Entertainment
24 Movies We Can’t Wait to See in 2024: From ‘Mean Girls’ to ‘Dune’ on December 27, 2023 at 11:57 pm Us Weekly
Thanks for a memorable summer, Barbenheimer. You deserved a better and more coherent movie, Captain Marvel and Ant-Man. That title alone was a win, Cocaine Bear.
But the turn of the calendar means it’s time to get excited about a fresh slate of movies. And despite all those stop-and-start productions and delayed releases due to the respective writers and actors strikes — Quentin Tarantino’s final theatrical project got pushed to 2025 — Hollywood is still primed to churn out a slew of would-be blockbusters in 2024.
Is there a surefire let’s-go-now winner in the bunch? Not really, unless Ryan Gosling’s popularity from Barbie spills into an adaptation of a 1981-86 TV action series.
But there’s beauty in variety.
As usual, say hello again to characters you know and love. Deadpool, Furiosa, Beetlejuice, Mufasa, Joker, the Ghostbusters and Timothée Chalamet’s young Dune hero who fights in the sand all return for new adventures. (FWIW, we’ve been promised an Elle Woods revival since, like, 2018, but that may be asking for too much.)
Our big-screen year will be bookended by new versions of two popular Broadway musicals, thanks to Mean Girls and Wicked. Just remember that Regina George is also wicked and Elphaba can totally be a mean girl.
Those are just the familiar titles. Ryan Reynolds, Zendaya, Emily Blunt, Kirsten Dunst, Pedro Pascal and Millie Bobby Brown star in original fare. These movies could all flail and fail, but give the actors credit for at least trying something new — not to mention its no-longer-striking screenwriters.
There’s more! The Sundance Film Festival in January is poised to deliver its 40th round of indie favorites featuring the likes of Kristen Stewart, Sebastian Stan, Aubrey Plaza and Jesse Eisenberg. Meanwhile, the festivals in the fall will unveil all those provocative and polarizing Oscar frontrunners determined to test your bladder strength.
So let’s get the festivities started. Here are 24 movies to unwrap in 2024. Please pull a Nicole Kidman and get to the cineplex to check ’em out.
‘Mean Girls’
The story: You know it by now! Cady Heron (Angourie Rice) has just arrived at a new high school. After scheming with the school’s misfits, she gives it her all to fit in with Regina George (Reneé Rapp) and her clique known as The Plastics. Disastrous results ensue.
Be excited because … In this version, much of the dialogue and plot occur through catchy songs from the Tony-nominated 2018 Broadway musical, like “It Roars” and “Meet the Plastics.” The cast is a host of stage and screen Gen Z favorites, while Jon Hamm, Jenna Fischer and Busy Philipps take the adult roles. And Tina Fey, who once again wrote the screenplay, reprises her role as Ms. Norbury. She still doesn’t push drugs. (In theaters, January 12)
Christopher Briney plays Aaron in ‘Mean Girls.’ Jojo Whilden/Paramount
‘Argylle’
The story: Elly (Bryce Dallas Howard) is a happily reclusive best-selling author of novels centering around a secret agent named Argylle (Henry Cavill). But after Elly and her beloved cat, Alfie — snug in an argyle backpack — meet actual spy Aiden (Sam Rockwell) on a train, they get embroiled in a dangerous mission.
Be excited because … It’s part-spy comedy, part-nail-biting espionage thriller and all frenetic fun. The film is also directed by Matthew Vaughn of the kooky Kingsman franchise and features A-list scene-stealers Catherine O’Hara, Samuel L. Jackson, John Cena and Ariana DeBose. Plus, the cat is cute! (In theaters, February 2)
Henry Cavill, Dua Lipa and John Cena in ‘Argylle.’ Peter Mountain/Universal Pictures; Apple Original Films; and Marv
‘It Ends with Us’
The story: Following college graduation, Lily (Blake Lively) moves to a new city and falls in love with a neurosurgeon named Ryle (Justin Baldoni). That’s Act I. Then an ex (Brandon Sklenar) returns and turns her world upside down.
Be excited because … Colleen Hoover’s novel was the top-selling print book of 2022 and loitered on The New York Times Best Seller List for more than 90 weeks. She’s wisely aged up her main character to make the love triangle more palatable. Let’s see it and weep. (In theaters, February 9)
‘Lisa Frankenstein’
The story: Like most of her high-school peers, Lisa (Kathryn Newton) feels deeply understood. If only she could find someone who could relate to her! Enter a cute guy (Cole Sprouse) who happens to be a seemingly long-dead corpse. She resurrects him, and the two embark on a journey of killing and joy.
Be excited because … This edgy coming-of-rage love story thriller — that pun is admittedly cribbed from the studio’s press release — is the work of Oscar-winning writer Diablo Cody (Juno, Young Adult, Jennifer’s Body). That clever title alone, a play off the neon and unicorn-drenched Lisa Frank artwork, is impressive. (In theaters, February 9)
‘Bob Marley: One Love’
The story: This biopic explores the life and times of reggae king Bob Marley (Kingsley Ben-Adir). Memorable moments include an assassination attempt against him in 1976 and his historic performance at the One Love Peace Concert in Jamaica in 1978. (Marley died in 1981 from cancer at just 36.)
Be excited because … We’re long overdue for a real glimpse at the man who provided so much wonderful music and made us feel alright. (Aside from the title, he also sang the classics “Jamming,” “No Woman No Cry” and “Redemption Song.”) The British Ben-Adir, one of the Kens in Barbie, has also seamlessly portrayed Malcolm X and Barack Obama. (In theaters, February 14)
‘Drive-Away Dolls’
The story: To recover from a breakup with her girlfriend, free-spirited Jamie (Margaret Qualley) convinces her tightly wound bestie Marian (Geraldine Viswanathan) to get out of town and head to Tallahassee, Florida. Their odyssey of self-discovery goes awry when they inadvertently cross paths with a group of inept criminals. (Pedro Pascal plays one of them.)
Be excited because … This is sooo not your typical road-trip comedy. Directed and co-written by Fargo and No Country for Old Men Oscar winner Joel Coen (who scripted the pic with his wife, Tricia Cooke), it’s actually a quirky little queer caper infused with both slapstick and raunchy NSFW humor. Coen has said he envisions it as a trilogy. (In theaters, February 23)
‘Dune: Part Two’
The story: Ready for war? Chosen One Paul Atreides (Timothée Chalamet) and his mother (Rebecca Ferguson) were last seen as refugees in the desert of Arrakis after their family was massacred. Now he unites with Chani (Zendaya) and the Fremen, hell-bent on revenge against the conspirators responsible for the murderers.
Be excited because … In 2021, Dune checked all the boxes in that it was well-reviewed, grossed $402 million and earned 10 Oscar nominations (including best picture). With the dense exposition making way for action, the second half — which includes newbies Florence Pugh as a princess daughter and Austin Butler as a sinister Harkonnen prince — has the potential for even bigger windfall. (In theaters, March 1)
Timothee Chalamet in ‘Dune.’ Courtesy of Warner Bros. Pictures
‘Damsel’
The story: A dutiful damsel (Millie Bobby Brown) agrees to marry a handsome prince, only to learn it’s a trap. Her future in-laws only recruited her as a sacrifice to repay an ancient debt. She soon gets thrown into a cave with a fire-breathing dragon.
Be excited because … With Stranger Things about to end, here’s a change to see Brown expand her horizons in a fantasy adventure. Angela Bassett and Robin Wright add some gravitas in supporting roles. (Netflix, March 8)
‘Arthur the King’
The story: Just before the start of the Adventure Racing World Championship in Central America, an endurance athlete (Mark Wahlberg) gives one of his carb-fueling meatballs to a stray dog. The scrappy little pooch then dutifully follows the team for six days and hundreds of miles to earn the name “Arthur the King.”
Be excited … It’s a heartwarming true story involving a cute dog! Yes, please. Just forget the fact that IRL, the athlete was Swedish. (In theaters, March 22)
‘Ghostbusters: Frozen Empire’
The story: Picking up after the events of 2021’s Ghostbusters: Afterlife, this sequel drops Egon Spengler’s grandkids, Phoebe (Mckenna Grace) and Trevor (Finn Wolfhard), in a familiar haunt: New York City. That’s where two generations of Ghostbusters join forces to fight you-know-whats to save the world from an ice age.
Be excited because … Forty years (!!!) after the original Ghostbusters, there’s still life in this fun and freaky franchise. Don’t pretend you’re not excited to see old-schoolers Bill Murray, Dan Aykroyd, Ernie Hudson and Annie Potts mix it up in the famous downtown NYC firehouse with the new kids. (In theaters, March 29)
‘Mickey 17’
The story: An eponymous “expendable” employee is sent on a human expedition to colonize an ice world. When one iteration of the expendable dies, a new body is regenerated with most of the previous employee’s memories intact. Robert Pattinson plays Mickey, the potentially doomed expendable in the film, which is adapted from Edward Ashton‘s 2022 novel of the same name.
Be excited because … Pattinson takes on his (potentially) most demanding acting challenge yet in a high-concept sci-fi thriller from masterful Parasite and Snowpiercer writer-director Bong Joon-ho. (He’s tasked with playing at least two versions of Mickey.) One note: This may get pushed to later in the year because of release schedule domino effects from the WGA and SAG-AFTRA strikes. (In theaters, March 29)
‘Civil War’
The story: A journalist (Kirsten Dunst) tries to survive a future in which 19 states have seceded from the Union. Meanwhile, the three-term president of the United States (Nick Offerman) has ordered domestic air strikes.
Be excited because … So, did you ever see Ex Machina? Annihilation? Both thought-provoking thrillers were written and directed by Alex Garland. He goes for the ultimate hat trick. Hopefully it just won’t hit too close to home. (In theaters, April 26)
‘Challengers’
The story: As teens, hotheaded prodigy Tashi Duncan (Zendaya) gets caught up in a flirtation with fellow tennis stars Art (Mike Faist) and Patrick (Josh O’Connor). As adults, their complex dynamic becomes a racket when the two guys and rivals face off in a pro “challenger” match and find themselves once again butting heads over Tashi.
Be excited because … Um, pardon the excessive amount of tennis puns, but what’s not to love here? We’re talking about three ace actors in a romance from the director of Call Me by Your Name. Originally slated to open the 2023 Venice International Film Festival but pushed because of the strikes, this could very well be a grand slam. (In theaters, April 26)
‘The Fall Guy’
The story: Ryan Gosling is Colt Seavers, a battle-scarred stuntman who left the business for mental and physical reasons. He’s drawn back into the mayhem when the star of a studio movie directed by his ex Jody (Emily Blunt) goes missing. She asks for his help, and away they go.
Be excited because … As The Equalizer franchise already proved, an ’80s TV relic can still offer ’00s intrigue and good times. And after an award-worthy comic turn in Barbie, Gosling now gets to play a working-class action hero who can dropkick both the villains and the proper punchline. Let’s do this. (In theaters, May 3)
Ryan Gosling and Emily Blunt in ‘The Fall Guy.’ Universal Pictures
‘Back to Black’
The story: Amy Winehouse (Industry’s Marisa Abela) goes from demure British jazz singer-songwriter to Grammy-winning superstar. But despite extraordinary talent, she can’t conquer her demons.
Be excited because … Alas, we know how this biopic will end. But the superstar had an extraordinary ride en route to her tragic demise at age 27. Certainly much time will be devoted to her groundbreaking Grammy-winning album that gives the film its title. (In theaters, May 10)
‘IF’
The story: I.F. stands for Imaginary Friends. A young girl (Cailey Fleming) develops the ability to see them all, most of which were created by children when they were young and then mentally discarded. Some of these creatures end up turning to the dark side. A character played by Ryan Reynolds tries to restore order.
Be excited because … This hybrid of live-action and CGI was written and directed by one John Krasinski, who presented a first look at the film back in March and said he attempted to make an original film that would stand among timeless greats like E.T. the Extra-Terrestrial and Willy Wonka & the Chocolate Factory. That’s a high bar, but an original film also featuring the talents of Steve Carell, Matt Damon, Emily Blunt, Phoebe Waller-Bridge, Sam Rockwell, Maya Rudolph and Jon Stewart could lead to magic. (In theaters, May 17)
Ryan Reynolds and Cailey Fleming star in ‘IF.’ Jonny Cournoyer/Paramount Pictures’
‘Furiosa: A Mad Max Saga’
The story: Who was Furiosa before she became a bald bad girl? Someone who looks just like Anya Taylor-Joy. Picking up 45 years after the world collapsed, young Furiosa is taken from her family and falls into the hands of a group of villainous bikers. She must persevere as tyrant Immortan Joe (Chris Hemsworth) fights for dominance.
Be excited because … Mad Max: Fury Road not only revived the dated post-apocalyptic saga in 2015, but it’s generally regarded as one of the best action films ever. This prequel, also directed by the legendary George Miller, promises to deliver even more extended exhilarating sequences. (In theaters, May 24)
Chris Hemsworth in Furiosa. JASIN BOLAND/Warner Bros. Pictures
‘The Garfield Movie’
The story: Everyone’s favorite Monday-hating, lasagna-loving indoor cat Garfield (voiced by Chris Pratt) goes on an outdoor adventure.
Be excited because … This has got to be better than the 2004 iteration, right? Plus, the cast of the goofy comedy — which includes the voices of Samuel L. Jackson, Hannah Waddingham and Bowen Yang — will keep the kids entertained during Memorial Day weekend. (In theaters, May 24)
‘Ballerina’
The story: An assassin trained as a member of the Ruska Roman organization uses her killer skills to get blood-soaked revenge on the hitmen who murdered her family. If that sentence sounds familiar, it’s because this is a John Wick spinoff featuring the same criminal underworld.
Be excited because … Again, this is a John Wick spinoff. That means stylish, wall-to-wall butt-kicking akin to the four installments in the original franchise. And though a new protagonist is in action hero mode, regulars Keanu Reeves, Ian McShane and the late, great Lance Reddick all appear — presumably for assistance. And maybe even to shed light on Wick’s past? (In theaters, June 7)
‘Deadpool 3’
The story: Go back to a universe before Wolverine (Hugh Jackman) died in Logan. He encounters loudmouth superhero Deadpool (Ryan Reynolds), and the two try to defeat a common enemy. Various social media geeks (said with love) have speculated about the details, but the official M.O. is still a secret.
Be excited because … Who even goes to a Deadpool flick for a nuanced plot? The appeal lies in the scrappy titular character’s quippy — and often NSFW — sense of humor. (And the random cameos, of course.) His reluctant team-up with frenemy Wolverine should make for a fun-filled X-travaganza. (In theaters, July 26)
‘Beetlejuice 2’
The story: It’s showtime! Director Tim Burton hasn’t divulged much about his ridiculously long-awaited follow-up. How about some casting news? Michael Keaton (obviously) returns as the ghostly zebra-suit-wearing troublemaker; Winona Ryder and Catherine O’Hara reprise their roles as well. Wednesday’s Jenna Ortega plays Ryder’s daughter and Willem Dafoe is a B-list action star who became a cop in the hereafter.
Be excited because … A sequel in the works since 1988 is finally seeing the light of day-o. Even if it’s just 20 percent as amusing and quirky as the cult-classic original — and with that cool cast, how could it not?! — everyone will be in good spirits. (In theaters, September 6)
‘Joker: Folie à Deux’
The story: The Joker (Joaquin Phoenix) gets caught up in a bad romance with his equally unhinged counterpart Harley Quinn (Lady Gaga). FYI, “folie à deux” refers to an identical or similar mental disorder affecting two or more individuals.
Be excited because … Honestly? Forget the general anticipation surrounding a smash, Oscar-winning film with deep comic-book roots and an impressive cast. This entry automatically falls into the “must-see ASAP” category because it’s a musical. A musical! With Lady Gaga and the actor who did his own vocals as Johnny Cash in Walk the Line! How inspired. (In theaters, October 4)
‘Wicked: Part One’
The story: Years before Dorothy Gale landed in Oz, green-skinned Elphaba (Cynthia Erivo) befriended popular girl Galinda (Ariana Grande) at school. The musical follows their evolution from mutually unhappy roommates to unlikely pals to political enemies as The Wizard promotes Galinda to a Good Witch. The two also fall for the same party boy (Jonathan Bailey).
Be excited because … Fans of the Broadway musical have been ready to watch these witches defy gravity on the big screen for 20 years. Judging from the drip-drip-drip of leaked information — Michelle Yeoh plays The Wizard’s manipulative advisor Madam Morrible! — director Jon Chu (Crazy Rich Asians) will make this one sparkle like ruby slippers. (In theaters, November 27)
‘Mufasa’
The story: Unclear. Some outlets have defined this live-action movie-musical as a prequel about Simba’s dad; a 2023 industry-only teaser depicted Rafiki (John Kani) relaying The Lion King’s backstory to “Hakuna Matata” duo Timon (Billy Eichner) and Pumbaa (Seth Rogen). So perhaps it shifts between past and present?
Be excited because … Admittedly, the 2019 CGI recreation of the 1994 Disney classic was middling at best. But these are still beloved characters, and Barry Jenkins (Moonlight) directs. Thanks to an original screenplay, there’s no source material to use as a comparison. Just note that Aaron Pierre now voices the noble prince of the African Pride Lands — not James Earl Jones. (In theaters, December 20)
Thanks for a memorable summer, Barbenheimer. You deserved a better and more coherent movie, Captain Marvel and Ant-Man. That title alone was a win, Cocaine Bear. But the turn of the calendar means it’s time to get excited about a fresh slate of movies. And despite all those stop-and-start productions and delayed releases due to
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Entertainment
This scene almost broke him. And changed his career.

As Sinners surges into the cultural conversation, it’s impossible to ignore the force of Christian Robinson’s performance. His “let me in” door scene has become one of the film’s defining moments—raw, desperate, and unforgettable. But the power of that scene makes the most sense when you understand the journey that brought him there.
From church play to breakout roles
Christian’s path didn’t begin on a Hollywood set. It started in a Brooklyn church, when a woman named Miss Val kept asking him to be in a play.
“I told her no countless times,” he remembers. “Every time she saw me, she asked me and she wouldn’t stop asking me.”
He finally said yes—and everything changed.
“I did it once and I fell in love,” he says. That one performance pushed him into deep research on the craft, a move to Atlanta, and years of unglamorous work: training, auditioning, stacking small wins until he booked his first roles and then Netflix’s Burning Sands, where many met him as Big Country.
By the time Sinners came along, he wasn’t a newcomer hoping to get lucky. He was an actor who had quietly built the muscles to carry something bigger.
The door scene: life or death
On The Roselyn Omaka Show, Christian shared the directing note Ryan Coogler gave him before filming the door scene:
“He explained to me, ‘I need you to bang on this door as if your life depended on it. Like it’s a matter of life and death.’”
Christian didn’t just turn up the volume; he reached deeper.
“This film speaks a lot about our ancestors,” he told Roselyn Omaka. “So I tried to give a glimpse of what our ancestors would’ve experienced if someone or something that could bring ultimate destruction was after them. How hard would they bang? How loud would they scream to try to get into a place safely? That’s what I intended to convey in that moment.”
That inner picture—life or death, ancestors, ultimate destruction—is why the scene hits like more than a plot beat. It feels like generational memory breaking through a single frame.
Living through a “history” moment in real time
When Roselyn asks what he’s processing as Sinners takes off, Christian admits he’s still inside the wave.
“I’ve never experienced a project with this level of reception and energy and momentum,” he says. “People having their theories and breaking it down and doing reenactments… it’s never been a time like this in my career.”
He’s careful not to over‑define something that’s still unfolding: “There’s no way to give an accurate description of what I’m experiencing while I’m still experiencing it.” He knows he’ll need distance to name it fully.
But he can name one thing: “If I could gather any adjective to describe it, it would be gratefulness. I’m grateful.”
He also feels the weight of what this film might mean long-term:
“To know that I was there for a large amount of the time it was being brought to life, and a part of what the internet is saying will be history… this is something that I’m inspired by—to shoot for the stars in whatever passion rooted in creativity that you possess.”
Music, joy, and the man behind the moment
Christian talks about the music of Sinners as another force that shaped him. The score wasn’t playing nonstop; it showed up in key moments.
“The music was played when it was necessary to be played. But when it was played, it resonated,” he says. Hearing Miles Caton’s songs early, before the world did, he remembers thinking, “This is going to be magical… This is one of the ones right here.”
For all the heaviness of the story, he also brought levity. He laughs about being the jokester on set—singing Juvenile and Lil Wayne in the New Orleans hair and makeup trailer, trying to make everyone smile during Essence Fest weekend. “I’m a fun guy,” he says. “I love to see people laugh and have a good time.”
PATHS for us and opening doors
What might be most revealing is how seriously Christian takes his responsibility off screen. In 2015, sitting in his apartment outside Atlanta, he felt God tell him to start a nonprofit called PATHS.
“I heard from God and he told me to start a nonprofit called PATHS,” he recalls. At first, he and his peers went into schools and inner‑city communities to teach young people “the many different paths to entering the entertainment industry”—not just the craft, but “the practical steps and establishing yourself, like the business of an actor… a stunt person, hair and makeup, etc.”
When the pandemic hit and school visits stopped, he pivoted to a podcast and digital platform: “Fine, I’ll do it,” he laughs. Now PATHS for us lets “anyone anywhere that desires to be in entertainment hear from credible entertainment industry professionals on how they got to where they are and how you can do the same.”
Working on Sinners confirmed that he should go all in: “It just gave me exactly what I needed to know that I should pour my all into it.”
Honoring a history-making moment
As Sinners takes off, Christian keeps coming back to one word: gratefulness—for the film, for the collaborators, for the chance to be part of something people are calling historic.
At Bolanle Media, we see more than a viral scene. We see an artist whose craft is rooted in faith, ancestors, and hard-earned discipline; whose joy lifts the rooms he works in; and whose platform is opening real paths for others.
This scene almost broke him. And changed his career.
Now, as the world catches up, Christian Robinson is using that breakthrough not just to walk through new doors—but to help the next generation find theirs.
Entertainment
7 Filmmaking Lessons From Michael B. Jordan’s Oscar Moment

Michael B. Jordan’s first Oscar win for Sinners isn’t just a milestone for his career — it’s a masterclass for filmmakers watching from the edit bay, the writing desk, or the no‑budget set.
For years, Jordan has been building toward this moment: from early TV roles to his breakout in Fruitvale Station, the cultural shockwave of Black Panther, and his evolution into a producer and director. His Sinners performance and awards run crystallize a set of habits, choices, and values that rising filmmakers can actually use.
1. “Find Your Coogler”: The Power of Long-Term Collaboration
Jordan’s professional story is inseparable from his collaboration with Ryan Coogler. They’ve moved together from intimate indie drama to franchise-level spectacle, and now to awards-season dominance with Sinners.
“Find your people and grow with them, not just next to them.”
For filmmakers, the takeaway is simple:
- Stop thinking in “one‑off” crews.
- Start identifying the producers, DPs, editors, writers, and actors you want to build years of work with.
That kind of trust lets you move faster, go deeper, and take bigger risks together.
2. Preparation That Lets You Jump Off the Cliff
Jordan has talked in interviews about preparing so thoroughly that he can “let go” when the cameras roll. The homework — script work, character study, physical training, emotional research — is what makes the risk possible.
You can translate that directly into a filmmaking workflow:
- Do the table read.
- Break down the script scene by scene.
- Build visual references and emotional maps.
The more you handle before you’re on set, the more you can afford to explore, improvise, and discover in real time.
“Preparation buys you freedom on set.”
3. Take the “Bad Idea” Swing
A key pattern in Jordan’s choices is betting on material that doesn’t always look safe or obvious on paper. Roles and projects that feel intense, specific, or risky are often the ones that end up resonating the most.
For filmmakers, that means:
- Stop sandpapering your scripts into something generic.
- Start protecting the sharp edges — the personal details, the uncomfortable moments, the cultural specifics.
The project that scares you a little might be the one that actually breaks you out.
“If it feels too safe, it’s probably not big enough.”
4. One Hat at a Time (On Purpose)
Jordan is a modern multi-hyphenate — actor, producer, director — but he’s also strategic about when he wears which hat. On some projects, he leans fully into performance and trusts his team with everything else; on others, like Creed III, he steps behind the camera and takes on the entire vision.
Filmmakers can learn from that restraint:
- It’s okay to not direct, shoot, edit, and produce every single project.
- Choosing one primary role per project can sharpen the overall result.
Ask yourself on each film: “What’s the one role where I add the most value here?” Then structure the team accordingly.
“You don’t have to do everything on every film.”

5. Build an Ecosystem, Not Just a Résumé
Through his company and slate, Jordan is doing more than collecting credits. He’s building an ecosystem where the stories he cares about have a home — a pipeline for voices, genres, and perspectives that might not get space elsewhere.
That’s a roadmap for independent filmmakers and media founders:
- Create recurring spaces (a series, a channel, a festival, a label) where your sensibility is the default.
- Think beyond the single film; think in seasons, slates, and communities.
Your “ecosystem” might start as a simple recurring short-film series on your site, or a curated block at a festival. Over time, it becomes infrastructure.
“Don’t just book jobs. Build a world.”
6. Honor the Lineage You Stand On
When he accepted his Oscar, Jordan made a point to acknowledge the Black artists and legends who paved the way before him. That posture matters. It keeps ego in check and places today’s wins inside a longer lineage of struggle and progress.
Filmmakers can mirror that by:
- Citing their influences openly.
- Educating themselves on the history of the craft, especially in their own communities.
- Using their platforms to shine a light on peers and predecessors.
This isn’t just about being gracious; it’s about knowing you’re part of a story bigger than one awards season.
“Your win is a chapter, not the whole book.”
7. Let the Win Raise Your Standards
The most powerful thing about this moment is that it doesn’t feel like a finish line. Jordan’s energy reads as: this is motivation, not retirement. The recognition becomes pressure to work smarter, deeper, and more intentionally.
Filmmakers can turn every “win” — whether it’s an Oscar, a festival laurel, a viral clip, or a private email from someone impacted by your work — into fuel for the next draft and the next shoot.
Ask:
- What did I do well here that I can codify into my process?
- Where did I get lucky, and how can I replace luck with craft next time?
“Treat every win as a new baseline, not a peak.”
Why This Matters for Our Community
At Bolane Media, we see Michael B. Jordan’s Oscar moment not just as a celebrity headline, but as a roadmap for emerging storytellers — especially those building from underrepresented communities and independent spaces.
If you’re a filmmaker reading this:
- Identify one of these seven lessons.
- Apply it to your next project, not the hypothetical big one five years from now.
Then share your work with us. We want to see what you build.
Advice
How to Find Your Voice as a Filmmaker

Every filmmaker aspires to create projects that are not only memorable but also uniquely their own. Finding your creative voice is a journey that requires self-reflection, bold choices, and an unwavering commitment to your vision. Here’s how to uncover your style, take risks, and craft original work that stands out.
1. Discovering Your Voice: Understanding Your Influences
Your unique voice begins with recognizing what inspires you.
- Step 1: Reflect on the themes, genres, or emotions that consistently draw your interest. Are you inspired by human resilience, surreal worlds, or untold histories?
- Step 2: Study the work of filmmakers you admire. Analyze what resonates with you—their use of color, pacing, or narrative techniques.
Tip: Combine what you love with your personal experiences to create a lens that only you can offer.
Example: Wes Anderson’s whimsical, symmetrical worlds stem from his love of classic storytelling and his unique visual style.
Takeaway: Start with what moves you, then add your personal touch.
2. Taking Creative Risks: Experiment and Evolve
To stand out, you must be willing to challenge conventions and explore new territory.
- Experimentation: Try unusual storytelling structures, such as non-linear timelines or silent sequences.
- Collaboration: Work with people outside your usual circle to gain fresh perspectives.
- Feedback: Screen your projects for trusted peers and be open to constructive criticism.
Example: Jordan Peele blended horror with social commentary in Get Out, creating a genre-defying film that captivated audiences.
Takeaway: Risks are an opportunity for growth, even if they don’t always succeed.
3. Telling Original Stories: Start with Authenticity
Original projects resonate when they stem from a place of truth.
- Draw from Experience: Incorporate elements of your own life, culture, or worldview into your stories.
- Explore the “Why”: Ask yourself why this story matters to you and how it connects with your audience.
- Avoid Trends: Focus on timeless narratives rather than chasing current fads.
Example: Greta Gerwig’s Lady Bird was deeply personal, based on her experiences growing up in Sacramento. The film’s authenticity made it universally relatable.
Takeaway: The more personal the story, the more it resonates.
4. Developing Your Style: Consistency Meets Creativity
Style is not just about visuals—it’s how you tell a story across all elements of filmmaking.
- Visual Language: Experiment with colors, lighting, and framing to create a distinct aesthetic.
- Narrative Voice: Develop consistent themes or motifs across your projects.
- Sound Design: Use music, sound effects, and silence to evoke specific emotions.
Example: Quentin Tarantino’s use of dialogue, pop culture references, and bold music choices makes his work instantly recognizable.
Takeaway: Your style should be intentional, evolving as you grow but always recognizable as yours.
5. Staying True to Yourself: Building Confidence in Your Vision
The filmmaking process is full of challenges, but staying true to your voice is essential.
- Stay Authentic: Trust your instincts, even if your ideas seem unconventional.
- Adapt Without Compromise: Be open to feedback but maintain your core vision.
- Celebrate Your Growth: View every project, successful or not, as a stepping stone in your creative journey.
Example: Ava DuVernay shifted from public relations to filmmaking, staying true to her voice in films like Selma and 13th, which focus on social justice.
Takeaway: Your voice evolves with every project, so embrace the process.
Conclusion: From Idea to Screen, Your Voice is Your Superpower
Finding your voice as a filmmaker takes time, courage, and commitment. By exploring your influences, taking risks, and staying true to your perspective, you’ll craft stories that not only stand out but also resonate deeply with your audience.
Bolanle Media is excited to announce our partnership with The Newbie Film Academy to offer comprehensive courses designed specifically for aspiring screenwriters. Whether you’re just starting out or looking to enhance your skills, our resources will provide you with the tools and knowledge needed to succeed in the competitive world of screenwriting. Join us today to unlock your creative potential and take your first steps toward crafting compelling stories that resonate with audiences. Let’s turn your ideas into impactful scripts together!
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