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Grammy trophies. David Becker/Getty Images for The Recording Academy
The 66th Annual Grammy Awards will hand out trophies to music’s biggest stars on Sunday, February 4, 2024.
Nominations for the awards ceremony were announced in November 2023, with rapper SZA leading the pack with nine nods. Phoebe Bridgers, Serban Ghenea and Victoria Monét all follow close behind with seven each. Miley Cyrus, Taylor Swift, Billie Eilish, Olivia Rodrigo, Jon Batiste, Jack Antonoff, Boygenius and Brandy Clark, meanwhile, all scored six nominations each.
“Cause I’m overwhelmed by it and it gives me alotta [sic] anxiety to think of words … but I’m very grateful and very shook,” SZA wrote via X (formerly Twitter) after the nominations were announced. “And I wish my granny was here to come w me again.”
SZA invited her grandmother as her date to the 2018 Grammys when she was nominated (and performed) for the first time.
“I had to,” she told Entertainment Tonight on the February 2018 red carpet. “My granny came all the way from St. Louis and she’s never flown before.”
SZA’s grandmother died one year later.
Keep scrolling for everything to know about the 2024 Grammy Awards:
The Grammys take place on Sunday, February 4, 2024, at Los Angeles’ Crypto.com Arena. The show kicks off at 8 p.m. ET and runs through 11:30 p.m.
Trevor Noah will emcee the ceremony for the fourth year in a row.
“I’m excited about that, yeah, it’s a lot of fun,” Noah said on his “What Now?” podcast in December 2023. “I enjoy the Grammys because I get to watch the show in person and then experience and comment on it in person while it is happening.”
Trevor Noah Kevin Winter/Getty Images for The Recording Academy
SZA, Swift, Cyrus, Rodrigo and Ice Spice all scored multiple nods. For Album of the Year, the nominees include Batiste, Cyrus, Rodrigo, Swift, SZA, Boygenius, Lana Del Rey and Janelle Monáe.
“Sort of a crazy day yesterday. I started off my morning by getting the extraordinary news that because of you and because of the way you have supported my album Midnights, it just got nominated for six Grammys!” Swift gushed during her November 2023 concert in Argentina, holding up six fingers. “You’re the best. You continue to be the best. You’re the only reason that anything like that ever happened in my life.”
It wouldn’t be “music’s biggest night” without some stellar performances from music’s biggest stars. Billie Eilish, who is nominated for six Grammys (including Song and Record of the Year) will perform at the February 4 ceremony. Other performers include Dua Lipa (who is up for two Grammys) and Olivia Rodrigo (nominated for five, including Album of the Year for Guts).
On January 21, the Academy announced the next slate of performers. Travis Scott, whose Utopia is up for Best Rap Album, will hit the stage. Luke Combs, whose version of Tracy Chapman’s “Fast Car” was nominated for Best Country Solo Performance, is also scheduled to play music’s biggest night. Plus, Burna Boy becomes the first Afro-fusion artist to perform at the Grammys. He is competing for four awards, including Best Global Music Album and Best Melodic Rap Performance.
The Academy also revealed on January 28 that Joni Mitchell, who is nominated for Best Folk Album for Joni Mitchell at Newport, will perform at the show. This marks her first-ever Grammys performance.
SZA Timothy Norris/FilmMagic/Getty Images
The 2024 Grammys introduced a range of new categories, including Best African Music Performance, Best Alternative Jazz Album and Best Pop Dance Recording. Additionally, trophies for Producer of the Year, Non-Classical and Songwriter of the Year, Non-Classical will be moved into the general field.
The Grammys will air live on CBS. It will also be available to stream via Paramount+.
The 66th Annual Grammy Awards will hand out trophies to music’s biggest stars on Sunday, February 4, 2024. Nominations for the awards ceremony were announced in November 2023, with rapper SZA leading the pack with nine nods. Phoebe Bridgers, Serban Ghenea and Victoria Monét all follow close behind with seven each. Miley Cyrus, Taylor Swift,
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As Sinners surges into the cultural conversation, it’s impossible to ignore the force of Christian Robinson’s performance. His “let me in” door scene has become one of the film’s defining moments—raw, desperate, and unforgettable. But the power of that scene makes the most sense when you understand the journey that brought him there.
Christian’s path didn’t begin on a Hollywood set. It started in a Brooklyn church, when a woman named Miss Val kept asking him to be in a play.
“I told her no countless times,” he remembers. “Every time she saw me, she asked me and she wouldn’t stop asking me.”
He finally said yes—and everything changed.
“I did it once and I fell in love,” he says. That one performance pushed him into deep research on the craft, a move to Atlanta, and years of unglamorous work: training, auditioning, stacking small wins until he booked his first roles and then Netflix’s Burning Sands, where many met him as Big Country.
By the time Sinners came along, he wasn’t a newcomer hoping to get lucky. He was an actor who had quietly built the muscles to carry something bigger.
On The Roselyn Omaka Show, Christian shared the directing note Ryan Coogler gave him before filming the door scene:
“He explained to me, ‘I need you to bang on this door as if your life depended on it. Like it’s a matter of life and death.’”
Christian didn’t just turn up the volume; he reached deeper.
“This film speaks a lot about our ancestors,” he told Roselyn Omaka. “So I tried to give a glimpse of what our ancestors would’ve experienced if someone or something that could bring ultimate destruction was after them. How hard would they bang? How loud would they scream to try to get into a place safely? That’s what I intended to convey in that moment.”
That inner picture—life or death, ancestors, ultimate destruction—is why the scene hits like more than a plot beat. It feels like generational memory breaking through a single frame.
When Roselyn asks what he’s processing as Sinners takes off, Christian admits he’s still inside the wave.
“I’ve never experienced a project with this level of reception and energy and momentum,” he says. “People having their theories and breaking it down and doing reenactments… it’s never been a time like this in my career.”
He’s careful not to over‑define something that’s still unfolding: “There’s no way to give an accurate description of what I’m experiencing while I’m still experiencing it.” He knows he’ll need distance to name it fully.
But he can name one thing: “If I could gather any adjective to describe it, it would be gratefulness. I’m grateful.”
He also feels the weight of what this film might mean long-term:
“To know that I was there for a large amount of the time it was being brought to life, and a part of what the internet is saying will be history… this is something that I’m inspired by—to shoot for the stars in whatever passion rooted in creativity that you possess.”
Christian talks about the music of Sinners as another force that shaped him. The score wasn’t playing nonstop; it showed up in key moments.
“The music was played when it was necessary to be played. But when it was played, it resonated,” he says. Hearing Miles Caton’s songs early, before the world did, he remembers thinking, “This is going to be magical… This is one of the ones right here.”
For all the heaviness of the story, he also brought levity. He laughs about being the jokester on set—singing Juvenile and Lil Wayne in the New Orleans hair and makeup trailer, trying to make everyone smile during Essence Fest weekend. “I’m a fun guy,” he says. “I love to see people laugh and have a good time.”
What might be most revealing is how seriously Christian takes his responsibility off screen. In 2015, sitting in his apartment outside Atlanta, he felt God tell him to start a nonprofit called PATHS.
“I heard from God and he told me to start a nonprofit called PATHS,” he recalls. At first, he and his peers went into schools and inner‑city communities to teach young people “the many different paths to entering the entertainment industry”—not just the craft, but “the practical steps and establishing yourself, like the business of an actor… a stunt person, hair and makeup, etc.”
When the pandemic hit and school visits stopped, he pivoted to a podcast and digital platform: “Fine, I’ll do it,” he laughs. Now PATHS for us lets “anyone anywhere that desires to be in entertainment hear from credible entertainment industry professionals on how they got to where they are and how you can do the same.”
Working on Sinners confirmed that he should go all in: “It just gave me exactly what I needed to know that I should pour my all into it.”
As Sinners takes off, Christian keeps coming back to one word: gratefulness—for the film, for the collaborators, for the chance to be part of something people are calling historic.
At Bolanle Media, we see more than a viral scene. We see an artist whose craft is rooted in faith, ancestors, and hard-earned discipline; whose joy lifts the rooms he works in; and whose platform is opening real paths for others.
This scene almost broke him. And changed his career.
Now, as the world catches up, Christian Robinson is using that breakthrough not just to walk through new doors—but to help the next generation find theirs.

Michael B. Jordan’s first Oscar win for Sinners isn’t just a milestone for his career — it’s a masterclass for filmmakers watching from the edit bay, the writing desk, or the no‑budget set.
For years, Jordan has been building toward this moment: from early TV roles to his breakout in Fruitvale Station, the cultural shockwave of Black Panther, and his evolution into a producer and director. His Sinners performance and awards run crystallize a set of habits, choices, and values that rising filmmakers can actually use.
Jordan’s professional story is inseparable from his collaboration with Ryan Coogler. They’ve moved together from intimate indie drama to franchise-level spectacle, and now to awards-season dominance with Sinners.
“Find your people and grow with them, not just next to them.”
For filmmakers, the takeaway is simple:
That kind of trust lets you move faster, go deeper, and take bigger risks together.
Jordan has talked in interviews about preparing so thoroughly that he can “let go” when the cameras roll. The homework — script work, character study, physical training, emotional research — is what makes the risk possible.
You can translate that directly into a filmmaking workflow:
The more you handle before you’re on set, the more you can afford to explore, improvise, and discover in real time.
“Preparation buys you freedom on set.”
A key pattern in Jordan’s choices is betting on material that doesn’t always look safe or obvious on paper. Roles and projects that feel intense, specific, or risky are often the ones that end up resonating the most.
For filmmakers, that means:
The project that scares you a little might be the one that actually breaks you out.
“If it feels too safe, it’s probably not big enough.”
Jordan is a modern multi-hyphenate — actor, producer, director — but he’s also strategic about when he wears which hat. On some projects, he leans fully into performance and trusts his team with everything else; on others, like Creed III, he steps behind the camera and takes on the entire vision.
Filmmakers can learn from that restraint:
Ask yourself on each film: “What’s the one role where I add the most value here?” Then structure the team accordingly.
“You don’t have to do everything on every film.”

Through his company and slate, Jordan is doing more than collecting credits. He’s building an ecosystem where the stories he cares about have a home — a pipeline for voices, genres, and perspectives that might not get space elsewhere.
That’s a roadmap for independent filmmakers and media founders:
Your “ecosystem” might start as a simple recurring short-film series on your site, or a curated block at a festival. Over time, it becomes infrastructure.
“Don’t just book jobs. Build a world.”
When he accepted his Oscar, Jordan made a point to acknowledge the Black artists and legends who paved the way before him. That posture matters. It keeps ego in check and places today’s wins inside a longer lineage of struggle and progress.
Filmmakers can mirror that by:
This isn’t just about being gracious; it’s about knowing you’re part of a story bigger than one awards season.
“Your win is a chapter, not the whole book.”
The most powerful thing about this moment is that it doesn’t feel like a finish line. Jordan’s energy reads as: this is motivation, not retirement. The recognition becomes pressure to work smarter, deeper, and more intentionally.
Filmmakers can turn every “win” — whether it’s an Oscar, a festival laurel, a viral clip, or a private email from someone impacted by your work — into fuel for the next draft and the next shoot.
Ask:
“Treat every win as a new baseline, not a peak.”
At Bolane Media, we see Michael B. Jordan’s Oscar moment not just as a celebrity headline, but as a roadmap for emerging storytellers — especially those building from underrepresented communities and independent spaces.
If you’re a filmmaker reading this:
Then share your work with us. We want to see what you build.

Every filmmaker aspires to create projects that are not only memorable but also uniquely their own. Finding your creative voice is a journey that requires self-reflection, bold choices, and an unwavering commitment to your vision. Here’s how to uncover your style, take risks, and craft original work that stands out.
Your unique voice begins with recognizing what inspires you.
Tip: Combine what you love with your personal experiences to create a lens that only you can offer.
Example: Wes Anderson’s whimsical, symmetrical worlds stem from his love of classic storytelling and his unique visual style.
Takeaway: Start with what moves you, then add your personal touch.
To stand out, you must be willing to challenge conventions and explore new territory.
Example: Jordan Peele blended horror with social commentary in Get Out, creating a genre-defying film that captivated audiences.
Takeaway: Risks are an opportunity for growth, even if they don’t always succeed.
Original projects resonate when they stem from a place of truth.
Example: Greta Gerwig’s Lady Bird was deeply personal, based on her experiences growing up in Sacramento. The film’s authenticity made it universally relatable.
Takeaway: The more personal the story, the more it resonates.
Style is not just about visuals—it’s how you tell a story across all elements of filmmaking.
Example: Quentin Tarantino’s use of dialogue, pop culture references, and bold music choices makes his work instantly recognizable.
Takeaway: Your style should be intentional, evolving as you grow but always recognizable as yours.
The filmmaking process is full of challenges, but staying true to your voice is essential.
Example: Ava DuVernay shifted from public relations to filmmaking, staying true to her voice in films like Selma and 13th, which focus on social justice.
Takeaway: Your voice evolves with every project, so embrace the process.
Finding your voice as a filmmaker takes time, courage, and commitment. By exploring your influences, taking risks, and staying true to your perspective, you’ll craft stories that not only stand out but also resonate deeply with your audience.
Bolanle Media is excited to announce our partnership with The Newbie Film Academy to offer comprehensive courses designed specifically for aspiring screenwriters. Whether you’re just starting out or looking to enhance your skills, our resources will provide you with the tools and knowledge needed to succeed in the competitive world of screenwriting. Join us today to unlock your creative potential and take your first steps toward crafting compelling stories that resonate with audiences. Let’s turn your ideas into impactful scripts together!

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