Connect with us

Entertainment

Would Andrew Walker Do Hallmark Film With Sabrina’s Melissa Joan Hart? on November 18, 2023 at 5:00 pm Us Weekly

Published

on

Andrew Walker might have to work his Hallmark magic to get former Sabrina the Teenage Witch costar Melissa Joan Hart to join him for a rom-com.

“Yeah, that’d be fun for sure,” Walker, 44, exclusively told Us Weekly on Tuesday, November 14, when asked about working with Hart, 47, on a Hallmark project. “Actually, we’ve become really good friends. We see each other at Christmas Con.”

The Christmas Island star, who recently teamed up with Envy Apples to promote their produce brand, told Us he’s connected with Hart over their philanthropic efforts.

Advertisement

Related: ‘Sabrina the Teenage Witch’ Cast: Where Are They Now?

Sabrina the Teenage Witch premiered in September 1996 as part of ABC’s “TGIF” and quickly became a hit. The sitcom, which followed teen witch Sabrina Spellman as she learned to balance high school and her powers, aired for seven seasons consisting of 163 episodes. The show ended in April 2003. The series starred Melissa Joan […]

“I love her missionary stuff that she’s doing, she goes to Africa. Since I did [Hallmark’s] A Safari Romance and I was in Africa for my 40th birthday four years ago in Cape Town, Africa has just really taken my heart,” he explained. “I really want to start exploring more of Africa. … But Melissa Joan Hart has done a lot of missionary work building schools with their kids.”

Fans of Sabrina can’t forget Hart’s iconic role as the titular character, Sabrina Spellman, from 1996 to 2003. Walker didn’t appear on the series until season 7 in 2002, when he played Cole Harper, one of Sabrina’s coworkers at Scorch Magazine.

Advertisement

Melissa Joan Hart in ‘Sabrina the Teenage Witch.’ Cover Images

Despite both actors appearing in several Hallmark movies — Walker has been in more than 25 films for the network, while Hart starred in 2016’s Broadcasting Christmas — they haven’t done a joint project for the channel.

Walker, however, does have an idea for their hypothetical movie. “Why don’t we just do a Sabrina the Teenage Witch Christmas movie?” he told The List in November 2022. “And the aunts. We got to bring the aunts back too.” He joked the film could be called It’s a Magical Christmas.

While a Sabrina holiday movie isn’t officially underway, Walker told Us on Tuesday that he is happy celebrating all the Hallmark films that are coming out this season. In fact, he teased that the Hallmark team is hosting a viewing party for his pal Erin Cahill’s December release, Christmas on Cherry Lane.

Advertisement

Related: A Guide (and Unofficial Ranking) to All of Andrew Walker’s Hallmark Movies

Andrew Walker has cemented himself as one of Hallmark Media’s biggest stars after making his network debut in 2012. The Canadian actor first left his mark on viewers that year with A Bride for Christmas alongside Arielle Kebbel. The twosome reunited on camera for 2015’s Bridal Wave, which launched Walker into an even bigger name […]

“[The parties] entail all of us [being] at the same place at the same time for it to be able to work. Honestly, it’s a family, Hallmark,” Walker gushed. “People say, ‘Why do they call it a family?’ It’s not your typical network. We’re not competing over each other’s jobs.”

Advertisement

The Three Wise Men and a Baby actor then revealed who is the “biggest party animal” among the core Hallmark lineup — and identified himself as the culprit.

Andrew Walker in ‘Love Struck Cafe.’ Bettina Strauss/Crown Media

“It might be me. I got to call myself out on that one,” he confessed. “I’d say myself and [head of communications] Annie Howell are the two biggest party animals.”

When Walker is not hanging out with his coworkers or on set, he’s living a healthy lifestyle. His clean eating habits are helped in part by his choice to eat an Envy Apple a day.

Advertisement

Related: Does Every Hallmark Character Really Have the Same Job? Us Investigates

Hallmark Channel movies often stick to a formula — and when it comes to similar character jobs, fans have noticed. “More than once, I’ve been a pastry chef or a chef,” Lacey Chabert exclusively told Us Weekly in October 2021. “So people always ask me like, ‘Do you like to cook?’ I actually, genuinely, love […]

“I tried it for the first time, and it was one of the most delicious apples I’ve ever had,” Walker told Us of the produce brand, joking that he and wife Cassandra Troy are “kind of produce snobs in a way” because of their Little West juice company.

Advertisement

The Sweet Autumn star explained that shortly after he was approached to team up with Envy Apples, a close friend who is an empath said she saw his “guardian angel grandmother” who called Walker the “apple of her eye” looking down on him.

“She called me the apple of her eye and now Envy’s calling and saying I’m the apple of the [Hallmark] viewer’s eye,” Walker recalled of the moment. “And it was such a perfect combination or marriage between myself, my wife and the apple and our juice business.”

For more information on the produce brand, go to EnvyApple.com.

Andrew Walker might have to work his Hallmark magic to get former Sabrina the Teenage Witch costar Melissa Joan Hart to join him for a rom-com. “Yeah, that’d be fun for sure,” Walker, 44, exclusively told Us Weekly on Tuesday, November 14, when asked about working with Hart, 47, on a Hallmark project. “Actually, we’ve 

Advertisement

​   Us Weekly Read More 

Continue Reading
Advertisement
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Entertainment

Selling Your Soul in Hollywood: The Hidden Cost of Fame

Published

on

By all appearances, Hollywood is a dream factory — a place where charisma, talent, and luck collide to create stars. But behind the camera lights and red carpets lies a conversation few inside the industry speak openly about: the spiritual and moral price of ambition.

For actor Omar Gooding, the idea of “selling your soul” in Hollywood isn’t a metaphor — it’s a moral process that begins with tiny compromises. In an October 2025 interview, Gooding explained that no one in Hollywood makes a literal deal with the devil. Instead, it’s the quiet yeses, the moments when comfort overrides conviction, that mark the beginning of the trade. “They don’t say, ‘Take this or you’ll never make it,’” he said. “They just put it in front of you. You choose.”

Those choices, he argues, create a pattern. Once you show that you’ll accept something you once resisted, the industry notices. “Hollywood knows who it can get away with what,” Gooding said. “One thing always leads to another.” The phrase “selling your soul,” in this context, means losing your say — doing what you’re told rather than what you believe in.

That moral tension has long shadowed the arts. Comedians like Dave Chappelle, who famously walked away from millions to preserve his creative integrity, often serve as examples of where conviction and career collide. In resurfaced interviews, Chappelle hinted that he felt manipulated and silenced by powerful figures who sought control of his narrative, warning that “they’re trying to convince me I’m insane.”

This isn’t just about conspiracy — it’s about agency. Hollywood runs on perception. Performers are rewarded for being agreeable, moldable, entertaining. Those who question the machine or refuse the script risk exile, while those who conform are elevated — sometimes beyond what they can handle.

We see the ‘collections’ all the time,” Gooding explained. “When the bill comes due, you can tell. They made that deal long ago.”

But the story doesn’t end in darkness. Gooding also emphasizes that in today’s entertainment landscape, artists have more control than ever. With streaming, social media, and creator‑driven platforms, performers don’t have to “play the game” to be seen. Independent creators can build their own stages, speak their own truths, and reach millions without trading authenticity for access.

Still, the temptation remains — recognition, validation, quick success. And every generation of artists must answer the same question: What are you willing to do for fame?

Advertisement

As Gooding put it, “You just make the best choices you can. Because once it’s gone — your name, your peace, your soul — there’s no buying it back.”

Continue Reading

Entertainment

California Bans AI Clones from Replacing Real Talent

Published

on

California just made a dramatic stand for human creativity, defeating the threat of AI actor clones with a sweeping new law that puts people—not algorithms—back in the Hollywood spotlight. With the stroke of Governor Gavin Newsom’s pen in October 2025, the state has sent a clear message to studios, tech companies, and the world: entertainment’s heart belongs to those who create and perform, not to digital facsimiles.

California Draws a Hard Line: No More AI Clones

For months, the entertainment industry has been divided over the use of artificial intelligence in filmmaking. Studios, lured by promises of cost-cutting and creative flexibility, have invested in software that can mimic an actor’s face, voice, and even emotional range. But for performers, this wave of synthetic reproduction has triggered alarm—encouraged by chilling stories of deepfakes, unauthorized digital doubles, and contracts that let studios reuse a star’s likeness indefinitely, sometimes without pay or approval.

The new California law, anchored by AB 2602 and AB 1836, changes everything:

  • Every contract must explicitly detail how studios can use digital replicas or voice models, preventing once-common “blank check” agreements that overlooked this risk.
  • No one—not studios nor streaming giants—can create or release AI-generated clones of an actor, living or dead, without clear, written consent from the performer or their estate.
  • The law gives families new powers to defend loved ones from posthumous deepfake exploitation, closing painful loopholes that once let virtual versions of late icons appear in new ads, films, or games.

Actors Celebrate a Major Victory

The legislation rides the momentum of the recent SAG-AFTRA strike, where real-life talent demanded control over their own digital destinies. Leaders say these protections will empower artists to negotiate fair contracts and refuse participation in projects that cross ethical lines, restoring dignity and choice in an industry threatened by silent algorithms.

Stars, unions, and advocacy groups are hailing the law as the most robust defense yet against unwanted AI replications.

As one actor put it, “This isn’t just about money—it’s about identity, legacy, and respect for real artists in a synthetic age.”

A New Chapter for the Entertainment Industry

California’s move isn’t just a victory for local talent—it’s a warning shot to studios everywhere. Companies will now be forced to rethink production pipelines, consult legal counsel, and obtain proper clearance before digitally cloning anyone. Global entertainment platforms and tech developers will need to comply if they want to do business in the world’s entertainment capital.

These laws also set a template likely to ripple through other creative fields, from musicians whose voices can be synthesized to writers whose work could be mimicked by generative AI. For now, California performers finally have a powerful shield, ready to fight for the right to shape their own public image.

Conclusion: Human Talent Takes Center Stage

With its no-nonsense ban on AI actor clones, California draws a bold line, championing the work, likeness, and very humanity of its creative stars. It’s a landmark step that forces the entertainment industry to choose: respect real talent, or face real consequences. The age of the consentless digital double is over—human performers remain the true source of Hollywood magic.

Advertisement
Continue Reading

Entertainment

Chaos and Comedy: Darby Kingman’s “Camp Wackapoo: Rise of Glog”

Published

on

Darby Kingman’s “Camp Wackapoo: Rise of Glog” redefines summer camp comedy with a wild, energetic story about ambition, chaos, and the joy of embracing the unexpected. The film centers on a relentlessly competitive camp counselor who’s determined to finish first—only to face a motley crew of unruly campers and a summer unlike any other.

As Darby puts it, “Not everything is that deep. It really honestly was to make people laugh. She has all these kids that are not working with her and she’s just losing her mind. It’s crazy, silly, goofy, and it was a blast.”

What started as a simple scene for Darby’s acting reel evolved into a full-fledged film with encouragement from her mentor at Debbie Reynolds Acting School. Darby dove into every role—writing, directing, starring, and meticulously preparing each prop and costume. “Plan and prepare, but also be flexible and ready to be in the moment—that’s when the magic happens,” she advises.

Working with a handpicked cast of her own dance students, Darby built an atmosphere of real teamwork and camaraderie. She credits the “precious” energy of her young cast, her creative director of photography, and the overall spirit of her production team for turning the project into something bigger than herself. Her experience is an inspiring blueprint for indie filmmakers:

“Take initiative and control of your career. You can’t just sit around and wait for somebody to pick you. Figure out what you’re good at and go for it. Create something that brings joy to others.”

Her production motto? “Preparation is key, but you have to be ready to go with the flow—that’s when the magic happens.” Darby’s fearless creativity, focus on collaboration, and love for comedy shine throughout “Camp Wackapoo: Rise of Glog.” It’s more than just a camp satire—it’s a heartfelt testament to hard work, original humor, and leadership from the ground up: “People need to laugh right now. That’s a win.”

Catch “Camp Wackapoo: Rise of Glog” and experience Darby’s infectious energy and comic genius at the Deluxe Theatre on November 1, 2025. Get your tickets now at Houstoncomedyfilmfestival.com.

Advertisement
Continue Reading

Trending