-AFTRA strike, where real-life talent demanded control over their own digital destinies. Leaders say these protections will empower artists to negotiate fair contracts and refuse participation in projects that cross ethical lines, restoring dignity and choice in an industry threatened by silent algorithms.
Stars, unions, and advocacy groups are hailing the law as the most robust defense yet against unwanted AI replications.
As one actor put it, “This isn’t just about money—it’s about identity, legacy, and respect for real artists in a synthetic age.”
A New Chapter for the Entertainment Industry
California’s move isn’t just a victory for local talent—it’s a warning shot to studios everywhere. Companies will now be forced to rethink production pipelines, consult legal counsel, and obtain proper clearance before digitally cloning anyone. Global entertainment platforms and tech developers will need to comply if they want to do business in the world’s entertainment capital.

These laws also set a template likely to ripple through other creative fields, from musicians whose voices can be synthesized to writers whose work could be mimicked by generative AI. For now, California performers finally have a powerful shield, ready to fight for the right to shape their own public image.
Conclusion: Human Talent Takes Center Stage
With its no-nonsense ban on AI actor clones, California draws a bold line, championing the work, likeness, and very humanity of its creative stars. It’s a landmark step that forces the entertainment industry to choose: respect real talent, or face real consequences. The age of the consentless digital double is over—human performers remain the true source of Hollywood magic.
Entertainment
Chaos and Comedy: Darby Kingman’s “Camp Wackapoo: Rise of Glog”

Darby Kingman’s “Camp Wackapoo: Rise of Glog” redefines summer camp comedy with a wild, energetic story about ambition, chaos, and the joy of embracing the unexpected. The film centers on a relentlessly competitive camp counselor who’s determined to finish first—only to face a motley crew of unruly campers and a summer unlike any other.
As Darby puts it, “Not everything is that deep. It really honestly was to make people laugh. She has all these kids that are not working with her and she’s just losing her mind. It’s crazy, silly, goofy, and it was a blast.”
What started as a simple scene for Darby’s acting reel evolved into a full-fledged film with encouragement from her mentor at Debbie Reynolds Acting School. Darby dove into every role—writing, directing, starring, and meticulously preparing each prop and costume. “Plan and prepare, but also be flexible and ready to be in the moment—that’s when the magic happens,” she advises.
Working with a handpicked cast of her own dance students, Darby built an atmosphere of real teamwork and camaraderie. She credits the “precious” energy of her young cast, her creative director of photography, and the overall spirit of her production team for turning the project into something bigger than herself. Her experience is an inspiring blueprint for indie filmmakers:
“Take initiative and control of your career. You can’t just sit around and wait for somebody to pick you. Figure out what you’re good at and go for it. Create something that brings joy to others.”

Her production motto? “Preparation is key, but you have to be ready to go with the flow—that’s when the magic happens.” Darby’s fearless creativity, focus on collaboration, and love for comedy shine throughout “Camp Wackapoo: Rise of Glog.” It’s more than just a camp satire—it’s a heartfelt testament to hard work, original humor, and leadership from the ground up: “People need to laugh right now. That’s a win.”
Catch “Camp Wackapoo: Rise of Glog” and experience Darby’s infectious energy and comic genius at the Deluxe Theatre on November 1, 2025. Get your tickets now at Houstoncomedyfilmfestival.com.
Entertainment
Diane Keaton Dies at 79

The world of film and entertainment is mourning the loss of Diane Keaton, an Oscar-winning actress renowned for her enduring talent, individuality, and influence on generations of performers and fans. Keaton died at the age of 79 in California on Saturday, October 11, 2025, her family confirmed. Details remain private, with her family requesting privacy as they grieve this profound loss.

A Distinctive Talent
Diane Keaton rose to fame in the 1970s through a series of memorable roles, most notably as Kay Adams in “The Godfather” trilogy and as the quirky, unforgettable lead in Woody Allen’s “Annie Hall,” for which she won the Academy Award for Best Actress. Her performances in films like “The First Wives Club,” “Something’s Gotta Give,” and the “Book Club” series solidified her reputation as an actress with unique comedic timing and dramatic depth. Keaton was celebrated not only for her artistry but also for her androgynous fashion sense, characterized by menswear-inspired looks, hats, and an easy, effortless style that influenced generations.
Legacy and Tributes
Following the news of her passing, tributes poured in from Hollywood and beyond. Bette Midler, Goldie Hawn, and Jane Fonda were among the countless stars who expressed devastation and admiration for Keaton’s incomparable legacy. Hawn recalled their friendship and collaborations, writing: “Diane, we aren’t ready to lose you…you stole the hearts of the world and shared your genius with millions”. Midler echoed the sentiment, praising Keaton as “brilliant, beautiful, extraordinary” and a truly original presence in Hollywood.

Private Struggles and Final Months
Though fiercely independent and known for her openness, Keaton kept her declining health private in her final months. Friends and neighbors noticed her retreat from public life and social media, and she was recently seen less often in her Brentwood neighborhood. In the past, Keaton candidly discussed her ongoing battles with skin cancer and bulimia, openly advocating for personal health and authenticity.
Remembering Diane Keaton
Diane Keaton leaves behind a legacy defined by her fearless performances, unique style, and enduring influence on the arts. She is survived by her two children, Dexter and Duke. As Hollywood and her global fanbase mourn, her pioneering spirit and unmistakable voice will continue to inspire generations.
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