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Travis Kelce’s Heard Taylor Swift’s New Album & Already Has A Favorite … on February 6, 2024 at 4:18 pm The Hollywood Gossip
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Travis Kelce has heard the new Taylor Swift album! Be jealous, Swifites.
Over the weekend, Taylor Swift made Grammys history.
While accepting her award, she dropped the big news about her upcoming album.
It turns out that her boyfriend, Travis Kelce, has gotten a sneak peek at the album. And he’s talking about it.
Travis Kelce of the Kansas City Chiefs speaks to the media during Super Bowl LVIII Opening Night at Allegiant Stadium on February 05, 2024. (Photo Credit: Chris Unger/Getty Images)
Travis Kelce has heard the Taylor Swift album
It turns out that Taylor Swift put this whole “football” thing on the map just in time for a major event in the sport. And boyfriend Travis Kelce will be playing in the Superbowl.
Page Six reports that he was visibly grinning from ear to ear as reporters asked him about Taylor’s 11th studio album, The Tortured Poets Department.
“I have heard some of it, yes. And it is unbelievable,” Travis said proudly. “I can’t wait for her to shake up the world when it finally drops.”
Travis Kelce #87 of the Kansas City Chiefs celebrates with Taylor Swift after a 17-10 victory against the Baltimore Ravens in the AFC Championship Game at M&T Bank Stadium on January 28, 2024. (Photo Credit: Rob Carr/Getty Images)
However, despite his obvious delight, Travis avoided any spoilers.
“I can’t give you anything,” Travis told the reporters. “I’ll leave that up to her.”
Additionally, Travis said that he “can neither confirm nor deny” his favorite track from the album. It was very tasteful of him to not even declare a favorite song.
Taylor Swift accepts the Album Of The Year award for âMidnightsâ onstage during the 66th GRAMMY Awards at Crypto.com Arena on February 04, 2024. (Photo Credit: Monica Schipper/Getty Images for The Recording Academy)
Taylor Swift is a Grammy Awards juggernaut
On Sunday, she stood on stage to accept the award for Best Pop Vocal Album.
“My brand-new album comes out April 19. It’s called ‘The Tortured Poets Department,’” Taylor announced to the audience.
This is, of course, huge news. And despite backlash and grumbling and shading of Taylor Swift after this, it’s clear that she’s doing extremely well.
Taylor Swift arrives for the 66th Annual Grammy Awards at the Crypto.com Arena in Los Angeles on February 4, 2024. (Photo Credit: ROBYN BECK/AFP via Getty Images)
It is so sweet that Taylor opted to give Travis a sneak peek at her music. She knows that she can trust him to not leak her songs.
Of course, some may joke about how he will one day end up reflected in her music — just like the various ghosts of boyfriends past.
We look forward to a song titled “Not Beating the Himbo Allegations” or whatever. For now, though, Taylor and Travis are clearly enjoying themselves — and each other.
Taylor Swift attends the 66th GRAMMY Awards at Crypto.com Arena on February 04, 2024. (Photo Credit: Neilson Barnard/Getty Images for The Recording Academy)
Jason Kelce is totally onboard
During his own interview over the weekend, Jason praised his brother’s relationship according to Page Six.
“My brother and his love life is definitely the topic of the NFL right now, and my whole thing with that is as long as Trav is happy and enjoying life, I’m happy and enjoying life,” Jason affirmed.
“I’ve been fortunate to meet Taylor now. She’s [an] awesome, down-to-earth, genuine person,” Jason assessed. “Which has been great to see, whenever you’re seeing anyone of that caliber of stardom still remain as grounded as they are.”
Travis Kelce’s Heard Taylor Swift’s New Album & Already Has A Favorite … was originally published on The Hollywood Gossip.
[[{“value”:”Travis Kelce has heard the new Taylor Swift album! Be jealous, Swifites. Over the weekend, Taylor Swift made Grammys history. …
Travis Kelce’s Heard Taylor Swift’s New Album & Already Has A Favorite … was originally published on The Hollywood Gossip.”}]]
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“Another Night at Beaver’s” is set in a strip club on the edge of hell and draws from classics like “Assault on Precinct 13” and “Tales From The Crypt’s Demon Knight.” The film, set on Christmas Eve, features a band of off-beat characters—strippers and lowlifes—who must fight off satanic snot monsters to prevent the apocalypse. The idea of setting such a wild story in a strip club, a world Sumrall knows well, adds an extra layer of authenticity and fun to the screenplay.
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Writing “Another Night at Beaver’s” came naturally to Sumrall, who had the story in his head since 2009. However, it wasn’t until the passing of Wes Craven in 2015 that he felt compelled to finally put pen to paper. Despite initial doubts about his future in filmmaking, Sumrall completed the first draft in just a month. The journey to perfecting the script was long and involved setting aside his perfectionist tendencies, allowing him to fully embrace the chaotic, balls-to-the-wall nature of the story.
Screenwriting Journey
Sumrall began screenwriting in the early 2000s, taking classes at Rice University’s Continued Studies program. His passion for storytelling, coupled with a quarter-life crisis, drove him to immerse himself in screenwriting. His involvement in all aspects of filmmaking began in 2007 when he was cast in the slasher film “SWEATSHOP.” Since then, Sumrall has written several feature-length scripts and has developed a disciplined routine, writing almost daily.
Upcoming Projects and Collaborations
As a writer and director, Sumrall has two feature films under his belt, with a third in pre-production. His completed screenplays include “Vixen With A Vendetta,” a revenge flick set in the world of opera, and “Residue,” a psychological supernatural thriller about a homicide detective with psychic abilities. He is also scripting two short films and has a plethora of ideas waiting on the backburner. Additionally, Sumrall directs music videos, with a trilogy for the darkwave band The Russian White set to coincide with their newest album release in August.
Getting in Touch
For future projects or collaborations, Jeremy Sumrall can be found on Facebook at Jeremy Sumrall – Flickmaker and on Instagram as @nothinginterestingonline. His website, www.jeremysumrallflickmaker.com, provides further insights into his work and upcoming projects.
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Current Status and Production Plans
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Daniel Couts is a dynamic artist whose talents bridge the worlds of music, film, and beyond. Growing up in a musical family within London’s entertainment scene, Couts honed his skills in music, drama, and film and TV studies, quickly diving into directing, acting, and music after college. His recent work includes serving as Executive Producer on the newly released film Hounds of War, featuring Frank Grillo, Robert Patrick, and Rhona Mitra, and dropping his debut EP, Mellow Metal. With a slate of new projects on the horizon, Couts continues to push boundaries, keeping his career diverse and ever-evolving.
We had the privilege of sitting down with Daniel Couts to discuss his latest project, the debut EP ‘Mellow Metal’. In an intimate conversation, Daniel opened up about his creative process, the inspiration behind his music, and his vision for the future of film and music. With his passion and dedication shining through, Daniel shared his unique perspective on the intersection of art and innovation.
Your transition from acclaimed filmmaker to musical artist with “Mellow Metal” is fascinating. How does this genre-defying work reflect your philosophy of breaking boundaries in art?
Personally, I don’t think there should be any boundaries in art. Growing up in a musical family and attending a music school in Athens, Greece, music has always been the root of everything I’ve gone on to do in my life. Since 2019, I’ve been working hard and focusing on my company’s film production work that, sad to say, my music involvement become somewhat stagnant.
So, here we are in 2024, and I’ve decided not to shy away from any ounce of talent I might have. If I enjoy it, I need to do it. Plus, I’m the kind of person who always needs to create—It’s kind of a coping mechanism.
“Mellow Metal” has been described as a “cinematic journey for the ears.” Can you walk us through how you’ve translated your visual storytelling skills into this auditory experience?
That’s an excellent question. I’m not so sure who’s describing the EP as a cinematic journey for the ears, but it’s incredibly creative, and I’m definitely taking it as a compliment! So, thank you. I’d say my two biggest passions in the creative sector are visual storytelling (i.e. directing) and creating music, and I think I’ve developed a similar approach to both: there’s always something deeper than initially meets the eye… or ears.
I love movies that are deep and emotionally evocative, and musically, especially with Mellow Metal, I wanted to create something that blends various styles that I love and something that helps promote positivity, peace, and love. Not just a nice beat and melody, but something emotionally deeper.
You’ve worked with some of Hollywood’s elite. How have these collaborations influenced the creation of “Mellow Metal,” and are there any surprising industry figures who’ve contributed to this project?
I’d love to be able to say that I “produced this EP with so and so,” but unfortunately that’s not the case. I’ve had the privilege of working with and meeting some amazing people in the music and film industry in Greece, the US, and the UK. Every collaboration teaches me so much—both good and bad—and it’s enough to probably write an entire book about it. But regarding the creation of Mellow Metal, there are two people who played a huge role, one of them directly, and one of them indirectly.
The first person is my wife Nika Finch, who is a notable figure in the film and music sector. She actually introduced me to the world of metal music, and although I never thought it would happen, I fell in love with it. She introduced me to incredible bands like Nightwish and HIM; which leads to the second person who played a huge part in the creation of Mellow Metal without knowing it; Ville Valo— former singer from HIM and currently known as VV. After watching him perform live at London’s Royal Albert Hall, I felt so full of inspiration that I went home and just started writing. As a tribute to his great music, I even included my own version of his song Neon Noir on the EP.
Your Greek heritage is a significant part of your identity. How have you woven traditional Greek musical elements into the contemporary sound of “Mellow Metal”?
The answer to this is pretty simple, and one I may be disowned for, but… I didn’t. Not really. My father is a major songwriter and music producer in Greece and I grew up listening to Greek music non-stop and meeting the biggest Greek stars. This was awesome, but my biggest inspirations for Mellow Metal came from pre-existing styles of metal, mainly HIM’s own Love Metal. But, who knows, I may one day incorporate some Greek elements into future songs. In my book, there’s no right or wrong when it comes to art, especially music.
As the CEO of Opulence Pictures, you’re known for producing films that address social issues. How does “Mellow Metal” continue this mission in the realm of music?
Mellow Metal doesn’t directly touch on social issues, but I do aim to use this genre to promote peace and love, hence my MM logo on the cover that includes a dove with guitar necks for wings. That’s the symbol I use, as I think it captures the essence of my music pretty well.
You’ve mentioned synesthesia influencing your creative process. Can you explain how this neurological trait has shaped the soundscape of “Mellow Metal”?
Synesthesia is fascinating, and I actually experience it more when I produce music than I do when involved in film projects. Obviously, there are certain sounds I like when making music, but I tend to visualize the process. Especially with Mellow Metal, as it’s a genre I’ve never experimented with before, I approached each song by determining, not only what sounded right, but what felt right too, in terms of colors or textures. As crazy as it might sound, I would also describe Mellow Metal as a dark, soft velvet-like EP with subtle higher temperatures.
Growing up in a musical family in London must have been quite an experience. Can you share a cherished childhood memory that ignited your passion for both music and film?
There are so many. Growing up, the biggest driving force with regard to music was my parents. My father had a hard time growing up to pursue music as his parents didn’t want him to do so, and so he wanted to make up for that with me. He encouraged me to learn as much as I could and allow my talents to flourish, as did my mother. One of my fondest memories is when my parents surprised me with a drum kit and I spent all my free time playing it. Spoilt, I know, but I’m privileged to have such supporting parents.
Regarding video and film production, I came across that medium on my own and I was completely captivated by it. We had an old camcorder lying around and, after my father allowed me to use it, I became obsessed with it. I was filming anything and everything, and then going to my computer, offloading the footage from the Mini-DV tape, and then editing it all. I fell in love with the art of moving image, and continue to have a deep love and passion for it.
Your work often explores the intersection of different cultures. How has your Greek heritage influenced your artistic vision, and what personal experiences have shaped your unique perspective in the entertainment industry?
Aside from singing the occasional Greek song, I’d say that the biggest influence my Greek heritage has on my work is probably how I approach visual storytelling. I’m currently slated to direct two movies and my directorial style can be somewhat varied. I grew up watching tons of Hollywood movies but I did have my fair share of exposure to European movies as a child too, so my directorial style is probably a mix of both. I love the snappiness that American cinema generally has, but I like the depth of stories that many European movies have to offer.
With regard to personal experiences that have shaped my perspective, I can’t really point to any specific experience that I feel has completely set my unique perspective. We’re all unique, and our lives and experiences have shaped us all, and that’s what I love about music and cinema. Whether I’m listening to an artist or watching someone’s movie, their personalities and perspectives shine through. When it comes to my content, I create what I love. Some people might like it, some might not, but that’s just part of the game.
As someone who’s achieved success in multiple fields, what advice would you give to aspiring creatives who want to diversify their artistic portfolio like you have?
I would say the same thing I’ve been told by those who truly care about me: if you have a passion for something, do it. It’s as simple as that. There’s no need to drop one part of yourself to pursue another. I’ve been there, done that. All it does is waste time. Striking a balance between different projects can certainly be difficult, but once you figure it out, you’ll be fine. Also, take a look at other examples of people who have succeeded in multiple fields—they just do what they love and work hard at it. Don’t give up, and most importantly, don’t let opinions stand in the way. Morgan Freeman once said: “Don’t take criticism from people you would never go to for advice.” Remember that.
“Mellow Metal” seems to be just the beginning. Can you give us a teaser of your grand vision for merging film, music, and perhaps other media in future projects?
Mellow Metal is most certainly just the beginning for me. For starters, I’m already working on new music in the mellow metal genre, which I’d love to promote further. As far as movies go, I’m actively involved in several upcoming motion pictures, and as stated earlier, I’ll be directing two movies in the next couple of years. I think it’s inevitable that my journeys in music and film will overlap, and I look forward to projects that will allow me to do that. As for the immediate future, I’m focusing on live performances in addition to my film production work, and I look forward to seeing where that journey takes me.
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