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JoJo Siwa is set to replace Nigel Lythgoe as a judge on So You Think You Can Dance after Lythgoe was accused of sexual assault.
Fox issued a press release on Friday, January 26, announcing Siwa, 20, would return for season 18 of the dance competition series, which premieres on Monday, March 4, after previously appearing as a judge on season 17. Allison Holker and Maksim Chmerkovskiy will complete the panel. Cat Deeley, who has hosted the show since 2006, will return as emcee.
The addition of Siwa to the season 18 lineup comes shortly after Lythgoe, 74, exited the series in the wake of multiple sexual assault lawsuits. Us Weekly confirmed in December 2023 that Lythgoe, who served as a judge and executive producer on SYTYCD since its premiere in 2005, was being sued by Paula Abdul.
In court documents obtained by Rolling Stone, Abdul, 61, claimed that Lythgoe assaulted her multiple times over the years while the pair worked together on American Idol and SYTYCD.
Abdul’s suit alleges that Lythgoe “verbally insulted and belittled” her prior to taking her American Idol gig and that he continued to bully her during her time on the singing competition series. It also claims that he sexually assaulted her in a hotel elevator while traveling for Idol auditions. (She did not specify when the alleged incident took place.)
“Abdul attempted to push Lythgoe away from her. When the doors to the elevator for her door opened, Abdul ran out of the elevator and to her hotel room,” the court documents read. “Abdul quickly called one of her representatives in tears to inform them of the assault.”
Following her time on Idol, Abdul briefly joined the judging panel of So You Think You Can Dance. Elsewhere in the lawsuit, it claims that she witnessed Lythgoe sexually assault one of her assistants without consent.
Lythgoe has denied the allegations. “To say that I am shocked and saddened by the allegations made against me by Paula Abdul is a wild understatement,” he said in a statement to Us last month. “For more than two decades, Paula and I have interacted as dear — and entirely platonic — friends and colleagues. Yesterday, however, out of the blue, I learned of these claims in the press and I want to be clear: not only are they false, they are deeply offensive to me and to everything I stand for.”
He continued, “While Paula’s history of erratic behavior is well known, I can’t pretend to understand exactly why she would file a lawsuit that she must know is untrue. But I can promise that I will fight this appalling smear with everything I have.”
Earlier this month, a second lawsuit was filed against Lythgoe by two contestants on the 2003 competition series All American Girl. The two women accused him of forcibly trying to kiss them after a wrap party in 2003.
Getty Images (2) JoJo Siwa is set to replace Nigel Lythgoe as a judge on So You Think You Can Dance after Lythgoe was accused of sexual assault. Fox issued a press release on Friday, January 26, announcing Siwa, 20, would return for season 18 of the dance competition series, which premieres on Monday, March
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California just made a dramatic stand for human creativity, defeating the threat of AI actor clones with a sweeping new law that puts people—not algorithms—back in the Hollywood spotlight. With the stroke of Governor Gavin Newsom’s pen in October 2025, the state has sent a clear message to studios, tech companies, and the world: entertainment’s heart belongs to those who create and perform, not to digital facsimiles.
For months, the entertainment industry has been divided over the use of artificial intelligence in filmmaking. Studios, lured by promises of cost-cutting and creative flexibility, have invested in software that can mimic an actor’s face, voice, and even emotional range. But for performers, this wave of synthetic reproduction has triggered alarm—encouraged by chilling stories of deepfakes, unauthorized digital doubles, and contracts that let studios reuse a star’s likeness indefinitely, sometimes without pay or approval.
The new California law, anchored by AB 2602 and AB 1836, changes everything:
The legislation rides the momentum of the recent SAG-AFTRA strike, where real-life talent demanded control over their own digital destinies. Leaders say these protections will empower artists to negotiate fair contracts and refuse participation in projects that cross ethical lines, restoring dignity and choice in an industry threatened by silent algorithms.
Stars, unions, and advocacy groups are hailing the law as the most robust defense yet against unwanted AI replications.
As one actor put it, “This isn’t just about money—it’s about identity, legacy, and respect for real artists in a synthetic age.”
California’s move isn’t just a victory for local talent—it’s a warning shot to studios everywhere. Companies will now be forced to rethink production pipelines, consult legal counsel, and obtain proper clearance before digitally cloning anyone. Global entertainment platforms and tech developers will need to comply if they want to do business in the world’s entertainment capital.
These laws also set a template likely to ripple through other creative fields, from musicians whose voices can be synthesized to writers whose work could be mimicked by generative AI. For now, California performers finally have a powerful shield, ready to fight for the right to shape their own public image.
With its no-nonsense ban on AI actor clones, California draws a bold line, championing the work, likeness, and very humanity of its creative stars. It’s a landmark step that forces the entertainment industry to choose: respect real talent, or face real consequences. The age of the consentless digital double is over—human performers remain the true source of Hollywood magic.
Darby Kingman’s “Camp Wackapoo: Rise of Glog” redefines summer camp comedy with a wild, energetic story about ambition, chaos, and the joy of embracing the unexpected. The film centers on a relentlessly competitive camp counselor who’s determined to finish first—only to face a motley crew of unruly campers and a summer unlike any other.
As Darby puts it, “Not everything is that deep. It really honestly was to make people laugh. She has all these kids that are not working with her and she’s just losing her mind. It’s crazy, silly, goofy, and it was a blast.”
What started as a simple scene for Darby’s acting reel evolved into a full-fledged film with encouragement from her mentor at Debbie Reynolds Acting School. Darby dove into every role—writing, directing, starring, and meticulously preparing each prop and costume. “Plan and prepare, but also be flexible and ready to be in the moment—that’s when the magic happens,” she advises.
Working with a handpicked cast of her own dance students, Darby built an atmosphere of real teamwork and camaraderie. She credits the “precious” energy of her young cast, her creative director of photography, and the overall spirit of her production team for turning the project into something bigger than herself. Her experience is an inspiring blueprint for indie filmmakers:
“Take initiative and control of your career. You can’t just sit around and wait for somebody to pick you. Figure out what you’re good at and go for it. Create something that brings joy to others.”
Her production motto? “Preparation is key, but you have to be ready to go with the flow—that’s when the magic happens.” Darby’s fearless creativity, focus on collaboration, and love for comedy shine throughout “Camp Wackapoo: Rise of Glog.” It’s more than just a camp satire—it’s a heartfelt testament to hard work, original humor, and leadership from the ground up: “People need to laugh right now. That’s a win.”
Catch “Camp Wackapoo: Rise of Glog” and experience Darby’s infectious energy and comic genius at the Deluxe Theatre on November 1, 2025. Get your tickets now at Houstoncomedyfilmfestival.com.
The world of film and entertainment is mourning the loss of Diane Keaton, an Oscar-winning actress renowned for her enduring talent, individuality, and influence on generations of performers and fans. Keaton died at the age of 79 in California on Saturday, October 11, 2025, her family confirmed. Details remain private, with her family requesting privacy as they grieve this profound loss.
Diane Keaton rose to fame in the 1970s through a series of memorable roles, most notably as Kay Adams in “The Godfather” trilogy and as the quirky, unforgettable lead in Woody Allen’s “Annie Hall,” for which she won the Academy Award for Best Actress. Her performances in films like “The First Wives Club,” “Something’s Gotta Give,” and the “Book Club” series solidified her reputation as an actress with unique comedic timing and dramatic depth. Keaton was celebrated not only for her artistry but also for her androgynous fashion sense, characterized by menswear-inspired looks, hats, and an easy, effortless style that influenced generations.
Following the news of her passing, tributes poured in from Hollywood and beyond. Bette Midler, Goldie Hawn, and Jane Fonda were among the countless stars who expressed devastation and admiration for Keaton’s incomparable legacy. Hawn recalled their friendship and collaborations, writing: “Diane, we aren’t ready to lose you…you stole the hearts of the world and shared your genius with millions”. Midler echoed the sentiment, praising Keaton as “brilliant, beautiful, extraordinary” and a truly original presence in Hollywood.
Though fiercely independent and known for her openness, Keaton kept her declining health private in her final months. Friends and neighbors noticed her retreat from public life and social media, and she was recently seen less often in her Brentwood neighborhood. In the past, Keaton candidly discussed her ongoing battles with skin cancer and bulimia, openly advocating for personal health and authenticity.
Diane Keaton leaves behind a legacy defined by her fearless performances, unique style, and enduring influence on the arts. She is survived by her two children, Dexter and Duke. As Hollywood and her global fanbase mourn, her pioneering spirit and unmistakable voice will continue to inspire generations.
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