Film Industry
Blake & Ryan’s Step-By-Step Strategy to Steal Movies
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A new video essay from the YouTube channel “Bopping” is making waves online, arguing that Blake Lively and Ryan Reynolds orchestrated a strategic “hijacking” of the upcoming film adaptation of Colleen Hoover’s “It Ends With Us.” The Bopping analysis claims this wasn’t a spontaneous move but a carefully planned operation, mirroring Reynolds’s own tactics in gaining control over the “Deadpool” franchise.
Step-by-Step Breakdown of the Alleged Strategy (Per Bopping):
The Bopping video breaks down the alleged plan into several key steps:
- Start Small and Be Underpaid: According to Bopping, Lively intentionally accepted a lower salary ($3 million) for her role as Lily Bloom, while securing an executive producer credit. This mirrors Reynolds’s initial approach with “Deadpool,” where he reportedly took a pay cut to demonstrate commitment to the project. The lower budget of “It Ends With Us” (reportedly $25 million, self-funded by Justin Baldoni’s Wayfarer Studios, with Sony as co-distributor) allegedly made it easier for Lively to exert influence.
- Wait Until 50% of the Budget is Spent: Bopping’s analysis suggests Lively waited until a significant portion of the budget was used, including funds allocated to her character’s wardrobe. She then allegedly demanded changes to the wardrobe, causing budget overruns and tension with Baldoni, who had been developing his vision for the film for five years. Bopping posits that Baldoni couldn’t risk firing Lively at this stage, as the project was heavily reliant on her involvement.
- Take Over the Script and Leverage “Dragons”: The Bopping video claims Lively enlisted Reynolds to rewrite dialogue and scripts without consulting Baldoni or the screenwriter. The video references a text message where Lively calls Reynolds and Taylor Swift her “dragons,” implying they wielded significant influence. The analysis details an incident where Lively invited Baldoni to her home, where Reynolds and Swift allegedly pressured him to accept script changes.
- Exploit the Writer’s Strike: The production halt due to the actors’ and writers’ strikes provided Lively with an opportunity to renegotiate her contract, allegedly presenting a list of 17 non-negotiable demands, including increased creative control. Bopping argues Baldoni was in a vulnerable position due to budget constraints and the importance of Lively’s participation for Sony.
- Infiltrate the Editing and Extend the Access: According to Bopping, after filming, Lively allegedly gained access to the editing bay during Baldoni’s protected director’s cut period. The video claims she extended her access to 10 days, replaced original editors with her own hires (including someone who worked with Reynolds on “Deadpool”), and even influenced the firing of the original composer due to Taylor Swift’s alleged personal issues with him. The video further states Lively’s cut was then forced to compete with the director’s cut.
- Threatening to Not Promote: The video claims that Blake threatened to leave the project, take the book’s author with her, and make zero marketing appearances if her cut wasn’t picked.
- Steal Producer Credit: The final goal, according to the Bopping video, was for Lively to secure a formal producer credit, transforming her career and allowing her to negotiate higher salaries and backend deals in future projects. The analysis suggests Lively met the criteria for a PGA mark by influencing the story, hiring key personnel, supervising post-production, and contributing to the music and marketing.
The Ultimate Goal: A Colleen Hoover Empire? (Bopping’s Theory)
The Bopping video concludes by suggesting that Lively and Reynolds’s ultimate goal is to secure the rights to all of Colleen Hoover’s books and build an exclusive film franchise.
It’s important to note that these are just claims made in a YouTube analysis by “Bopping.” There has been no official confirmation on any of these points.
Disclaimer: This article is based solely on the claims and information presented in the provided YouTube transcript from the “Bopping” channel. It does not represent verified facts or the views of this writer.
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Bolanle Media covers a wide range of topics, including film, technology, and culture. Our team creates easy-to-understand articles and news pieces that keep readers informed about the latest trends and events. If you’re looking for press coverage or want to share your story with a wider audience, we’d love to hear from you! Contact us today to discuss how we can help bring your news to life
Film Industry
Why a Killer Marketing Budget is Your Secret Weapon
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You’ve poured your heart and soul into crafting a cinematic masterpiece. The story is captivating, the visuals are stunning, and the performances are unforgettable. But in a world overflowing with content, how do you ensure your film doesn’t just fade into the background? The answer: a killer marketing budget.
Beyond the Art: The Business of Being Seen
Let’s face it: filmmaking is a business. No matter how brilliant your movie is, without a strategic marketing plan, it’s like whispering in a hurricane. A well-funded marketing campaign doesn’t just promote your film; it shouts it from the rooftops, ensuring it reaches the audience it deserves.
Unlock Hidden Revenue Streams
Here’s a little secret: your marketing budget can actually make you money. Distributors often base their offers on a percentage of your total budget. By investing more in marketing, you’re signaling confidence in your film’s potential, which can lead to more lucrative distribution deals. It’s not just an expense; it’s an investment in your film’s future.
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The Golden Ratio: How Much Should You Spend?
So, what’s the magic number? While every film is different, here are a few rules of thumb:
- The Indie Edge: For indie darlings, consider allocating at least 20% of your production budget to marketing. Think of it as your secret weapon against the Hollywood giants.
- The Expected Sales Rule: A good starting point is to earmark 2-5% of your expected sales revenue for marketing.
- Essential Assets: Don’t skimp on the basics. A captivating trailer, eye-catching poster, and comprehensive press kit are non-negotiable.
Where Does Your Money Go?
Think of your marketing budget as a toolbox filled with powerful tools:
- Trailers and Teasers: These are your first impression. Make them count!
- Stunning Posters: Your film’s visual calling card.
- Social Media Blitz: Engage your audience, build hype, and create a community.
- Public Relations Power: Get the word out through press releases, interviews, and media partnerships.
- Influencer Marketing: Leverage the power of online personalities to reach new audiences.
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More Than Just Dollars: A Strategic Game
A successful marketing campaign isn’t just about spending money; it’s about spending it smartly. Identify your target audience, understand their preferences, and tailor your marketing efforts accordingly. A well-executed marketing strategy can turn a small budget into a massive success.
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The Bottom Line: Don’t Shortchange Your Vision
You’ve poured your blood, sweat, and tears into creating your film. Don’t let it languish in obscurity. A robust marketing budget is the key to unlocking its full potential, connecting it with audiences worldwide, and turning your cinematic vision into a resounding success.
Investing in marketing is investing in your film’s future. Make it count.
Bolanle Media covers a wide range of topics, including film, technology, and culture. Our team creates easy-to-understand articles and news pieces that keep readers informed about the latest trends and events. If you’re looking for press coverage or want to share your story with a wider audience, we’d love to hear from you! Contact us today to discuss how we can help bring your news to life
Entertainment
Why 8K Might Be Ruining Modern Cinema
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We live in an age obsessed with bigger, better, and more. In filmmaking, this often translates to a relentless pursuit of higher resolution. 4K, 6K, 8K, 12K – the numbers keep climbing, promising unparalleled detail and flexibility. But is this pursuit of resolution truly advancing cinema, or is it leading us down a path of creative compromise? After 20 years in the trenches, I’ve come to believe the latter.
Let’s dive into the controversial topic of high-resolution filming, specifically 8K and beyond. Filmmakers now have the option to shoot their films in resolutions so high that most viewers will never even experience the full potential on their screens. Yet, many jump at the chance, seduced by the apparent advantages.
The Seductive Allure of 8K:
Shooting in 8K offers the promise of incredible flexibility in post-production. Imagine filming in 8K and mastering in 4K: you gain the ability to zoom in up to 200% on any shot and create a close-up from a medium shot. Master in 2K or 1080p? You can crop in 400% and turn that 8K medium shot into an extreme close-up. It sounds like magic! High resolutions can also supposedly simplify VFX work, providing more data and detail for keying green screens or tracking facial expressions.
The Harsh Reality: A Resolution Revolution or Regression?
But before you rush out to buy the latest 8K camera, consider the dark side of high resolution:
- Massive File Sizes & Storage Nightmares: 8K footage devours storage space. We’re not just talking about a slight increase; we’re talking about exponentially larger files. And remember, you need backups – at least one failsafe drive, and ideally two for best practices. Suddenly, your independent film is drowning in data management, and your budget is evaporating on hard drives. Archiving years’ worth of 8K footage becomes a logistical and financial nightmare.
- Post-Production Paralysis: While you can create low-resolution proxies for editing, VFX and color grading demand the full-resolution media. That requires a beast of a computer, specialist editors, and eye-watering render times. How many colorists even have an 8K monitor? You’re potentially looking at renting expensive equipment and paying hourly rates for processing power that will make your head spin.
- The Reframing Rabbit Hole: This is perhaps the most insidious problem. The ability to reframe every shot in post-production becomes a curse. In the days of celluloid, you were largely stuck with what you shot. Now, you’ll find yourself endlessly tweaking compositions, second-guessing on-set decisions, and losing countless hours trying to perfect every single frame. “I’ve opened up Pandora’s Box no shot is safe”. The post-production process goes slower, becomes more tedious, and much less fun.
- Creative Complacency: The Death of Intentionality: When you know you can “fix it in post,” you become less committed to framing and composition on set. Instead of making bold choices, you shoot everything wide, hoping to figure it out later. The artistry of filmmaking suffers. Instead of making specific, directed choices you shoot everything wide and hope you figure it out later. This is why so much modern cinema sucks.
The Disease of Modern Cinema:
We are losing that human thought and premeditation of every moment of the film. The magic of filmmaking lies in capturing pieces of time from a specific point of view and assembling them into something greater than the sum of their parts. It ruins the fun when every single shot becomes Play-Doh to be molded into whatever shape you later decide it should be.
Learning from Film:
This is why I got into photography by using film. Digital photography had never interested me even a little bit. You can take a digital camera and shoot a photo a thousand times for free, reviewing it immediately after snapping every single photo. This means consequences for a bad photograph. Film is more intentional. Each picture becomes something so much more than just hoed data; it’s an intentional choice with thought behind it and Stakes baked in.
The Bottom Line:
Don’t let the resolution race blind you. Focus on crafting a compelling story, capturing great performances, and making intentional choices on set. Embrace limitations, prioritize creativity over technical wizardry, and remember that a well-crafted film in 2K or 4K will always be more impactful than a poorly executed film in 8K. High resolution is not a substitute for vision. The answer is making a statement with your film, make it loud. Make the audience understand that you stood behind your choices.
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Is 8K ruining modern cinema? Perhaps not single-handedly. But its allure, and the mindset it fosters, is contributing to a loss of intentionality and artistry in filmmaking. It’s time to step back from the resolution race and rediscover the power of creative constraints.
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Bolanle Media covers a wide range of topics, including film, technology, and culture. Our team creates easy-to-understand articles and news pieces that keep readers informed about the latest trends and events. If you’re looking for press coverage or want to share your story with a wider audience, we’d love to hear from you! Contact us today to discuss how we can help bring your news to life
Entertainment
Why Do Good Movies Use Just 3 Colors
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The “Three Color Rule” in filmmaking is a guideline suggesting that a film’s color palette should consist of a primary color (60%), a secondary color (30%), and an accent color (10%). This rule is employed to focus the viewer’s attention, maintain a specific mood, and convey messages through color.
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How the Three Color Rule Works:
- Balance and Harmony The 60-30-10 rule is about creating a balanced and harmonious color scheme. The dominant color occupies most of the frame, while the secondary color supports it, adding depth. The accent color provides contrast and draws the eye to specific elements.
- Cinematographers, DOPs (Directors of Photography), and editors use the Three Color Rule to focus the audience’s attention on the story.
- Color Grading Great films maintain consistent color grading to sustain a mood or direct attention, using color to communicate with the audience.
Examples of Films Using Color Effectively:
- Her In Her, the primary color is brown, the secondary color is red, and the accent is a subtle blue.
- Mad Max: Fury Road This film uses vibrant oranges and blues to create a visually stunning desert landscape and evoke feelings of intensity, danger, and urgency.
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- Amélie Features a warm color palette with greens, reds, and yellows to mirror the film’s whimsical and romantic nature.
Color choices in film are used to enhance storytelling, develop characters, and create immersive atmospheres. Each color carries its own associations and meanings:
- Red Signifies anger, passion, desire, and violence.
- Blue Represents faith, peace, calm, and trust.
- Green Symbolizes healing, nature, renewal, and envy.
The use of color in film is a deliberate choice by filmmakers to make a statement and add depth to the story.
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Bolanle Media covers a wide range of topics, including film, technology, and culture. Our team creates easy-to-understand articles and news pieces that keep readers informed about the latest trends and events. If you’re looking for press coverage or want to share your story with a wider audience, we’d love to hear from you! Contact us today to discuss how we can help bring your news to life
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