Studios almost left this Christmas staple on the cutting‑room floor. Executives initially saw it as a “small” seasonal comedy with limited box‑office upside, and internal budget fights kept the project hovering in limbo around an $18 million price tag.

The fear was simple: why spend real money on a kid‑driven holiday film that would vanish from theaters by January?

That cautious logic aged terribly. Once released, the movie exploded past expectations, pulling in roughly $475–$500 million worldwide and camping at the top of the box office for weeks.

That’s a return of more than 25 times its production budget, putting it among the most profitable holiday releases in modern studio history.

What some decision‑makers viewed as disposable seasonal content quietly became a financial engine that still prints money through re‑runs, streaming, and merchandising every December.

The story behind the numbers is part of why fans feel so attached to it. This was not a four‑quadrant superhero bet with guaranteed franchise upside; it was a character‑driven family comedy built on specific jokes, one child star, and a very particular vision of Christmas chaos. The fact that it nearly got shelved—and then turned into a half‑billion global phenomenon—makes every rewatch feel like a win against studio risk‑aversion.

When you press play each year, you are not just revisiting nostalgia; you are revisiting the rare moment when a “small” movie out‑performed the system that almost killed it.

Anne Hathaway has quietly confirmed that 2026 is going to be her year, and she did it in the most Anne way possible: with a soft-launch in her Instagram bio.

Instead of a traditional studio announcement, the Oscar-winning actor updated her profile text with a simple list of titles and dates, effectively revealing a four-film run that reads like a mini festival of her work spread across the year.

For fans, the bio now doubles as a watchlist, mapping out exactly when they will see her next on the big screen.

According to the update, Hathaway will kick off 2026 with “Mother Mary,” slated for an April release. The film, backed by A24, casts her as a fictional pop star in a psychological, music‑driven drama that has already started building buzz through early trailer drops and stills. Positioned in the spring, it sets the tone for a year where Hathaway leans hard into challenging, high‑concept material while still anchoring major studio projects.

Just weeks later, she pivots from pop icon to fashion-world nostalgia with “The Devil Wears Prada 2,” now dated for May 1, 2026. The sequel brings her back as Andy Sachs, returning to the universe that helped define her mid‑2000s stardom and remains a staple in meme culture and rewatches. For millennials who grew up quoting the original, the firm release date signals that the long-rumored follow‑up is no longer hypothetical—it’s locked in, with Hathaway front and center.

Summer belongs to “The Odyssey,” marked for July 17, 2026. Billed as an ambitious, big‑screen reimagining of the classic tale, the project reunites Hathaway with large‑scale, auteur‑driven filmmaking and promises mythic stakes, prestige casting, and blockbuster spectacle. Its prime July slot suggests confidence from the studio and positions Hathaway as a key face of the 2026 summer season, not just a supporting player in someone else’s tentpole.

Finally, Hathaway’s bio points to “Verity,” arriving October 2, 2026, rounding out the year with a dark, suspense‑driven turn. Adapted from a hit thriller novel, the film casts her in a psychologically intense role that leans into obsession, secrets, and unreliable narratives—terrain that plays to her ability to toggle between vulnerability and menace in a single scene. Coming at the start of awards season, “Verity” also gives her a potential late‑year prestige vehicle after a run of crowd‑pleasing releases.

What makes this reveal so striking is the casualness of it. In one short line, Hathaway essentially published a studio slate: four movies, four distinct genres, and a timeline that keeps her on screens from spring through fall. For Hollywood, it underlines her staying power as a true marquee name; for fans, it’s an invitation to mark their calendars and prepare for a year where Anne Hathaway isn’t just part of the conversation—she is the conversation.

Authorities in Colombia say Karen Julieth Ojeda Rodríguez, 23, known as “La Muñeca” (“The Doll”), was arrested in early December on allegations she coordinated contract killings for the Los de la M gang and helped set up the murder of her ex-boyfriend in July. Police reported seizing a 9mm pistol and a revolver during the operation and are testing the weapons against recent homicides in Barrancabermeja, a city battered by drug-war killings this year.

What police allege

Investigators describe Ojeda Rodríguez as a youthful face with a senior role: not a trigger-puller, but a coordinator who relayed orders to sicarios, managed target selection, and handled logistics for a network tied to drug trafficking and extortion in Santander. They say she rose quickly within Los de la M, operating in hot spots like Barrancabermeja and Piedecuesta, where rivalries over territory and revenue have fueled violence.

The July killing at the center

Prosecutors allege she lured her ex-boyfriend, Deyvy Jesús García Palomino (“Orejas”), to a rural meeting on July 23 under the guise of settling a money dispute. When he arrived, two shooters on a motorcycle attacked at close range; he later died at the hospital. Investigators point to recovered messages to argue the meetup was a setup arranged in advance, and they claim she and an accomplice received roughly 4 million pesos—about $1,000—for the hit.

The December takedown

Police announced her capture following a targeted early-December sweep, framing it as a blow to Los de la M’s homicide pipeline.

Alongside Ojeda Rodríguez, officers detained an alleged accomplice known as “Gorda Sicaria” who purportedly passed orders to gunmen, and a man identified as “Leopoldo.”

Forensic tests on the seized weapons aim to link the guns to crime scenes amid a year marked by more than a hundred killings in Barrancabermeja, according to media cited by authorities.

A clear timeline

• July 23: Ex-boyfriend “Orejas” shot after a rural meetup; he dies in hospital the same day. Authorities later cite phone messages as evidence of premeditation.
• Late 2024: Police publicly identify “La Muñeca” as an alleged coordinator within Los de la M tied to multiple homicides in Santander.
• Early December 2025: Targeted operation results in the arrests of Ojeda Rodríguez and alleged accomplices; police seize a 9mm pistol and a revolver for ballistic testing.

Why the case resonates

The contrast between the “Doll” moniker and the accusations of top-level murder coordination has fueled global attention, while the intimate ex-partner setup adds a personal dimension to an already combustible gang narrative. Authorities caution that ballistic and judicial proceedings are ongoing, but they characterize the arrests as a significant hit to a group blamed for a wave of killings in the region.