Entertainment
24 Movies We Can’t Wait to See in 2024: From ‘Mean Girls’ to ‘Dune’ on December 27, 2023 at 11:57 pm Us Weekly
Thanks for a memorable summer, Barbenheimer. You deserved a better and more coherent movie, Captain Marvel and Ant-Man. That title alone was a win, Cocaine Bear.
But the turn of the calendar means it’s time to get excited about a fresh slate of movies. And despite all those stop-and-start productions and delayed releases due to the respective writers and actors strikes — Quentin Tarantino’s final theatrical project got pushed to 2025 — Hollywood is still primed to churn out a slew of would-be blockbusters in 2024.
Is there a surefire let’s-go-now winner in the bunch? Not really, unless Ryan Gosling’s popularity from Barbie spills into an adaptation of a 1981-86 TV action series.
But there’s beauty in variety.
As usual, say hello again to characters you know and love. Deadpool, Furiosa, Beetlejuice, Mufasa, Joker, the Ghostbusters and Timothée Chalamet’s young Dune hero who fights in the sand all return for new adventures. (FWIW, we’ve been promised an Elle Woods revival since, like, 2018, but that may be asking for too much.)
Our big-screen year will be bookended by new versions of two popular Broadway musicals, thanks to Mean Girls and Wicked. Just remember that Regina George is also wicked and Elphaba can totally be a mean girl.
Those are just the familiar titles. Ryan Reynolds, Zendaya, Emily Blunt, Kirsten Dunst, Pedro Pascal and Millie Bobby Brown star in original fare. These movies could all flail and fail, but give the actors credit for at least trying something new — not to mention its no-longer-striking screenwriters.
There’s more! The Sundance Film Festival in January is poised to deliver its 40th round of indie favorites featuring the likes of Kristen Stewart, Sebastian Stan, Aubrey Plaza and Jesse Eisenberg. Meanwhile, the festivals in the fall will unveil all those provocative and polarizing Oscar frontrunners determined to test your bladder strength.
So let’s get the festivities started. Here are 24 movies to unwrap in 2024. Please pull a Nicole Kidman and get to the cineplex to check ’em out.
‘Mean Girls’
The story: You know it by now! Cady Heron (Angourie Rice) has just arrived at a new high school. After scheming with the school’s misfits, she gives it her all to fit in with Regina George (Reneé Rapp) and her clique known as The Plastics. Disastrous results ensue.
Be excited because … In this version, much of the dialogue and plot occur through catchy songs from the Tony-nominated 2018 Broadway musical, like “It Roars” and “Meet the Plastics.” The cast is a host of stage and screen Gen Z favorites, while Jon Hamm, Jenna Fischer and Busy Philipps take the adult roles. And Tina Fey, who once again wrote the screenplay, reprises her role as Ms. Norbury. She still doesn’t push drugs. (In theaters, January 12)
Christopher Briney plays Aaron in ‘Mean Girls.’ Jojo Whilden/Paramount
‘Argylle’
The story: Elly (Bryce Dallas Howard) is a happily reclusive best-selling author of novels centering around a secret agent named Argylle (Henry Cavill). But after Elly and her beloved cat, Alfie — snug in an argyle backpack — meet actual spy Aiden (Sam Rockwell) on a train, they get embroiled in a dangerous mission.
Be excited because … It’s part-spy comedy, part-nail-biting espionage thriller and all frenetic fun. The film is also directed by Matthew Vaughn of the kooky Kingsman franchise and features A-list scene-stealers Catherine O’Hara, Samuel L. Jackson, John Cena and Ariana DeBose. Plus, the cat is cute! (In theaters, February 2)
Henry Cavill, Dua Lipa and John Cena in ‘Argylle.’ Peter Mountain/Universal Pictures; Apple Original Films; and Marv
‘It Ends with Us’
The story: Following college graduation, Lily (Blake Lively) moves to a new city and falls in love with a neurosurgeon named Ryle (Justin Baldoni). That’s Act I. Then an ex (Brandon Sklenar) returns and turns her world upside down.
Be excited because … Colleen Hoover’s novel was the top-selling print book of 2022 and loitered on The New York Times Best Seller List for more than 90 weeks. She’s wisely aged up her main character to make the love triangle more palatable. Let’s see it and weep. (In theaters, February 9)
‘Lisa Frankenstein’
The story: Like most of her high-school peers, Lisa (Kathryn Newton) feels deeply understood. If only she could find someone who could relate to her! Enter a cute guy (Cole Sprouse) who happens to be a seemingly long-dead corpse. She resurrects him, and the two embark on a journey of killing and joy.
Be excited because … This edgy coming-of-rage love story thriller — that pun is admittedly cribbed from the studio’s press release — is the work of Oscar-winning writer Diablo Cody (Juno, Young Adult, Jennifer’s Body). That clever title alone, a play off the neon and unicorn-drenched Lisa Frank artwork, is impressive. (In theaters, February 9)
‘Bob Marley: One Love’
The story: This biopic explores the life and times of reggae king Bob Marley (Kingsley Ben-Adir). Memorable moments include an assassination attempt against him in 1976 and his historic performance at the One Love Peace Concert in Jamaica in 1978. (Marley died in 1981 from cancer at just 36.)
Be excited because … We’re long overdue for a real glimpse at the man who provided so much wonderful music and made us feel alright. (Aside from the title, he also sang the classics “Jamming,” “No Woman No Cry” and “Redemption Song.”) The British Ben-Adir, one of the Kens in Barbie, has also seamlessly portrayed Malcolm X and Barack Obama. (In theaters, February 14)
‘Drive-Away Dolls’
The story: To recover from a breakup with her girlfriend, free-spirited Jamie (Margaret Qualley) convinces her tightly wound bestie Marian (Geraldine Viswanathan) to get out of town and head to Tallahassee, Florida. Their odyssey of self-discovery goes awry when they inadvertently cross paths with a group of inept criminals. (Pedro Pascal plays one of them.)
Be excited because … This is sooo not your typical road-trip comedy. Directed and co-written by Fargo and No Country for Old Men Oscar winner Joel Coen (who scripted the pic with his wife, Tricia Cooke), it’s actually a quirky little queer caper infused with both slapstick and raunchy NSFW humor. Coen has said he envisions it as a trilogy. (In theaters, February 23)
‘Dune: Part Two’
The story: Ready for war? Chosen One Paul Atreides (Timothée Chalamet) and his mother (Rebecca Ferguson) were last seen as refugees in the desert of Arrakis after their family was massacred. Now he unites with Chani (Zendaya) and the Fremen, hell-bent on revenge against the conspirators responsible for the murderers.
Be excited because … In 2021, Dune checked all the boxes in that it was well-reviewed, grossed $402 million and earned 10 Oscar nominations (including best picture). With the dense exposition making way for action, the second half — which includes newbies Florence Pugh as a princess daughter and Austin Butler as a sinister Harkonnen prince — has the potential for even bigger windfall. (In theaters, March 1)
Timothee Chalamet in ‘Dune.’ Courtesy of Warner Bros. Pictures
‘Damsel’
The story: A dutiful damsel (Millie Bobby Brown) agrees to marry a handsome prince, only to learn it’s a trap. Her future in-laws only recruited her as a sacrifice to repay an ancient debt. She soon gets thrown into a cave with a fire-breathing dragon.
Be excited because … With Stranger Things about to end, here’s a change to see Brown expand her horizons in a fantasy adventure. Angela Bassett and Robin Wright add some gravitas in supporting roles. (Netflix, March 8)
‘Arthur the King’
The story: Just before the start of the Adventure Racing World Championship in Central America, an endurance athlete (Mark Wahlberg) gives one of his carb-fueling meatballs to a stray dog. The scrappy little pooch then dutifully follows the team for six days and hundreds of miles to earn the name “Arthur the King.”
Be excited … It’s a heartwarming true story involving a cute dog! Yes, please. Just forget the fact that IRL, the athlete was Swedish. (In theaters, March 22)
‘Ghostbusters: Frozen Empire’
The story: Picking up after the events of 2021’s Ghostbusters: Afterlife, this sequel drops Egon Spengler’s grandkids, Phoebe (Mckenna Grace) and Trevor (Finn Wolfhard), in a familiar haunt: New York City. That’s where two generations of Ghostbusters join forces to fight you-know-whats to save the world from an ice age.
Be excited because … Forty years (!!!) after the original Ghostbusters, there’s still life in this fun and freaky franchise. Don’t pretend you’re not excited to see old-schoolers Bill Murray, Dan Aykroyd, Ernie Hudson and Annie Potts mix it up in the famous downtown NYC firehouse with the new kids. (In theaters, March 29)
‘Mickey 17’
The story: An eponymous “expendable” employee is sent on a human expedition to colonize an ice world. When one iteration of the expendable dies, a new body is regenerated with most of the previous employee’s memories intact. Robert Pattinson plays Mickey, the potentially doomed expendable in the film, which is adapted from Edward Ashton‘s 2022 novel of the same name.
Be excited because … Pattinson takes on his (potentially) most demanding acting challenge yet in a high-concept sci-fi thriller from masterful Parasite and Snowpiercer writer-director Bong Joon-ho. (He’s tasked with playing at least two versions of Mickey.) One note: This may get pushed to later in the year because of release schedule domino effects from the WGA and SAG-AFTRA strikes. (In theaters, March 29)
‘Civil War’
The story: A journalist (Kirsten Dunst) tries to survive a future in which 19 states have seceded from the Union. Meanwhile, the three-term president of the United States (Nick Offerman) has ordered domestic air strikes.
Be excited because … So, did you ever see Ex Machina? Annihilation? Both thought-provoking thrillers were written and directed by Alex Garland. He goes for the ultimate hat trick. Hopefully it just won’t hit too close to home. (In theaters, April 26)
‘Challengers’
The story: As teens, hotheaded prodigy Tashi Duncan (Zendaya) gets caught up in a flirtation with fellow tennis stars Art (Mike Faist) and Patrick (Josh O’Connor). As adults, their complex dynamic becomes a racket when the two guys and rivals face off in a pro “challenger” match and find themselves once again butting heads over Tashi.
Be excited because … Um, pardon the excessive amount of tennis puns, but what’s not to love here? We’re talking about three ace actors in a romance from the director of Call Me by Your Name. Originally slated to open the 2023 Venice International Film Festival but pushed because of the strikes, this could very well be a grand slam. (In theaters, April 26)
‘The Fall Guy’
The story: Ryan Gosling is Colt Seavers, a battle-scarred stuntman who left the business for mental and physical reasons. He’s drawn back into the mayhem when the star of a studio movie directed by his ex Jody (Emily Blunt) goes missing. She asks for his help, and away they go.
Be excited because … As The Equalizer franchise already proved, an ’80s TV relic can still offer ’00s intrigue and good times. And after an award-worthy comic turn in Barbie, Gosling now gets to play a working-class action hero who can dropkick both the villains and the proper punchline. Let’s do this. (In theaters, May 3)
Ryan Gosling and Emily Blunt in ‘The Fall Guy.’ Universal Pictures
‘Back to Black’
The story: Amy Winehouse (Industry’s Marisa Abela) goes from demure British jazz singer-songwriter to Grammy-winning superstar. But despite extraordinary talent, she can’t conquer her demons.
Be excited because … Alas, we know how this biopic will end. But the superstar had an extraordinary ride en route to her tragic demise at age 27. Certainly much time will be devoted to her groundbreaking Grammy-winning album that gives the film its title. (In theaters, May 10)
‘IF’
The story: I.F. stands for Imaginary Friends. A young girl (Cailey Fleming) develops the ability to see them all, most of which were created by children when they were young and then mentally discarded. Some of these creatures end up turning to the dark side. A character played by Ryan Reynolds tries to restore order.
Be excited because … This hybrid of live-action and CGI was written and directed by one John Krasinski, who presented a first look at the film back in March and said he attempted to make an original film that would stand among timeless greats like E.T. the Extra-Terrestrial and Willy Wonka & the Chocolate Factory. That’s a high bar, but an original film also featuring the talents of Steve Carell, Matt Damon, Emily Blunt, Phoebe Waller-Bridge, Sam Rockwell, Maya Rudolph and Jon Stewart could lead to magic. (In theaters, May 17)
Ryan Reynolds and Cailey Fleming star in ‘IF.’ Jonny Cournoyer/Paramount Pictures’
‘Furiosa: A Mad Max Saga’
The story: Who was Furiosa before she became a bald bad girl? Someone who looks just like Anya Taylor-Joy. Picking up 45 years after the world collapsed, young Furiosa is taken from her family and falls into the hands of a group of villainous bikers. She must persevere as tyrant Immortan Joe (Chris Hemsworth) fights for dominance.
Be excited because … Mad Max: Fury Road not only revived the dated post-apocalyptic saga in 2015, but it’s generally regarded as one of the best action films ever. This prequel, also directed by the legendary George Miller, promises to deliver even more extended exhilarating sequences. (In theaters, May 24)
Chris Hemsworth in Furiosa. JASIN BOLAND/Warner Bros. Pictures
‘The Garfield Movie’
The story: Everyone’s favorite Monday-hating, lasagna-loving indoor cat Garfield (voiced by Chris Pratt) goes on an outdoor adventure.
Be excited because … This has got to be better than the 2004 iteration, right? Plus, the cast of the goofy comedy — which includes the voices of Samuel L. Jackson, Hannah Waddingham and Bowen Yang — will keep the kids entertained during Memorial Day weekend. (In theaters, May 24)
‘Ballerina’
The story: An assassin trained as a member of the Ruska Roman organization uses her killer skills to get blood-soaked revenge on the hitmen who murdered her family. If that sentence sounds familiar, it’s because this is a John Wick spinoff featuring the same criminal underworld.
Be excited because … Again, this is a John Wick spinoff. That means stylish, wall-to-wall butt-kicking akin to the four installments in the original franchise. And though a new protagonist is in action hero mode, regulars Keanu Reeves, Ian McShane and the late, great Lance Reddick all appear — presumably for assistance. And maybe even to shed light on Wick’s past? (In theaters, June 7)
‘Deadpool 3’
The story: Go back to a universe before Wolverine (Hugh Jackman) died in Logan. He encounters loudmouth superhero Deadpool (Ryan Reynolds), and the two try to defeat a common enemy. Various social media geeks (said with love) have speculated about the details, but the official M.O. is still a secret.
Be excited because … Who even goes to a Deadpool flick for a nuanced plot? The appeal lies in the scrappy titular character’s quippy — and often NSFW — sense of humor. (And the random cameos, of course.) His reluctant team-up with frenemy Wolverine should make for a fun-filled X-travaganza. (In theaters, July 26)
‘Beetlejuice 2’
The story: It’s showtime! Director Tim Burton hasn’t divulged much about his ridiculously long-awaited follow-up. How about some casting news? Michael Keaton (obviously) returns as the ghostly zebra-suit-wearing troublemaker; Winona Ryder and Catherine O’Hara reprise their roles as well. Wednesday’s Jenna Ortega plays Ryder’s daughter and Willem Dafoe is a B-list action star who became a cop in the hereafter.
Be excited because … A sequel in the works since 1988 is finally seeing the light of day-o. Even if it’s just 20 percent as amusing and quirky as the cult-classic original — and with that cool cast, how could it not?! — everyone will be in good spirits. (In theaters, September 6)
‘Joker: Folie à Deux’
The story: The Joker (Joaquin Phoenix) gets caught up in a bad romance with his equally unhinged counterpart Harley Quinn (Lady Gaga). FYI, “folie à deux” refers to an identical or similar mental disorder affecting two or more individuals.
Be excited because … Honestly? Forget the general anticipation surrounding a smash, Oscar-winning film with deep comic-book roots and an impressive cast. This entry automatically falls into the “must-see ASAP” category because it’s a musical. A musical! With Lady Gaga and the actor who did his own vocals as Johnny Cash in Walk the Line! How inspired. (In theaters, October 4)
‘Wicked: Part One’
The story: Years before Dorothy Gale landed in Oz, green-skinned Elphaba (Cynthia Erivo) befriended popular girl Galinda (Ariana Grande) at school. The musical follows their evolution from mutually unhappy roommates to unlikely pals to political enemies as The Wizard promotes Galinda to a Good Witch. The two also fall for the same party boy (Jonathan Bailey).
Be excited because … Fans of the Broadway musical have been ready to watch these witches defy gravity on the big screen for 20 years. Judging from the drip-drip-drip of leaked information — Michelle Yeoh plays The Wizard’s manipulative advisor Madam Morrible! — director Jon Chu (Crazy Rich Asians) will make this one sparkle like ruby slippers. (In theaters, November 27)
‘Mufasa’
The story: Unclear. Some outlets have defined this live-action movie-musical as a prequel about Simba’s dad; a 2023 industry-only teaser depicted Rafiki (John Kani) relaying The Lion King’s backstory to “Hakuna Matata” duo Timon (Billy Eichner) and Pumbaa (Seth Rogen). So perhaps it shifts between past and present?
Be excited because … Admittedly, the 2019 CGI recreation of the 1994 Disney classic was middling at best. But these are still beloved characters, and Barry Jenkins (Moonlight) directs. Thanks to an original screenplay, there’s no source material to use as a comparison. Just note that Aaron Pierre now voices the noble prince of the African Pride Lands — not James Earl Jones. (In theaters, December 20)
Thanks for a memorable summer, Barbenheimer. You deserved a better and more coherent movie, Captain Marvel and Ant-Man. That title alone was a win, Cocaine Bear. But the turn of the calendar means it’s time to get excited about a fresh slate of movies. And despite all those stop-and-start productions and delayed releases due to
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Entertainment
Selling Your Soul in Hollywood: The Hidden Cost of Fame

By all appearances, Hollywood is a dream factory — a place where charisma, talent, and luck collide to create stars. But behind the camera lights and red carpets lies a conversation few inside the industry speak openly about: the spiritual and moral price of ambition.

For actor Omar Gooding, the idea of “selling your soul” in Hollywood isn’t a metaphor — it’s a moral process that begins with tiny compromises. In an October 2025 interview, Gooding explained that no one in Hollywood makes a literal deal with the devil. Instead, it’s the quiet yeses, the moments when comfort overrides conviction, that mark the beginning of the trade. “They don’t say, ‘Take this or you’ll never make it,’” he said. “They just put it in front of you. You choose.”
Those choices, he argues, create a pattern. Once you show that you’ll accept something you once resisted, the industry notices. “Hollywood knows who it can get away with what,” Gooding said. “One thing always leads to another.” The phrase “selling your soul,” in this context, means losing your say — doing what you’re told rather than what you believe in.
That moral tension has long shadowed the arts. Comedians like Dave Chappelle, who famously walked away from millions to preserve his creative integrity, often serve as examples of where conviction and career collide. In resurfaced interviews, Chappelle hinted that he felt manipulated and silenced by powerful figures who sought control of his narrative, warning that “they’re trying to convince me I’m insane.”
This isn’t just about conspiracy — it’s about agency. Hollywood runs on perception. Performers are rewarded for being agreeable, moldable, entertaining. Those who question the machine or refuse the script risk exile, while those who conform are elevated — sometimes beyond what they can handle.
“We see the ‘collections’ all the time,” Gooding explained. “When the bill comes due, you can tell. They made that deal long ago.”

But the story doesn’t end in darkness. Gooding also emphasizes that in today’s entertainment landscape, artists have more control than ever. With streaming, social media, and creator‑driven platforms, performers don’t have to “play the game” to be seen. Independent creators can build their own stages, speak their own truths, and reach millions without trading authenticity for access.
Still, the temptation remains — recognition, validation, quick success. And every generation of artists must answer the same question: What are you willing to do for fame?
As Gooding put it, “You just make the best choices you can. Because once it’s gone — your name, your peace, your soul — there’s no buying it back.”
Entertainment
California Bans AI Clones from Replacing Real Talent

California just made a dramatic stand for human creativity, defeating the threat of AI actor clones with a sweeping new law that puts people—not algorithms—back in the Hollywood spotlight. With the stroke of Governor Gavin Newsom’s pen in October 2025, the state has sent a clear message to studios, tech companies, and the world: entertainment’s heart belongs to those who create and perform, not to digital facsimiles.
California Draws a Hard Line: No More AI Clones
For months, the entertainment industry has been divided over the use of artificial intelligence in filmmaking. Studios, lured by promises of cost-cutting and creative flexibility, have invested in software that can mimic an actor’s face, voice, and even emotional range. But for performers, this wave of synthetic reproduction has triggered alarm—encouraged by chilling stories of deepfakes, unauthorized digital doubles, and contracts that let studios reuse a star’s likeness indefinitely, sometimes without pay or approval.
The new California law, anchored by AB 2602 and AB 1836, changes everything:
- Every contract must explicitly detail how studios can use digital replicas or voice models, preventing once-common “blank check” agreements that overlooked this risk.
- No one—not studios nor streaming giants—can create or release AI-generated clones of an actor, living or dead, without clear, written consent from the performer or their estate.
- The law gives families new powers to defend loved ones from posthumous deepfake exploitation, closing painful loopholes that once let virtual versions of late icons appear in new ads, films, or games.
Actors Celebrate a Major Victory
The legislation rides the momentum of the recent SAG-AFTRA strike, where real-life talent demanded control over their own digital destinies. Leaders say these protections will empower artists to negotiate fair contracts and refuse participation in projects that cross ethical lines, restoring dignity and choice in an industry threatened by silent algorithms.
Stars, unions, and advocacy groups are hailing the law as the most robust defense yet against unwanted AI replications.
As one actor put it, “This isn’t just about money—it’s about identity, legacy, and respect for real artists in a synthetic age.”
A New Chapter for the Entertainment Industry
California’s move isn’t just a victory for local talent—it’s a warning shot to studios everywhere. Companies will now be forced to rethink production pipelines, consult legal counsel, and obtain proper clearance before digitally cloning anyone. Global entertainment platforms and tech developers will need to comply if they want to do business in the world’s entertainment capital.

These laws also set a template likely to ripple through other creative fields, from musicians whose voices can be synthesized to writers whose work could be mimicked by generative AI. For now, California performers finally have a powerful shield, ready to fight for the right to shape their own public image.
Conclusion: Human Talent Takes Center Stage
With its no-nonsense ban on AI actor clones, California draws a bold line, championing the work, likeness, and very humanity of its creative stars. It’s a landmark step that forces the entertainment industry to choose: respect real talent, or face real consequences. The age of the consentless digital double is over—human performers remain the true source of Hollywood magic.
Entertainment
Chaos and Comedy: Darby Kingman’s “Camp Wackapoo: Rise of Glog”

Darby Kingman’s “Camp Wackapoo: Rise of Glog” redefines summer camp comedy with a wild, energetic story about ambition, chaos, and the joy of embracing the unexpected. The film centers on a relentlessly competitive camp counselor who’s determined to finish first—only to face a motley crew of unruly campers and a summer unlike any other.
As Darby puts it, “Not everything is that deep. It really honestly was to make people laugh. She has all these kids that are not working with her and she’s just losing her mind. It’s crazy, silly, goofy, and it was a blast.”
What started as a simple scene for Darby’s acting reel evolved into a full-fledged film with encouragement from her mentor at Debbie Reynolds Acting School. Darby dove into every role—writing, directing, starring, and meticulously preparing each prop and costume. “Plan and prepare, but also be flexible and ready to be in the moment—that’s when the magic happens,” she advises.
Working with a handpicked cast of her own dance students, Darby built an atmosphere of real teamwork and camaraderie. She credits the “precious” energy of her young cast, her creative director of photography, and the overall spirit of her production team for turning the project into something bigger than herself. Her experience is an inspiring blueprint for indie filmmakers:
“Take initiative and control of your career. You can’t just sit around and wait for somebody to pick you. Figure out what you’re good at and go for it. Create something that brings joy to others.”

Her production motto? “Preparation is key, but you have to be ready to go with the flow—that’s when the magic happens.” Darby’s fearless creativity, focus on collaboration, and love for comedy shine throughout “Camp Wackapoo: Rise of Glog.” It’s more than just a camp satire—it’s a heartfelt testament to hard work, original humor, and leadership from the ground up: “People need to laugh right now. That’s a win.”
Catch “Camp Wackapoo: Rise of Glog” and experience Darby’s infectious energy and comic genius at the Deluxe Theatre on November 1, 2025. Get your tickets now at Houstoncomedyfilmfestival.com.
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