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Sean and Leigh Anne Tuohy Say They ‘Never Intended’ to Adopt Michael Oher on September 15, 2023 at 1:29 pm Us Weekly

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Sean and Leigh Anne Tuohy have filed a response to Michael Oher’s bombshell lawsuit, claiming that they “never intended” to formally adopt him.

The Tuohy family argued in court documents obtained by Entertainment Tonight on Thursday, September 14, that they “never” took “any assumed legal custody” of Oher, now 37. Sean and Leigh Anne, both 63, also “vehemently deny” Oher’s claims “that they intended to legally adopt him.”

Despite their denials, the Tuohys did acknowledge that they “occasionally referred to [Michael] as a son” and “always felt [he] was like a son.” Sean and Leigh Anne made it clear that they had used the word “son” in “the colloquial sense,” claiming that the word did not cause “any irreparable harm, loss, either past present or future or damages” to Oher.

Last month, Oher alleged in a 14-page petition that the Tuohys convinced him to sign a document in 2004 that appointed them as his conservators. At the time, he “consented on the basis that doing so would make him a member of the Tuohy family,” but the document “in fact provided him no familial relationship with the Tuohys.” Oher claimed that he only learned in February of this year that the document legally allowed the Tuohys to make business deals in his name.

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Related: The Blind Side’s Michael Oher and the Tuohy Family: Where Are They Now?

Michael Oher and the Tuohy family are back in the news more than a decade after the release of the 2009 movie The Blind Side, which was supposedly based on their life. In August 2023, Oher made bombshell claims about his relationships with Sean and Leigh Anne Tuohy, claiming that he was never officially adopted […]

When referencing the conservatorship in their response, Sean and Leigh Anne claimed that “the NCAA made it clear that the only way [Oher] could attend the Ole Miss [was] if he was part of the Tuohy family in some fashion.”

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Michael Oher Roy Rochlin/Getty Images

The couple doubled down on their claims that “there was never an intent to adopt him,” adding that the “conservatorship was the tool chosen to accomplish this goal.”

The Tuohys also claimed Oher was lying about only recently finding out about the conservatorship, calling his timeline “demonstratively false.” However, Sean and Leigh Anne made it clear that they’re “ready, willing, and able to terminate the conservatorship by consent at any time.”

Oher and the Tuohy family rose to fame following the release of the 2009 movie The Blind Side, which was inspired by their lives — and Michael Lewis’ book of the same name.

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Kathy Bates and Quinton Aarom in ‘Blind Side’. Cover Images

In his August lawsuit, Oher alleged that he hasn’t seen any money from the film’s success. He is looking for a “fair share of profits,” along with “unspecified compensatory and punitive damages” from the Tuohys.

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Related: Not Just Deflategate! Biggest NFL Controversies Through the Years

Flag on the play. From Tom Brady’s Deflategate to Colin Kaepernick’s national anthem protests, the NFL has been at the center of several controversies through the years. In 2016, Kaepernick sparked debates among both fans and fellow players when he didn’t stand for the national anthem before taking the field with the San Francisco 49ers. […]

The Tuohys, for their part, claimed that Oher “agreed” to an “arrangement where each party would get 20 percent of the proceeds paid” for the film.

When news broke of the lawsuit last month, Sean called Oher’s accusations “insulting,” telling the Daily Memphian that the family was “devastated” by the entire situation.

“It’s upsetting to think we would make money off any of our children,” he said at the time. “But we’re going to love Michael at 37 just like we loved him at 16.”

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Sean and Leigh Anne Tuohy have filed a response to Michael Oher’s bombshell lawsuit, claiming that they “never intended” to formally adopt him. The Tuohy family argued in court documents obtained by Entertainment Tonight on Thursday, September 14, that they “never” took “any assumed legal custody” of Oher, now 37. Sean and Leigh Anne, both 

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Entertainment

California Bans AI Clones from Replacing Real Talent

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California just made a dramatic stand for human creativity, defeating the threat of AI actor clones with a sweeping new law that puts people—not algorithms—back in the Hollywood spotlight. With the stroke of Governor Gavin Newsom’s pen in October 2025, the state has sent a clear message to studios, tech companies, and the world: entertainment’s heart belongs to those who create and perform, not to digital facsimiles.

California Draws a Hard Line: No More AI Clones

For months, the entertainment industry has been divided over the use of artificial intelligence in filmmaking. Studios, lured by promises of cost-cutting and creative flexibility, have invested in software that can mimic an actor’s face, voice, and even emotional range. But for performers, this wave of synthetic reproduction has triggered alarm—encouraged by chilling stories of deepfakes, unauthorized digital doubles, and contracts that let studios reuse a star’s likeness indefinitely, sometimes without pay or approval.

The new California law, anchored by AB 2602 and AB 1836, changes everything:

  • Every contract must explicitly detail how studios can use digital replicas or voice models, preventing once-common “blank check” agreements that overlooked this risk.
  • No one—not studios nor streaming giants—can create or release AI-generated clones of an actor, living or dead, without clear, written consent from the performer or their estate.
  • The law gives families new powers to defend loved ones from posthumous deepfake exploitation, closing painful loopholes that once let virtual versions of late icons appear in new ads, films, or games.

Actors Celebrate a Major Victory

The legislation rides the momentum of the recent SAG-AFTRA strike, where real-life talent demanded control over their own digital destinies. Leaders say these protections will empower artists to negotiate fair contracts and refuse participation in projects that cross ethical lines, restoring dignity and choice in an industry threatened by silent algorithms.

Stars, unions, and advocacy groups are hailing the law as the most robust defense yet against unwanted AI replications.

As one actor put it, “This isn’t just about money—it’s about identity, legacy, and respect for real artists in a synthetic age.”

A New Chapter for the Entertainment Industry

California’s move isn’t just a victory for local talent—it’s a warning shot to studios everywhere. Companies will now be forced to rethink production pipelines, consult legal counsel, and obtain proper clearance before digitally cloning anyone. Global entertainment platforms and tech developers will need to comply if they want to do business in the world’s entertainment capital.

These laws also set a template likely to ripple through other creative fields, from musicians whose voices can be synthesized to writers whose work could be mimicked by generative AI. For now, California performers finally have a powerful shield, ready to fight for the right to shape their own public image.

Conclusion: Human Talent Takes Center Stage

With its no-nonsense ban on AI actor clones, California draws a bold line, championing the work, likeness, and very humanity of its creative stars. It’s a landmark step that forces the entertainment industry to choose: respect real talent, or face real consequences. The age of the consentless digital double is over—human performers remain the true source of Hollywood magic.

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Chaos and Comedy: Darby Kingman’s “Camp Wackapoo: Rise of Glog”

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Darby Kingman’s “Camp Wackapoo: Rise of Glog” redefines summer camp comedy with a wild, energetic story about ambition, chaos, and the joy of embracing the unexpected. The film centers on a relentlessly competitive camp counselor who’s determined to finish first—only to face a motley crew of unruly campers and a summer unlike any other.

As Darby puts it, “Not everything is that deep. It really honestly was to make people laugh. She has all these kids that are not working with her and she’s just losing her mind. It’s crazy, silly, goofy, and it was a blast.”

What started as a simple scene for Darby’s acting reel evolved into a full-fledged film with encouragement from her mentor at Debbie Reynolds Acting School. Darby dove into every role—writing, directing, starring, and meticulously preparing each prop and costume. “Plan and prepare, but also be flexible and ready to be in the moment—that’s when the magic happens,” she advises.

Working with a handpicked cast of her own dance students, Darby built an atmosphere of real teamwork and camaraderie. She credits the “precious” energy of her young cast, her creative director of photography, and the overall spirit of her production team for turning the project into something bigger than herself. Her experience is an inspiring blueprint for indie filmmakers:

“Take initiative and control of your career. You can’t just sit around and wait for somebody to pick you. Figure out what you’re good at and go for it. Create something that brings joy to others.”

Her production motto? “Preparation is key, but you have to be ready to go with the flow—that’s when the magic happens.” Darby’s fearless creativity, focus on collaboration, and love for comedy shine throughout “Camp Wackapoo: Rise of Glog.” It’s more than just a camp satire—it’s a heartfelt testament to hard work, original humor, and leadership from the ground up: “People need to laugh right now. That’s a win.”

Catch “Camp Wackapoo: Rise of Glog” and experience Darby’s infectious energy and comic genius at the Deluxe Theatre on November 1, 2025. Get your tickets now at Houstoncomedyfilmfestival.com.

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Diane Keaton Dies at 79

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The world of film and entertainment is mourning the loss of Diane Keaton, an Oscar-winning actress renowned for her enduring talent, individuality, and influence on generations of performers and fans. Keaton died at the age of 79 in California on Saturday, October 11, 2025, her family confirmed. Details remain private, with her family requesting privacy as they grieve this profound loss.

A Distinctive Talent

Diane Keaton rose to fame in the 1970s through a series of memorable roles, most notably as Kay Adams in “The Godfather” trilogy and as the quirky, unforgettable lead in Woody Allen’s “Annie Hall,” for which she won the Academy Award for Best Actress. Her performances in films like “The First Wives Club,” “Something’s Gotta Give,” and the “Book Club” series solidified her reputation as an actress with unique comedic timing and dramatic depth. Keaton was celebrated not only for her artistry but also for her androgynous fashion sense, characterized by menswear-inspired looks, hats, and an easy, effortless style that influenced generations.

Legacy and Tributes

Following the news of her passing, tributes poured in from Hollywood and beyond. Bette Midler, Goldie Hawn, and Jane Fonda were among the countless stars who expressed devastation and admiration for Keaton’s incomparable legacy. Hawn recalled their friendship and collaborations, writing: “Diane, we aren’t ready to lose you…you stole the hearts of the world and shared your genius with millions”. Midler echoed the sentiment, praising Keaton as “brilliant, beautiful, extraordinary” and a truly original presence in Hollywood.

Private Struggles and Final Months

Though fiercely independent and known for her openness, Keaton kept her declining health private in her final months. Friends and neighbors noticed her retreat from public life and social media, and she was recently seen less often in her Brentwood neighborhood. In the past, Keaton candidly discussed her ongoing battles with skin cancer and bulimia, openly advocating for personal health and authenticity.

Remembering Diane Keaton

Diane Keaton leaves behind a legacy defined by her fearless performances, unique style, and enduring influence on the arts. She is survived by her two children, Dexter and Duke. As Hollywood and her global fanbase mourn, her pioneering spirit and unmistakable voice will continue to inspire generations.

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