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Grammy trophies. David Becker/Getty Images for The Recording Academy
The 66th Annual Grammy Awards will hand out trophies to music’s biggest stars on Sunday, February 4, 2024.
Nominations for the awards ceremony were announced in November 2023, with rapper SZA leading the pack with nine nods. Phoebe Bridgers, Serban Ghenea and Victoria Monét all follow close behind with seven each. Miley Cyrus, Taylor Swift, Billie Eilish, Olivia Rodrigo, Jon Batiste, Jack Antonoff, Boygenius and Brandy Clark, meanwhile, all scored six nominations each.
“Cause I’m overwhelmed by it and it gives me alotta [sic] anxiety to think of words … but I’m very grateful and very shook,” SZA wrote via X (formerly Twitter) after the nominations were announced. “And I wish my granny was here to come w me again.”
SZA invited her grandmother as her date to the 2018 Grammys when she was nominated (and performed) for the first time.
“I had to,” she told Entertainment Tonight on the February 2018 red carpet. “My granny came all the way from St. Louis and she’s never flown before.”
SZA’s grandmother died one year later.
Keep scrolling for everything to know about the 2024 Grammy Awards:
The Grammys take place on Sunday, February 4, 2024, at Los Angeles’ Crypto.com Arena. The show kicks off at 8 p.m. ET and runs through 11:30 p.m.
Trevor Noah will emcee the ceremony for the fourth year in a row.
“I’m excited about that, yeah, it’s a lot of fun,” Noah said on his “What Now?” podcast in December 2023. “I enjoy the Grammys because I get to watch the show in person and then experience and comment on it in person while it is happening.”
Trevor Noah Kevin Winter/Getty Images for The Recording Academy
SZA, Swift, Cyrus, Rodrigo and Ice Spice all scored multiple nods. For Album of the Year, the nominees include Batiste, Cyrus, Rodrigo, Swift, SZA, Boygenius, Lana Del Rey and Janelle Monáe.
“Sort of a crazy day yesterday. I started off my morning by getting the extraordinary news that because of you and because of the way you have supported my album Midnights, it just got nominated for six Grammys!” Swift gushed during her November 2023 concert in Argentina, holding up six fingers. “You’re the best. You continue to be the best. You’re the only reason that anything like that ever happened in my life.”
It wouldn’t be “music’s biggest night” without some stellar performances from music’s biggest stars. Billie Eilish, who is nominated for six Grammys (including Song and Record of the Year) will perform at the February 4 ceremony. Other performers include Dua Lipa (who is up for two Grammys) and Olivia Rodrigo (nominated for five, including Album of the Year for Guts).
On January 21, the Academy announced the next slate of performers. Travis Scott, whose Utopia is up for Best Rap Album, will hit the stage. Luke Combs, whose version of Tracy Chapman’s “Fast Car” was nominated for Best Country Solo Performance, is also scheduled to play music’s biggest night. Plus, Burna Boy becomes the first Afro-fusion artist to perform at the Grammys. He is competing for four awards, including Best Global Music Album and Best Melodic Rap Performance.
The Academy also revealed on January 28 that Joni Mitchell, who is nominated for Best Folk Album for Joni Mitchell at Newport, will perform at the show. This marks her first-ever Grammys performance.
SZA Timothy Norris/FilmMagic/Getty Images
The 2024 Grammys introduced a range of new categories, including Best African Music Performance, Best Alternative Jazz Album and Best Pop Dance Recording. Additionally, trophies for Producer of the Year, Non-Classical and Songwriter of the Year, Non-Classical will be moved into the general field.
The Grammys will air live on CBS. It will also be available to stream via Paramount+.
The 66th Annual Grammy Awards will hand out trophies to music’s biggest stars on Sunday, February 4, 2024. Nominations for the awards ceremony were announced in November 2023, with rapper SZA leading the pack with nine nods. Phoebe Bridgers, Serban Ghenea and Victoria Monét all follow close behind with seven each. Miley Cyrus, Taylor Swift,
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Christian Keyes, the creator and star of the popular drama series “All the Queen’s Men,“ has officially announced that the show will be leaving BET and BET+. This decision marks a significant turning point for the series, which has garnered a dedicated fanbase since its debut.
Keyes took to social media to share his reasons for the departure, citing ongoing frustrations with the network. He revealed that he often learned about major show updates, such as premiere dates and trailers, through the internet rather than directly from BET+. This lack of communication left him feeling sidelined from the very project he created.
“It is continuously disappointing to find out that your show is coming back on the internet instead of finding out from the network,” Keyes stated, describing the treatment as “dismissive and disrespectful.”
He also disclosed that his “Created By” credit was removed in the show’s second season, forcing him to involve the Writers Guild of America to have his credit restored. Keyes emphasized that he conceived the series 15 years ago and remains deeply protective of its legacy.
Keyes confirmed that he will not be developing any prequels, spinoffs, or future projects related to “All the Queen’s Men” for BET or BET+. He is currently in negotiations with other streaming platforms to find a new home for the series, though no official announcement has been made regarding its next destination.
Development | Details |
---|---|
Leaving BET/BET+ | Confirmed by Christian Keyes |
Reason for Departure | Lack of communication, loss of creator credit, unprofessional conduct |
New Platform | Negotiations ongoing, not yet announced |
Prequels/Spinoffs | Will not be produced for BET/BET+ |
Stage Play | Planned for Las Vegas and touring |
Season 4B Premiere | July 24 (still on BET+) |
While the next chapter for “All the Queen’s Men” remains uncertain, Christian Keyes’ commitment to the series and its fans is unwavering. As he seeks a new platform, viewers can expect the universe he created to continue evolving—just not under the BET+ banner.
Early Beginnings: A Star in the MakingBorn on May 11, 1999, in Quakertown, Pennsylvania, Sabrina Annlane Carpenter showed an early passion for music. So much so that her father built a soundproof booth in their basement to keep her singing from disturbing the neighbors. By age 10, she was already uploading cover songs to YouTube, signaling the start of her public journey.
Her early exposure to the industry came through an online talent contest linked to Miley Cyrus’s fan club, where she placed third. This modest win caught the attention of casting directors, leading to small acting roles, including a guest spot on Law & Order: SVU. Her big break came in 2014 when she landed the role of Maya Hart, the wisecracking best friend on Disney Channel’s Girl Meets World.The Disney Era: Building a FoundationThough not the lead, Sabrina’s role on Girl Meets World gave her a platform. Disney also recognized her singing talent, releasing her debut single, Can’t Blame a Girl for Trying. Between 2015 and 2019, she released four albums—Eyes Wide Open, Evolution, Singular: Act I, and Singular: Act II. These projects earned respectable chart positions and built a loyal fan base, but she had yet to break into mainstream pop stardom.
By the end of the decade, Sabrina was a familiar face with a solid resume but still seen by many as a Disney alum rather than a major pop artist. It was clear that a transformation was necessary.
The Turning Point: Reinvention and Industry Realities.
Sabrina’s journey reflects a common narrative for child stars transitioning to adult artists. She has spoken candidly about signing her first contract at 12, not fully understanding the implications, and navigating the pressures of the music industry. She faced the challenge of maintaining her identity while meeting industry expectations, including the unspoken rule to “sexify” her image to reach the next level.
Her transition was not just about image but also about artistic growth. The industry’s artist development process, sometimes involving vocal and dance training, stylistic changes, and even physical alterations, played a role in reshaping her brand.
New Beginnings with Island Records
In early 2021, Sabrina’s Disney contract ended, and she signed with Island Records. Her first single under the new label, Skin, sparked controversy and media attention, rumored to be a diss track aimed at Olivia Rodrigo. Whether intentional or not, it marked a new chapter, accompanied by noticeable changes in her appearance and style.
Her album Emails I Can’t Send (2022) showcased a more mature sound and personal songwriting, earning critical praise and fan admiration. The album’s success was bolstered by collaborations with top producers and songwriters, including Jack Antonoff, Ian Kirkpatrick, and Amy Allen, who helped craft a fresh, ‘80s-inspired pop sound with emotional depth.
Breaking Through: The Short and Sweet Era
Sabrina’s momentum continued with the release of Short and Sweet in 2024. The album debuted at number one on the Billboard charts and went platinum, signaling her arrival as a bona fide pop star. Her single Espresso reached number seven on the Hot 100 and topped the UK charts, cementing her global appeal.
Her live performances evolved into carefully choreographed shows blending soft ‘80s synth-pop with old Hollywood glam aesthetics. Brand partnerships with Rihanna’s Savage Fenty and Kim Kardashian’s Skims further elevated her profile, aligning her with powerful, fashion-forward female brands.
Controversy and Cultural Conversations
With fame came scrutiny. Sabrina’s increasingly provocative performances and imagery sparked debate, especially given her Disney roots and young fanbase. Videos of sexually suggestive stage acts and album cover art depicting submissive poses ignited discussions about feminism, sexual freedom, and the boundaries of artistic expression.
Critics accused her of glamorizing regressive gender roles, while supporters defended her right to explore sexuality on her terms. Sabrina herself acknowledged the complexity, emphasizing her normalcy and playful approach to performance.
The Artist Behind the Brand
Despite accusations of being an “industry plant,” Sabrina’s decade-long career and artistic involvement tell a different story. She is deeply involved in songwriting and creative decisions, dispelling myths that she is merely a manufactured product.
Her candid reflections reveal the toll of constant touring and the pressures of maintaining a public persona. Yet, she remains committed to her craft and evolving identity.What’s Next for Sabrina Carpenter?
Sabrina Carpenter’s story is far from over. Her latest album, Man’s Best Friend, has already sparked intense cultural debates, highlighting her ability to provoke thought and conversation. Whether loved or criticized, she commands attention and continues to push boundaries.
Her journey from a singing child in Pennsylvania to a global pop icon is a testament to perseverance, reinvention, and the complex machinery behind modern stardom. Sabrina Carpenter wasn’t just made overnight—she was made over years of hard work, strategic evolution, and fearless self-expression. The world is watching, and she’s just getting started.
As the federal trial of Sean “Diddy” Combs unfolds under intense national scrutiny, an unexpected figure has taken center stage—not a witness or attorney, but Juror 25. His conduct in the jury room has ignited a heated debate over the integrity and fairness of the proceedings in one of the year’s most closely watched cases.
Juror 25, a 51-year-old Manhattan scientist with a Ph.D. in molecular biology and neuroscience, lives with his partner and is known for his love of opera and nature documentaries. During jury selection, he disclosed having seen video evidence related to the case, a detail that already set him apart from his peers.
Shortly after deliberations began, the jury sent a note to Judge Arun Subramanian expressing concern: Juror 25 “cannot follow your honor’s instructions.” This rare move immediately raised questions about whether the juror was struggling to grasp legal concepts or was simply challenging the group’s consensus. The judge, after careful consideration, instructed the panel to continue and report any further issues.
The situation has sparked a broader debate:
This controversy highlights the challenges of jury selection in high-profile cases and the pressures jurors face under the national spotlight. It also raises fundamental questions about what fairness means in the American justice system: Is it about consensus, or about ensuring every voice is heard—even if it complicates the path to a verdict?
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