Entertainment
Kody Brown on Sister Wives: My Kids are Total Jerks! on October 17, 2023 at 10:30 am The Hollywood Gossip
After watching him in selfish action over the last couple seasons, Sister Wives fans are well aware that Kody Brown is a terrible husband.
There’s a reason both Christine Brown and Janelle Brown left him at various points in the past two years, you know?
Of late, however, we’re learning more and more just how awful of a father Kody is as well.
Kody Brown just never seems happy, huh? (TLC)
On Sunday’s brand new episode of this TLC reality show, Janelle’s son, Garrison, invited his mom… siblings Gabriel and Savanah… and Christine and her daughter Gwendlyn… all over for dinner at his place.
At one point, Savanah told her mom that she never really talks to Robyn’s children, leading to the following confession by one of these kids, daughter Breanna:
“Me and Savanah were decent to each other. It wasn’t like super great and close because during Covid people had different opinions about the rules. We didn’t know what to do with each other, so we kept our distance.
“I kinda just feel shocked and confused and she doesn’t care. It just broke my heart a little because I grew up with her. I grew up with all of them.”
Kody Brown and Robyn Brown remain legally married, despite the former having split from his other spouses. (TLC)
Breanna started to cry at this point and asked for the cameras to stop filming.
These episode was filmed about a year ago — in the wake of Kody having ordered his family members to see basically no one amid the COVID-19 outbreak.
“I remember him saying something along the lines of he only cares about his minor children or something like that,” said Gabriel on air, as Garrison pointed out that he’s gotten a new home, car and got into college since they last spoke.
Neither of these young men are talking to their dad these days.
Kody doesn’t get along with Gabe and Garrison, two of his kids with Janelle. (TLC)
At another point on this episode, Gwendlyn told her mother about the infamous text chain that tore the family apart, stating that the kids simply wanted to organize a Secret Santa, but…
“Robyn made it all about herself, bringing up how there’s all this past trauma. Which, by the way, where’s the trauma coming from? Because dad prefers [her children].”
It certainly seems as if the aforementioned pandemic destroyed many relationships within the Browns because Kody ordered everyone to remain separate.
Robyn, for her part, felt she was getting “attitude” from the other kids, which left her feeling “defeated” and as if “we got voted off the Brown family island.”
Robyn Brown looks quite unhappy in this photo, doesn’t she? It’s from Sister Wives Season 18. (TLC)
According to Garrison, he and his siblings started to give up trying with Robyn and their father once Christine and Janelle’s marriages “went down the drain,” adding of Robyn:
“We don’t care about her anymore.”
He also felt she was “the catalyst” of their issues, believing Robyn used Covid to lock down Kody at their house, before “turning dad into the victim and saying it’s out fault.”
Wow, huh? Points for honesty here.
It’s hard to ever feel any sympathy for Kody Brown, seen here on Sister Wives Season 18. He just doesn’t seem very nice. (TLC)
Reacting to all this drama his own confessional, Kody actually came out and said:
All of you are just kinda jerks. I don’t wanna be around you and I am tired of it and I don’t want to call them and I don’t want to talk to them.
He continued:
“And that’s why I’m done with Robyn, I don’t care to talk to Robyn anymore, I’m not going to do this. I’m doing my own thing. And Robyn’s mad that she can’t have this affect on our lives anymore because we just don’t care anymore.
“This is what I think all the siblings think. This is us going, Robyn, have him, we don’t care anymore. We’re all grown adults that don’t need a father figure anymore.”
Kody Brown appears to be both sad and confused in this photo from a Sister Wives episode. (TLC)
No wonder Janelle is concerned about her children’s mental health, you know?
Look at what their dad is saying in public about them.
After Savanah said on air she felt Kody still loved them but was “just angry” at them “for no reason,” Garrison said they were open to forgiving their father… but weren’t “going to chase” him for an apology.
Finally, Kody claimed he reached out to both boys before and after Christmas, but they never responded.
“They’re blocking me, they’re not interested in talking to me,” said the very self-centered and extremely immature patriarch.
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Kody Brown on Sister Wives: My Kids are Total Jerks! was originally published on The Hollywood Gossip.
Kody Brown isn’t hiding his feelings — about his own children! Check out what the Sister Wives star said about them this week.
Kody Brown on Sister Wives: My Kids are Total Jerks! was originally published on The Hollywood Gossip.
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Entertainment
What We Can Learn Inside 50 Cent’s Explosive Diddy Documentary: 5 Reasons You Should Watch
50 Cent’s new Netflix docuseries about Sean “Diddy” Combs is more than a headline-grabbing exposé; it is a meticulous breakdown of how power, celebrity, and silence can collide in the entertainment industry.
Across its episodes, the series traces Diddy’s rise, the allegations that followed him for years, and the shocking footage and testimonies now forcing a wider cultural reckoning.
1. It Chronicles Diddy’s Rise and Fall – And How Power Warps Reality
The docuseries follows Combs from hitmaker and business icon to a figure facing serious criminal conviction and public disgrace, mapping out decades of influence, branding, and behind-the-scenes behavior. Watching that arc shows how money, fame, and industry relationships can shield someone from scrutiny and delay accountability, even as disturbing accusations accumulate.
2. Never-Before-Seen Footage Shows How Narratives Are Managed
Exclusive footage of Diddy in private settings and in the tense days around his legal troubles reveals how carefully celebrity narratives are shaped, even in crisis.
Viewers can learn to question polished statements and recognize that what looks spontaneous in public is often the result of strategy, damage control, and legal calculation.
3. Survivors’ Stories Highlight Patterns of Abuse and Silence
Interviews with alleged victims, former staff, and industry insiders describe patterns of control, fear, and emotional or physical harm that were long whispered about but rarely aired in this detail. Their stories underline how difficult it is to speak out against a powerful figure, teaching viewers why many survivors delay disclosure and why consistent patterns across multiple accounts matter.
4. 50 Cent’s Approach Shows Storytelling as a Tool for Accountability
As executive producer, 50 Cent uses his reputation and platform to push a project that leans into uncomfortable truths rather than protecting industry relationships. The series demonstrates how documentary storytelling can challenge established power structures, elevate marginalized voices, and pressure institutions to respond when traditional systems have failed.
5. The Cultural Backlash Reveals How Society Handles Celebrity Accountability
Reactions to the doc—ranging from people calling it necessary and brave to others dismissing it as a vendetta or smear campaign—expose how emotionally invested audiences can be in defending or condemning a famous figure. Watching that debate unfold helps viewers see how fandom, nostalgia, and bias influence who is believed, and why conversations about “cancel culture” often mask deeper questions about justice and who is considered too powerful to fall.
A new Christmas-themed episode of South Park is scheduled to air with a central plot in which Satan is depicted as preparing for the birth of an Antichrist figure. The premise extends a season-long narrative arc that has involved Satan, Donald Trump, and apocalyptic rhetoric, positioning this holiday episode as a culmination of those storylines rather than a stand‑alone concept.
Episode premise and season context
According to published synopses and entertainment coverage, the episode frames the Antichrist as part of a fictional storyline that blends religious symbolism with commentary on politics, media, and cultural fear. This follows earlier Season 28 episodes that introduced ideas about Trump fathering an Antichrist child and tech billionaire Peter Thiel obsessing over prophecy and end‑times narratives. The Christmas setting is presented as a contrast to the darker themes, reflecting the series’ pattern of pairing holiday imagery with controversial subject matter.
Public and political reactions
Coverage notes that some figures connected to Donald Trump’s political orbit have criticized the season’s portrayal of Trump and his allies, describing the show as relying on shock tactics rather than substantive critique. Commentators highlight that these objections are directed more at the depiction of real political figures and the show’s tone than at the specific theology of the Antichrist storyline.
At the time of reporting, there have not been widely reported, detailed statements from major religious leaders focused solely on this Christmas episode, though religion-focused criticism of South Park in general has a long history.
Media and cultural commentary
Entertainment outlets such as The Hollywood Reporter, Entertainment Weekly, Forbes, Slate, and USA Today describe the Antichrist arc as part of South Park’s ongoing use of Trump-era and tech-world politics as material for satire.
Viewer guidance and content advisory
South Park is rated TV‑MA and is intended for adult audiences due to strong language, explicit themes, and frequent use of religious and political satire. Viewers who are sensitive to depictions of Satan, the Antichrist, or parodies involving real political figures may find this episode particularly objectionable, while others may view it as consistent with the show’s long‑running approach to controversial topics. As with previous episodes, individual responses are likely to vary widely, and the episode is best understood as part of an ongoing satirical series rather than a factual or theological statement.
Sydney Sweeney has decided she is finished watching strangers on the internet treat her face like a forensic project. After years of side‑by‑side screenshots, “then vs now” TikToks, and long comment threads wondering what work she has supposedly had done, the actor is now addressing the plastic surgery rumors directly—and using them to say something larger about how women are looked at in Hollywood and online.
Growing Up on Camera vs. “Before and After” Culture
Sweeney points out that people are often mistaking normal changes for procedures: she grew up on camera, her roles now come with big‑budget glam teams, and her body has shifted as she has trained, aged, and worked nonstop. Yet every new red‑carpet photo gets folded into a narrative that assumes surgeons, not time, are responsible. Rather than walking through a checklist of what is “real,” she emphasizes how bizarre it is that internet detectives comb through pores, noses, and jawlines as if they are owed an explanation for every contour of a woman’s face.
The Real Problem Isn’t Her Face
By speaking up, Sweeney is redirecting the conversation away from her features and toward the culture that obsesses over them.
She argues that the real issue isn’t whether an actress has had work done, but why audiences feel so entitled to dissect her body as public property in the first place.
For her, the constant speculation is less about curiosity and more about control—another way to tell women what they should look like and punish them when they do not fit. In calling out that dynamic, Sweeney isn’t just defending herself; she is forcing fans and followers to ask why tearing apart someone else’s appearance has become such a popular form of entertainment.
Disney Brings Beloved Characters to ChatGPT After $1 Billion OpenAI Deal
Google Accused Of Favoring White, Asian Staff As It Reaches $28 Million Deal That Excludes Black Workers
