Entertainment
1000-Lb Sisters Season 6: It’s Filming Already, Fans! on February 5, 2024 at 3:27 pm The Hollywood Gossip

There’s good news and there’s bad news on the horizon for TLC viewers.
First, the bad:
1000-Lb Sisters will wrap up its latest run of episodes this week, as Tammy Slaton bids a heart-breaking goodbye to late husband Caleb Willingham on Tuesday night’s season 5 finale.
But here comes the good, okay?
Tammy Slaton looks pretty relaxed in this photo of the reality star on a beach. (TLC)
1000-Lb Sisters Season 6 is on the way!
According to The Sun, Tammy Slaton and Amy Slaton have both signed on to continue with the show that made them famous — but that’s not all.
This same outlet states that Season 6 is already filming!
The Slatons are reportedly hanging other right at this very moment at Walt Disney World, as both siblings are able to enjoy the beach and the amusement park in ways that may have been previously impossible due to their impressive weight loss journeys.
Tammy Slaton is visiting the doctor in this scene from 1000-Lb Sisters. (TLC)
“Tammy’s whole family is getting a private VIP tour,” writes The Sun, which is a publication that has often covered this reality show in a reliable manner.
Over the last couple years, both Tammy and Amy have qualified for gastric bypass surgery because they changed their diet and incorporated exercise into their daily routines.
The former, for example, weighed in at 717 pounds early on season 4 of 1000-Lb Sisters.
But they may now need to change the title of this program because Tammy is down to 300; a truly amazing accomplishment!
Tammy Slaton cries here over the death of husband Caleb Willingham. (TLC)
On the most recent season of the show, viewers were taken behind the scenes of a true tragedy.
In June 2023, Willingham passed away from unknown causes… although it’s been widely assumed that his death was related to his unhealthy consumption of food and his related obesity.
Because these episodes were filmed many months ago, we actually got to witness Tammy interacting with Caleb prior to his death.
At one point on air, she told Willingham that his food addiction might cost him his life.
Amy Slaton and Tammy Slaton chat it up here on Season 5 of 1000-Lb Sisters. (TLC)
Looking ahead, Tammy and Amy will both be single when this series returns because Amy finalized her divorce from ex-husband Michael Halterman late last year.
She’s now dating a man named Tony Rodgers, who we’d have to assume will be featured prominently on Season 6.
“The sparks just flew and I knew I had to go for it,” Slaton told E! News of this boyfriend in December.
TLC has not announced a premiere date for 1000-Lb Sisters — heck, the network itself has not even confirmed Season 6 just yet — but look for episodes to air in early 2025.
1000-Lb Sisters Season 6: It’s Filming Already, Fans! was originally published on The Hollywood Gossip.
[[{“value”:”Tammy Slaton and Amy Slaton aren’t done with reality television! Look for another season of 1000-Lb Sisters in the near future.
1000-Lb Sisters Season 6: It’s Filming Already, Fans! was originally published on The Hollywood Gossip.”}]]
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Entertainment
Is the Dream of Professional Filmmaking Dead?

The film industry, once a beacon of creative opportunity and stable careers, is facing an unprecedented crisis. From Hollywood’s production decline to the vanishing “middle class” of filmmakers, professionals and aspiring creatives alike are asking: Is it still possible to make a living in film in 2025 and beyond?

The Hollywood Downturn: By the Numbers
Recent reports from major outlets like the LA Times and Film LA reveal a stark reality: filming in the greater Los Angeles area dropped by 22% in the first quarter of this year, with total shoot days down nearly 25%. This isn’t just a local issue—Hollywood’s struggles are a warning sign for the global industry.
Why Is This Happening?
1. The Streaming Algorithm Trap
The rise of streaming platforms has fundamentally changed how content is produced and consumed. Tech-driven companies like Netflix use vast amounts of viewer data to determine what gets made, leading to a glut of similar content—true crime, celebrity docs, and reality shows—at the expense of originality. While this approach maximizes short-term profits, it stifles creative risk-taking and makes it harder for new, innovative projects to get greenlit.
2. Economic Pressures and Runaway Costs
Shooting in California has become prohibitively expensive, with permits and labor costs driving productions overseas to cheaper locations like Hungary and Ireland. Even with recent tariffs aimed at protecting domestic filmmaking, the economics remain challenging for all but the biggest studios.
3. The Disappearance of the Filmmaking Middle Class
Perhaps the most devastating trend is the erosion of the “middle class” in filmmaking—those who built steady careers on commercials, network TV, and mid-budget features. As budgets shrink and studios play it safe, these jobs are vanishing, leaving only high-end blockbusters and low-budget, scrappy productions.
Adapting to the New Reality
Despite the doom and gloom, the demand for high-quality visual content is stronger than ever—just not in the traditional places. The future belongs to those who can pivot:
- High-End Specialists: Those who break into the world of big-budget productions for streamers and studios.
- Nimble Creators: Filmmakers who can deliver top-tier work with small teams and modest budgets, often for commercial clients or digital platforms.
Case Study: Thriving Outside the Middle
One professional filmmaker recounts how, after years of working on high-profile documentaries for Netflix and HBO, he shifted focus to smaller, more agile projects for commercial clients like Coinbase. Despite smaller crews and less gear, these jobs proved more profitable than many traditional gigs, demonstrating that adaptability and reputation can open new doors—even in a shrinking market.

The Path Forward: Practical Advice
- Embrace Change: The industry will not return to its old ways. Flexibility and a willingness to pivot are essential.
- Build a Reputation: High-end skills and a strong portfolio can attract both premium and commercial clients.
- Leverage New Opportunities: Online education, branded content, and direct-to-consumer platforms offer alternative paths to success.
Conclusion
The dream of professional filmmaking isn’t dead—but it has evolved. The middle ground may be disappearing, but opportunities abound for those willing to adapt, learn new skills, and straddle both the high and low ends of the market. The industry’s future belongs to the flexible, the creative, and the entrepreneurial.
Entertainment
Tyler Perry Hit with Sexual Harassment Allegations in $260 Million Lawsuit

Overview
Tyler Perry, the acclaimed filmmaker and media mogul, is facing a $260 million lawsuit filed by actor Derek Dixon, who appeared in Perry’s BET series “The Oval” and “Ruthless“. The lawsuit, filed in June 2025 in Los Angeles County Superior Court, alleges a pattern of sexual harassment, assault, and professional retaliation spanning several years.

Key Allegations
- Plaintiff: Derek Dixon, actor on “The Oval” and “Ruthless”.
- Defendant: Tyler Perry.
- Claims: Sexual harassment, sexual assault, hostile work environment, quid pro quo harassment, and retaliation.
- Damages Sought: $260 million in punitive damages.
- Timeline: Alleged incidents occurred from 2019 through 2024.
Details from the Lawsuit
- Dixon alleges Perry used his influence to create a coercive and sexually exploitative environment, promising career advancement in exchange for sexual favors.
- The complaint describes multiple incidents, including unwanted advances, inappropriate messages, and alleged assaults at Perry’s home and on his private island .
- Dixon claims he endured harassment out of fear for his job security and that Perry retaliated when advances were rejected, including threats to write his character off the show.
- The lawsuit includes references to text messages and specific episodes where Dixon’s character was shot, allegedly as a form of retaliation .
Perry’s Response
- Tyler Perry has denied all allegations, with his attorney calling the lawsuit a “scam” and “fabricated claims” designed to extort money.
- Perry’s legal team asserts that the claims are baseless and that they are confident the lawsuit will be dismissed.
Timeline of Key Events
Year | Event Description |
---|---|
2019 | Dixon meets Perry at a studio event; receives acting opportunity |
2020 | Alleged first assault at Perry’s home in Georgia |
2021 | Further alleged incidents, including at Perry’s private island |
2023 | Dixon moves to California, claims continued harassment and promises of a show |
2024 | Dixon files complaint with the EEOC and resigns from “The Oval” |
June 2025 | Lawsuit filed in Los Angeles County Superior Court |
Media Coverage

Summary
Tyler Perry is currently embroiled in a high-profile legal battle over allegations of sexual harassment and assault brought by actor Derek Dixon. The case centers on claims of abuse of power, coercion, and retaliation, with Perry strongly denying all accusations and vowing to contest the lawsuit vigorously.
Entertainment
Is the Film Industry Dying? The Truth About Filmmaking in 2025

Bolanle Media Press Room
The film industry stands at a crossroads in 2025, facing rapid technological changes, economic uncertainty, and evolving audience habits. While some professionals fear for the future, others see opportunity in the turbulence. Bolanle Media Press Room explores the reality behind the headlines, drawing on candid conversations with working filmmakers, directors, and crew members.

The State of the Industry
Unpredictable Work and Shrinking Budgets
Industry professionals report a landscape marked by inconsistency1. Many crew members and directors experience long periods without work, followed by intense bursts of activity. Budgets have tightened, leading to more unpaid hours and increased pressure on freelancers and production companies.
- Survey data: 78% of UK-based long-form directors say their income is unstable, working on average just 27 weeks per year. Over half report working 60-hour weeks or more, often with no corresponding increase in pay.
- Freelancer experience: The pandemic boom led to a surplus of crew, but as demand normalized, many found themselves surplus to requirements, with work becoming “consistently inconsistent”.
The Impact of Technology and Social Media
The rise of AI and social media has fundamentally changed how films and advertising content are produced and consumed. Brands now often opt for influencer-driven campaigns over traditional big-budget productions, shifting opportunities and budgets away from established production pipelines.
- Social media as a storefront: Many filmmakers report that their biggest projects now come through platforms like Instagram, with viral content leading to unexpected job offers.
- Changing advertising: Companies are increasingly turning to user-generated content and influencer marketing, which requires fewer resources and less traditional crew.

Adaptation and Opportunity
Diversification is Key
Those thriving in the current climate are often those who have diversified their skills and roles1. The advice to “niche down” is less relevant, as industry professionals find success by working across multiple sectors and job functions.
- Multi-hyphenate professionals: Many successful filmmakers now direct, produce, edit, and even run their own production companies, adapting to whatever opportunities arise.
- Continuous outreach: Early-career professionals spend significant time each day networking and reaching out to potential clients, often landing work through persistence and visibility.
The Role of Passion and Resilience
Despite the challenges, many in the industry remain optimistic. Passion for storytelling and adaptability are cited as crucial for survival and success.
- Emotional resilience: The unpredictability of freelance work is emotionally taxing, but professionals stress the importance of staying flexible and remembering why they entered the industry in the first place.
- No single path: There is no longer a guaranteed progression or perfect plan. The industry rewards those who are willing to evolve, learn new tools, and build strong relationships.

Conclusion
The film industry is not dying—it is transforming. While shrinking budgets, new technologies, and changing workflows create discomfort and unpredictability, they also bring new opportunities for those willing to adapt. The need for compelling stories and passionate storytellers remains unchanged, ensuring a future for those who embrace change and stay curious.
For more insights and interviews with industry professionals, follow Bolanle Media Press Room for the latest updates on the evolving world of filmmaking.
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