Entertainment
Angela Deem Claims She Had to Fend Off Other Women’s Husbands on 90 Day The Last … on August 8, 2023 at 5:47 pm The Hollywood Gossip

Next week, 90 Day: The Last Resort will premiere. Presumably because evil triumphs when good people do nothing.
Notorious franchise villain Angela Deem will be part of the cast, working on her toxic marriage.
We know that Angela and Michael are still legally married. But certain spoilers indicate that things didn’t go so well.
Meanwhile, to hear her tell it, Angela was having to fend off other women’s husbands left and right.
Speaking to Entertainment Tonight, Angela Deem discusses why she continues to share her atrocious behavior on reality TV for all to see. (Entertainment Tonight)
To promote the looming and farcical 90 Day: The Last Resort spinoff, Angela Deem sat down with Entertainment Tonight.
“On one hand, it was really really, really great,” she said of her and husband Michael Ilesanmi’s participation on the show.
Michael had to participate remotely, despite three years of marriage. She was the only one there without her spouse.
Michael Ilesanmi participates remotely while Angela Deem appears in person on 90 Day: The Last Resort. (TLC)
“At least he was there, you know,” Angela said of Michael’s long-distance participation.
“But at the end what really got me at the end of the night,” she remarked.
Angela said that “when everybody got to go home or into the hotels with their partners or at least beside their partners, I didn’t.”
In a twisted turn of events, Angela Deem appeared to openly flirt with Jovi Dufren. This likely went down in the Florida Keys. (Instagram)
“That’s when the trouble really came,” Angela added ominously.
She said that this was “because I’ve had everybody’s husbands on my back porch and all the women getting their beauty sleep.”
Angela expressed: “I’m like, what the hell’s going on here?”
Angela Deem certainly appears to be in a sour mood in the 90 Day: The Last Resort teaser. But then, you never can tell with her. What does a good mood look like? (TLC)
“I can’t even worry about my own relationship,” Angela joked.
She said that this was “because I’m turning into Mee-maw now.”
Angela added: “You know, I finally had to put a stop to it and say hey, get your friggin’ husbands, I’m trying to work on my relationship, my husband.”
Angela Deem models what appears to be some sort of “swimwear” during the superteaser trailer for 90 Day: The Last Resort. (TLC)
As Michael allegedly grew jealous as she spent time with these men, she found herself envying other couples.
“It was sad and I didn’t let the couples know a lot,” she expressed.
Angela went on: “I did say a little bit about it because they would fight and argue and I’m like, you people don’t get it.”
Perhaps 90 Day Fiance’s most notorious recurring villain, Angela Deem appears alone in this promotional still ahead of 90 Day: The Last Resort’s premiere. (TLC)
“Y’all are together, y’all can fix this is you want it — we’re apart and we’re trying to fix it, you know?” Angela said.
She complained: “At night it was very, very very hard for me. It was very lonely, it was.”
One truly remarkable takeaway from this interview is that Angela said that she went into the show believing that her atrocious behavior was somehow justified. It is not. Her actions have been abhorrent.
Angela Deem appeared on multiple phone videos in a violent altercation with friend Jennifer Dilandro at a hotel lobby. (Instagram)
“I had triggers. I never even knew what that word meant,” Angela admitted.
She said: “I bitch and raised hell because I get triggers, especially from my husband Michael, like, he’ll trigger me because he lies so much.”
Ah yes. Angela treats him this way because he makes her so angry? That’s pretty standard to hear from abusers.
Though TLC did not initially air the footage of Angela Deem laying hands on Michael Ilesanmi when she showed up to scream at him and damage his car, we later saw the inexcusable act of domestic violence in a flashback. (TLC)
Angela went on: “And little lie, big lie, doesn’t matter to me. You know, some people will just say it’s a little lie, to me a lie is a lie, like, we all lie, right?”
She rambled: “Like a bill collector says we need your rent or your furniture bill and you say, ‘Oh, something happened, I have to go to a funeral.’”
Angela’s oddly specific example continued: “But to me that’s not a lie because it’s something, it’s not hurting nobody, but when you lie to someone you love, that makes me furious.”
Though we have seen Angela Deem in many fights, some fans have told themselves that it’s all just an act for reality TV. Would that it were so. Her physical brawl with Jennifer Dilandro in a hotel lobby is a reminder that this is simply who she is. (Instagram)
“I never fully realized we have a miscommunication problem, honestly,” Angela confessed.
“I’m learning something every week from their culture, and I really wasn’t embracing that,” she said. “I wasn’t until the therapy.”
Angela claimed: “‘Cause I’m trying, you know? I’m trying to learn ’cause everyone thinks I got an anger problem. No, I don’t.”
“I don’t have an anger problem,” the notorious rage-monster claimed.
“I just have no tolerance for bulls–t,” she insisted. “And that’s it. I do. I don’t like bulls–t, even from my dog, you know?”
According to Angela, “When they find out I’m a Mee-maw and my heart’s good, I get run over. That’s why I got to stand up straight in the beginning, like, ‘no hell no, you’re not,’ but if they get into my heart, I’m done.”
Following her physical fight with Jennifer Dilandro, Angela Deem ranted to strangers while seeming to fall out of her clothing. (Instagram)
“I think this show is gonna knock everybody out the park, because this is the first time couples meet two weeks and live together on an island, not meet at the tell-all,” Angela teased.
“I get chills thinking about it. I’m very excited,” she expressed. “Even though some outcomes are bad, some are good, and mine, you just don’t know ’till you see it.”
90 Day: The Last Resort premieres Monday, August 14. A lot of franchise viewers have expressed disgust over this spinoff. But it might do well anyway.
Angela Deem Claims She Had to Fend Off Other Women’s Husbands on 90 Day The Last … was originally published on The Hollywood Gossip.
Next week, 90 Day: The Last Resort will premiere. Presumably because evil triumphs when good people do nothing. Notorious franchise …
Angela Deem Claims She Had to Fend Off Other Women’s Husbands on 90 Day The Last … was originally published on The Hollywood Gossip.
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Entertainment
Jennifer Lopez’s Ex Fires Back: “You Are the Problem”

Ojani Noa Accuses J.Lo of Cheating After “Never Been Loved” Comments
Jennifer Lopez is once again at the center of a media storm — but this time, it’s her first husband, Ojani Noa, turning up the heat. Following Lopez’s recent Howard Stern Show interview, in which she claimed she has “never been truly loved” by any of her exes, Noa has publicly accused the superstar of cheating and playing the victim.
In the viral Instagram post that has now spread across major outlets like TMZ and New York Post, Noa didn’t hold back.
“Stop putting us down. Stop putting me down with your victim card,” he wrote. “The problem is not us. Not me. The problem is you. You’re the one who couldn’t keep it in your pants.”
“You Chose Fame and Lies Over Love”
Noa and Lopez were married briefly from 1997 to 1998, before her rise to Hollywood superstardom. In his explosive statement, he accused her of being unfaithful during their marriage, claiming she prioritized fame over their relationship.
“You have been loved a few times. You’ve been married four times. And have had countless relationships in between,” Noa continued. “You decided to lie, to cheat on me. You begged me to keep the marriage intact to avoid bad press.”
Noa described himself as “faithful, honest, and loving,” saying he uprooted his life and career to support Lopez at the beginning of her entertainment journey. “I left my family, my friends, everything behind for you,” he wrote, “but once fame came calling, you left me behind.”
Lopez Silent Amid Growing Backlash
As of now, Jennifer Lopez has not publicly responded to Noa’s allegations. During her Howard Stern interview, the singer and actress claimed her former partners “weren’t capable” of loving her, saying, “It’s not that I’m not lovable… it’s that they’re not capable.”
Her remarks were widely interpreted as referencing all of her ex-husbands — including Marc Anthony, Cris Judd, and Ben Affleck — but it was Noa who reacted first and most forcefully. His comments have ignited widespread debate online, with many questioning whether Lopez’s honesty came at the expense of others’ reputations.
Public Response and Media Fallout
The online reaction has been intense, with social media users split between defending Lopez’s right to share her truth and blasting her for allegedly rewriting history. Meanwhile, entertainment analysts note that the controversy adds to an increasingly turbulent year for the singer, following canceled tours, underperforming films, and ongoing scrutiny over her marriage to Affleck.
This latest backlash has also reignited conversations about Lopez’s highly publicized romantic history. As tabloids and fans speculate whether more exes might respond, the situation underscores an old truth in celebrity culture — that every candid confession comes with consequences.
For now, Jennifer Lopez remains silent. But in the court of public opinion, the debate about who’s really at fault in her love story is only just beginning.
Entertainment
Selling Your Soul in Hollywood: The Hidden Cost of Fame

By all appearances, Hollywood is a dream factory — a place where charisma, talent, and luck collide to create stars. But behind the camera lights and red carpets lies a conversation few inside the industry speak openly about: the spiritual and moral price of ambition.

For actor Omar Gooding, the idea of “selling your soul” in Hollywood isn’t a metaphor — it’s a moral process that begins with tiny compromises. In an October 2025 interview, Gooding explained that no one in Hollywood makes a literal deal with the devil. Instead, it’s the quiet yeses, the moments when comfort overrides conviction, that mark the beginning of the trade. “They don’t say, ‘Take this or you’ll never make it,’” he said. “They just put it in front of you. You choose.”
Those choices, he argues, create a pattern. Once you show that you’ll accept something you once resisted, the industry notices. “Hollywood knows who it can get away with what,” Gooding said. “One thing always leads to another.” The phrase “selling your soul,” in this context, means losing your say — doing what you’re told rather than what you believe in.
That moral tension has long shadowed the arts. Comedians like Dave Chappelle, who famously walked away from millions to preserve his creative integrity, often serve as examples of where conviction and career collide. In resurfaced interviews, Chappelle hinted that he felt manipulated and silenced by powerful figures who sought control of his narrative, warning that “they’re trying to convince me I’m insane.”
This isn’t just about conspiracy — it’s about agency. Hollywood runs on perception. Performers are rewarded for being agreeable, moldable, entertaining. Those who question the machine or refuse the script risk exile, while those who conform are elevated — sometimes beyond what they can handle.
“We see the ‘collections’ all the time,” Gooding explained. “When the bill comes due, you can tell. They made that deal long ago.”

But the story doesn’t end in darkness. Gooding also emphasizes that in today’s entertainment landscape, artists have more control than ever. With streaming, social media, and creator‑driven platforms, performers don’t have to “play the game” to be seen. Independent creators can build their own stages, speak their own truths, and reach millions without trading authenticity for access.
Still, the temptation remains — recognition, validation, quick success. And every generation of artists must answer the same question: What are you willing to do for fame?
As Gooding put it, “You just make the best choices you can. Because once it’s gone — your name, your peace, your soul — there’s no buying it back.”
Entertainment
California Bans AI Clones from Replacing Real Talent

California just made a dramatic stand for human creativity, defeating the threat of AI actor clones with a sweeping new law that puts people—not algorithms—back in the Hollywood spotlight. With the stroke of Governor Gavin Newsom’s pen in October 2025, the state has sent a clear message to studios, tech companies, and the world: entertainment’s heart belongs to those who create and perform, not to digital facsimiles.
California Draws a Hard Line: No More AI Clones
For months, the entertainment industry has been divided over the use of artificial intelligence in filmmaking. Studios, lured by promises of cost-cutting and creative flexibility, have invested in software that can mimic an actor’s face, voice, and even emotional range. But for performers, this wave of synthetic reproduction has triggered alarm—encouraged by chilling stories of deepfakes, unauthorized digital doubles, and contracts that let studios reuse a star’s likeness indefinitely, sometimes without pay or approval.
The new California law, anchored by AB 2602 and AB 1836, changes everything:
- Every contract must explicitly detail how studios can use digital replicas or voice models, preventing once-common “blank check” agreements that overlooked this risk.
- No one—not studios nor streaming giants—can create or release AI-generated clones of an actor, living or dead, without clear, written consent from the performer or their estate.
- The law gives families new powers to defend loved ones from posthumous deepfake exploitation, closing painful loopholes that once let virtual versions of late icons appear in new ads, films, or games.
Actors Celebrate a Major Victory
The legislation rides the momentum of the recent SAG-AFTRA strike, where real-life talent demanded control over their own digital destinies. Leaders say these protections will empower artists to negotiate fair contracts and refuse participation in projects that cross ethical lines, restoring dignity and choice in an industry threatened by silent algorithms.
Stars, unions, and advocacy groups are hailing the law as the most robust defense yet against unwanted AI replications.
As one actor put it, “This isn’t just about money—it’s about identity, legacy, and respect for real artists in a synthetic age.”
A New Chapter for the Entertainment Industry
California’s move isn’t just a victory for local talent—it’s a warning shot to studios everywhere. Companies will now be forced to rethink production pipelines, consult legal counsel, and obtain proper clearance before digitally cloning anyone. Global entertainment platforms and tech developers will need to comply if they want to do business in the world’s entertainment capital.

These laws also set a template likely to ripple through other creative fields, from musicians whose voices can be synthesized to writers whose work could be mimicked by generative AI. For now, California performers finally have a powerful shield, ready to fight for the right to shape their own public image.
Conclusion: Human Talent Takes Center Stage
With its no-nonsense ban on AI actor clones, California draws a bold line, championing the work, likeness, and very humanity of its creative stars. It’s a landmark step that forces the entertainment industry to choose: respect real talent, or face real consequences. The age of the consentless digital double is over—human performers remain the true source of Hollywood magic.
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