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Blake & Ryan’s Step-By-Step Strategy to Steal Movies

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A new video essay from the YouTube channel “Bopping” is making waves online, arguing that Blake Lively and Ryan Reynolds orchestrated a strategic “hijacking” of the upcoming film adaptation of Colleen Hoover’s “It Ends With Us.” The Bopping analysis claims this wasn’t a spontaneous move but a carefully planned operation, mirroring Reynolds’s own tactics in gaining control over the “Deadpool” franchise.

Step-by-Step Breakdown of the Alleged Strategy (Per Bopping):

The Bopping video breaks down the alleged plan into several key steps:

  1. Start Small and Be Underpaid: According to Bopping, Lively intentionally accepted a lower salary ($3 million) for her role as Lily Bloom, while securing an executive producer credit. This mirrors Reynolds’s initial approach with “Deadpool,” where he reportedly took a pay cut to demonstrate commitment to the project. The lower budget of “It Ends With Us” (reportedly $25 million, self-funded by Justin Baldoni’s Wayfarer Studios, with Sony as co-distributor) allegedly made it easier for Lively to exert influence.
  1. Wait Until 50% of the Budget is Spent: Bopping’s analysis suggests Lively waited until a significant portion of the budget was used, including funds allocated to her character’s wardrobe. She then allegedly demanded changes to the wardrobe, causing budget overruns and tension with Baldoni, who had been developing his vision for the film for five years. Bopping posits that Baldoni couldn’t risk firing Lively at this stage, as the project was heavily reliant on her involvement.
  2. Take Over the Script and Leverage “Dragons”: The Bopping video claims Lively enlisted Reynolds to rewrite dialogue and scripts without consulting Baldoni or the screenwriter. The video references a text message where Lively calls Reynolds and Taylor Swift her “dragons,” implying they wielded significant influence. The analysis details an incident where Lively invited Baldoni to her home, where Reynolds and Swift allegedly pressured him to accept script changes.
  3. Exploit the Writer’s Strike: The production halt due to the actors’ and writers’ strikes provided Lively with an opportunity to renegotiate her contract, allegedly presenting a list of 17 non-negotiable demands, including increased creative control. Bopping argues Baldoni was in a vulnerable position due to budget constraints and the importance of Lively’s participation for Sony.
  4. Infiltrate the Editing and Extend the Access: According to Bopping, after filming, Lively allegedly gained access to the editing bay during Baldoni’s protected director’s cut period. The video claims she extended her access to 10 days, replaced original editors with her own hires (including someone who worked with Reynolds on “Deadpool”), and even influenced the firing of the original composer due to Taylor Swift’s alleged personal issues with him. The video further states Lively’s cut was then forced to compete with the director’s cut.
  1. Threatening to Not Promote: The video claims that Blake threatened to leave the project, take the book’s author with her, and make zero marketing appearances if her cut wasn’t picked.
  2. Steal Producer Credit: The final goal, according to the Bopping video, was for Lively to secure a formal producer credit, transforming her career and allowing her to negotiate higher salaries and backend deals in future projects. The analysis suggests Lively met the criteria for a PGA mark by influencing the story, hiring key personnel, supervising post-production, and contributing to the music and marketing.

The Ultimate Goal: A Colleen Hoover Empire? (Bopping’s Theory)

The Bopping video concludes by suggesting that Lively and Reynolds’s ultimate goal is to secure the rights to all of Colleen Hoover’s books and build an exclusive film franchise.

It’s important to note that these are just claims made in a YouTube analysis by “Bopping.” There has been no official confirmation on any of these points.

Disclaimer: This article is based solely on the claims and information presented in the provided YouTube transcript from the “Bopping” channel. It does not represent verified facts or the views of this writer.

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Film Industry

When The Script Sucks, But You Already Started Shooting

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The Nightmare Scenario

Every filmmaker dreads it: cameras are rolling, the crew is assembled, actors are in costume—and it becomes painfully clear that the script just isn’t working. Maybe the story feels lifeless, the dialogue is clunky, or the characters lack direction. Yet, the production machine is already in motion, and stopping now isn’t an option. What do you do when the script sucks, but you’ve already started shooting?

Why This Happens

There are many reasons productions find themselves in this predicament:

  • Rushed Development: Sometimes, excitement or external pressures push a project into production before the script is truly ready. The result is a “we’ll fix it on set” mentality, which rarely works out2.
  • Constant Rewrites: Directors or producers may keep rewriting the script during shooting, leading to confusion and inconsistency for cast and crew.
  • Unforeseen Changes: Actors drop out, locations fall through, or budget constraints force last-minute alterations, all of which can compromise the script.
  • Lack of Preparation: Skipping the crucial step of thoroughly workshopping and locking the script before production begins often leads to problems that are hard to fix on the fly.

The Cost of a Bad Script in Production

  • Morale Drops: Cast and crew quickly sense when a project is on shaky ground, leading to diminished enthusiasm and commitment.
  • Increased Expenses: Last-minute changes mean delays, overtime, and sometimes reshoots. This can balloon the budget and exhaust the team.
  • Creative Chaos: Actors struggle to understand their characters, and the story can become incoherent as new pages arrive daily.
  • Technical Confusion: Crew members rely on the script for planning shots, lighting, and logistics. Constant changes disrupt this process, increasing the risk of mistakes.

Strategies for Survival

1. Embrace Controlled Flexibility
While some rewriting is inevitable, especially on indie productions, it’s vital to maintain a clear vision. If changes must be made, communicate them clearly and ensure everyone understands how they fit into the overall story.

2. Prioritize Core Story Elements
Identify the essential beats and character arcs that must remain intact. Focus on shooting those well, even if other scenes are in flux. This ensures you have a coherent backbone to build around in post-production.

3. Collaborate and Communicate
Actors and crew should feel empowered to ask questions when changes arise. Open communication helps maintain professionalism and keeps performances consistent, even as the script evolves.

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4. Troubleshoot Ruthlessly
If scenes feel flat or boring, analyze why. Are stakes clear? Are character motivations strong? Even on set, it’s possible to punch up dialogue, clarify objectives, and inject urgency into scenes.

5. Lean on Structure
A well-structured script is your safety net. If you’re forced to rewrite, use established storytelling frameworks (like the three-act structure) to maintain pacing and narrative momentum4.

6. Don’t Rely on “Fixing It in Post”
The myth that editing can save a bad script is dangerous. While editors can work wonders, they can’t invent story or character where none exists. Focus on getting the best material possible during production.

Lessons for Next Time

The best way to avoid this situation is to invest heavily in script development before cameras roll. Workshop the script, get feedback, and don’t start shooting until the screenplay is truly ready. A locked, well-crafted script saves time, money, and morale—and gives your cast and crew the foundation they need to deliver their best work.

“A bad script will only lead to a bad movie, no matter how talented the cast and crew may be… By taking the time to fix any issues with the script before production begins, you can ensure that your project is on the path to success.”

Conclusion

When you find yourself shooting with a script that isn’t working, the key is to stay calm, communicate, and focus on the story’s essentials. While it’s a tough spot, creativity and collaboration can sometimes salvage a troubled production. But the ultimate lesson is clear: fix it on the page, not on the set.

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Bolanle Media covers a wide range of topics, including film, technology, and culture. Our team creates easy-to-understand articles and news pieces that keep readers informed about the latest trends and events. If you’re looking for press coverage or want to share your story with a wider audience, we’d love to hear from you! Contact us today to discuss how we can help bring your news to life

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Film Industry

Weinstein Backs Baldoni in Legal Dispute

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Harvey Weinstein, the disgraced former Hollywood producer serving prison sentences for sexual assault convictions, has publicly voiced support for actor-director Justin Baldoni in his ongoing $250 million defamation lawsuit against The New York Times and actress Blake Lively. Weinstein, currently incarcerated at New York’s Rikers Island ahead of a retrial for his overturned 2020 conviction, drew parallels between Baldoni’s case and his own 2017 media exposé, claiming The Times “cherry-picked” evidence to fit predetermined narratives in both instances.

Credit: Reuters

The Allegations
The dispute stems from a December 2024 Times article titled “We Can Bury Anyone,” which detailed alleged efforts by Baldoni’s PR team to discredit Lively during a conflict over the film It Ends With Us, which Baldoni directed. The report cited text messages suggesting a coordinated smear campaign, which Baldoni claims were misrepresented and stripped of context. In his lawsuit, Baldoni accuses the publication of colluding with Lively to publish a “false and defamatory narrative” as a “vehicle for her vengeance”.

Legal Developments
A March 2025 court ruling signaled potential dismissal of The Times from the case, with U.S. District Judge Lewis Liman stating the publication presented “substantial grounds” for dismissal and a “strong likelihood” of prevailing on First Amendment grounds. Despite this, Baldoni expanded his lawsuit to $400 million, naming Lively, her husband Ryan Reynolds, and her publicist as co-defendants, alleging extortion and retaliatory tactics.

Weinstein’s Role
Weinstein, whose 2017 Times exposé catalyzed the #MeToo movement, told TMZ that Baldoni’s legal action “hit me hard,” likening it to his own experience of “selective” reporting. He added, “I should have stood up and fought back then. That regret still haunts me”. The Times defended its reporting, stating its Weinstein coverage was “rigorously reported” and based on documented evidence, while emphasizing Weinstein’s past admissions of misconduct.

Counterclaims
Lively has countersued Baldoni, accusing him of fostering an uncomfortable environment for women on set and engaging in retaliatory behavior. Her legal team denies the allegations of collusion, calling Baldoni’s lawsuit a “punitive” attempt to silence critics.

The case, set for trial in 2026, has drawn scrutiny for its intersection of celebrity, media ethics, and legal accountability.

Bolanle Media covers a wide range of topics, including film, technology, and culture. Our team creates easy-to-understand articles and news pieces that keep readers informed about the latest trends and events. If you’re looking for press coverage or want to share your story with a wider audience, we’d love to hear from you! Contact us today to discuss how we can help bring your news to life

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Advice

Why Your Phone Videos Look FLAT

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Modern smartphones offer incredible video capabilities, but sometimes the footage can look flat, lacking depth and vibrancy. This article explores five practical tips to elevate your phone videos, with a focus on lighting techniques like bounce lighting and natural light, as well as using the highest quality settings available.


1. Optimize Lighting: Bounce Lighting and Natural Light

Lighting is one of the most critical factors in creating visually appealing videos. Here are two effective techniques:


2. Shoot in the Highest Quality Available

Always set your smartphone camera to its maximum resolution and frame rate. For example:


3. Improve Composition

A well-composed shot adds depth and interest to your videos:

  • Use the rule of thirds to position your subject off-center.
  • Incorporate foreground and background elements to create layers.
  • Avoid cluttered backgrounds that distract from the main subject.

4. Stabilize Your Shots

Shaky footage can ruin the professional feel of your video:


5. Enhance Color and Contrast in Post-Production

Even with perfect lighting and composition, flat videos may need color grading:

  • Adjust contrast to add depth.
  • Fine-tune saturation and vibrance to make colors pop without oversaturation.
  • Use LUTs (Look-Up Tables) designed for mobile footage to achieve cinematic color profiles.


Conclusion

Flat phone videos often result from poor lighting, low-quality settings, or lack of post-production enhancements. By using techniques like bounce lighting, maximizing natural light, shooting in high resolution, stabilizing your shots, and refining colors in editing software, you can transform dull footage into vibrant, professional-looking videos.

Bolanle Media covers a wide range of topics, including film, technology, and culture. Our team creates easy-to-understand articles and news pieces that keep readers informed about the latest trends and events. If you’re looking for press coverage or want to share your story with a wider audience, we’d love to hear from you! Contact us today to discuss how we can help bring your news to life

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