Related: Celebrities Who Had the Time of Their Lives at Taylor Swift’s ‘Eras Tour’
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The Eras Tour might belong to Taylor Swift — but the pop star’s bejeweled dancers and backup vocalists help the whole place shimmer.
Kicking off in April 2023, Swift’s career-spanning stadium concert consists of a three-and-a-half-hour journey that takes fans through 44 songs grouped into 10 acts, with each one portraying a different album conceptually. On stage alongside Swift are sixteen dancers, three backup vocalists and a live band of six instrumentalists, many of whom have toured with the singer for more than a decade.
“Something of that magnitude, you just hope that it’s going to be a match when you’re working with somebody and it really was. I dig her music and I dig her and I love her vision,” Swift’s Eras Tour choreographer, Mandy Moore, told Page Six in November 2023 of the massive undertaking. “It’s so nice to be on a team with somebody.”
While Moore admitted that bringing the project to life was anything but “easy,” she praised Swift for her professionalism and down-to-earth nature.
“It was a ton of numbers in a very short amount of time, but I have to say, every day I went to work, I was just like, ‘This is amazing,’” she gushed. “We’re in this massive stadium, putting it up, rehearsing it, and [Taylor] just walks in, just normal, like, sits on the stage and wants to practice whatever. I just love that that’s who she is!”
Keep scrolling for a full guide to Swift’s Eras Tour backup dancers and vocalists:
The University of Missouri-Kansas City graduate has gone viral online for his performance during “Bejeweled.” Prior to his time with Swift, Saunders has toured with several prominent dance companies including Dallas Black Dance Theatre, Saint Louis Ballet and Missouri Contemporary Ballet. He also appeared in 2023’s The Color Purple and the Ryan Reynolds-led Christmas movie Spirited.
Off stage, Kameron has a deeper connection to Swift as his brother, Khalen Saunders, used to play for the Kansas City Chiefs alongside her boyfriend, Travis Kelce.
Typically working as a duo alongside brother Michael Scheitzbach, Kevin specializes in jazz funk and street styles of dance. He graduated as a high honors dance major from St. Thomas Aquinas Regional Arts Program in 2019.
Kevin has worked at events like Paula Abdul’s White Party, Coachella with 88Rising and various music videos. He previously appeared in Disney’s Zombies 2, The Next Step, Rookie Blue and Backstage.
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Fans first spotted Mcwilliams during his performance with Kevin during “Lover” but has since become a Swiftie favorite for how he interacts with the crowd on stage. Prior to his work with Swift, Mcwilliams has danced for Bebe Rexha and Meghan Trainor and has performed on So You Think You Can Dance? and at the American Music Awards.
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Thomas has become a fan favorite on the tour as he appears as Swift’s on-stage love interest in “Style” and during the famous “Tolerate It” performance, where the two sit across a table from each other as their relationship falls apart.
Prior to his time with the pop star, he performed with artists such as Mary J Blige, Janet Jackson and John Legend.
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Banks has an extensive resume. She has performed with artists such as Jennifer Lopez, Justin Timberlake, Billie Eilish, Mariah Carey, Ciara, Cher, Mario, Dua Lipa, Muse and Carrie Underwood. In addition to her dance background, she’s modeled for brands like Nike, Rebok and Skechers.
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In addition to Swift, Ravnik has been a backup dancer for Abdul, Mariah Carey and Bruno Mars. He’s also appeared on X Factor and Got Talent.
Reid graduated from Chapman University after majoring in dance. She later studied under Eras Tour choreographer Moore at the Edge Performing Arts Center and has performed with artists such as Eilish, Lopez and Pitbull. She was also a Radio City Rockette for 11 seasons.
Peterson worked as the assistant choreographer for Karol G’s Bichota Tour before joining Swift on the Eras Tour. She is a graduate from Chapman University with two bachelor’s degrees: Dance and Public Relations and Advertising.
After studying dance at the University of Arizona in Tucson, Evans went on to perform with artists like Blige, Cardi B and Jason Derulo. She has also danced on The Kelly Clarkson Show, The Masked Singer and The Price is Right.
Yoshimura has worked with A-list artists such as Lopez, Jackson, Rihanna, Justin Bieber and Christina Aguilera.
Lewis is an MVA pro dancer with Velocity Dance Convention, a national touring dance convention and competition.
Douglass has danced for Dua Lipa, Beyoncé and Gwen Stefani. She’s also acted in 2016’s La La Land, Glee and Parks and Recreation and performed at the Grammys. Like Reid, she has worked as a NYC Rockette.
A dancer, teacher and choreographer, Chuang has worked with artists like Jackson, Minaj, Lady Gaga, Pink and Khalid.
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Gorman has been working a backup vocalist since Swift’s Red Tour in 2013. In addition to teaming up with Swift, Gorman has performed with musicians like Trainor, Derulo, Nick Jonas and Rita Ora.
Nyema first appeared on stage with Swift at the 2012 MTV Video Music Awards and has since worked with the singer as a backup vocalist and dancer. She has also shared the stage with Taylor Hicks and Barry Manilow.
Like Gorman, Marshall has also served as Swift’s backup vocalist since the Red Tour and has also been spotted out and about with Swift and her inner circle. In 2021, she was featured as a party guest in Swift’s All Too Well: The Short Film and worked on soundtracks for Sex and the City 2 and Hairspray.
Prior to her time with Swift, Marshall graduated early from high school to go on tour with Nell Carter, Salt N’ Pepa and Patti LuPone.
Kevin Winter/Getty Images for TAS Rights Management The Eras Tour might belong to Taylor Swift — but the pop star’s bejeweled dancers and backup vocalists help the whole place shimmer. Kicking off in April 2023, Swift’s career-spanning stadium concert consists of a three-and-a-half-hour journey that takes fans through 44 songs grouped into 10 acts, with
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California just made a dramatic stand for human creativity, defeating the threat of AI actor clones with a sweeping new law that puts people—not algorithms—back in the Hollywood spotlight. With the stroke of Governor Gavin Newsom’s pen in October 2025, the state has sent a clear message to studios, tech companies, and the world: entertainment’s heart belongs to those who create and perform, not to digital facsimiles.
For months, the entertainment industry has been divided over the use of artificial intelligence in filmmaking. Studios, lured by promises of cost-cutting and creative flexibility, have invested in software that can mimic an actor’s face, voice, and even emotional range. But for performers, this wave of synthetic reproduction has triggered alarm—encouraged by chilling stories of deepfakes, unauthorized digital doubles, and contracts that let studios reuse a star’s likeness indefinitely, sometimes without pay or approval.
The new California law, anchored by AB 2602 and AB 1836, changes everything:
The legislation rides the momentum of the recent SAG-AFTRA strike, where real-life talent demanded control over their own digital destinies. Leaders say these protections will empower artists to negotiate fair contracts and refuse participation in projects that cross ethical lines, restoring dignity and choice in an industry threatened by silent algorithms.
Stars, unions, and advocacy groups are hailing the law as the most robust defense yet against unwanted AI replications.
As one actor put it, “This isn’t just about money—it’s about identity, legacy, and respect for real artists in a synthetic age.”
California’s move isn’t just a victory for local talent—it’s a warning shot to studios everywhere. Companies will now be forced to rethink production pipelines, consult legal counsel, and obtain proper clearance before digitally cloning anyone. Global entertainment platforms and tech developers will need to comply if they want to do business in the world’s entertainment capital.
These laws also set a template likely to ripple through other creative fields, from musicians whose voices can be synthesized to writers whose work could be mimicked by generative AI. For now, California performers finally have a powerful shield, ready to fight for the right to shape their own public image.
With its no-nonsense ban on AI actor clones, California draws a bold line, championing the work, likeness, and very humanity of its creative stars. It’s a landmark step that forces the entertainment industry to choose: respect real talent, or face real consequences. The age of the consentless digital double is over—human performers remain the true source of Hollywood magic.
Darby Kingman’s “Camp Wackapoo: Rise of Glog” redefines summer camp comedy with a wild, energetic story about ambition, chaos, and the joy of embracing the unexpected. The film centers on a relentlessly competitive camp counselor who’s determined to finish first—only to face a motley crew of unruly campers and a summer unlike any other.
As Darby puts it, “Not everything is that deep. It really honestly was to make people laugh. She has all these kids that are not working with her and she’s just losing her mind. It’s crazy, silly, goofy, and it was a blast.”
What started as a simple scene for Darby’s acting reel evolved into a full-fledged film with encouragement from her mentor at Debbie Reynolds Acting School. Darby dove into every role—writing, directing, starring, and meticulously preparing each prop and costume. “Plan and prepare, but also be flexible and ready to be in the moment—that’s when the magic happens,” she advises.
Working with a handpicked cast of her own dance students, Darby built an atmosphere of real teamwork and camaraderie. She credits the “precious” energy of her young cast, her creative director of photography, and the overall spirit of her production team for turning the project into something bigger than herself. Her experience is an inspiring blueprint for indie filmmakers:
“Take initiative and control of your career. You can’t just sit around and wait for somebody to pick you. Figure out what you’re good at and go for it. Create something that brings joy to others.”
Her production motto? “Preparation is key, but you have to be ready to go with the flow—that’s when the magic happens.” Darby’s fearless creativity, focus on collaboration, and love for comedy shine throughout “Camp Wackapoo: Rise of Glog.” It’s more than just a camp satire—it’s a heartfelt testament to hard work, original humor, and leadership from the ground up: “People need to laugh right now. That’s a win.”
Catch “Camp Wackapoo: Rise of Glog” and experience Darby’s infectious energy and comic genius at the Deluxe Theatre on November 1, 2025. Get your tickets now at Houstoncomedyfilmfestival.com.
The world of film and entertainment is mourning the loss of Diane Keaton, an Oscar-winning actress renowned for her enduring talent, individuality, and influence on generations of performers and fans. Keaton died at the age of 79 in California on Saturday, October 11, 2025, her family confirmed. Details remain private, with her family requesting privacy as they grieve this profound loss.
Diane Keaton rose to fame in the 1970s through a series of memorable roles, most notably as Kay Adams in “The Godfather” trilogy and as the quirky, unforgettable lead in Woody Allen’s “Annie Hall,” for which she won the Academy Award for Best Actress. Her performances in films like “The First Wives Club,” “Something’s Gotta Give,” and the “Book Club” series solidified her reputation as an actress with unique comedic timing and dramatic depth. Keaton was celebrated not only for her artistry but also for her androgynous fashion sense, characterized by menswear-inspired looks, hats, and an easy, effortless style that influenced generations.
Following the news of her passing, tributes poured in from Hollywood and beyond. Bette Midler, Goldie Hawn, and Jane Fonda were among the countless stars who expressed devastation and admiration for Keaton’s incomparable legacy. Hawn recalled their friendship and collaborations, writing: “Diane, we aren’t ready to lose you…you stole the hearts of the world and shared your genius with millions”. Midler echoed the sentiment, praising Keaton as “brilliant, beautiful, extraordinary” and a truly original presence in Hollywood.
Though fiercely independent and known for her openness, Keaton kept her declining health private in her final months. Friends and neighbors noticed her retreat from public life and social media, and she was recently seen less often in her Brentwood neighborhood. In the past, Keaton candidly discussed her ongoing battles with skin cancer and bulimia, openly advocating for personal health and authenticity.
Diane Keaton leaves behind a legacy defined by her fearless performances, unique style, and enduring influence on the arts. She is survived by her two children, Dexter and Duke. As Hollywood and her global fanbase mourn, her pioneering spirit and unmistakable voice will continue to inspire generations.
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