Entertainment
Maren Morris Leaves a ‘Small Town’ Behind in Her New Music Videos on September 15, 2023 at 3:10 pm Us Weekly

Maren Morris won’t try that in a small town – because it is burning to the ground.
On Friday, September 15, Morris, 33, shared the videos for “The Tree” and “Get the Hell Out of Here,” the two songs from her new EP, The Bridge. In the visual for “The Tree,” the country music star finds herself in a miniature model small town – literally. She walks through the recreation of a stereotypical country town, with signs reading “Don’t Tread On Me,” “Go Woke Go Broke” and “I Believe in God & Guns.” At the center of the town is a dead tree, and after trying to water the nearby plants, Morris decides she’s had enough.
“I’m done fillin’ a cup with a hole in the bottom,” she sings. “And screamin’ the truth to a liar / Spent ten thousand hours tryna fight it with flowers And the tree was already on fire / Yeah, the tree was already on fire.”
As Morris tries to water the plants around the tree, the tangled roots wrap around her feet and prick her skin with thorns. As she sings, “the rot at the roots is the root at the problem,” and recognizing that there is no salvaging this dead garden, she lights a match. Yet, she realizes that the tree is already ablaze, and she decides it’s time to go.
Morris crosses a bridge to leave the small town as the tree burns. The fire continues to burn and consume the village, as seen in the music video for “Get The Hell out of Here,” the second track on The Bridge. In that video, Maren sings in a green pasture, safe and sound while the “Small Town” gets buried in ash.
“‘The Tree’ is about a toxic ‘family tree’ burning itself to the ground,” Morris said in a statement, according to Rolling Stone. The country music star added that halfway through, she “realize[d] it’s burning itself down without any of my help. This song evokes the pain of exhausting all your love and time for this person or ‘entity’ but realizing it’s just a draining, transactional relationship that isn’t nourishing in any healthy way. By the end of the song, I give myself permission to face the sun, plant new seeds where it’s safer to grow, and realize that sometimes there is greener grass elsewhere.”
The second song – “Get the Hell Out of Here,” is about Morris “quite literally [being] burned out,” she says in the statement. “This is a story of me feeling pulled in every direction, needing everyone else’s understanding and acceptance but my own and how self-destructive that ultimately became. I relinquish control of trying to change everyone’s mind or bad behavior and focus on my own power going forward. Doing the right thing can feel lonely at times, but there are more friends than foes, so I finally quit making myself one of them.’”
Morris announced the project on September 12. She said the two songs were “a tender duo and bridge to my next album.” Instead of saving the tracks for her next full-length, she realized “these two songs deserved a moment on their own – a story in their own right, written a day apart from each other.”
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“These two songs are incredibly key to my next step because they express a very righteously angry and liberating phase of my life these last couple of years but also how my navigation is finally pointing towards the future, whatever that may be or sound like,” Morris said in the statement. “Honoring where I’ve been and what I’ve achieved in country music, but also freely moving forward.”
When Morris first posted a teaser for the two music videos, fans suspected she was shading her country music rival Jason Aldean. Aldean, 46, topped the Billboard Hot 100 chart with his controversial song, “Try That in a Small Town.”
He and Morris clashed in August 2022 when he and his wife, Brittany Aldean, commented about transgender people. “I’d really like to thank my parents for not changing my gender when I went through my tomboy phase,” wrote Brittany, 36, a not-so-subtle dig at parents offering gender-affirming care to trans youth. Morris, a fierce LGBTQ+ ally, reacted by writing, “It’s so easy to, like, not be a scumbag human?”
Maren Morris won’t try that in a small town – because it is burning to the ground. On Friday, September 15, Morris, 33, shared the videos for “The Tree” and “Get the Hell Out of Here,” the two songs from her new EP, The Bridge. In the visual for “The Tree,” the country music star
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Entertainment
California Bans AI Clones from Replacing Real Talent

California just made a dramatic stand for human creativity, defeating the threat of AI actor clones with a sweeping new law that puts people—not algorithms—back in the Hollywood spotlight. With the stroke of Governor Gavin Newsom’s pen in October 2025, the state has sent a clear message to studios, tech companies, and the world: entertainment’s heart belongs to those who create and perform, not to digital facsimiles.
California Draws a Hard Line: No More AI Clones
For months, the entertainment industry has been divided over the use of artificial intelligence in filmmaking. Studios, lured by promises of cost-cutting and creative flexibility, have invested in software that can mimic an actor’s face, voice, and even emotional range. But for performers, this wave of synthetic reproduction has triggered alarm—encouraged by chilling stories of deepfakes, unauthorized digital doubles, and contracts that let studios reuse a star’s likeness indefinitely, sometimes without pay or approval.
The new California law, anchored by AB 2602 and AB 1836, changes everything:
- Every contract must explicitly detail how studios can use digital replicas or voice models, preventing once-common “blank check” agreements that overlooked this risk.
- No one—not studios nor streaming giants—can create or release AI-generated clones of an actor, living or dead, without clear, written consent from the performer or their estate.
- The law gives families new powers to defend loved ones from posthumous deepfake exploitation, closing painful loopholes that once let virtual versions of late icons appear in new ads, films, or games.
Actors Celebrate a Major Victory
The legislation rides the momentum of the recent SAG-AFTRA strike, where real-life talent demanded control over their own digital destinies. Leaders say these protections will empower artists to negotiate fair contracts and refuse participation in projects that cross ethical lines, restoring dignity and choice in an industry threatened by silent algorithms.
Stars, unions, and advocacy groups are hailing the law as the most robust defense yet against unwanted AI replications.
As one actor put it, “This isn’t just about money—it’s about identity, legacy, and respect for real artists in a synthetic age.”
A New Chapter for the Entertainment Industry
California’s move isn’t just a victory for local talent—it’s a warning shot to studios everywhere. Companies will now be forced to rethink production pipelines, consult legal counsel, and obtain proper clearance before digitally cloning anyone. Global entertainment platforms and tech developers will need to comply if they want to do business in the world’s entertainment capital.

These laws also set a template likely to ripple through other creative fields, from musicians whose voices can be synthesized to writers whose work could be mimicked by generative AI. For now, California performers finally have a powerful shield, ready to fight for the right to shape their own public image.
Conclusion: Human Talent Takes Center Stage
With its no-nonsense ban on AI actor clones, California draws a bold line, championing the work, likeness, and very humanity of its creative stars. It’s a landmark step that forces the entertainment industry to choose: respect real talent, or face real consequences. The age of the consentless digital double is over—human performers remain the true source of Hollywood magic.
Entertainment
Chaos and Comedy: Darby Kingman’s “Camp Wackapoo: Rise of Glog”

Darby Kingman’s “Camp Wackapoo: Rise of Glog” redefines summer camp comedy with a wild, energetic story about ambition, chaos, and the joy of embracing the unexpected. The film centers on a relentlessly competitive camp counselor who’s determined to finish first—only to face a motley crew of unruly campers and a summer unlike any other.
As Darby puts it, “Not everything is that deep. It really honestly was to make people laugh. She has all these kids that are not working with her and she’s just losing her mind. It’s crazy, silly, goofy, and it was a blast.”
What started as a simple scene for Darby’s acting reel evolved into a full-fledged film with encouragement from her mentor at Debbie Reynolds Acting School. Darby dove into every role—writing, directing, starring, and meticulously preparing each prop and costume. “Plan and prepare, but also be flexible and ready to be in the moment—that’s when the magic happens,” she advises.
Working with a handpicked cast of her own dance students, Darby built an atmosphere of real teamwork and camaraderie. She credits the “precious” energy of her young cast, her creative director of photography, and the overall spirit of her production team for turning the project into something bigger than herself. Her experience is an inspiring blueprint for indie filmmakers:
“Take initiative and control of your career. You can’t just sit around and wait for somebody to pick you. Figure out what you’re good at and go for it. Create something that brings joy to others.”

Her production motto? “Preparation is key, but you have to be ready to go with the flow—that’s when the magic happens.” Darby’s fearless creativity, focus on collaboration, and love for comedy shine throughout “Camp Wackapoo: Rise of Glog.” It’s more than just a camp satire—it’s a heartfelt testament to hard work, original humor, and leadership from the ground up: “People need to laugh right now. That’s a win.”
Catch “Camp Wackapoo: Rise of Glog” and experience Darby’s infectious energy and comic genius at the Deluxe Theatre on November 1, 2025. Get your tickets now at Houstoncomedyfilmfestival.com.
Entertainment
Diane Keaton Dies at 79

The world of film and entertainment is mourning the loss of Diane Keaton, an Oscar-winning actress renowned for her enduring talent, individuality, and influence on generations of performers and fans. Keaton died at the age of 79 in California on Saturday, October 11, 2025, her family confirmed. Details remain private, with her family requesting privacy as they grieve this profound loss.

A Distinctive Talent
Diane Keaton rose to fame in the 1970s through a series of memorable roles, most notably as Kay Adams in “The Godfather” trilogy and as the quirky, unforgettable lead in Woody Allen’s “Annie Hall,” for which she won the Academy Award for Best Actress. Her performances in films like “The First Wives Club,” “Something’s Gotta Give,” and the “Book Club” series solidified her reputation as an actress with unique comedic timing and dramatic depth. Keaton was celebrated not only for her artistry but also for her androgynous fashion sense, characterized by menswear-inspired looks, hats, and an easy, effortless style that influenced generations.
Legacy and Tributes
Following the news of her passing, tributes poured in from Hollywood and beyond. Bette Midler, Goldie Hawn, and Jane Fonda were among the countless stars who expressed devastation and admiration for Keaton’s incomparable legacy. Hawn recalled their friendship and collaborations, writing: “Diane, we aren’t ready to lose you…you stole the hearts of the world and shared your genius with millions”. Midler echoed the sentiment, praising Keaton as “brilliant, beautiful, extraordinary” and a truly original presence in Hollywood.

Private Struggles and Final Months
Though fiercely independent and known for her openness, Keaton kept her declining health private in her final months. Friends and neighbors noticed her retreat from public life and social media, and she was recently seen less often in her Brentwood neighborhood. In the past, Keaton candidly discussed her ongoing battles with skin cancer and bulimia, openly advocating for personal health and authenticity.
Remembering Diane Keaton
Diane Keaton leaves behind a legacy defined by her fearless performances, unique style, and enduring influence on the arts. She is survived by her two children, Dexter and Duke. As Hollywood and her global fanbase mourn, her pioneering spirit and unmistakable voice will continue to inspire generations.
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