Entertainment
’90 Day Fiance’ Recap: Gino and Jasmine Have Screaming Fight About Dane on January 22, 2024 at 8:38 pm The Hollywood Gossip
On 90 Day Fiance, Gino Palazzolo and Jasmine Pineda had their latest fight. It involved a breakup threat, ex-related taunting, and — a huge knife?!
Last month, we saw Jasmine threaten a wedding ultimatum to Gino. But she also had a confession to make.
She opened up to Gino about how ex-boyfriend Dane helped to pay for her new butt implants.
To no one’s surprise, this led to another screaming fight.
“Dane,” Jasmine Pineda says towards the end of her 90 Day Fiance Season 10 trip with her fiance. (Image Credit: TLC)
The ’90 Day’ fight between Jasmine and Gino began with Jasmine’s confession in Florida
On Sunday night, 90 Day Fiance aired Season 10, Episode 14.
The couple were dealing with the fallout from Jasmine finally admitting that $2,000 of her $10,000 butt implants had come from her ex, Dane.
Is it any surprise that Gino was unhappy? And is it any surprise that the two couldn’t handle this like mature adults?
Gino Palazzolo’s fiancee observed that he appeared to be “like, mad” while they washed a massive array of veggies. (Image Credit: TLC)
To his credit, Gino (while washing a truly farcical volume of veggies, in line with Jasmine’s dietary demands) admitted that he was in a bad mood.
“It breaks my heart to know that I caused this,” Jasmine expressed. “It’s my fault.”
She continued: “This time, I screwed it up. It’s completely my fault.”
Jasmine Pineda explains that the loan from her ex was out of the goodness of his heart. (Image Credit: TLC)
Gino took things to a weird place
Perhaps given his own history with sugar babies, Gino asked Jasmine if Dane expected anything back from her.
She explained that he did not. Dane, who seems to be a successful guy, is “an altruist person.”
Jasmine likened this $2,000 butt implant loan to a “charity.” That’s a bit much — just say that he’s generous and move on.
Gino Palazzolo begins to say that, with the wedding so soon, Jasmine should no longer have contact with any exes — even ones who are friends. (Image Credit: TLC)
This is when Gino decided, for whatever reason, to bring up exes.
He noted that Jasmine has insisted that he not have contact with his. Which is true — Jasmine searched the house and confronted Gino over a few keepsakes from his past.
But Gino firing back had Jasmine upset, warning him: “Don’t bring the exes — that makes me moody.”
“Don’t bring the exes,” Jasmine Pineda warns Gino Palazzolo. “That makes me moody.” (Image Credit: TLC)
Gino was being a hypocrite, and Jasmine called him out
“Whenever I have contacted Dane, it has been as a friend or to ask a favor,” Jasmine reminded him.
“However, when you have contacted your exes, what?” she asked rhetorically. “For example, to send naked pictures of me.”
Infamously, during their first season, Jasmine received screenshots where Gino had sent her nudes to his ex.
As many 90 Day Fiance fans already knew, Jasmine Pineda lost her job after Gino leaked her nudes. (Image Credit: TLC)
This was not simply a colossal betrayal.
As we reported at the time, that photo made it to various blogs and to her place of work — and Jasmine lost her job as a teacher. According to Jasmine, Gino’s ex did it.
For reasons that we cannot fully understand, Gino asked Jasmine if she had “provoked” his ex. This isn’t just victim-blaming — it’s a bizarre question.
Jasmine Pineda grips a knife on 90 Day Fiance Season 10, Episode 14. Please stop. (Image Credit: TLC)
Please put down the knife, Jasmine
“All the f–king trauma I went through,” Jasmine exclaimed during her 90 Day fight with Gino.
“All the emotional humiliation that I went through,” she yelled, “and the whole f–king world knew about what you did to me.”
During all of this, Jasmine was still holding the knife that she had been using to slice vegetables. Thankfully, despite her fury, nothing ever came of it.
To no one’s surprise, Jasmine Pineda became loud and angry on 90 Day Fiance Season 10, Episode 14. Her outbursts often undercut her actual point. (Image Credit: TLC)
“She sent my naked pictures to every f–king blogger she knows,” Jasmine recalled. “And all these f—ing people were looking at myself naked. And you’re asking if I provoked her?”
Gino refused to back down. It seems that the couples counseling session where he learned to not escalate her tantrums didn’t stick.
“I wish I had f–ked Dane that last night,” Jasmine taunted. “That’s the only thing I regret in life — not f–king him so f–king good as we used to.”
Jasmine Pineda taunts her fiance from the other room, speaking of her former sex life. (Image Credit: TLC)
Gino and Jasmine had a maturity contest and both lost
Weakly, Gino retaliated with his own, much vaguer taunts.
“Yeah I wish I could f–k my exes ’cause they were great,” he jabbed. “They were a lot better than you.”
These are both grown adults who claim to love each other. We remain at a loss to explain their absurdly toxic behavior.
Gino Palazzolo fires back on 90 Day Fiance Season 10, Episode 14. (Image Credit: TLC)
Jasmine not only stormed out of the room, but stomped up the stairs.
“I’m not gonna get married to this f–king idiot,” she spat. Oh, good, the inevitable breakup declaration that never sticks.
This is a great time to remember that Gino and Jasmine might not have nearly as much of a problem with each other’s exes if they didn’t use their exes to hurt the other.
Storming up the stairs, Jasmine Pineda declares that she will not marry her fiance. This is not the first time. (Image Credit: TLC)
If you’re playing Gino & Jasmine Bingo, mark your square where they call off the engagement
However, after Jasmine and Gino separately cooled off a little, they spoke again.
Now in Gino’s less-disgusting-than-before bathroom, they spoke about hurting each other’s feelings. And they settled upon a compromise.
“You don’t let me speak to my exes, I don’t want you to speak with your ex,” Gino proposed.
Even though Jasmine Pineda knows that she has not betrayed her fiance’s trust, she decides that he is right about a double-standard about exes. (Image Credit: TLC)
To be clear, no-contact with all exes would be an extreme sanction for most relationships.
But Gino and Jasmine do not have most relationships. Neither of them possess the maturity or the emotional intelligence to deal with these complexities.
So, Jasmine sent a voice memo to Dane to thank him for his years of friendship, praise him, and also to cut off all contact.
On 90 Day Fiance Season 10, Episode 14, Jasmine Pineda leaves a farewell voicemail to a very good friend. (Image Credit: TLC)
Cooler heads prevail
“Our exes are dead to us,” Jasmine said to Gino. “They died.”
That is a little dramatic.
But these two 90 Day Fiance clowns are always dramatic. Gino and Jasmine will fight again, but it will be over something else.
’90 Day Fiance’ Recap: Gino and Jasmine Have Screaming Fight About Dane was originally published on The Hollywood Gossip.
On 90 Day Fiance, Gino Palazzolo and Jasmine Pineda had their latest fight. It involved a breakup threat, ex-related taunting, …
’90 Day Fiance’ Recap: Gino and Jasmine Have Screaming Fight About Dane was originally published on The Hollywood Gossip.
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Entertainment
Selling Your Soul in Hollywood: The Hidden Cost of Fame

By all appearances, Hollywood is a dream factory — a place where charisma, talent, and luck collide to create stars. But behind the camera lights and red carpets lies a conversation few inside the industry speak openly about: the spiritual and moral price of ambition.

For actor Omar Gooding, the idea of “selling your soul” in Hollywood isn’t a metaphor — it’s a moral process that begins with tiny compromises. In an October 2025 interview, Gooding explained that no one in Hollywood makes a literal deal with the devil. Instead, it’s the quiet yeses, the moments when comfort overrides conviction, that mark the beginning of the trade. “They don’t say, ‘Take this or you’ll never make it,’” he said. “They just put it in front of you. You choose.”
Those choices, he argues, create a pattern. Once you show that you’ll accept something you once resisted, the industry notices. “Hollywood knows who it can get away with what,” Gooding said. “One thing always leads to another.” The phrase “selling your soul,” in this context, means losing your say — doing what you’re told rather than what you believe in.
That moral tension has long shadowed the arts. Comedians like Dave Chappelle, who famously walked away from millions to preserve his creative integrity, often serve as examples of where conviction and career collide. In resurfaced interviews, Chappelle hinted that he felt manipulated and silenced by powerful figures who sought control of his narrative, warning that “they’re trying to convince me I’m insane.”
This isn’t just about conspiracy — it’s about agency. Hollywood runs on perception. Performers are rewarded for being agreeable, moldable, entertaining. Those who question the machine or refuse the script risk exile, while those who conform are elevated — sometimes beyond what they can handle.
“We see the ‘collections’ all the time,” Gooding explained. “When the bill comes due, you can tell. They made that deal long ago.”

But the story doesn’t end in darkness. Gooding also emphasizes that in today’s entertainment landscape, artists have more control than ever. With streaming, social media, and creator‑driven platforms, performers don’t have to “play the game” to be seen. Independent creators can build their own stages, speak their own truths, and reach millions without trading authenticity for access.
Still, the temptation remains — recognition, validation, quick success. And every generation of artists must answer the same question: What are you willing to do for fame?
As Gooding put it, “You just make the best choices you can. Because once it’s gone — your name, your peace, your soul — there’s no buying it back.”
Entertainment
California Bans AI Clones from Replacing Real Talent

California just made a dramatic stand for human creativity, defeating the threat of AI actor clones with a sweeping new law that puts people—not algorithms—back in the Hollywood spotlight. With the stroke of Governor Gavin Newsom’s pen in October 2025, the state has sent a clear message to studios, tech companies, and the world: entertainment’s heart belongs to those who create and perform, not to digital facsimiles.
California Draws a Hard Line: No More AI Clones
For months, the entertainment industry has been divided over the use of artificial intelligence in filmmaking. Studios, lured by promises of cost-cutting and creative flexibility, have invested in software that can mimic an actor’s face, voice, and even emotional range. But for performers, this wave of synthetic reproduction has triggered alarm—encouraged by chilling stories of deepfakes, unauthorized digital doubles, and contracts that let studios reuse a star’s likeness indefinitely, sometimes without pay or approval.
The new California law, anchored by AB 2602 and AB 1836, changes everything:
- Every contract must explicitly detail how studios can use digital replicas or voice models, preventing once-common “blank check” agreements that overlooked this risk.
- No one—not studios nor streaming giants—can create or release AI-generated clones of an actor, living or dead, without clear, written consent from the performer or their estate.
- The law gives families new powers to defend loved ones from posthumous deepfake exploitation, closing painful loopholes that once let virtual versions of late icons appear in new ads, films, or games.
Actors Celebrate a Major Victory
The legislation rides the momentum of the recent SAG-AFTRA strike, where real-life talent demanded control over their own digital destinies. Leaders say these protections will empower artists to negotiate fair contracts and refuse participation in projects that cross ethical lines, restoring dignity and choice in an industry threatened by silent algorithms.
Stars, unions, and advocacy groups are hailing the law as the most robust defense yet against unwanted AI replications.
As one actor put it, “This isn’t just about money—it’s about identity, legacy, and respect for real artists in a synthetic age.”
A New Chapter for the Entertainment Industry
California’s move isn’t just a victory for local talent—it’s a warning shot to studios everywhere. Companies will now be forced to rethink production pipelines, consult legal counsel, and obtain proper clearance before digitally cloning anyone. Global entertainment platforms and tech developers will need to comply if they want to do business in the world’s entertainment capital.

These laws also set a template likely to ripple through other creative fields, from musicians whose voices can be synthesized to writers whose work could be mimicked by generative AI. For now, California performers finally have a powerful shield, ready to fight for the right to shape their own public image.
Conclusion: Human Talent Takes Center Stage
With its no-nonsense ban on AI actor clones, California draws a bold line, championing the work, likeness, and very humanity of its creative stars. It’s a landmark step that forces the entertainment industry to choose: respect real talent, or face real consequences. The age of the consentless digital double is over—human performers remain the true source of Hollywood magic.
Entertainment
Chaos and Comedy: Darby Kingman’s “Camp Wackapoo: Rise of Glog”

Darby Kingman’s “Camp Wackapoo: Rise of Glog” redefines summer camp comedy with a wild, energetic story about ambition, chaos, and the joy of embracing the unexpected. The film centers on a relentlessly competitive camp counselor who’s determined to finish first—only to face a motley crew of unruly campers and a summer unlike any other.
As Darby puts it, “Not everything is that deep. It really honestly was to make people laugh. She has all these kids that are not working with her and she’s just losing her mind. It’s crazy, silly, goofy, and it was a blast.”
What started as a simple scene for Darby’s acting reel evolved into a full-fledged film with encouragement from her mentor at Debbie Reynolds Acting School. Darby dove into every role—writing, directing, starring, and meticulously preparing each prop and costume. “Plan and prepare, but also be flexible and ready to be in the moment—that’s when the magic happens,” she advises.
Working with a handpicked cast of her own dance students, Darby built an atmosphere of real teamwork and camaraderie. She credits the “precious” energy of her young cast, her creative director of photography, and the overall spirit of her production team for turning the project into something bigger than herself. Her experience is an inspiring blueprint for indie filmmakers:
“Take initiative and control of your career. You can’t just sit around and wait for somebody to pick you. Figure out what you’re good at and go for it. Create something that brings joy to others.”

Her production motto? “Preparation is key, but you have to be ready to go with the flow—that’s when the magic happens.” Darby’s fearless creativity, focus on collaboration, and love for comedy shine throughout “Camp Wackapoo: Rise of Glog.” It’s more than just a camp satire—it’s a heartfelt testament to hard work, original humor, and leadership from the ground up: “People need to laugh right now. That’s a win.”
Catch “Camp Wackapoo: Rise of Glog” and experience Darby’s infectious energy and comic genius at the Deluxe Theatre on November 1, 2025. Get your tickets now at Houstoncomedyfilmfestival.com.
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